Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Before Sontag became a parody

When an unpublished diary or book of letters from a celebrated writer comes to the attention of the reading public nowadays, there is often a sense that a game is being played between two parties. Writers — being the megalomaniacs they invariably are — dream of grandiosity and world domination, therefore these documents are predominately contrived from the moment pen goes to paper. They are for potential posterity, and a legacy, rather than any truthful insights. The readers readily take part in this charade, hoping to catch their idols off guard in the process.

Birthday present from the Bard

St. George’s Day, 23rd April, is Shakespeare’s birthday. You may get a present, if you are in the right place at the right time. World Book Night, the event where enthusiasts give a book to passers-by, will take place this evening. The organisers hope that 2.5 million copies of 25 books will be given away by 78,000 volunteers in the United States, Britain, Germany and Ireland. This massive undertaking is laudable, even though the selection of books is wholly unimaginative. Martina Cole, Audrey Niffenegger and Bernard Cornwell may not need more readers, but their best-selling pot-boilers might get more people reading. Like all the best things in life, one book leads to another.

Across the literary pages: Facing death

Man has conquered his inhibitions to talk about everything other than his own demise. Death is, famously, the last taboo — and, judging by many of the reviews of Philip Gould’s When I Die: Lessons from the Death Zone, we are no closer to breaking it. The novelist Justin Cartwright describes himself as ‘racked with doubt’ about the correct response of the reviewer of a book that charts a man’s preparations for death from oesophageal cancer. He goes on to ask seven questions on that theme and gets no closer to an answer. Meanwhile, the author Richard Holloway admits (£) to being ‘disturbed by the desperation with which we have become a culture that will do almost anything to keep death at bay.

The American way of justice

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Conrad Black sympathises with the NatWest Three — victims of British cowardice and a corrupt US legal system It was the misfortune of David Bermingham and his co-defendants to be very peripherally connected to the Enron debacle. Enron was the ultimate hot financial client for a merchant banker and designer of sophisticated financial vehicles, the author’s occupation at Greenwich National Westminster. Bermingham’s offence was to produce a spectacularly imaginative new structure for an existing financial company, which impressed the Enron financial officers, at a time when Greenwich National Westminster was being offered for sale and NatWest itself was a takeover candidate.

A law unto itself

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One could meet any day in Society Harold Acton, Tom Driberg or Rowse: May there always, to add their variety, Be some rather Odd Fish at The House. Thus W. H. Auden (something of an odd fish himself) reminiscing at a Christ Church gaudy half a century ago. There have certainly been quite a lot of such fish in living memory, not least in the Senior Common Room.

Ultimate issues

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In his preface to this anthology of brief memoirs, Robert Silvers suggests that its ‘invisible, tragic core’ is to be found in an account by Isaiah Berlin of one of his several meetings with Boris Pasternak. Pasternak told Berlin how Stalin had once telephoned him to ask him two questions: had Pasternak been present when Mandelstam read out his notorious ‘Epigram’ about Stalin; and was Mandelstam a ‘master’? Pasternak sidestepped these questions by saying that it was essential that he and Stalin meet: they needed to ‘speak about ultimate issues, about life and death’. This was in 1934, not long before Mandelstam’s first arrest.

Cry freedom

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Scenes From Early Life is a rather dull title for a deeply interesting book. It is a novel; this is stated on the jacket, as if anticipating the possibility that readers may question that definition. Set in Dacca (now Dhaka), it is about the emergence of Bangladesh as a state independent of Pakistan after the savage civil war of 1971. Philip Hensher has drawn on memory and history — family history and ‘real’ history. Historical characters, notably Sheik Mujib, the courageous and civilised Bangladeshi leader, mingle with semi- and wholly fictional ones. The joins are seamless. Finishing the book, I was startled to realise that Hensher, an Englishman, had written a novel without a single English character in it, and that I, at least, had been wholly convinced.

One that got away | 21 April 2012

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There are six drawings in the back of this book. They’re not very good drawings. In fact they look as if they come from an unusually hamfisted comic strip. However, it’s their crudity that makes them so powerful. One shows a young boy being suspended over a coal fire, a rope round his wrists, a chain round his ankles and a hook through his abdomen. The boy is Shin Dong-hyuk, the only person born in a North Korean labour camp ever to have escaped from one. Shin’s first memory is of being taken to see an execution aged four. He watched a man having his mouth stuffed full of pebbles in case he tried to shout out anything unpatriotic, and then shot.

The calls of the wild

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This is a weird and wonderful book. Bernie Krause, who started out as a popular musician and then in the mid-Sixties began to experiment with synthesisers and electronic mixing, has spent the past 40 years recording natural noises — individual species, but more importantly, perhaps, whole habitats and therefore the relationship of the different sounds within specific environments. He has recorded over 15,000 different topographies, and is recognised as a global expert. However — and this is his point — at least half of these ‘soundscapes’ no longer exist; their ancient music has been corroded, thinned out or even silenced by human background din, as well as by the exploitation and destruction of so many of the habitats and species themselves.

Road to ruins

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This is a delightful book, nostalgic, slyly witty, perceptive and at times flirting — deliberately — with old fogeyism. Tom Fort, a BBC radio journalist, starts from the assumption that ‘many of us have a road that reaches back into our past’. For him, this is the 92 miles of the A303 — as he subtitles his book, the ‘Highway to the Sun’. At first glance I imagined there might a be a sort of literary suicide in store; but I quickly discovered that Fort had much more in mind than an anorak’s guide to a road.

Nowhere to go but down

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I am just old enough to remember the terrific fuss that was made about the first Scots literary renaissance when it kicked into gear in the early 1980s. Inaugurated by Alasdair Gray’s Lanark (1981), whipped up into a movement by Gray, Agnes Owens and James Kelman’s Lean Tales (1985), and sent on a downward spiral by the latter’s Booker-winning How Late It Was How Late (1994), its distinguishing features were Glasgie patois, the conviction that everything was Mrs Thatcher’s fault, and a colossal amount of swearing. If you knew the meaning of the word ‘fuck’, a critic once wearily suggested, then about 10 per cent of Kelman’s work was already known to you.

Bookends: Tilling tales

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Several years ago, I listed as my literary heroes Herbert Pocket in Great Expectations and E. F. Benson’s Lucia. The latter was the more damaging admission. Lucia is an egotist of monstrous proportions, ruthlessly selfish and staggering in her snobbery. But she is also a life force and, in her flawed but thrusting glory, profoundly life-enhancing. Since her debut in 1920, Lucia has inspired her fair share of loathing — and a corresponding degree of ardour. That ardour stimulated Tom Holt’s two Lucia sequels in the mid-Eighties, and now the second of Guy Fraser-Sampson’s Lucia forays, Lucia on Holiday (Elliott & Thompson, £7.99).

The art of fiction: April showers, Thomas Becket and Geoffrey Chaucer

April showers break the long March drought, and bring pilgrims to Canterbury; to the shrine, or what remains of it, of St Thomas Becket. There are several historic routes to Canterbury: the Pilgrim’s Way, which runs along the Downs escarpment from Winchester through Sussex and Kent. And there are more modern paths, such as the Via Francigena, which begins in Rome. Canterbury Cathedral’s website says that the pilgrimage from Rome has grown popular in the last ten years, which attests to the revival of interest in English medieval saints and the present strength of Catholic faith. Pilgrims have been coming to Canterbury since before the canonisation of ‘the turbulent priest’ in 1173, two and a half years after his murder in 1170.

The Unlikely Pilgrimage of Harold Fry, by Rachel Joyce — review

The Unlikely Pilgrimage of Harold Fry by Rachel Joyce starts with a wonderfully simple idea. Harold Fry, resident of 13 Fossebridge Road, gets a letter from an old friend, Queenie Hennessy, saying she is dying of cancer. He drafts a reply and goes out to post it. He reaches the post box and, instead of slotting it in, decides to walk to the next one. And the next one after that. Before long, he concludes that a letter is not enough. He will have to walk to Queenie Hennessy himself. Only one snag: the journey from Kingsbridge to Berwick-upon-Tweed is 627 miles. So starts the tale of a modern pilgrim. The epigraph of the novel comes from John Bunyan, and the classic themes of pilgrimage — contemplation, purging of past sins — are threaded through the novel.

Every writer’s nightmare

It’s every writer’s nightmare – losing the only existing copy of your current book. Doesn’t happen that often these days, what with the mantra of the modern world being ‘Thou Shalst Back Up’. What’s particularly galling for Francis Wheen is that he had backed up, in the surest way possible, namely printing out a copy of the his latest novel. But even that isn’t enough when you suffer the fate that befell Wheen last Friday: his garden shed, which acted as his office, burned to the ground.

Pakistan’s descent into chaos

Few countries elicit as much bewilderment as Pakistan — unstable and unreliable, it is simultaneously a friend and foe. Indeed, over the last decade Islamabad has arguably aided the War on Terror as much as it has hindered it. The stakes could barely be higher. A nuclear power in which terrorist groups operate with near impunity, it sits in the strategic heart of South Asia bordering Iran, Afghanistan, China, and India. Its Baluchistan port, Gwadar, is just 200 miles from the Straits of Hormuz — a vital channel for seaborne oil exports threatened with blockade by the Iranians should it be attacked. The United States may well be looking to withdraw from Afghanistan in the coming years, but it cannot not exculpate itself from the region for the foreseeable future.

Shelf Life: Perdita Weeks

The actress Perdita Weeks has answered our impertinent questions this week. Those who imagine her to be a romantic will be disappointed: she's very practical when it comes to love and books. She recently starred in Julian Fellowes' Titanic on ITV. 1) What are you reading at the moment? I am reading The Return of The Native by Thomas Hardy (in an attempt to make up for not doing English A-Level) and The Invisible Woman by Claire Tomalin: as I am playing Maria Ternan in the screen adaptation of the tale of Dickens' love for eighteen year old actress Nelly Ternan. 2) As a child, what did you read under the covers? I was obsessed with the Adventures Series by Willard Price — I think Amazon Adventure and South Sea Adventure were my faves.

The tablet wars

The London Book Fair (LBF) is not much to write home about, although there is something about the spectacle of Chinese apparatchiks shooting the breeze with what appear to be battalions of enhanced women from Eastern Europe. But, LBF is the latest theatre in the tablet wars. The saga of Waterstones and the Barnes&Noble Nook continues. The companies have apparently agreed to enter partnership, after months of secret deliberations which were conducted in anything but secret. However, any official announcement has been pushed back until the summer. This deal has been dragging on for nearly a year, during which time the opposition has gone from strength to strength. In that time, the very swish Kobo has been launched in Britain through WHSmith.

What Mrs Beeton did to us

I have a beaten up old copy of a book from the late 19th century that sits among my collection of recipe volumes in my study at home. When I retrieve this particular doorstop of a tome, the back falls off and gnarled pages flutter to the floor. I pick them up and recipe 1,790 catches my eye: ‘Bread and Butter Pudding, Steamed’. It's one recipe among 2,070 odd pages and it’s from a collection that is widely considered to be one of the greatest cookbooks in the English language. Beeton’s Book of Household Management was first published in 1861 (the ‘Mrs’ was added in later additions). It was a publishing sensation at the time, its popularity has endured for a further 150 years and it is still in print today.

Prize puzzles

There was drama at the Pulitzer Prize last night. No fiction prize was awarded for the first time in 35 years. The judges were unable to reach a decision in the race between David Foster Wallace’s The Pale King, Karen Russel’s Swamplandia! and Denis Johnson’s Train Dreams. Literary bigwigs in America have expressed shock. Jane Smiley — who won the prize in 1992 for her reimagining of King Lear, A Thousand Acres — sent an email to The Press Association saying, 'I can’t believe there wasn’t a worthy one. It’s a shame. But sometimes a selection committee really cannot agree, and giving no award is the outcome. Too bad.' Meanwhile, John Lewis Gaddis took the biography award for his life George F.

St Joe’s parish

There is already a patron saint of bartenders, St Amand, a seventh-century French monk who acquired credibility by bringing back to life a hanged criminal and parlayed his fame into a life spent founding monasteries. But if ever a replacement figurehead were sought, then the profession could do worse than look to Joe Scialom (above left). These days his name is known only to a few booze aficionados, but from 1937 to 1952 he presided over the Long Bar at Shepheard’s Hotel in Cairo. Few remember Shepheard’s either, but a century ago it was one of the most famous stop-overs in the world, the Middle Eastern link in a glittering chain of high-end hospitality stretching from London’s Savoy to the Taj in Bombay, Raffles in Singapore and the Grand Hotel, Khartoum.

Discovering poetry: Robert Herrick’s guide to girls

‘Cherrie-Ripe’ Cherrie-ripe, Ripe, Ripe, I cry, Full and faire ones; come and buy: If so be, you ask me where They doe grow? I answer, There, Where my Julia’s lips doe smile; There’s the Land, or Cherry-Ile: Whose Plantations fully show All the yeere, where Cherries grow. This short poem’s interest comes from its rapid changes of tone and speaker. These add complexity, surprise, and irony to what would otherwise be a cliché (‘my girlfriend’s lips look like cherries’). The first four lines seem to belong to a busy street-scene. ‘Cherry-ripe’ was a call used by hawkers selling cherries in 17th century London. The first line tells us that the speaker of the poem is crying it.

Across the literary pages: Grey and dirty

Belle de Jour has returned for another series. Well, that’s not wholly true. Dr Brooke Magnati, the forensic scientist who worked as a high-class tart during her PhD course, has written a book called The Sex Myth. It blends science and statistical analysis with her intimate knowledge of prostitution to challenge received wisdom about the sex industry. Female reviewers (they have all been female so far by my reckoning) have described the book as ‘important’. (The Times (£) and the Telegraph both carry detailed and favourable reviews.

Rotten, vicious times

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A.N. Wilson recalls the worst decade of  recent history and the death throes of Old England There was a distressing news story the other day about a man who did not declare his father’s death because he wanted, like a character in Gogol, to go on claiming his late parent’s benefits. The smell eventually alerted neighbours to what was going on. The person I pitied was the pathologist who performed the autopsy, eventually declaring that the man had died of natural causes. Presumably this verdict could only be reached after hours of prodding putrescent limbs and organs with a scalpel. A similar feeling of pity arises when contemplating Dominic Sandbrook’s close scrutiny of Britain in the last five years of that terrible decade the 1970s.

Dangerous territory | 14 April 2012

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Fifteen years ago Ahmed Rashid wrote an original, groundbreaking and wonderful book about the Taleban, a subject about which few people at the time knew or cared. Then along came 9/11 and Rashid turned overnight from obscure scribbler into global sage. He was courted (as he reminds us from time to time in this book) by presidents and celebrated by Washington think-tanks. But all this recognition, while well deserved, has had a terrible effect on his prose. Instead of writing very good books, he now writes very bad ones. His Descent into Chaos, published in 2008, an account of the years after 9/11, was ponderous and loaded with received wisdom. This volume is no better.

An elusive father

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In a large upstairs room of the YWCA building behind Tottenham Court Road, a group of actors were nervously waiting for the arrival of the director. There was the powerful whiff of a good cigar, the faint scent of expensive cologne and Orson Welles arrived. He had been in Paris cutting his film of Kafka’s The Trial and now here he was; a huge man, beautifully dressed in a dark suit and floppy tie, full of good humour, apologising for having missed a week of rehearsal. The room exploded with his laughter, an explosion so loud you feared for the windows, and everyone relaxed. He had prepared a version of the two parts of Shakespeare’s King Henry IV and he was going to play Falstaff. Most of the cast were young, and amongst them was a teenager who had been at Oxford.