Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

There and Then: Personal Terms 6, by Frederic Raphael – review

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Frederic Raphael is forensic in his description of the failures of successful people. He is enviously superior and he is partial to the clever oxymoron: ‘predatory caution’, ‘reticent curiosity’, ‘intimidating reassurance’. It is as though he cannot see an abstract noun without qualifying it with a contradictory adjective. It is a kind of shorthand cleverness, but a cleverness nonetheless. For Raphael is undoubtedly clever, and intelligent, and knowledgeable and smart (and, we learn, good at football, tennis and bridge). It is hard not to envy his certainties. This is a thoroughly enjoyable read. Diaries promise indiscretions, and the joy of gossip.

The Red Road by Denise Mina- review

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Denise Mina’s 11th crime novel, The Red Road (Orion, £12.99), is one of her best, which is saying a good deal. Set in Glasgow, it marks the return of Detective Inspector Alex Morrow, mother of twins, sister of a gangster and equipped with too many sharp edges to prosper in her career. She’s a key prosecution witness at the trial of Michael Brown, one of the city’s nastier criminals. The only trouble is, Brown’s fingerprints have turned up at the scene of another murder, committed while he was in custody. Simultaneously, a lawyer connected with Brown dies, and the corrupt and murderous organisation of which he was a part begins to disintegrate. Meanwhile, on a castle in Mull, the dead man’s son waits for the killers who he knows are coming for him.

Russian Roulette, by Giles Milton – review

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Had Onan not spilled his seed upon the ground, he might have invented invisible ink. The possibility had not occurred to me until I read this account of the start of Britain’s intelligence services. Even then the implications seemed so startling as to be barely credible — that the entire trade in espionage, including the serried ranks of Cheltenham’s GCHQ, the massed battalions at Fort Meade’s National Security Agency, the MI5s, 6s and other shadowy digits, not to mention literature’s denizens, from Ashenden and Greenmantle to James Bond and George Smiley, owed its origin to solitary sex. Yet the source given on page 48 of Russian Roulette appears impeccable.

Lion Heart by Justin Cartwright – review

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Justin Cartwright is famously a fan of John Updike — and here he seems to owe a definite debt to one of his hero’s lesser known novels. In Memories of the Ford Administration, Updike interwove the sexual adventures of a 1970s history professor with substantial chunks from the professor’s notes on President James Buchanan, a man whose life Updike had earlier researched for his only play. In Lion Heart, Richard Cathar, an Oxford postgraduate and somewhat solemn philanderer, provides similarly lengthy extracts from his investigations into Richard I and the fate of the True Cross — which were also the subjects of a 2001 TV documentary by Justin Cartwright.

Another Restoration romp

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Robert Merivel made his first appearance in 1989, in Restoration, Rose Tremain’s popular and acclaimed Carolingian novel. The passage of time has left the Everyman doctor sadder and theoretically wiser, but still in thrall to his master, Charles II, still priapic, still governed by ‘uncontainable appetites’. He sits in his chilly library at Bidnold, his Norfolk estate, contemplating life — will his own end through Loneliness, Poverty, Poisoning, Suicide or Meaninglessness? His decrepit manservant, Will, brings him a manuscript found hidden beneath his mattress; it is Merivel’s own account of his earlier years. It looked, to the chambermaid, ‘a mere Wedge, to hold fast the corner of the bedstead’.

The making of a president

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When presented with a title of this kind, many readers think they know what to expect: drugged-up child soldiers, wince-inducing brutality, ranting demagogues, rebels in women’s wigs. This, thankfully, is not that book. It is something more nuanced, elliptical and elegant. Ghana is in a different league from Liberia, Guinea or Sierra Leone, its traumatised West African neighbours. Even before the recent discovery that it was sitting on large oil reserves, it was routinely hailed as one of Africa’s success stories. As the ‘first’ in the title makes clear, it has certainly been through its share of political upheaval since independence from Britain in 1957.

Theatre of the absurd

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Some novels gaze and report and argue: others just sing. There are some writers who love and respect the visual arts, and want to bring them into prose — Henry James is one. A work freezes into an act of contemplation and description, as in the Bronzino set piece in The Wings of the Dove. And there are novelists who have a fascination with music, whose prose moves dynamically in response to musical form and sound. These writers can have set pieces, too, like the performance of Beethoven’s Fifth in Howards End, but can also pattern their work in imitation of another art form that moves through time, has climaxes and a crescendo.

Was it misfortune or carelessness?

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James Wyatt was considered by George III to be ‘the first architect of the kingdom’, but he was also the unluckiest, or perhaps most careless, architect of his day. Fonthill Abbey, the Gothic extravaganza he designed for William Beckford, collapsed after just 25 years. He started building a new palace for the king at Kew, which was later blown up by George IV. His Tudor-Gothic remodelling of the Palace of Westminster went massively over budget, was deeply unpopular and employed a combination of timber and plaster that proved spectacularly flammable in 1834. And the commission that made Wyatt’s name, the assembly rooms of the Oxford Street Pantheon, was only 20 years old when it was devastated by fire.

The poetry of the streets

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For good or ill, black West Indian culture is synonymous with youth culture in Britain today. Even among white teenagers, a Jamaican inflection (‘buff’, ‘bruv’) is reckoned hip. The ‘Jamaicanisation’ of British cities quickened after Jamaica’s independence in 1962, when more West Indians migrated to Britain, and London was poised to become the most Jamaican city in Europe. Zadie Smith is well placed to chart the vagaries of life in mixed-up, mixed-race Britain. Born in 1975 to a Jamaican mother and a British father, she grew up in the ethnically multi-shaded London borough of Brent. Her marvellous new novel, NW, crackles with reflections on race, music and migration in Brent’s north-west suburb of Willesden.

Brotherly love

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Twenty years ago Pat Barker won acclaim with Regeneration, her novel about shell-shocked army officers undergoing treatment at the Craiglockhart psychiatric hospital for soldiers during the first world war. Her new novel is a close scrutiny of parallel atrocities of 1914–18. As in Regeneration, some characters are based on real-life figures. Several scenes are set in Queen Mary’s Hospital, Sidcup, where the pioneer plastic surgeon Harold Gillies worked to rebuild the smashed or scorched faces of soldiers who had been fighting on the Western Front — ‘1,000 young men with gouged-out eyes, blown-off jaws, gaping holes where their noses had been’, as a visitor finds.

Death of a hero

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Sitting down to inspect the final volume of Pierre Coustillas’s monumental trilogy, I decided to start by counting the number of titles by or about George Gissing (1857–1903) that gleamed from the bookshelf hard by. There were 45 of them. Next, I decided to count the number of these items with which Professor Coustillas was in some way associated, either as editor, compiler or presiding genius. This realised a tally of 19, including such titanic endeavours as the Collected Letters of George Gissing (nine vols, 1990–1997) or the 600-page and now, alas, superannuated George Gissing: The Definitive Bibliography from 2005.

Models of impropriety

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Once upon a time, there was an art scholar called John. He spent his days admiring marble statues, his nights in praying that he might be allowed a real-life statue as his wife. And in due course, he met a beautiful girl. She was a bit younger than him, but that was OK, because it meant she would be easier to control. Her name was Good Reputation, which seemed promising too. But on the wedding night, John got a nasty shock. For on lifting her trousseau, he found that, unlike the statues in the museums, Good Reputation had pubic hair. He was aghast. Unable to consummate the marriage, he channelled all his energies into his writing. This proved a mistake, for along came an artist who wasn’t so fussy, and John was left all on his own.

Losing Your Mind – The Novel That Induces Insanity

Nobody wants to go mad. We try to live healthy lives so that we won’t die slowly of lung cancer or quickly from a heart attack. But what we let ourselves worry about less – because there is so little we can do to protect against it – is living long enough to have our minds cruelly betray us, leaving us trapped in bodies that still work but in a world that no longer makes sense. In Lore Segal’s Half the Kingdom dementia has become an infectious disease amongst the elderly, with every patient who checks into a certain Manhattan clinic developing what “the hospital’s spokesperson, for lack of a diagnosis, is calling ‘copycat Alzheimer’s.’’ It’s a chilling concept, but unfortunately the contagion spreads beyond the page.

How long until novels are published with video inserts?

In Charlie Kauffman’s Bafta lecture (a startlingly honest reflection on film writing, and well worth a listen), the screenwriter, producer and director stresses that it is of the utmost importance, when embarking on a screenplay, to write something that could only be portrayed in the form of a film, and in no other medium. He is, of course, right: for writing a screenplay, in a purely technical sense, is different and distinct from writing in its other forms. You rarely have authorial narrative and do not overly embellish with descriptions. Rather, you must distil the essence of the piece into dialogue and action.

Spectator Play: The highs and the lows of what’s going on in arts this week | 23 August 2013

For many people, stories and story-telling formed the basis of their childhood. But there are others whose childhood is devoid of books, and it’s these children that Oxford’s new Story Museum aims to help. As Robert Gore-Langton puts it, ‘beyond [Oxford’s] dreaming spires is an urban hellhole of burning cars, despair and unemployment’, and, he points out, ‘it is ranked number 32 in Crap Towns: The 50 Worst Places to Live in the UK.’ In his piece, he talks to Anne Fine, Amanda Mitichison, Terence Blacker and Keith Crossley-Holland on the joy - and importance - of reading aloud. Below is just one of The Story Museum’s attempts to get children reading.

Tangier, by Josh Shoemake – review

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This may sound a little orientalist, but Tangier has some claim to being the most foreign city in the world. Back in the day, its position at the northernmost tip of Africa was regarded as the edge of civilisation — more than that, as the edge of what was known, the edge of everything. Here were the Pillars of Hercules, which in addition to performing the important function of holding up the sky, were said to be engraved with the words ‘nec plus ultra’: beyond this, nothing. Since its foundation in the 5th century BC, the city has been variously controlled by the Carthaginians, the Phoenicians, the Romans, the Arabs, the English (for a couple of decades in the 17th century) and the Spanish.

A Classless Society, by Alwyn W. Turner – review

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The title of Alwyn W. Turner’s book could deter readers. Even the Hollywood film The Secret Lives of Dentists promised more excitement. John Major sought the creation of a classless society in the 1990s. He confused this with equality of opportunity and social mobility. Efforts to engineer classlessness always end in tears. George Orwell was right: some animals are more equal than others — even in death. Orwell shares an Oxfordshire churchyard with Herbert Asquith. It was an insipid decade when managerialism triumphed over leadership. Ideas and intellectual rigour were kept in check, and institutions were repeatedly assaulted.

The Huguenots, by Geoffrey Treasure – review

Lead book review

France’s early 21st-century Protestants are eco-friendly, gender-sensitised and respectful of the Fifth Republic’s laïcité. But their ancestors were a less accommodating lot. La réforme in the France of the 16th century was well-educated, predominantly urban and organised as part of a pan-European Protestant movement which set out to subvert the territorial sovereignty of Catholic princes. Its leaders included some of the French aristocracy’s boldest spirits, whose dynastic ambitions to exercise an earthly dominion blended easily with the dogmatic confidence of Protestantism at its most driven and alluring.

The Spectator’s Shiva Naipaul prize for outstanding travel writing is open for entries

The Spectator, as it does every year, is offering you good money to write about your travels. What’s more, our £2,000 Shiva Naipaul Memorial Prize — named after the late Trinidad-born writer and brother of VS Naipaul — is not awarded for travel writing in the conventional sense. You need not have gone anywhere highly exotic or far away: the prize is for 'the most acute and profound observation of a culture alien to the writer.' You can write from outer space or from your back garden, what we’re looking for is writing that is fresh, current, different, intelligent, incisive, witty, sad or funny — or all of those things. Besides the cash prize, the winner will also get his or her entry published in The Spectator.

Lose weight the Muriel Spark way

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Those of you dieting your way to a svelte physique amid the flesh-exposing terrors of summer should take courage from Mrs Hawkins, the heroine of Muriel Spark’s wonderful novel A Far Cry from Kensington. Mrs Hawkins, with her unfortunate ‘Rubens quality of flesh’, only starts to worry about her weight when she gets a new job and notices that all her colleagues suffer from some kind of affliction. These range from stammers to stomach ulcers, pock-marked faces to war-wounds, and so, lying awake one night, she wonders what her own ailment might be. She gets out of bed to look at herself in the mirror: ‘I stood there, massive in my loose, warm nightdress.’ Then she realises, ‘I was immensely too fat.

Red or Dead by David Peace – review

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The last time David Peace wrote a novel about football he got his publishers sued for libel, which may help explain why his new one avoids invention wherever it can squeeze interest out of such stony matters of record as team sheets and attendance figures. Red or Dead follows the legendary manager Bill Shankly from his arrival at Liverpool — second-division stragglers in 1959 — to his death in 1981, seven years after retirement, having built a league-winning team that went on to rule Europe. Seldom does a novel, dedicated at such length to a single life, venture so scarcely into the mind of its subject; the gamble is that Peace’s biblically iterative method is strong enough to sustain but not overwhelm you. All the novel’s effects depend on repetition.

The Good Nurse, by Charles Graeber – review

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Charles Cullen, an American nurse, murdered several hundred patients by the administration in overdose of restricted drugs. Hospitals should be safe places but they are actually rather dangerous: mistakes are made, accidents happen, medics may be careless or just exhausted. But although many patients die when they should have recovered, very few die at the hands of a psychopathic serial killer — so far as we know. The trouble is, we often don’t know. There could be a Cullen working and murdering in a hospital near you. Look up ‘Healthcare professionals convicted of murdering patients’ on the internet and you find 39, and note the ‘convicted’. Many have merely been suspected but escaped conviction because of lack of evidence. Alarmist?

This Town, by Mark Leibovich – review

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Many books have been written about the corruption, venality and incestuousness that characterise Washington DC, but none has been as highly anticipated or amusing as This Town. Written by Mark Leibovich, the senior national correspondent for the New York Times magazine, it has been on the minds of Washington’s chattering classes for at least two years before its release. Sparking that interest was the revelation that a young, ambitious Capitol Hill press aide, whom Leibovich had been cultivating as a source, was secretly forwarding him emails that provided an insight into how Washington really works.

The Rainborowes, by Adrian Tinniswood – review

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Adrian Tinniswood, so gifted and spirited a communicator of serious history to a wide readership, here brings a number of themes from his previous books together. The Verneys recounted the individual experiences of 17th-century members of a leading Buckinghamshire family. The Rainborowes, set in the same period, applies the same technique to a less substantial family of Londoners. As in his study of the great fire of London in 1666, By Permission of Heaven, Tinniswood takes us into the daily life of the capital, though here his emphasis is on the suburban world of commercial enterprise and religious dissent from which the Rainborowes emerged. Tinniswood’s previous book, Pirates of Barbary, showed Europeans doing battle with the corsairs of the Mediterranean.

A Rogues’ Gallery, by Peter Lewis – review

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Like Mel Brooks’s character the Two Thousand-Year-Old Man, Peter Lewis has met everyone of consequence. Though he doesn’t mention being an eyewitness at the Crucifixion, he was told by T.S. Eliot that working in a bank was quite nice (‘I never thought about poetry in the day’). Frankie Howerd wanted Lewis to give him a massage (‘I have this trouble, a hernia, you see. Gives me a lot of discomfort’); Diana Dors confessed to him that she’d rather watch television than go to orgies (‘but I had to become a sex symbol on tiger rugs and in mink bikinis’); and Samuel Beckett made his excuses and fled (‘Sorry, I just have to go to the lav’).

Philip Hensher reviews the Man Booker prize longlist

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The Man Booker prize has strong years and weak years. There have been ones when the judges have succeeded in identifying what is most interesting in English-language fiction and others when the task has been comprehensively flunked. With Robert Macfarlane as chairman, 2013 promises to be very good; 2011, which was in fact a strong year for fiction, was widely agreed to be a catastrophe; 2012, while an improvement, was disappointing in that it reflected the conventional tastes of academics. This year’s longlist shows a confident take on the direction of the English-language novel. There are certainly some sad omissions, including splendid novels by Evie Wyld and Michael Arditti.