Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

What caused the first world war?

Lead book review

The centenary of August 1914 is still almost a year away, but the tsunami of first-world-war books has already begun. The government tells us that 1914 must be commemorated, not celebrated, and ministers worry about British triumphalism upsetting the Germans. But the debate about Germany’s responsibility for the outbreak of war in 1914 won’t go

Competition: provide a PS to a classic

Spectator literary competition No. 2820 Barbara Hardy’s Dorothea’s Daughter and Other Nineteenth Century Postscripts is a collection of short stories in which Professor Hardy imagines significant conversations between characters some time after their novel has ended. These postscripts enter into dialogue with the original narratives by developing suggestions in the text rather than changing the

Take 2 for Godfrey Bloom’s book

Godfrey Bloom has finally rescheduled his postponed book launch. The Ukip MEP, who resigned after his unguarded comments at the party’s recent conference, was due to launch his book A Guinea a Minute in London, but the event was cancelled when the media scrum engulfed the Ukip conference. Well, the invitations have gone out again. They state

Making It Happen, by Iain Martin – review

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Fred Goodwin’s descent from golden boy of British banking to ‘pariah of the decade’ would be the stuff of tragedy if the former Royal Bank of Scotland chief were not such a rebarbative personality. A bully to his subordinates, obsessed with the wrong kind of detail, driven by an egoistic urge to trample his enemies,

Guido Fawkes to Damian McBride: Who’s spinning now?

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When Gordon Brown eventually became aware that his Downing Street was about to be engulfed in the Smeargate scandal, he called Damian McBride to try to get to the bottom of the story. The latter recounts the conversation verbatim in Power Trip, his tell-all book dedicated ‘to Gordon, the greatest man I ever met’. Brown

An Officer and a Gentleman, by Robert Harris – review

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The Dreyfus Affair, the furore caused by a miscarriage of justice in France in 1894, is a source of perennial interest. It raises questions of national identity, political morality and personal integrity that are still relevant today with immigration, Euroscepticism and dodgy dossiers. It is also, as Emile Zola recognised, a gripping story: ‘What a

Walking in Ruins, by Geoff Nicholson – review

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Geoff Nicholson is the Maharajah of Melancholy. The quality was there in his novels, it was there in his non-fiction book The Lost Art of Walking, and it’s there in the latter’s successor, Walking in Ruins (Harbour Books, £12.50). He savours the comfort to be gained from accepting decay as an inevitable part of life.

England’s 100 best Views, by Simon Jenkins – review

Lead book review

I couldn’t decide on starting England’s 100 Best Views whether it was a batty idea for a book or a perfectly sensible one. Why write about something that begs to be seen? Would this not be better as a collection of photographs, with helpful accompanying maps and perhaps a checklist that, once filled in, entitled

Bond, progressive Bond

Film fans look away now. Last night the latest author to add to the Bond legacy said that he did not think his version could work on the silver screen. Speaking at the Southbank Centre, William Boyd told fans that if he had wanted Solo to be made into a film he would have written

Do women want what they say they want?

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What do women want? You might have thought the Wife of Bath had got this one sorted, but Daniel Bergner has brought science to bear on the perennial question. And the answer from this book is that what women want is not just sex but sex outside the confines of monogamy. You know the received

As Luck Would Have It, by Derek Jacobi – review

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Alan Bennett once overheard an old lady say, ‘I think a knighthood was wasted on Derek Jacobi,’ and I know what she means. It’s strange how he has always been singled out for prizes and high honours — why not Ronald Pickup, Charles Kay, Edward Petherbridge, Frank Finlay or the late Jeremy Brett? Ian Richardson

When Britain Burned the White House, by Peter Snow – review

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Peter Snow explains that he decided to look into this extraordinary story when he realised how few people knew about it, and was inspired to write a book by the wealth and quality of eyewitness accounts from both sides. The result is superb. When Britain Burned the White House is an exemplary work of history

One Night in Winter, by Simon Sebag Montefiore – review

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Simon Sebag Montefiore’s One Night in Winter begins in the hours immediately following the solemn victory parade that marked the Soviet Union’s victory over Nazi Germany — probably the high point of Stalinism. Two teenagers, dressed in 19th- century costume and members of a secret literary club called, aptly as it turns out, the Fatal

Six Bad Poets, by Christopher Reid – review

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Is poetry in good enough health to be made fun of in this way? The irony is that this long, funny poem describing the incestuous peccadilloes of contemporary poetry’s social purlieus deserves to be read, and almost certainly will be read — and purchased — by far more readers than all but a few collections

Monsieur le Commandant, by Romain Slocombe – review

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There can be few characters in modern fiction more unpleasant than Paul-Jean Husson, the narrator in Romain Slocombe’s Monsieur le Commandant. Indeed, he is at times too nasty. If this otherwise compulsively readable novel about betrayal in Nazi-occupied France has a flaw, it lies in Husson’s irredeemable villainy, as if to make such a man

Music at Midnight, by John Drury – review

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When John Drury, himself an Anglican divine, told James Fenton (the son of a canon of Christ Church) that he was writing about George Herbert, Fenton replied with gnomic brio ‘The poet!’ adding ‘Both in intention and execution.’ Herbert’s authentic lightness and strength, pathos and wit, alertness and sympathy have long been as precious to

Colette’s France, by Jane Gilmour – review

Lead book review

Monstrous innocence’ was the ruling quality that Colette claimed in both her life and books. Protesting her artless authenticity, she was sly in devising her newspaper celebrity and ruthless in imposing her personal myths. She posed as provincial ingénue, wide-eyed young wife of the Paris belle époque, scandalous lesbian, risqué music-hall performer, novelist of prodigious

Damian McBride’s book Power Trip trips up its first victim

Damian McBride’s book has bruised many Labour conference delegates, and reopened old wounds. Now I can report that it’s claimed its first physical casualty. Telegraph journalist Matthew Holehouse had been tipped off that copies of the book were selling out fast at the Waterstones stall inside the conference zone. He ran across a road to get a copy,

Competition: merge some literary greats

This year saw the largest-ever merger between two publishing houses when Penguin and Random House joined forces in an attempt to compete with the might of Amazon. You are invited to effect a literary merger of a different kind by blending two existing well-known books and providing a synopsis of the new title. Thanks to

Pine by Laura Mason; Lily, by Marcia Reiss – review

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After the success of their animal series of monographs, Reaktion Books have had the clever idea of doing something similar for plants. Writers are commissioned to investigate the botanical, historical, social and cultural aspects of individual plants, with volumes on oak and geranium already published, and yew, bamboo, willow, palm and orchid forthcoming. The structure

Hanns and Rudolf, by Thomas Harding – review

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Confronted by this lavishly endorsed book — ‘compelling’ (David Lodge), ‘gripping’(John le Carré),‘thrilling’ (Jonathan Freedland) — I felt depressed. Two weeks ago, the New York Times’s savvy London correspondent accused the British of being obsessed with the Nazis. This might appear a case of pots and kettles: not for nothing did America’s widely watched History

Stage Blood, by Michael Blakemore – review

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Stage Blood, as its title suggests, is as full of vitriol, back-stabbing and conspiracy as any Jacobean tragedy. In this sequel to Arguments with England, his superb first volume of memoirs, Michael Blakemore presents us with an enthralling account of his five embattled years as an associate director of the National Theatre. When in 1970