Books Archives

Diced heart and a full-bodied red

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Valerio Varesi, the Turin-born crime writer, displays a typically Italian interest (I would say) in conspiracy theory. The Italian term dietrologia, which translates, not very happily, as ‘behindology’, presumes that shadowy consortia are everywhere manipulating political scandals. A Woman Much Missed, the fourth of the excellent Commissario Soneri thrillers to be translated into English, unfolds in present-day Parma amid rumours of Mafioso-style machinations. As always, Varesi’s lugubrious, cigar-puffing detective Soneri retains a degree of disabused integrity and is a trencherman, moreover, as he seeks out only the best buffalo-milk mozzarella and bottles of Bonarda red. Under it all, though, lies a deepening corruption, where justice may not prevail.

Robert Service

Murder most foul

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On 1 November 2006 Alexander Litvinenko, ex-KGB officer and by then a British citizen, met two of his former colleagues, Andrei Lugovoi and Dmitri Kovtun, in Mayfair and drank a cup of tea with them. What happened next must count as the century’s most gruesome crime so far. The tea taken by Litvinenko was laced with a dose of polonium-210 and he died in agony in UCH several days later. The radioactive substance was detected on a belated hunch of a brilliant forensic scientist. The suspects, Lugovoi and Kovtun, had already left Britain, and the Metropolitan Police found polonium deposits at nearly every hotel and shop that they had visited.

Honor Clerk

Sexy self-advertising

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At nearly eight foot high and five foot wide, Adélaïde Labille-Guiard’s portrait of herself with two of her students is by any reckoning a tour-de-force. Painted in 1785, it shows the artist seated at her easel, palette, brushes and mahlstick in hand, as though looking up briefly before adding to the large canvas before her. Seated on a gilt and green velvet chair, she is dressed in a pale blue satin décolleté dress and a straw hat decorated with ribbons and ostrich feathers. Her two female pupils stand behind her, one gazing in admiration at the work in progress, the other looking out of the painting, level-eyed and sober.

Lewis Jones

Disgusted of X-ville

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Eileen is an accomplished, disturbing and creepily funny first novel by Ottessa Moshfegh, the latest darling of the Paris Review, which has published her stories and given her a prize. It recalls, half a century later, a week in the life of Eileen Dunlop, leading up to Christmas 1964. Her mother, whom she loathed, has died some years ago, and at the age of 24 Eileen is living in a dreary New England town she calls ‘X-ville’ with her father. He’s a demented, gin-sodden retired cop whom she also loathes, and whom she is supposedly looking after, though her care is limited to shouting at him, maintaining his gin supply and hiding his shoes to prevent him from terrorising X-ville in his pursuit of imaginary ‘hoodlums’.

Emily Rhodes

A mix of myths

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With ‘both arms stretched out like a starfish, her long hair floating like seaweed at the sides of her body’, Kitty Finch swam naked into view in Deborah Levy’s Booker-shortlisted Swimming Home. Similarly, in Hot Milk, Sofia Papastergiadis loves to swim —as, indeed, does Levy herself. Only, whereas Kitty swims up and down the gravelike plot of a villa’s swimming pool, Sofia prefers the open expanse of the sea. She swims off the coast of Spain, in Almeria, where she is helping her mother find treatment for the periodic ‘mysterious’ paralysis of her legs. Caring for her mother means that she has given up pursuing a doctorate in anthropology, despite her first-class degree.

Dorian Lynskey

Tainted love | 23 March 2016

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In 1963, when the bloom was still on the rose, Bob Dylan described Woodstock as a place where ‘we stop the clouds, turn time back and inside out, make the sun turn on and off… the greatest place’. Six years later, he wrote in Chronicles: Volume One, ‘Woodstock had turned into a nightmare, a place of chaos.’ Barney Hoskyns, who lived there in the 1990s, marshals plenty of evidence to support both assessments. This Catskills hamlet has been at various times a blue-collar small town, a bohemian enclave, a tourist trap, a hotbed of creativity, a cauldron of hedonism, a madhouse and ‘a counter-cultural touchstone’. In its heyday it attracted such luminaries as Janis Joplin, Van Morrison, Todd Rundgren, George Harrison and The Band.

Simon Heffer

Going global

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We can all identify decades in which the world moved forward. Wars are not entirely negative experiences: the social and technological advances of the 1910s and 1940s are obvious. Ben Wilson has been more thoughtful, and has chosen the 1850s — or, more specifically, the years from 1851 to 1862. It was a time when, as he says, Britain was at the peak of her power. The empire was not at its greatest — the Scramble for Africa had yet to occur — but Germany had not unified, and America was economically overdependent on slavery and, not least because of that abomination, about to fall into civil war. Wilson describes the Great Exhibition of 1851 as a showcase of Britain’s manufacturing might, when it was truly ‘the workshop of the world’.

Helen R Brown

Sick transit

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Sitting at her desk at the BBC in March 2006, researching a documentary about the Olympic Games, Caroline Jones pressed her thumbs deep into her eyelids, allowed herself to visualise a chocolate brownie and started to salivate. After work she stopped at the supermarket and bought some brownies… along with a chocolate loaf cake and a large pot of cream to pour over it, a giant chocolate bar, an apple puff, two eclairs, a cream slice, a selection of reduced pastries, a loaf of bread, a packet of butter and three packets of biscuits: bourbons, custard creams and Maryland cookies. When she got home she ate it all in under four hours. In her thoughtful new memoir on her 14-year struggle with bulimia, Jones describes a moment of sharp self-awareness experienced two hours into that binge.

Philip Hensher

‘Help the British anyhow’

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The other day, some anti-imperialist students were questioning the presence in their institutions of statues of Cecil Rhodes, a West African cockerel and, very strangely in view of her conspicuously anti-racist convictions, Queen Victoria. In response, a Guardian columnist, who has probably made less effort to learn Hindi than Queen Victoria did, amusingly said that it was time to ‘start a debate’ about the British empire. I would have thought that we have spent much of the last century energetically examining the subject from topknot to shoesole. Nevertheless, there remain some large areas which haven’t been properly considered, and among them is the complex story of India’s role in the second world war.

17 March 2016

Andrew Barrow

Among the snobs, slobs and scolds

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The author of this jam-packed treasure trove has been a film critic at the New York Times since 2000 and is also professor of film criticism at Wesleyan University. As if these platforms weren’t enough, he’s now written a book about the tangled worlds of films, books, music, paintings and criticism, dragging in Aristotle, Pope, Plato, Matthew Arnold, Isaiah Berlin and millions of others — but not, alas, my former next-door neighbour, the wonderfully controversial Brian Sewell. Crammed in alongside George Orwell’s ‘All writers are vain, selfish and lazy’ and H. L. Mencken’s ‘Literature always thrives best in an atmosphere of hearty strife,’ the author’s own views often hit hardest.

A.D Miller

Bribes, bickering and backhanders

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The decrepitude of old age is a piteous sight and subject. In his second book Michael Honig — a doctor-turned-novelist and sharp observer of the body’s frailties, and the mind’s — zanily explores it through the imagined senility of Vladimir Putin, once supremely powerful, now struggling to tie his laces. The horror, sadness and momentary furies of dementia are all traced in Vladimir’s plight, plus the tedium and — especially — the bleak comedy. As the story opens, he is visited by his successor: ‘I’m going to fire that bastard,’ he says. ‘Have we got cameras?’ On a lakeside walk he strips off for phantom paparazzi.

William Leith

A sex vampire on wheels

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The title of this book tells you a lot. Jack Sutherland, who grew up in London and Los Angeles, worked as a personal assistant to Michael Stipe, the singer in REM and, later, to Mickey Rourke. He also worked as a limo driver in Hollywood. A drug addict, he gravitated toward crystal meth, which can make you both wired and horny, sometimes for days on end. So we know to expect a particular brew of glamour, indignity and recrimination that perhaps some readers (including me) have come to enjoy. Sutherland certainly delivers — with a bit of glamour, an awful lot of indignity and not too much recrimination. But there’s something else going on here. This book is a collaboration between Jack the addict and his adoptive father John Sutherland.

Sean Mcglynn

Pox-ridden and power-crazed

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Poor old Henry IV: labelled (probably unfairly) as a leper, but accurately as a usurper, he has been one of England’s most neglected monarchs. He is best known through his Shakespearean starring roles — which little resembled the real man, according to Chris Given-Wilson — and as the father of the ultimate warrior-king, Henry V, rather than in his own right. Ian Mortimer began redressing the balance in 2007; now Given-Wilson has produced this meticulous and definitive life of the troubled king for Yale’s ‘English Monarchs’ series. Though he was the son of John of Gaunt and his heir to the Duchy of Lancaster, England’s richest estate, Henry was not guaranteed an easy life of privilege.

Rod Liddle

Everything in black and white

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This is a quite remarkable book. Badly written, devoid of anything even vaguely approaching a methodology, patronising, hideously mistaken on almost every page — and yet it does, inadvertently, answer the very question posed in its introduction: why are certain sections of the white working class so angry about immigration and Islam? The author is a Taiwanese journalist from the metropolitan liberal left. Her MO is to venture — ‘bravely’, we are informed — into quite the most ghastly areas where working-class people live in their decrepit social housing, with their beer and their tracksuits. Her purpose is to find ‘racists’ and inquire as to why they are ‘racist’.

Charlotte Moore

Mother courage

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Helen Stevenson’s daughter Clara has cystic fibrosis. Love Like Salt is an account of living with the disease, but it is much else besides. Stevenson calls it a memoir, because it is an intensely personal version of events. It is also a scrapbook, a commonplace book, a series of meditations, an exercise in self-scrutiny. It is emphatically not a medical handbook. Stevenson is a writer, translator and musician; her husband Nico, ‘the kindest man on earth’, is a retired academic and translator of poetry. The book is structured like a piece of music. I’m too ignorant to give you the correct terminology, but there are three movements, and all the shorter passages branch away from, and then return to, the central theme. The effect is cumulative.

Hugh Pearman

Too high, too fast

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You have to get nearly halfway through this book before it starts to show some life. Until that point, as Rowan Moore ambles in his wry manner through pages of familiar description of the capital’s built and social history, you find yourself wondering what it is all for. After all, if you choose to write a book about the architecture of London you are putting yourself in some pretty distinguished company. Ian Nairn, say, whose magnificently off-kilter, beer-goggled 1966 hymn to the city, Nairn’s London, has been reissued as a Penguin Modern Classic to universal acclaim. Or Peter Ackroyd, whose colossal 2001 London: The Biography is drizzled with lazy assumptions but is an eloquent advocate of the city as living organism.

Andrew Motion

A gift from beyond the grave

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When Virgil died at Brindisium in 19 bc, on his way back to Rome from Greece, he left the Aeneid unfinished. When Seamus Heaney died in Dublin in 2013, his translation of Book VI was also unfinished, but like the whole of the original, his 1,222 lines were found to be in a publishable condition (‘final’, he wrote on the last draft, which allows for it not being ‘complete’). The coincidence is touching. So too is the fact that this book is concerned with news from the afterlife. Aeneas descends into the underworld to visit his father, Anchises, and receives there a history lesson that leads beyond the founding of Rome to the glories and struggles that lie in the future. Heaney’s version is also a kind of gift from beyond the grave.

12 March 2016

Lucy Vickery

Spectator competition winners: a 21st-century elegy on a country churchyard

The latest competition marked the tercentenary of Thomas Gray’s birth with an invitation to submit an ‘Elegy on a Country Churchyard’ written in the metre of his famous and enduringly popular poem. General Wolfe was a such a fan of Gray’s meditation on death and remembrance that in 1759, on the eve of the attack on Quebec, he is said to have read the poem to his officers, declaring, ‘I would rather have been the author of that piece than beat the French tomorrow.’ It obviously struck a chord with you too, and there were stellar performances all round. Congratulations and commiserations to the following, who fell victim to a lack of space but are worthy runners-up: John Beaton, John Priestland, Katie Mallett, George Simmers, T.J.

10 March 2016

Peter Frankopan

A devilish instrument of war

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‘China is a sleeping lion,’ Napoleon reportedly remarked. ‘When it wakes, the world will tremble.’ There is no need to fear China, its current leaders are quick to stress — with President Xi Jinping claiming that the country’s rise will be ‘peaceful, pleasant and civilised’. Such words are of little comfort to hawks in the United States who watch the Asia-Pacific region with a growing sense of alarm — even if the Chinese economic slowdown of recent months has made it more likely that we will hear a growl rather than a blood-curdling roar as the lion awakes. This interesting new book asks why it is that China has been sleeping for so long.

Ysenda Maxtone Graham

About a boy

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A boy, a car, a journey, a question: the first sentence of Elizabeth Day’s new novel goes like this: From the back seat of the old Chevette, heading north, the boy asked his question into the restless air. The restless air? The reader makes the mental adjustment: it’s not the air that’s restless, it’s the boy and probably his whole family. So why the transferred epithet at this early stage? It sets the tone for a transferred-epithet-filled novel so full of anguish and poetic touches that you’ll find yourself reading it in a hushed voice. Jim, the boy in question, ‘read the air around people, the calm or seasick air’. His mother, Nancy, notices how ‘the sun was warming his sunrise bones’.

Andy Miller

An innocent abroad | 10 March 2016

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For those who read the weekly music press during the 1980s, David Quantick’s was a name you could rely on. Unlike some of the more Derridean elements at the NME, his reviews of new bands and LPs were both comprehensible and authentically funny. He has gone on to become a successful comedy broadcaster and writer for radio, TV and film: The Day Today, The Thick of It, Harry Hill’s TV Burp. Recently he was part of the team that won an Emmy for the US political comedy series Veep. The Mule is Quantick’s second novel (his first, Sparks, came out in 2012).

Benjamin Beasley-Murray

Away with the fairies | 10 March 2016

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As an erstwhile obituarist, I pity the poor hack who had to write up the life of Laurence Oliphant — adventurer, diplomat, war correspondent, mystic, spy (and the subject of Bart Casey’s biography) — when he died, aged 59, in 1888. The first paragraph should (according to the well-seasoned formula) contain some characterising incident or achievement, giving the measure of the man, the impact he made on the world and those around him, and an indication of his interior life. The anecdote must — like cherry-picked quotations for a Shakespeare exam — inform more than one facet of a broader narrative. Any runner-up contenders can be dropped into paragraphs four, eight and 12.

Nicholas Lezard

A topsy-turvy world

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‘A crane fell on top of me in Kladno in 1952, after which my writing got better,’ Bohumil Hrabal (who died in 1997) once wrote, with typical self-deprecation and comic timing; but there are other versions of what made him change from being an almost rococo engineer of magic realism (‘building my house from the roof on down’, as he put it) to the flawlessly brisk comic writer he became. (Another story: a dry-cleaner’s receipt which said ‘some stains can be removed only by the destruction of the material itself’). He was sent, along with tens of thousands of other white-collar workers, to a factory; in his case, the steel mill in Kladno (named, curiously enough, after Wittgenstein’s mother).

Mark Fisher

Finders keepers

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Isis’s blowing up of the Roman theatre at Palmyra should concentrate our minds: our world heritage is vulnerable. Not that we should need any such reminder after the depredations of the Taleban in Afghanistan, or Isis’s earlier rampage through the museum in Mosul and its attacks on sites at Hatra and Nimrud. A former director at the Institute of Ideas and a visiting fellow at the LSE, Tiffany Jenkins applies her considerable experience of cultural policy to construct an excellent survey that rehearses the issues. Who is responsible for the great examples of our shared heritage? Where should they be located: where they originated; where they have ended up; or where they can best be looked after, seen and understood?

Sukhdev Sandhu

Fifty shades of blue

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Like a lot of people, Olivia Laing came to New York to join a lover. Like a lot of people, she soon became unjoined. She stopped eating and drifted, moved from sublet to sublet, wandered the streets in a desperate daze. She craved intimacy and shied away from it, was painfully self-conscious but also anxious that she was in danger of vanishing. What does loneliness feel like? It feels, she says, ‘like being hungry when everyone around you is readying for a feast. It feels shameful and alarming, and over time these feelings radiate outwards, making the lonely person increasingly isolated, increasingly estranged.’ The Lonely City is memoir, art criticism and a portrait of the Big Apple seen through the eyes of an accidental flâneuse.

Craig Raine

Rich and fruity

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F.R. Leavis once denounced the Twickenham edition of Pope’s Dunciad for producing a meagre trickle of text through a desert of apparatus, the trickle sometimes disappearing altogether. In this volume of T. S. Eliot’s letters, from 1932–1933, the footnotes, the infantry and the grunts, are the stars — shooting stars, flares with flair, illuminating apparently unpromising basic materials. For example, this is a letter to Auden in April 1932 in all its Spartan amplitude: Dear Auden, The modifications of the few passages which I discussed with you the other day have been agreed upon.

Andrew Taylor

A leap in the dark

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The first and most important thing to say about The Drowned Detective is that it’s a very good novel and (which is not always the same thing) a pleasure to read. After that, it gets more complicated. The book defies tidy categorisation. Set in a nameless eastern European country, it opens in the literary territory of the crime thriller, with private investigators on the trail of a government minister on the way to visit his rubber-clad mistress. One of them, the narrator Jonathan, is English. He’s furiously jealous of his employee Frank, a hunk who has had a fling with Sarah, Jonathan’s archaeologist wife. In another case, the parents of a missing girl have retained Jonathan to search for their daughter, Petra.

Julie Myerson

The ultimate nightmare

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On an April morning in 1999, two teenagers, Eric Harris and Dylan Klebold, walked into Columbine High School in Colorado and murdered 12 fellow students and a teacher, wounded many others, then turned their guns on themselves. Among the many questions fired at Klebold’s stunned parents in the wake of this appalling event, two were especially hard for them to hear. Did they ever hug their kids? And — this from one of the many bereaved — ‘Were you a family that ever spent much time at the dinner table together?’ When brutal and frightening things happen, people want brutal and frightening explanations: the need for causality becomes paramount. If this family bred a monster, then they must have done something monstrous.

Tim Martin

Foreign body count

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China Miéville’s work is invariably clever, inevitably dense and usually interwoven with hard-left political and social concerns, but its author rarely loses sight of the delightfully mind-warping possibilities of his chosen genres. Last year’s story collection, Three Moments of an Explosion, offered brief slices of imaginary futures in which icebergs floated above London streets, archaeologists hauled crystal statues from the Mediterranean earth and urban hipsters attended parties wearing the heads of butchered animals.