More from Books

Wednesday

Justin Cartwright

To be mortal

I have read two outstanding books this summer. This is one of them; the other is Summertime by J.M. Coetzee (reviewed on page 42). As I read The Infinities, with its magical, playful richness, its sensuous delight in the power of language to convey the strangeness and beauty of being human, I wondered if J.M.Coetzee with his bleak, pared-down, elemental view of the world, had ever read a Banville, and if he had, whether he had envied him his astonishing powers. It seems to me very odd indeed that this book is not, according to the Booker judges, one of the 12 best books of the year. It may be one of the 12 best books of the decade, or even of several decades. The plot is both extremely simple and vastly complicated.

Michela Wrong

Bluff and double-bluff

Like Philip Larkin in ‘Posterity’, imagining an American lecturer yawning over his research into an ‘old-type natural fouled-up guy’, J.M. Coetzee places himself in the shoes of a notional English biographer gathering the material that will make sense of the years that followed his 1972 return to South Africa. The result is Summertime, third part of Coetzee’s semi-fictionalised biographical trilogy. Two previous volumes — Boyhood and Youth — recounted the author’s childhood in the Western Cape as the son of middle-class Afrikaners and his move to London, where he tried his hand as a computer programmer.

Selina Hastings

House of memories

Selina Hastings recalls her visit in 1989 to Lady Beauchamp, mistress of Madresfield Madresfield: the name is now almost as lustrous with literary association as Little Gidding or Adlestrop. To the admirers of Evelyn Waugh, Madresfield is hallowed ground: ‘It’s where Waugh stayed, you know, when he was writing Brideshead Revisited. In fact Madresfield is Brideshead, and the Lygon family is the absolute model for the Flytes, for Sebastian and Bridie and Julia and so on. I mean, look at Lord Marchmain living in exile abroad with his mistress: exactly the same as Lord Beauchamp — only it wasn’t a mistress in his case, of course.’ Well, yes and no. Mad World by Paula Byrne, reviewed last week, has further disentangled truth from fiction.

Wednesday

Sam Leith

Let me not be Mad

I am not I: thou art not he or she: they are not they.’ Few epigraphs to fiction have been so widely disregarded as the disclaimer with which Evelyn Waugh presaged Brideshead Revisited. Immediately it was published, as Waugh’s great friend Nancy Mitford wrote to him, the general view was simply: ‘It is the Lygon family. Too much Catholic stuff.’ And it is easy to see why people were tempted to see Madresfield Court, seat of the Earl of Beauchamp, as the original of Brideshead. Just as in Brideshead, here is a stiff older son and a younger son losing the golden beauty of his youth to alcoholism. Here were clever sisters, a starchy and religious materfamilias, and a father in exile following a scandal.

Selina Hastings

Mixing memory with desire

Rick Gekoski is an expatriate American, long established as one of the leading antiquarian book-dealers in Britain. As one might expect, books have been his passion for as long as he can remember, his reading as integral a part of his development as anything experienced in the world outside. ‘Every reading experience vibrates subtly across the jelly of being,’ he writes. ‘We are made and continually transformed by what, and how, we read.’ This autobiography, Outside of a Dog, described as a ‘bibliomemoir’, is extravagantly enjoyable, lively, candid, and wonderfully well-written.

Andrew McKie

Life of a cave dweller

All literature, but especially literature of the weird and the fantastic, is a cave where both readers and writers hide from life. (Which is exactly why so many parents and teachers, spotting a teenager with a collection of stories by Lovecraft, Bloch or Clark Ashton Smith, are apt to cry, ‘Why are you reading that useless junk?’) Stephen King, in his introduction to Michel Houellebecq’s study of H.P. Lovecraft, may have intended this as a defence of ‘useless junk’ — a charge often levelled at his own work, usually by those who have not read much of it.

Raymond Carr

From Russia with love

In the last couple of decades or so, a plenitude of biographers have provided us with studies of 20th-century literary celebrities, from Thomas Hardy and George Bernard Shaw to Evelyn Waugh and T. S. Eliot. Roland Chambers now treats the life and works of Arthur Ransome, a lesser mortal than these grandees. Ransome was born in 1884, the son of a professor at what would become Leeds University. Chambers gives a clear account of Ransome’s driving ambition to be a writer. After leaving Rugby he took a job as an office boy in a publishing house at eight shillings a week. Within a few years he had become a figure in London’s literary Bohemia.

Cressida Connolly

Daily grind

This vast novel, well-plotted and gripping throughout, is the first that Sebastian Faulks has set in our time. It is a state of the nation book, and what a state we seem to be in: if Faulks is less kind to the contemporary than he has been to the past, we cannot blame him, for he is only reporting what he sees. We follow a large cast of characters around their daily lives in London, in the week before Christmas 2007. There is a venal hedge-fund manager and his neglected son, a skunk-smoking, reality TV-obsessed teenager; a mean-spirited book reviewer; an Islamic youth who gets recruited into a suicide-bombing cell; a well-educated but slightly ineffectual lawyer; an underground train driver; and a Polish footballer, newly signed to a top London club.

Allan Mallinson

Prelude to Waterloo

Napoleon has humbugged me, by God. He has gained 24 hours’ march on me!’ The Duke of Wellington’s exclamation was at least honest; he made only a show of calmness when told at the Duchess of Richmond’s ball on 15 June 1815 that the French were across the border. His reputation stood in the balance, along with the peace of Europe; yet by midnight on the 18th he had a famous victory to his name — ‘a battle of the first rank won by a captain of the second’, Victor Hugo would call it, trying to find some consolation in the complete French defeat at Waterloo.

Susan Hill

An indisputable masterpiece

Of how many novelists can it be said that they have never written a bad sentence? Well, it can be said of William Trevor, as it could of his fellow countryman John McGahern, and of many another Irish novelist. What was it that so formed them, to write such elegant, flexible, lucid, beautiful but serviceable prose? Instead of spending time doing MA courses in Creative Writing, all aspirants should be locked in a castle with only the novels of Trevor and McGahern to read and re-read. That would teach them how it should be done.

Caroline Moore

Ticking the boxes

How do you describe novels written by a Fellow of All Souls, laced with extreme post-modern self-consciousness and lavish with cultural references, but revolving almost entirely around graphic permutations of the sexual act? As a genre, it can surely only be called clever-dick-lit. This is Adam Thirlwell’s second foray into this exclusive terrain. His first work, Politics, hit the news when he was included as the youngest writer in Granta’s 2003 list of Best Young British Writers before the novel was even published, which may or may not have affected the reviews. A sour note of envy was certainly struck by some.

James Walton

Rhyme and reason

On the face of it, Nicholson Baker’s books are a varied bunch. His fiction ranges from the ultra close-up observations of daily life in the early novels to the hard-core sex of Fermata and Vox (a copy of which Monica Lewinsky famously gave to Bill Clinton). His non-fiction includes a tribute to John Updike, a plea for libraries not to abandon card catalogues and an attempt to prove that Winston Churchill was a bloodthirsty anti-Semite. There is, though, one quality they do share — and that’s an unmistakable obsessiveness. It’s a quality definitely not lacking in Baker’s new novel either. The narrator of The Anthologist is Paul Chowder, a middle-aged poet in crisis. His girlfriend of eight years has left him.

Wednesday

Philip Hensher

Moments of clarity

By now, Alice Munro has established a territory as her own so completely, you wonder that the Canadian Tourist Board doesn’t run bus tours there. Perhaps they do, even though it presents an appearance more characteristic than inviting. To think of her world is to think of lonely houses at the edge of bleak, small towns; of unsatisfied backrooms looking over muddy fields; of suburbs, making do; of institutions imposed on half-made landscapes, and human disappointment reflected in the world about her characters. It is classic short-story territory, and over the years Munro has carved a substantial reputation without venturing very far from what she does best; the classic short story of disappointment and epiphany, in the landscape she knows and understands.

Andro Linklater

Lessons from the past

Oh the relief of quantitative easing! Who could fail to welcome a fiscal laxative guaranteed to loosen the bankers’ constipated hold on credit? But before much more of the mixture is gulped down, it may be salutary to glance at the effect of the purgatives administered to ease economic bowels in the late 17th century. The credit crunch that afflicted the country in the 1690s produced results with which we are familiar. In the words of Lord Macaulay, ‘the great instrument of exchange became thoroughly deranged, all trade, all industry were smitten as with a palsy’.

Molly Guinness

Missed opportunity

A World According to Women: An End to Thinking, by Jane McLoughlin The Noughtie Girl’s Guide to Feminism, by Ellie Levenson Jane McLoughlin is furious with women. We have let the feminists down and turned off the rational sides of our brains in favour of the thrilling emotional life that popular culture provides. The feminists were too intellectual and too angry with men to win the sympathy of most ordinary women, who generally liked their husbands and fathers. Instead, popular culture took possession of female psyches and has left us unthinking, disunited and unable to cope with, or even identify, reality. A lot of the time McLoughlin is convincing.

Miles Johnson

The great Russian takeaway

That the rise of a powerful coterie of Russian billionaires overlapped with Britain’s transformation into an offshore tax-haven is unlikely to escape the notice of both countries’ future historians. Indeed it is entirely plausible that had successive British governments in the 1990s been less amenable to foreign wealth, this book would have been entitled Genevagrad rather than Londongrad. Mark Hollingsworth and Stewart Lansley raise interesting questions about how the rocketing price of property, contemporary art and even private school fees of early Noughties Britain, fuelled by a steady supply of roubles, contributed to the bubble preceding the bust.

Patrick Marnham

Populist preaching

Patrick Marnham visits Brazil’s annual festival of literature Many years ago a wild-eyed Englishman hacked his way into the Amazon rain forest and disappeared, never to be seen again. Since then the fate of Percy Fawcett, known as ‘the Colonel’, has remained a mystery. Fawcett, a heavily bearded pipe-smoker in a deerstalker hat, was a figure of fun to the bright young things of England in the 1920s. This was unfair since he was engaged in work of some importance; he was mapping the Brazilian frontier with Bolivia and Peru. Colonel Fawcett returned to the Amazon many times and over the years, distracted from his science, he became convinced of the existence of a Lost World in the heart of the forest.

Wednesday

Ferdinand Mount

The Go-Away Bird

There is no plaque yet on No 13 Baldwin Crescent, otherwise known as ‘Dunedin’. There ought to be. For on the top floor of this shabby yellow-brick house, hidden away between the Camberwell New Road and gloomy Myatt’s Fields, Muriel Spark wrote most of the four or five novels for which we’ll remember her. She was as happy in leafy, run-down Baldwin Crescent as she ever had been or was to be in her long, tense, proud, unforgiving life. She did, it is true, make an excursion to her childhood Edinburgh home to re-immerse herself in the speech of Morningside while she wrote The Prime of Miss Jean Brodie in four weeks.

Dan Jones

The new age of enlightenment

God’s Philosophers: How the Medieval World Laid the Foundations of Modern Science, by James Hannam We all have our hobby-horses. James Hannam’s is the abuse of the word ‘medieval’. Hats off. As I have written in this magazine before, using the term as shorthand for anything you consider cruel, arcane or barbarous (be it the Taliban, the hunt, the House of Lords, or whatever) is ignorant and unhistorical. If I had my way, all offenders would get a long spell in the village stocks.  In God’s Philosophers, Hannam has pursed his cheeks and attempted to puff away the common notion that nothing of scientific significance happened in Christendom between the fall of Rome and the birth of Galileo.

Matthew Dennison

Strangely familiar

In 1935, Noël Coward included in his series of playlets, Tonight at 8.30, a jaunty, song-filled exposé, in Victorian dress, of fam- ily relationships, Family Album. Penelope Lively’s novel of the same title, her 16th, covers similar territory — without the jauntiness or predisposition to burst into song. It is an apt title. Lively’s novel is an extended meditation on the meaning of family, the nature of blood relationship and our interconnectedness based on the accident of birth. In place of conventional plot, it proceeds by snapshots and vignettes, a series of portraits and first-person narratives, not so much a story as a sequence of word pictures held together like beads on a string by the flexible thread of the subjects’ kinship.