More from Books

Thursday

Jude Cook

The first Cambridge spy: A Fine Madness, by Alan Judd, reviewed

For his 15th novel, the espionage writer Alan Judd turns his hand to the mystery of Christopher Marlowe’s death. The result is never less than engrossing, with Judd putting the scanty known facts about the great playwright to ingenious use. The story is narrated from the King’s Bench prison by Thomas Phelipps 30 years after Marlowe’s fatal stabbing in a Deptford rooming-house brawl. Phelipps is good company, a master cryptographer and key employee of the spy-master Francis Walsingham, yet a self-proclaimed ‘simple man’ who yearns to marry and settle down. These contradictions help make him as fascinating as the mercurial Marlowe, who he’s sent to recruit at Cambridge. Phelipps immediately senses that Marlowe needs ‘protection from himself...

Suzi Feay

Cairo in crisis: The Republic of False Truths, by Alaa Al Aswany, reviewed

Certain novels complicate the very notion of literary enjoyment. This, by the author of the international bestseller The Yacoubian Building, is such a one. Despite its gripping narrative, compelling structure and vivid characters, every time I picked it up it was with a sinking heart. In telling the story of the Egyptian revolution of 2011 through the viewpoint of a variety of Cairenes both for and against, Alaa Al Aswany holds out the slender straw of hope against the slashing shears of repression. General Ahmad Alwany has just supervised the torture of a man and the abuse of his wife at his HQ. But it’s not as though he’s devoid of human sentiment; he adores his daughter, Danya, a medical student.

Daniel Swift

Will’s world: Shakespeare as the man in the crowd

Shakespeare’s first biographer was the gossipy antiquarian John Aubrey, who famously described the playwright as ‘not a company keeper’. It has long been tempting to see him this way: Shakespeare the aloof genius, almost divine. There’s something chilly in this vision, and scholarly work on Shakespeare of the past few decades has increasingly tended to picture him in different kinds of company. Academic studies now routinely investigate Shakespeare as a member of a group of players, or trace his links to patrons, his family and his rivals. By now it is generally accepted that Shakespeare’s plays were collaborative; the scholarly squabbles are over how much and which bits of work his co-writers did.

Julie Bindel

The gender identity issue: Kathleen Stock puts her head above the parapet

‘Something is afoot,’ wrote the academic philosopher Kathleen Stock in 2018: Beyond the academy, there’s a huge and impassioned discussion going on around the apparent conflict between women-who-are-not-transwomen’s rights and interests and transwomen’s rights and interests. And yet nearly all academic philosophers — including, surprisingly, feminist philosophers — are ignoring it. Material Girls picks up three years after Stock’s initial musings, and feminist philosophers are knee-deep in debate. Or is debate permitted in matters of gender ideology? During the past two decades there has been a concerted effort by the likes of Stonewall to override women’s sex-based rights in favour of ‘gender identity’.

Allan Mallinson

Why did Hitler’s imperial dreams take Stalin by surprise?

The most extraordinary thing, still, about Operation Barbarossa is the complete surprise the Wehrmacht achieved. In the early hours of 22 June 1941 the largest invasion force in history, ultimately some three million men, struck at the Soviet Union on a front of nearly 2,000 miles. When Stalin was woken with the news, he wouldn’t believe it. It couldn’t be Hitler’s doing, he insisted; surely just sabre-rattling by Wehrmacht generals? Hours passed before he would accept his calamitous misjudgments and issue a general order to fight back by every means. Hitler’s strategic challenge in the late 1930s had been essentially the same as the Kaiser’s in 1914: how to make war simultaneously on two fronts.

Bryan Karetnyk

Hitting the buffers: The Passenger, by Ulrich Alexander Boschwitz, reviewed

‘They’ll slowly undress us first and then kill us, so our clothes won’t get bloody and our banknotes won’t get damaged.’ These words, spoken by Otto Silbermann in Ulrich Alexander Boschwitz’s The Passenger, are startling. Not because they so perfectly articulate the obscene ethos of Auschwitz but because they were written several years before the fact. Composed in 1938, after its author had escaped the more murderous developments of Hitler’s regime, The Passenger is a tense, nightmarish account of one Jewish man’s attempt to survive in a country that is systematically stripping him of his right to exist.

Thursday

Jay Elwes

How the third world war was narrowly averted

Nuclear weapons carry a payload of cold logic: if both sides have them, neither will ever use them. But in 1962, when the Soviet Union and US squared up to one another over Cuba, that logic broke down. As this superb new book shows, the Cuban Missile Crisis was the product of miscalculation, ignorance and staggering recklessness. The main culprit was Nikita Khrushchev. His first error was to mistake the US president for a callow weakling. ‘Don’t worry,’ he assured his Cuban friends, ‘I’ll grab Kennedy by the balls.’ After their first meeting, JFK remarked that negotiations with Khrushchev had been the ‘roughest thing in my life’.

Frances Wilson

Stealing the story: A Lonely Man, by Chris Power, reviewed

Robert Prowe has writer’s block. An Englishman reaching middle age, he lives in Berlin with his Swedish wife and their two young daughters: two prams in the hall, two enemies of promise. Having enjoyed some success with a collection of short stories, Robert has been commissioned to write a novel; but the submission date was 18 months ago and he now spends his mornings deleting, letter by letter, the few words he produced the day before. His stories had once come easily: they grew out of his quotidian world in the form of anecdotes passed on to him by friends, family and strangers in bars. But nothing around him will feed his present fiction and he is fast fading out of his own life. ‘R U ALIVE?’ asks his agent.

Laurel Berger

From family home to mausoleum: the Musée Nissim Camondo

The potter and author Edmund de Waal revisits familiar terrain at an angle in his third book, Letters to Camondo. Ten years after the publication of his debut memoir, The Hare with Amber Eyes, he is once again in Paris, lurking about the rue de Monceau, ruminating on dust, trying to make the dead speak. He’s particularly keen to elicit a word from Count Moïse de Camondo (1860-1935), the last patriarch of a clan of absurdly rich French Jewish bankers with roots in Constantinople. The count was a friend and neighbour of de Waal’s cousin, the art historian Charles Ephrussi, whose collection of Japanese netsuke played such a large role in The Hare with Amber Eyes. The wary reader may ask: hasn’t de Waal had quite enough of the rue de Monceau?

James Ball

Life on Earth is too tame for eccentric American billionaires

For many of us, Elon Musk is a hard man to like. He’s the richest man in the world (or second richest, as he and Amazon founder Jeff Bezos whirr back and forth in top spot), but acts online like a bratty teenager astonished by his own intelligence. He proposes underground tunnel networks as a transport solution for Miami (which is a swamp less than 10ft above sea level), moots takeovers of his companies with 420-themed weed jokes and hypes cryptocurrencies. Yet as you read Liftoff you can see what so many people find to admire in the man — at least for a while.

Mark Bostridge

It is impossible to imagine Henrician England except through the eyes of Hans Holbein

‘Holbein redeemed a whole era for us from oblivion,’ remarks the author of a trilogy of novels set at Henry VIII’s court. ‘He has forced us to believe that his vision of it was the only feasible one.’ This is a bit of a tease. It’s not written by Hilary Mantel, as you might be expecting, but by Ford Madox Ford, who, a century before Wolf Hall, published a sequence of novels about Henry’s fifth queen, Katharine Howard. Nevertheless, Ford’s point is irrefutable. It is impossible to imagine the England of Henry VIII except through the eyes of ‘the King’s Painter’, Hans Holbein.

Claire Kohda

Water, water everywhere: Touring the Land of the Dead, by Maki Kashimada, reviewed

Maki Kashimada won the 2012 Akutagawa Prize for Touring the Land of the Dead, the strange, unsettling novella that makes up half of this volume. It is translated here for the first time from the Japanese into English by Haydn Trowell, alongside Kashimada’s ‘Ninety-nine Kisses’, a short story based on Jun’ichiro Tanizaki’s classic novel about four unmarried women, The Makioka Sisters. In Japan, Kashimada has become known for her avant-garde, nonconformist style. These two offerings are exemplary pieces. In Touring the Land of the Dead, a woman called Natsuko returns to a hotel she went to as a child with her mother and brother; now she is with her disabled husband, who suffers from seizures.

Roger Lewis

Even the Queen wasn’t spared Prince Philip’s bad temper

Though the indefatigable Gyles Brandreth met and interviewed Prince Philip over a 40-year period, His Royal Highness managed to give very little away. ‘He would just look at me balefully and say nothing,’ Brandreth writes. Wondering what Prince Philip’s philosophy of life might be, ‘I didn’t get very far’. When asked about his childhood,‘he brushed away the subject’. Prince Philip’s attitude to parenthood was a flat: ‘We did our best.’ His opinion of the Queen Mother: ‘He would not be drawn.’ His summing up of the consort’s existence: ‘I tried to find useful things to do. I did my best’ — e.g. by introducing a footman training programme or building a log cabin at Sandringham.

Ariane Bankes

The high and low life of John Craxton

Charm is a weasel word; it can evoke the superficial and insincere, and engender suspicion and mistrust. But charm in its most authentic sense was surely the defining quality of the painter John Craxton, and it flavours this lively and richly coloured account of his life. Ian Collins only met the elderly Craxton — by now sporting the moustaches, shepherd’s stick and general demeanour of a Cretan chieftain — in the last decade of his life (he lived to 88), and was immediately seduced by his joie de vivre and his fund of recondite knowledge, stories and jokes, and drawn into Craxton’s charmed circle.

Chloë Ashby

An independent observer: Whereabouts, by Jhumpa Lahiri, reviewed

After falling in love with Italy as a young woman, the Pulitzer Prize-winning author Jhumpa Lahiri broke with English and began writing in Italian. Her new novel — a slim and bewitching tale of a woman at her midpoint — she wrote first in Italian and has since translated. The story is told in a series of vignettes, the lengthiest six or so pages. Each is titled with the setting — in the office, at the register, on the street — and paints an exquisite picture of a single soul moving thoughtfully about her city. ‘I don’t share my life with anyone,’ says that soul early on. She lives alone in a spartan apartment, and with only herself to worry about she never fills the fridge.

Jude Cook

Eliminate the positive: Come Join Our Disease, by Sam Byers, reviewed

Sam Byers’s worryingly zeitgeisty second novel, Perfidious Albion, imagined a post-Brexit dystopia dominated by global tech companies, corrupt spin doctors, shady think tanks and the corporate manipulation of government. So far so true — were it not for the current pandemic, one might call him a soothsayer. His third, aptly titled novel, Come Join Our Disease, dispenses with the crystal ball and instead explores the fear that the internet, despite its boons, is making us all ill. The pestilence, in this instance, is virtual. Byers’s heroine is Maya, a homeless woman once ‘peripherally employed’ in the tech world, now staying in a geographically indeterminate encampment.

Thursday

Philip Womack

Back in the magic land of Narnia

C. S. Lewis’s enchanting Chronicles of Narnia series has, in recent years, come under critical fire. It’s racist, sexist, colonialist; blatant propaganda for Christianity, hoodwinking children into a life of religious submission. These barbs seem to me to miss the point. As a geeky nine-year-old, I had a dim sense that Aslan had something to do with Jesus Christ. But so what — he was a talking lion! (And, even to children who weren’t Scripture swots, he clearly isn’t Jesus Christ, but something else.) Dyed-in-the-wool atheists get it wrong. I’ve never met a child who marched blindly from Narnia to Christ; but I have met children (now adults) who, already knowing Christ, have felt his joy in Aslan.

Graham Elliot

Haunted by the soft, sweet power of the violin

An extraordinary omission from Neil MacGregor’s A History of the World in 100 Objects is the lyre, the instrument closest to Homer’s heart. Without it, the evolution of bowed stringed instruments — rebec, lira da braccio, violetta — would not have taken place. Ipso facto, there would be no violin, nor its larger siblings; no chamber music, no orchestra, no Hot Club de France. In such a parallel world, Helena Attlee would be much time-richer, given that she has spent more than four years researching the provenance of a single violin.

Joshua Rozenberg

Despotic laws can — even should — be ignored, says Jonathan Sumption

Jonathan Sumption has developed ‘many strange habits over the years’, he tells us disarmingly, and one of these is to read the international press. ‘I read the French and German press most days, and sometimes the Italian and Spanish press as well.’ Some might think the retired Supreme Court justice was showing off. But these remarks were addressed to a group of German judges at the end of 2019. His message to them was that the British people might have been wrong to vote for Brexit — but they were not, as reported in the continental press, ‘at best naive and at worst mad’. That’s good to know.

Guy Stagg

Pilgrimage is beginning to resemble any other kind of holiday

Hidden away in the Old City of Jerusalem is a tattoo parlour which has been serving pilgrims for the past 700 years. The Razzouk family parlour near the Jaffa Gate claims to have been inking crosses into travellers’ skins since the 1300s. True or not, it’s a good example of how contemporary pilgrimage sites draw on an occasionally dubious history to offer something unique in a crowded travel market. The pilgrim parlour is one of many memorable details from Peter Stanford’s Pilgrimage, which looks at how this ancient tradition has been revived for the 21st century.