More from Books

Thursday

Jonathan Coe

Billy Wilder — the making of a great film director

Before Billy Wilder became the celebrated director of films such as Sunset Boulevard, Some Like It Hot and The Apartment he was a busy jobbing screenwriter at UFA Studios in Berlin in the early 1930s, writing or co-writing the scenarios to more than 20 movies. And before that, he was a journalist. Starting in Vienna in the mid-1920s, where his earliest assignments included setting the crossword puzzle (a charming example is included in this volume), he quickly moved on to Berlin and became a prolific writer of occasional pieces for papers such as Der Querschnitt and the Berliner Börsen Courier. Selections of these articles have been published before but are long out of print, and were never translated into English.

Clare Mulley

The great betrayal of Ethel Rosenberg

Ethel Rosenberg was an exceptional woman. Born with a painful curvature of the spine to a poor family of Jewish immigrants and a mother who never loved her, she was determined to make her life matter. A talented singer, she won a place at New York’s prestigious Schola Cantorum and performed at Carnegie Hall. Having found clerical work, she helped organise strike action and then won a court vindication. Seeing the rise of fascism, she came to embrace the concept of communism, and when war arrived she campaigned for America’s entry. Ethel’s exceptionalism did her no favours, however, in paranoid post-war America. Although she focused on her children, she was still far too close to her husband’s work.

Andrew Rosenheim

Secret treaties and games of cat and mouse: a choice of recent crime fiction

Almost any promising writer of spy fiction can expect at some point to be called the ‘next Le Carré’, an accolade even more promiscuously applied since the death of the master. James Wolff has immediate credentials to jump the queue, since, like Le Carré, he uses a pseudonym and claims to work at the Foreign Office — though his familiarity with surveillance techniques suggests a slightly different employer. How to Betray Your Country (Bitter Lemon Press, £8.99) arrives as the second in a planned trilogy, hard on the heels of Wolff’s striking debut, Beside the Syrian Sea. August Drummond is a former British intelligence officer, cashiered for insubordination after the sudden death of his tricky but entirely beloved wife.

Mark Cocker

A hymn to the hummingbird — one of the most astonishing organisms on Earth

Along with coral reefs and their fish, tropical butterflies and birds of paradise, hummingbirds must be among the most beautiful organisms on Earth. Yet for anyone who has never seen one in the flesh, it is difficult to convey the psychological effects of a first encounter. For beauty is only half the hummingbird story. Their impact is doubled somehow by the minuscule size of the creatures. How could anything so small, you wonder, embody so much life force? Even in ordinary flight the wings beat at 80 times a second, and in certain display modes this can rise to 200. The old name — ‘humbird’ — better expresses the electric fizz which those limbs create. However this lifestyle comes at a cost.

Daniel Rey

Snakes alive! Playing cricket in Latin America

Cricket in Latin America sounds like an oxymoron. Yet in almost every country in the region willow was hitting leather before feet were kicking pigs’ bladders. England vs Australia, first played in 1877, may be cricket’s iconic series, but the Ashes cedes ten years of history to the contest between Argentina and Uruguay — the rivalry of the River Plate. In Evita Burned Down Our Pavilion, James Coyne and Timothy Abraham, cricket journalists with a fondness for Latin America, travel from Mexico to Argentina with bat in rucksack and dates with fusty archives. A social history with elements of travelogue, the book tells a story of new horizons and false dawns, as the most English of pastimes tried to drop anchor amid scorpions, populist regimes and general bafflement.

Charlotte Hobson

Pure, white and native: the birch as a symbol of Russian nationalism

The image of the birch tree in popular Russian culture is as manifold as the trees themselves, but we could do worse than to begin with the song ‘Why do the birches rustle so loudly in Russia?’ By the patriotic band called Lube — apparently Putin’s favourite — it’s a melancholic guitar ballad that also mentions the soul, accordions, suffering, falling leaves, an old woman waving goodbye, and a beloved woman (rodnaya) ‘my own’, from the same root as rodina, motherland. It also happens to be sung by a handsome young village policeman. Na zdarovya! A shot of birch kitsch at its most potent.

Alex Peake-Tomkinson

O father, where art thou? Fox Fires, by Wyl Menmuir, reviewed

Wyl Menmuir’s first novel, The Many, was a surprise inclusion on the 2016 Booker Prize longlist. It drew praise for its discomfiting prose, but the fact that it had been written in a VW camper van on the north Cornish coast — where it was set — also drew attention. The village in The Many appeared to be forgotten by the outside world, and the setting for Fox Fires is similarly isolated. Nineteen-year-old Wren Lithgow arrives in a mysterious European city state called O with her concert pianist mother. The peril they are in isn’t laboured, but the reader realises it by degrees — as Wren does.

Thursday

Kate Womersley

Why did no one diagnose my sister’s TB?

In 2016, Arifa Akbar’s elder sister, Fauzia, died suddenly in the Royal Free Hospital, London at the age of 45. Until the last hours of her life, the cause of her coughing, chest pain, night sweats and breathlessness had eluded a series of baffled experts. But you do not need a medical degree to hazard a guess at what might have been behind these symptoms. From Keats’s famous death to the consumptive heroines of 19th-century opera, spots of blood on a handkerchief were all that was missing to complete the picture. Only after Fauzia had a catastrophic cerebral haemorrhage, however, did someone think to test a sample of her spinal fluid for tuberculosis. It was positive. Sense came too late. The mycobacteria had disseminated through her organs and were nesting in her brain.

Clinton Heylin

Richard Thompson’s memoir is worth reading for the ‘Fairport years’ alone

One of the more surreal conversations I have had with a musical hero of mine came in 2017 when I found myself arguing with Linda Thompson about the merits of Nick Drake’s music compared with her own and her ex-husband Richard Thompson’s. She suggested Nick’s had a quality that was missing in the work she and Richard created, which explained its posthumous popularity. I maintained that Drake’s music appealed largely to coeds and other hopeless romantics, lacking the lyrical depth and musical breadth of the six albums the star-crossed couple made between 1973 and 1981, from the timeless I Want to See the Bright Lights Tonight to the equally acclaimed Shoot Out the Lights.

Michael Arditti

How Cecil Beaton offended the Queen Mother

In December 1979, the 28-year-old Hugo Vickers, dining with a friend, declared: ‘I see little point to life these days.’ The following day, an editor at Weidenfeld & Nicolson rang to tell him that Cecil Beaton, seriously debilitated by a stroke, was looking for a biographer. Vickers visited Beaton three days before his death in January 1980 and, shortly afterwards, was confirmed as his official biographer. This was to give point, along with glamour and excitement, to his life for the next five years. Beaton’s sister, Lady Smiley, exhorted Vickers not to make it ‘one of those gossipy books. There’s so much more.

Jonathan Boff

How Churchill’s success hinged on a small Mediterranean island

If you can tell the difference between Jack Hawkins and John Mills, and between a Stuka and a Sten gun, perhaps after long, wet afternoons watching black-and-white war films, this is the book for you. Max Hastings is a wily operator who knows exactly what his readers want and with Operation Pedestal he has produced it for them again. The latest book off the apparently unstoppable Hastings conveyor belt tells the dramatic story of one of the most ambitious and dangerous naval operations of the war, and tells it well. Malta, an island slightly smaller than Birmingham, sits at the crossroads of the Mediterranean, 60 miles south of Sicily.

Guy Stagg

The difficulty of building heaven on Earth: why utopias usually fail

The years after the first world war were a boom time for utopian communities. As the survivors of the conflict began to recover, many were drawn towards experimental ways of living. Anna Neima looks at six of these communities, asking what brought them together, what kept them going and what legacy, if any, they left behind. In doing so, she offers an original perspective on the entire period and a new way of navigating its artistic and ideological upheaval. She begins with Santiniketan Sriniketan, the community founded by the Nobel Prize-winning poet Rabindranath Tagore in West Bengal. Part ashram, part school, part agricultural college, it promoted the twin causes of educational reform and rural regeneration, and went on to influence countless other communities.

Christopher Hawtree

Journey to the Moon: The Things We’ve Seen, by Agustín Fernández Mallo, reviewed

‘Peace — slept for 14 hours. The roar of the sea slashing the rocks — is there any more soothing sound in the solar system?’ Although this observation was made by Chips Channon at Sandwich after the rigours of electioneering in 1935 it could be aptly cited in this novel by the radiation physicist Agustín Fernández Mallo. These past 15 years he has evolved a method in which, owing something to Borges and perhaps early Nicholson Baker, troubled narrators’ outlandish events draw seamlessly upon everything around them; on the page, advertising hoardings, the screen or mind, these fragments are shored against their ruins, catching our world in its present flux.

Diana Hendry

Mothers and daughters: I Couldn’t Love You More, by Esther Freud, reviewed

A new novel by Esther Freud — her ninth — raises the perennial but always fascinating question about the use of autobiography in fiction. Since her first novel, Hideous Kinky, Freud has frequently used an underpinning of autobiography, but mostly it’s been discreet. You didn’t need to distinguish what was life, what fiction. But with I Couldn’t Love You More the auto-biographical element has become overt and somehow obtrusive. Freud’s previous novel, Mr Mac and Me, concerned with Charles Rennie Mackintosh’s stay in Suffolk at the start of the second world war, is on the cusp of being an historical novel. This one is close to autofiction.

John Self

A smart take on literary London: Dead Souls, by Sam Riviere, reviewed

Sam Riviere has established himself as a seriously good poet who doesn’t take himself too seriously: his first collection, 81 Austerities, opened with an account of how he blew all the arts funding money awarded him, and his second, Kim Kardashian’s Marriage, is the only appearance of that august celebrity’s name in the distinguished Faber livery. Now we have his first ‘proper’ novel, following some experimental prose works. ‘Of course,’ as John Cheever wrote, ‘one never asks is it a novel? One asks is it interesting’, and Dead Souls is definitely interesting. It also fits the pattern of the poetry: this is a funny, even silly, but smart take on the literary world and the clash of commerce and creativity generally.

Thursday

Boyd Tonkin

A Danubian Narnia: Nostalgia, by Mircea Cartarescu, reviewed

Mircea Cartarescu likens his native Romania to a Latin American country stranded in eastern Europe. Certainly, his writing delivers not the pared-down parables and ironies of his self-exiled compatriot (and Nobel laureate) Herta Müller, but a rainbow-hued riot of fantasy, imagination and invention. The gender-switching narrator of ‘The Twins’ — one of five linked tales that make up Nostalgia — urges his lover to remember that ‘under the obscene rococo of our world and flesh, our bones are gothic and our spirit is gothic’. That feels about right, although Cartarescu fills his grotesque and hallucinatory scenes with tropical warmth, colour and light on top of the sepulchral chills of old Europe.

Ian Thomson

It takes a trained ear fully to appreciate Indian music

At George Harrison’s 1971 concert for Bangladesh, awkwardly, the audience applauded after Ravi Shankar and his musicians had paused to tune their sitars and tablas. ‘If you appreciated the tuning so much,’ Shankar said, half in jest, ‘I hope you’ll enjoy the music even more.’ To the untrained ear, Indian music may sound unmelodious and directionless as it strays into apparent pre-concert tuning registers and monotony. Nonetheless, its transcendental Zen-like qualities impressed Richard Wagner, who was drawn to the spirituality and joss-stick mysticism (as he saw it) of the east. A devotional song performed by the Punjab Sufi vocalist Nusrat Fateh Ali Khan can soar as ecstatically as Parsifal.

Clare Mulley

The defiance of the ‘ghetto girls’ who resisted the Nazis

‘Jewish Resistance in Poland: Women Trample Nazi Soldiers,’ ran a New York headline in late 1942. That autumn, the Nazi occupying forces in the ancient town of Lubliniec, in southern Poland, had forced the Jewish community to assemble in the square. As men, women, the elderly and children were ordered to strip, a dozen women suddenly attacked their persecutors, scratching, biting and hurling stones. Stunned by this unexpected defiance, the Nazi soldiers fled. The influence of such courageous acts of resistance was tremendous. Galvanised by largely left-wing youth activists and connected by mainly female couriers, Jewish defence groups were soon staging armed attacks and operations across occupied Poland.

Fraser Nelson

What happens next? Gauging the fallout from the pandemic

What just happened? Some 15 months after the pandemic first struck, it’s still horribly unclear, which is perhaps why there have been no decent books making sense of Covid-19. This is not just about a virus but a collision of politics, panic, digital media, human behaviour and incompetence. Niall Ferguson’s Doom looks at each of these aspects, putting them into historical perspective in a book of dazzling range and rigour. He offers several answers — and none of them is comforting. For most of human history, viruses were unexceptional — hard to research, because no one thought them remarkable. When plagues struck in the Middle Ages, we’d rush into quarantine, which acquired its name in 1383 when Marseilles asked sailors to self-isolate for 40 days.

Kate Chisholm

A mighty contest from trivial things — the quarrel between Alexander Pope and Edmund Curll

Rapid technological advance, a dark underworld of uncensored publishing, a threatened rupture with Scotland, even fears of a new outbreak of plague. Close scrutiny of the first few decades of the 18th century reveals some startling (and oddly reassuring) parallels with our own trying times. In his new book, Pat Rogers, an expert on the writings of Alexander Pope and much else, resurrects what you might think was an obscure battle over copyright between Pope and the Grub Street bookseller and printer Edmund Curll. Their quarrel, though, becomes a prism through which Rogers captures the upheavals, hubbub and stench but, above all, the wit of that period, when words could have the explosive impact of hand grenades.