Spectator Life

Haruki Murakami said that ‘I feel that most of what I know about writing fiction I learned from music.’ Music and literature enjoy a close relationship. Authors rely on rhythm and tone for their writing. So when a writer chooses to incorporate music into their work, it always makes for a powerful moment, connecting the reader in a sensory way to the story.  Music functions as a character in Pride and Prejudice. As a guest at Netherfield Hall one evening, Elizabeth Bennet’s sister Mary gives a performance that is not well received. Her voice is described as ‘weak, and her manner affected.’ Mary, however, remains blissfully unaware of the uncomfortable atmosphere her music provides.

On hearing of the Duchess of Sussex’s alleged fondness for the Diabolo de Cartier Music Box (retailing for almost £3,000, in lacquered wood and gold-finish metal, freed bird motif turns when ‘La Vie En Rose’ plays), I reflected on the adult liking for childish things.  Though the box is ostensibly for Meghan’s infant daughter Lilibet Ltd – sorry, Lilibet Diana – a source told Australia’s New Idea magazine that ‘Meghan has fallen in love with Cartier’s absolutely divine music boxes.

First Charterhouse, then Winchester – now Westminster. In the past two years alone, three of Britain’s most famous schools have recently turned, or are planning to turn, fully co-educational. How many more boys’ schools will follow?  One popular argument for the change is, as ever, that girls will be a ‘civilising influence’ upon teenage boys – especially in the light of the sexism exposed by the ‘Everyone’s Invited’ scandals. The more that teenage boys learn to study with girls and respect them, the less likely it is such scandals will be repeated. I taught at two traditional schools which turned co-educational in the 1990s, Uppingham and Cranleigh. Then, it was usually a shortage of numbers which triggered the move to take girls.

Artificial intelligence (AI) has rarely been out of the headlines over recent months, creating foreboding that computers will soon be an existential threat to humanity. Movies have long anticipated this, beginning almost a century ago with Fritz Lang’s dystopian classic Metropolis (1927). Seven years earlier, Czech writer Karel Čapek’s stage play R.U.R. – Rossumovi Univerzální Roboti (Rossum's Universal Robots) introduced the world to the concept of conscious artificial beings. Here’s a look at artificial intelligence in ten movies: The Forbin Project (1970) https://www.youtube.com/watch?v=kyOEwiQhzMI Joseph Sargent’s (The Taking of Pelham One Two Three) picture is something of a hidden gem, and could be – as they say – ‘eerily prescient’.

You don’t need to be a genius to know that if you are training for HM The King and HM The Queen, then it would be a shrewd career move to land a Royal Ascot winner for them later this month. This is, of course, the first time that the King and Queen will be having runners at the famous meeting under their new titles. Their trainers know that if they can engineer a winner for the royal duo at Ascot’s five-day event, it will generate hugely positive headlines all over the news and sports pages. I think the King and Queen have at least two first-rate chances of a winner at the meeting and I am backing one of those horses now ante-post and keeping a watching brief on the other one. The one to back is SAGA, who has to be one of the unluckiest horses in training.

With its inbuilt suspense, twists and turns – not to mention its many opportunities for scenery-chewing – the courtroom drama has long been a staple of cinema. Although plots tend to concentrate on capital cases, there are a fair few where reputational damage, corporate malfeasance, freedom of speech, education, religion, sexuality, race, military justice, politics and discrimination drive the proceedings. Here are some of my favourites: Inherit the Wind (1960) I am more interested in the ‘Rock of Ages’ than I am in the age of rocks. Frederic March as Creationist Matthew Harrison Brady https://www.youtube.com/watch?

I’m writing this with headphones in, sitting at my desk on Old Queen Street. Please don’t tell Debrett’s. Apparently listening to headphones in the office is a huge faux pas, akin to cutting camembert with a fish knife. The company’s etiquette adviser, Liz Wyse, told the Times: ‘If you work in an open-plan office where there is frequent conversation and interchange of ideas between colleagues, do not wear AirPods or headphones.’  The worst thing that happens when zoned out on David Bowie is that a colleague has to wave near your eye line We will, she assures us, be ‘much more valuable staff members’ if we instead choose to ‘tune into conversations’ and ‘stay alert’. Beep boop. Jeeves3000 has spoken.

Holly Willoughby returned to the This Morning sofa yesterday with a brief scripted statement on the fall of her long-time co-presenter Phillip Schofield:   I imagine that you might have been feeling a lot like I have – shaken, troubled, let down, worried for the wellbeing of people on all sides of what’s been going on, and full of questions, you, me and all of us at This Morning gave our love and support to someone who was not telling the truth, who acted in a way that they themselves felt that they had to resign from ITV, and step down from a career that they loved.

I love my adopted hometown of Brighton and Hove – I moved here in 1995 and I still feel like I’m on holiday. I love everything about living here. The obvious thing is the sea. Although I hear what our local Surfers Against Sewage say, nothing’s going to keep me out of the briny. The water quality at Hove Lawns Beach – literally at the end of my avenue – is excellent at the mo, whereas when I first lived here, it was quite normal to emerge from even a brief dip festooned in all sorts of unmentionable stuff, like an obscene Christmas tree. Here comes the summer – and the tourists. Personally, I love ‘em I even love the seagulls. I know in theory that they’re flying rats but their natural comedic bent never fails to crack me up.

‘I do not think we do our children any favours by pretending that slavery didn’t exist,’ wrote Royal Academy of Dramatic Art chair Marcus Ryder, in a blog about the newly remade Disney adaptation of Hans Christian Andersen’s fairytale The Little Mermaid. ‘Setting the fantastical story in this time and place is literally the equivalent of setting a love story between Jew and Gentile in 1940 Germany and ignoring the Jewish holocaust,’ he wrote.’ Not to be outdone, the singer Paloma Faith wrote on Instagram after she’d been to watch the remake that, ‘As a mother of girls, I don’t want my kids to think it’s OK to give up your entire voice and your powers to love a man’.