Stephen Arnell

With former President of the United States Donald Trump now indicted on four counts relating to attempts to overturn the 2020 presidential election, here's a look at motion pictures where leaders are put on trial. To Kill a King (2003) – full movie available on YouTube https://www.youtube.com/watch?v=uViHCp-jytE&t=5444s I confess to possessing little sympathy with the plight of King Charles I in Mike Barker’s (Best Laid Plans, 1999) watchable English Civil War drama. As depicted by Rupert Everett, he’s arrogant, petulant, and totally untrustworthy. He seems to accept parliament’s mild terms for peace, all while plotting further bloodshed in the name of the 'divine right of Kings'. To his credit, Charles faces his end bravely.

With Wimbledon fortnight upon us, what better time to explore tennis on the silver screen? Even more fortuitous is that Aidan Turner’s raunchy Amazon Prime series Fifteen Love will debut this summer, in which the Poldark star plays a tennis coach with a chequered past. Turner also features as moustachioed TV presenter Declan O'Hara (shades of Des Lynam as was) in Disney+’s upcoming adaptation of Jilly Cooper’s Rivals, a show apparently so steamy it needed two intimacy coaches. https://www.youtube.com/watch?v=MykuvVwtXtQ As an aspirational, largely middle-class game, tennis when depicted in the movies is largely free of the pile-ons, punch-ups and bad language of films about football, rugby and other contact sports. But, not as you’ll find out, wholly so...

The summer solstice (which falls today) has been a time of celebration and religious rituals since the dawn of mankind. Some associate the event with neo-druidic gatherings at Stonehenge and the like, others with ghastly human sacrifices to placate the Old Gods – while many see the solstice as simply a time to celebrate the longest day of the year with (relatively) innocent folkloric revels. But if you'd rather stay home and watch a film to mark the occasion, here are 15 worth your time. Midsommar (2019) – Netflix, Amazon Rent/Buy Ari Aster’s (Hereditary and upcoming Beau is Afraid) folk horror picture is very much in the vein of The Wicker Man (1973) – but with additional lashings of graphic violence and foreboding.

The actress and politician Glenda Jackson died last week at the age of 87. Her acting career moved effortlessly between stage, TV, and motion pictures, where Jackson proved a commanding presence in each. In 1992 she took a lengthy break from the acting world to become a Labour MP, exchanging the likes of co-stars George Segal, James Garner, and Jeff Goldblum for colleagues Dennis Skinner, Roy Hattersley, and John Prescott. Returning to stage, TV, radio, and film in 2015, Jackson had lost none of her thespian chops, continuing to rack up awards.

As Rishi Sunak and Boris Johnson trade insults, here’s a look at some of the best – and most wounding – barbs in film. Full Metal Jacket (1987) Amazon Rent/Buy https://www.youtube.com/watch?v=tHxf17yJsKs Gunnery Sergeant Hartman, the master of full-on, spittle-flecked abuse, eventually gets his comeuppance for belittling conscripted recruits in Stanley Kubrick’s Vietnam war classic. A prime example of Hartman’s cruelty is when he addresses Vincent D’Onofrio’s hapless Pyle: ‘Were you born a fat, slimy, scumbag puke piece o’ shit, Private Pyle, or did you have to work on it?’ R. Lee Ermey, who played Hartman, had previously been a US Marine drill instructor in Vietnam and – with Kubrick’s enthusiastic urging – ad-libbed much of his dialogue in the film.

Artificial intelligence (AI) has rarely been out of the headlines over recent months, creating foreboding that computers will soon be an existential threat to humanity. Movies have long anticipated this, beginning almost a century ago with Fritz Lang’s dystopian classic Metropolis (1927). Seven years earlier, Czech writer Karel Čapek’s stage play R.U.R. – Rossumovi Univerzální Roboti (Rossum's Universal Robots) introduced the world to the concept of conscious artificial beings. Here’s a look at artificial intelligence in ten movies: The Forbin Project (1970) https://www.youtube.com/watch?v=kyOEwiQhzMI Joseph Sargent’s (The Taking of Pelham One Two Three) picture is something of a hidden gem, and could be – as they say – ‘eerily prescient’.

With its inbuilt suspense, twists and turns – not to mention its many opportunities for scenery-chewing – the courtroom drama has long been a staple of cinema. Although plots tend to concentrate on capital cases, there are a fair few where reputational damage, corporate malfeasance, freedom of speech, education, religion, sexuality, race, military justice, politics and discrimination drive the proceedings. Here are some of my favourites: Inherit the Wind (1960) I am more interested in the ‘Rock of Ages’ than I am in the age of rocks. Frederic March as Creationist Matthew Harrison Brady https://www.youtube.com/watch?

Holly Willoughby returned to the This Morning sofa yesterday with a brief scripted statement on the fall of her long-time co-presenter Phillip Schofield:   I imagine that you might have been feeling a lot like I have – shaken, troubled, let down, worried for the wellbeing of people on all sides of what’s been going on, and full of questions, you, me and all of us at This Morning gave our love and support to someone who was not telling the truth, who acted in a way that they themselves felt that they had to resign from ITV, and step down from a career that they loved.

We might never have taken the Eurovision Song Contest terribly seriously in the UK – but with British Ted Neeley lookalike Sam Ryder winning second place last year and the staging of this year’s event in Liverpool, some are singing to a different tune. This year’s UK entry comes from Mae Muller – ‘I Wrote a Song’ is a serviceable enough generic toe-tapper, but no ‘Puppet on a String’ (Sandie Shaw, 1967 winner) if you ask me. Or even ‘Ooh Aah… Just a Little Bit', Gina G’s 1996 banger that claimed eighth place in the contest. Ahead of tomorrow night’s final, here are ten movies to get you in the mood for Eurovision 2023 – films where the plucky underdog (almost always) triumphs.

This year’s Cannes Film Festival promises to be interesting viewing, with a record number of female directors in contention (a stark contrast to the 2023 Academy Awards) and a greater than usual representation of old-guard auteurs (including Martin Scorsese, Wim Wenders, Ken Loach and Finnish maverick Aki Kaurismäki). Fans will no doubt be enthused by the return of Jonathan Glazer (Sexy Beast) with his first picture since 2013’s acclaimed Under the Skin. I can’t say Glazer’s choice of material - Martin Amis’s 2014 concentration camp novel Zone of Interest – particularly grabs me, but the director’s work is always worth checking out.

Despite weeks of preparation and rehearsal, coronations don’t always go according to plan. Indeed, a botched coronation or one plagued by misfortune can be taken by the superstitious as a poor augury for coming reigns – sometimes justifiably. Case in point: the celebrations of Tsar Nicholas II and Alexandra Feodorovna in Moscow’s Dormition Cathedral on 14 May 1896. While the hours-long ceremony for the last Tsar and Tsarina went off without a hitch, the following national holiday and public feast in Khodynka Field led to a stampede where at least 1,300 died and 1,300 more were left with serious injuries. The cause?

Before Westminster Abbey opens its doors on Saturday, what better way to get in the spirit than to explore the storied history of coronations in the movies? The sheer spectacle of a monarch’s formal coronation has an inherently cinematic aspect – and it's one that motion pictures have long exploited. Here are ten films to savour before the event: The Lord of the Rings: the Return of the King (2003) – NOW, Amazon Rent/Buy https://www.youtube.com/watch?v=r5X-hFf6Bwo Impressive as King Charles III’s coronation is sure to be, it’s unlikely to match the crowning of Aragorn (Viggo Mortensen) as King Elessar in the final instalment of Peter Jackson’s Lord of the Rings trilogy.

The received wisdom that the Oscar for Best Picture always goes to mainstream, generally inoffensive ‘quality’ pictures is only partially true. There have been multiple exceptions to this – and increasingly so over recent years, with an influx of younger Academy voters and a desire to be seen as more progressive than in the past. Who knows what it might mean for this year’s Best Picture nominees – which are All Quiet on the Western Front, Avatar: The Way of Water, The Banshees of Inisherin, Elvis, Everything Everywhere All at Once, The Fabelmans, Tár, Top Gun: Maverick, Triangle of Sadness and Women Talking.

The romcom genre has a decidedly mixed record, often becoming a lazy way for stars to cash in on their popularity – with less than loveable results. Witness the career of Matthew McConaughey, which could have been described as ‘Death by romcom’ (Failure to Launch, The Wedding Planner, Fool’s Gold etc) until his 2011 comeback with Killer Joe. Gerard Butler also tried his hand with a slew of mediocre pictures (Playing for Keeps, The Bounty Hunter, The Ugly Truth etc), before reverting to action flicks. But once in a while, the chemistry is just right and everything falls into place. Here’s my pick of ten alternative romantic comedies that avoid the saccharine pitfalls that often blight the field. You People (2023) – Netflix https://www.youtube.com/watch?

Sibling rivalry is nothing new, as the Old Testament’s story of Cain and Abel attests. Back in 1966, director John Huston cast hellraiser Richard Harris as fratricidal bad boy Cain in The Bible: In the Beginning. Years later, Ray Winstone played Cain’s even naughtier descendent Tubal-Cain in Darren Aronofsky’s decidedly odd Noah (2014). 2009 also saw the tale of Cain and Abel recounted more jocularly in Year One (2009), with David Cross and Paul Rudd as the feuding brothers. Of course, the Biblical duo’s argument was settled in a more lethal way than Harry and William’s ‘dog bowl brawl’.

It would be fair to say 2022 was not a vintage year in cinema, reflected in UK box office receipts which remain around a third below the pre-pandemic year of 2019. That’s not to say there weren’t some enjoyable releases (such as The Banshees of Inisherin, Triangle of Sadness and The Northman) – but the biggest hits of the year consisted of superhero franchises and movie sequels (Top Gun: Maverick, Avatar: The Way of Water, Jurassic World Dominion, Fantastic Beasts: The Secrets of Dumbledore, etc).

Christmas may ostensibly be a time of goodwill to all men, but war rarely takes a break for the festive season – as events in Ukraine sadly demonstrate. Here are ten films set during Yuletide where the front line is front and centre: Castle Keep (1968) – Amazon Rent/Buy https://www.youtube.com/watch?v=8uALKeb0C6U&t=1s Sydney Pollack’s (Three Days of the Condor) Castle Keep is set during the Germans’ failed Ardennes offensive of December 1944 and stars Burt Lancaster as one-eyed US Major Abraham Falconer. But if from that description you expect a meat-and-potatoes world war two actioner, think again.

It is 122 years this week since Oscar Fingal O'Flahertie Wills Wilde died – in exile, poverty and disgrace – at Paris’s shabby St Germain Hôtel d'Alsace. His last words were said to be: ‘My wallpaper and I are fighting a duel to the death. One or the other of us must go.’ Despite Wilde’s precipitous fall from grace and the ignominy heaped upon him (his children had to change their surname to Holland), within a relatively brief time his plays were revived and books reissued to renewed popular acclaim. And more than a century later, that appeal hasn’t faded: this year in England alone, The Importance of Being Earnest toured the north and Richard Strauss’s adaptation of Salome was performed at the Royal Opera House.

From Fawlty Towers to Psycho, hotel horrors have long provided a rich seam of material for big screen and small. HBO’s The White Lotus, which returns to Sky Atlantic tonight for its second series, swept the board at last month’s Emmys, with ten wins in the limited series category for its sharp social satire set at an upmarket holiday resort. Visiting the establishments you’ve seen on screen isn’t always a good move. I was excited to check in to Rome’s Grand Hotel Plaza, which has been used as a location for movies including L’innocente (1976), Gangs of New York (2002), Ocean’s Twelve (2004), The Man from U.N.C.L.E. (2015) and John Wick: Chapter 2 (2017). But I soon discovered why my suite was so heavily discounted.