Books

How Boston became the cradle of American children’s literature

It was Labor Day in Boston and the bronze ducklings in the city’s Public Garden were each wearing a fluffy autumnal scarf. Nobody seems quite sure who dresses them, but at various points they have worn party hats, festive knitwear and hot pink. When the Tartan Army arrived for the World Cup earlier this year, Mrs. Mallard and her ducklings – Jack, Kack, Lack, Mack, Nack, Ouack, Pack and Quack – were forced to endure miniature traffic cones and saltires. The sculpture was created by Nancy Schön in 1987 to celebrate Robert McCloskey’s 1941 children’s book, Make Way for Ducklings. In 1990, former Soviet first lady Raisa Gorbachev visited Boston and admired the statue.

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Around Britain with a theodolite: a celebration of the Ordnance Survey maps

It took six years, starting in the summer of 1784, for the Board of Ordnance to establish the baseline of its triangulation of Great Britain. First they used wooden poles, then glass tubes. After much clearing of furze bushes and anthills, the baseline ran for more than five miles from Hounslow Heath to Hampton Poor House. The maps of England and Wales were complete by 1870. Scotland had to wait until 1887. The delay was rumored to have been caused by the superintendent’s concern that surveyors would get in the way of the late summer deerstalking. As a wing of the military, the Ordnance Survey had extraordinary powers. The Surveyors’ Act of 1841 allowed it to trudge, clamber, squelch, measure and interrogate wherever necessary.

United by ambition: the ruthless rapacity of England’s two famous Cromwells

In the early years of the English Civil War John Milton turned his mind from the poetic arts and committed himself to writing some of the most searing pamphlet polemics of the 1640s. With the nation convulsed by violence, he set about finding causal explanations for the revolutionary ferment, and saw its roots in the 1530s and the unfinished nature of the Protestant Reformation. Only by completing the work of Reformation, Milton thought, would the English come closer to God and lasting peace. Such arguments had domestic as well as national urgency for Milton, much in need of peace himself, as he tried to extricate himself from his stupendously misguided marriage to Mary Powell, half his age and from a royalist family.

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How progressive politics ruined Canadian literature

Canada is back, baby. Since Mark Carney’s election as Prime Minister in April last year, he’s projected an image of brawny, swaggering capability – another silverback statesman in a new, multilateral world. He’s tussled with Trump over tariffs; hobnobbed with autocrats including Xi Jinping and Narendra Modi and strongly criticized the US attack on Iran. In fact, the anger that many Canadians seem to feel at their cousins across the border is startling – on a recent trip to the Yukon, I found almost every public toilet tagged with “Trump Tower” graffiti. This newfound assertiveness is surprising. Canada, as the South Park movie astutely pointed out in 1999, is the eternal scapegoat of international politics.

Madness, mutiny and murder in the Canadian Arctic

The elegant, charismatic and narcissistic explorer Vilhjalmur Stefansson wasn’t the average adventurer that Alaska attracted in 1912. When he arrived in Seattle from the Gold Rush port of Nome, he told journalists that he had discovered “a lost tribe of whites” in the uncharted High Arctic. He also sold politicians the vision of an undiscovered land rich in gold, raw metals and oil that, only nine years after the Wright Brothers’ first flight, would soon be covered with airfields. The Canadian government quickly offered Stefansson unlimited resources to lead an expedition back to the High Arctic. His objective was to claim what may have been the greatest geopolitical prize for Canada and the British Empire: the mysterious continent at the top of the world.

First among equals: what makes a great leader and does it matter?

Almost two decades ago, Jared Diamond cemented his international reputation with Guns, Germs, and Steel, which argued that geography and environment rather than racial differences shaped the rise and conquest of nations. Still going strong at 89, he has now written a book on leadership. This is a crowded literary space, but Diamond offers a distinctive approach. A distinguished biologist and polymath, he has little time for the Great Man theory of history popularized by the 19th-century essayist Thomas Carlyle. Altogether too subjective, he says, never mind the absence of women. Leo Tolstoy’s War and Peace is no better a guide, since it casts individuals as constrained by circumstance, with scant influence over events.

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The history and importance of smell for our antiseptic age

For smell historians and experts, of whom there are gratifyingly more than you’d think, a standard assumption to be skewered is that olden ages stank; the modern world doesn’t because hygiene and chemicals have banished stinks in the name of progress. According to this reading of history, banishing odors is a sign of progress. Civilization doesn’t smell. Neither Bjørn Berge nor William Tullett stand for this. For them, older times may have been smellier, but people were comfortable with living alongside middens, rotting corpses and foul tanneries. Smell in the modern age is now under threat and at risk of extinction or of being even more marginalized – Tullett uses the word “ephemeralized” – than it already is in this age of visual primacy and screens.

She lived frantically ever after: the jaw-dropping life of Barbara Cartland

Matthew Sweet’s jaw-dropping life of Barbara Cartland opens with the grande dame reclining on her chaise longue in the library of Camfield Place, her home for 50 years. Here she could be found daily between 1:15 p.m. and 4 p.m., a ghoulish masquerade of femininity in a hot-pink taffeta cocktail gown with a snappy Pekingese nestling by her side. Her face, beneath the halo of Elnett-stiffened yellow hair, bears an inch of white powder. There are two clownish circles of rouge on her cheeks and sticking plasters on her temples to tighten the skin. Gazing into the middle distance through tarantula-sized false eyelashes lathered in black boot polish, she is “talking, talking, talking.” (Boot polish applied with a toothbrush is preferable to mascara because it stays put when you cry.

Will the real B. Traven please stand up?

One hesitates to describe The Treasure of the Sierra Madre – perhaps now best known for its 1948 film adaptation starring Humphrey Bogart – as the great American novel, or even a great American novel. Its prose is too unwieldy, its structure too ungainly. While you, the reader, wish it spent more time with its characters – a trio of beat-up prospectors called Dobbs, Curtin and Howard – it is given to flights of economic theory about labor relations in 1920s Mexico, a setting great American novels don’t tend to trouble themselves with. Besides, its author, B. Traven, was almost certainly German and may never have spent time in the United States. Hang on. Almost certainly? May never?

Where is liberalism heading?

“The Republic divides us least.” So said Adolphe Thiers, a shapeshifter of 19th-century French politics in the Marco Rubio mold. By the early 1870s, the various factions in French society had exhausted themselves fighting. Since 1814 there had been two restorations of the Bourbon dynasty, a liberal Orléans dynasty, a socialist commune, waves of clericalism and anti-clericalism, two periods of military dictatorship and a second Bonaparte. Out of this exhaustion came the Third Republic, the creation of Thiers and Léon Gambetta. The Third Republic was a triumph of liberalism: the recognition that France was now a plural society over which no one social force could gain a permanent mastery.

A world full of artifice: Life of M, by Rachel Cusk, reviewed

The twin themes of Rachel Cusk’s latest novel are truth and fame. In fact it’s not quite accurate to call it a “novel”: there are two main characters, but there is no plot; and although you start to understand each woman, it’s through observation of their behavior in a series of vignettes rather than a conventional story. The titular “M” is an actress of beauty and renown, reportedly based on Natalie Portman. Her friend, the unnamed narrator, wants to write her biography. “Would you just make it up?” M suggests airily, giving us a notion of how fabrication is sewn into her life.

Will this century see the end of books?

Anyone proposing to publish a polemic between hard covers about the decline of literacy and reading will, of course, find themselves preaching to the choir. If you read books, you will agree with this one; if you don’t, your negligence will not be touched by its fervor. I won’t say that it is a useless object, merely how unhelpful it would be simply to agree with its main point. The decline of reading practices is quite convincingly demonstrated in surveys. Fewer and fewer people in the US and Britain read habitually, by their own admission. In one celebrated case, an entire cohort of English literature students in America was unable to make anything at all of the first page of Bleak House.

The spellbinding power of the du Maurier family

“We can never go back again,” wrote Daphne du Maurier in her bestselling novel Rebecca (1938). “The past is still too close to us.” Yet back she went, in book after book, to the past of her remarkable family. In 1934, six months after the death of her father, the matinée idol Gerald du Maurier, Daphne wrote his biography, portraying him as a spoiled man-baby with a “stable” of mistresses. Gerald’s own father, George du Maurier, was the celebrated book illustrator and Punch cartoonist whose characters such as Mrs. Ponsonby de Tomkyns and Lady Gatheremall skewered the Victorian nouveaux riches.

Why Wendell Berry mattered

Like most adults who write their thoughts down regularly, I was raised in a home by a mother who maintained piles of books strewn around the house. There were more books than anyone in our home could read combined, but you could find our favorites open on tabletops and dressers with a pencil, or another book, pinned in them to hold a page. Most of these books that were propped open were my mother’s and they included dozens of Wendell Berry’s works. I slowly absorbed a version of Berry’s way of thinking: through reading, through my mom’s infatuation with his work, through osmosis as I watched Cartoon Network next to open copies of Hannah Coulter and What are People For? Berry has begun to suffer the same literary fate as C.S.

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How a young inventor with no printing experience revolutionized the newspaper world

Here’s a quiz for you. On the third floor of the New York Public Library is a vast mural painted by Edward Laning in the 1930s. It’s called “The Story of the Recorded Word” and it’s divided into four scenes, each one a pivotal stage in the development of writing. Can you guess what they are? I daresay you managed to picture something resembling the third scene: a bearded Johannes Gutenberg showing off a page of type from his new invention, the printing press. I think you might have got the second one, too: a medieval monk, with quills and inkpot, copying out a manuscript in his scriptorium. Perhaps, if you’re religiously inclined, you even guessed the first: Moses receiving the Ten Commandments carved into stone. But what about the fourth scene?

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William T. Vollmann: bard of the American empire

William T. Vollmann’s subject is 9/11. Always is, always was. Even before the attacks happened, they were somehow his thing. An Afghanistan Picture Show, Vollmann’s debut, was advertised as a Cold War memoir of a 22-year-old’s adventure battling the Soviets with the mujahideen. But it was really an inadvertent introduction to people and a place that were destined to become the enemies of America. Vollmann has spent his career writing around that day in 2001 – the first and main event of the 21st century – dissecting with retractor and forceps the American empire built before 9/11 and the country that the attacks created. Now, in his new novel, Vollmann faces the subject straight on. “A Table for Fortune is about September eleventh,” he writes to the reader at the start.

The intrepid volunteers who risk all to preserve Ukraine’s cultural heritage

“The nonsense was over at last,” wrote the Lithuanian-Polish poet Czesław Miłosz in 1939, as a period of uncertainty gave way to the horrors of World War Two. Charlotte Higgins quotes these words at the beginning of Ukrainian Lessons, describing the outbreak of full-scale war in Ukraine after eight years of “local” warfare in the Donbas and the annexation of Crimea. From the first pages of this profound study of the impact of war on culture, replete with life stories, the author places the Russo-Ukrainian conflict within the context of global cultural history and geopolitics. References to Rwanda in 1994 and the bloody events in Londonderry in 1972 are in no way out of place.

What’s in a kiss? A millennium of mixed messages

Kissing is a tricky subject. It has a complex, baffling history. The kiss of a baby is one thing; the kiss of lust something quite else. Kings, generals and prelates used to kiss, as did mafiosi – often before killing. The kiss has many meanings, all of which are explored in this informative, if sometimes wearing, book. Finally, a warning: if you’re queasy about arse-kissing, don’t read it. But then you would be missing a lot. Katie Barclay, a diligent Australian academic, has written an “overview of the world of the kiss in Europe from medieval times to the present.” Her opening words begin listing the startling variety of the kissing involved: “Smooch, snog, pash, smack, peck, canoodle...

Shagger, chancer and oath-breaker – Harold Godwinson had a touch of the Viking about him

Oh Harold. So near and yet so far. So close and yet no cigar. In January 1066, the world (well, England) was at his feet. Two hundred and eighty-two days later he was battle meat. On day one he became the richest ruler Anglo-Saxon England had ever known. In late September, he defeated the hardest bastard in Europe (Harald Hardrada). In mid-October, England was changed forever, but not by him. He had, of course, no right whatsoever to be king. Sure, he was Edward the Confessor’s brother-in-law, but under the sacred rules of hereditary power that gets you zip. He claimed that Edward had promised him the throne (he hadn’t), but, again, that ain’t how the royal circus rolls.

Reveling in the music of words

There’s a chapter in this mostly illuminating and occasionally irritating book in which the author – the award-winning writer of The Hours and other acclaimed novels – explains why he no longer reads reviews of his work. The decision was prompted first by an “excoriating” hatchet job by Michiko Kakutani, erstwhile lead literary critic of the New York Times. “A worse review is difficult to imagine,” Cunningham notes, claiming that he has “mostly repressed the memory” of its contents, though he does share his rather macabre plan for revenge: to slip a copy of the book into her coffin so that “extra-terrestrial archaeologists” will assume she wanted to be buried with it.

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