Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Driving on a dark night

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Ken Nott is the most annoying man in England. It's his job (he's a shock jock, a prime-time talk-radio DJ), and also his hobby (he's unfaithful to his girlfriend, has bedded his best mate's wife, and, worst of all, likes to take his controversial opinions into the pub with him). And then, just when you thought he couldn't be any more irritating, he attends a flash drinks party where he meets - on a roof, and, yes, in a thunderstorm - Celia, a mysterious and beautiful woman who apparently wants nothing more than to have passionate, no-strings-attached sex with him in a series of eight-star hotels. The only downside is that her husband is a violent criminal. This is just one of the many U-turns, dead ends and blind corners in Dead Air. Someone (I think it was E. L.

A poet under strict controls

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This vast work has the distinction of being both unreadable and unputdownable. It consists of nearly half a million words, a mountain of unsifted facts - who was whose cousin and what otherwise irrelevant uncle died in South Africa - which make you clutch your brow, tempt you to skip and thereby to run the risk of missing something revealing, amusing, germane. Perhaps these bits should have been printed in different type. Not a mountain, perhaps, a quarry for future Yeats scholars. However, these - a last complaint - will not be helped by the index: under 'astrology', for example, there are no less than 150 page references but no indication at all what occasion, or aspect of astrology, the pages mention; as an index, therefore, it is useless.

Mastery of time and space

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Even Churchill might have been discouraged had he, instead of Lord Portland, been prime minister and surveying the scene in 1807. Bonaparte had crushed the Prussians, knocked out the Austrians, and forced Russia to sue for peace. He had organised an almost total blockade of the continent against British trade, was redrawing the map of central and eastern Europe to consolidate his position, and had placed his family on thrones from the Mediterranean to the Baltic. Britain's only allies were Sweden and Naples, and even Naples was in French hands except for Sicily, whence the king had fled.

The organisation man

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In 1743, 393 livings within the gift of the Archbishop of York were occupied by clergymen who did not live within that diocese and another 335 incumbents held plural livings. One bishop of Winchester distributed 30 incumbencies among his family. The Church of England was corrupt and slumbered. The facts of John Wesley's life and of his 'Great Awakening' which disturbed the slumbers are clear. Born in 1703, he was ordained and died a priest in the Church of England.

Tales of the expected unexpected

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'Bold, glamorous, sexy, unrepentant,' promises the jacket. The heroines of Fay Weldon's short stories 'offer a quite unique view of the world as they face their trials without fear or trepidation'. It's not the done thing to start a review by quoting the blurb, but this one unwittingly helps to establish why these stories ought to be good, and why, on the whole, they are not. Most stick to the 'twist in the tail' formula bequeathed to short-story writers by Saki and too rarely discarded since. A faked Early Christian cross works healing miracles, a dowdy book illustrator turns the tables on a smooth-talking con-man, a china-smashing poltergeist shows a displaced Jewish girl the way back to her roots. Whatever expectations are raised, you can guarantee they'll be overturned.

Third time unlucky

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£14.99 for individual volumes The single problem facing any translator of Proust is that there is, really, no equivalent of his style in English. He is at once classical and idiosyncratic; the rhythms and proportions of classical French style are followed faithfully in every sentence, and over the whole book. The end result looks so alarmingly new, however, because the proportions and rhythms are employed on an unprecedented scale. The novel really is one novel, and not, like Anthony Powell, a sequence of novels; his sentences are always immense, balanced epigrams. The novel has an essential orthodox classicism which emerges, on such a scale, as revolutionary audacity.

Our man in the thick of it

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There he is on the cover, our handsome 57-year-old Boys' Own adventurer, probably doing a piece to camera, cheered on by the locals who have come along to revel in the BBC's long-awaited liberation of Kabul last November. Why couldn't he have arrived a few years earlier, they're probably wondering. It could all have been so much easier. No beastly Taliban. No need even for America's B52s and the Northern Alliance. There was always a far better and infinitely more elegant solution to the interminable Afghan conundrum. Send for Simpson. Of the BBC's big guns, they don't come any bigger than Simpson. Revolution in Serbia? Put Simpson on a plane. Trouble in Tiananmen Square? Simpson's got it covered.

Too much and too late

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By the criteria of the day before yesterday, the late William Whitelaw, a much loved Tory politician who served as Mrs Thatcher's deputy leader, must have seemed a good circulation bet for a successful biography. Most people, after all, would have heard of him, if only because of Mrs Thatcher's memorable remark that 'every prime minister needs a Willie'.

Gentleman and player

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During my brief stint as a showbiz scribe - which unfortunately came to an end when I expressed a preference for profiling Gerald Harper rather than Jean-Claude Van Damme - I had the privilege of interviewing George Baker (celebrated as Chief Inspector Wexford in ITV's The Ruth Rendell Mysteries), whom I had admired since his days as a clean-cut, young officer in British films of the Fifties. What struck me most about this unusually tall actor was his impeccable courtesy. I arrived disgracefully late for our lunch in Soho, and we were then pestered by one of the neighbourhood topers, but Baker's beautiful manners were a humbling object lesson in good behaviour.

Past glories prove elusive

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Despite many allusions to Virgil and a diligent summary of various interpretations of Poussin's 'Les Bergers d'Arcadie', Ben Okri's main sense of Arcadia, with its 'star-dust magic', seems to be derived from pop music lite. 'We are stardust, golden', sang Eva Cassidy in Woodstock, 'and we've got to get ourselves back to the garden.' Anyone who has been tempted to replace this with 'We've got to get back to the weedin' ' will know what's missing from Okri's view of nature. Realism apart, In Arcadia has no narrative tension and the characters are ciphers.

The Margot and Henry show

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The publicity material likens this book to The Forsyte Saga, but in fact it's far more gripping than fiction: the true story of a larger-than-life political dynasty. The diaries of Margot Asquith form the core of the book. For too long Margot's voluminous diaries have been unavailable, and Colin Clifford is the first biographer to gain unrestricted access. He has put them to excellent use. Daughter of the fabulously rich Sir Charles Tennant ('the Bart'), Margot took London by storm with her energy and outrageous wit. Her diaries reveal a less attractive side. She emerges as self-obsessed, with an irritating habit of detailing pert exchanges with the great and the good in which she always comes out best.

No petticoat long unlifted

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Few admirers of Faber's recent spate of tales and novellas - the spacious and admirably unadorned The Courage Consort and The Hundred and Ninety-Nine Steps, for instance - will be prepared for the solid and all-inclusive recreation of (an echo here of Iain Sinclair's White Chappell, Scarlet Tracings) The Crimson Petal and the White. Twenty years in the making, Faber's latest work boldly proclaims itself and its High Victorian intentions from the outset.

Big little man

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'What a swankpot!' Sir Norman Wisdom pseudo-modestly pseudo-rebukes himself after listing some of the trophies in a display cabinet at home on the Isle of Man. 'But why not?' he asks, almost disarmingly. 'I did get 'em, didn't I?' This is ventriloquial star-speak by William Hall, an expert writer-with, whose credits include biographies of Michael Caine, James Dean, Frankie Howerd, Larry Adler and Dick Emery. Wisdom's cabinet contains a British Academy Award, seven trophies for Britain's Top Comedian, seven engraved silver spoons from John Paddy Carstairs, one for each Norman Wisdom film he directed, emblems of the Golden Flame from Argentina and the Lifetime Achievement Award from his fellow British comics. Is Little Norm proud? Cor, not 'arf!

PROPERTY SPECIAL:Literary London

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Until recently, a lively sub-genre of English literature was that devoted to London's creepier, darker back streets. Peter Ackroyd took us on a grim tour of early 1980s (and early 1700s) Shoreditch and Limehouse in Hawksmoor; Iain Sinclair angrily traversed the weed-sprouting, rubbish-strewn streets of Hackney and Tilbury and what he called the 'sumplands' of Dagenham in Downriver. Angela Carter peeked through the yellowing net curtains of dowdy south London, while Michael Moorcock beckoned us to explore the gentle sadness of peeling suburban avenues. Go further back and you will find Patrick Hamilton's malign vision of Earls Court, Arthur Conan Doyle's all-pervading fogs, Dickens's appalling rookeries.

Pedalling into politics

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Perhaps it is not a good idea to call Dervla Murphy 'redoubtable'. She is a strident anti-militarist and might not enjoy being given the sort of name that could so easily belong to an old dreadnought or hunter-killer submarine. But the 71-year-old cycling grandmother can hardly be thought of as anything less. While half the population of her age retreat into a world of sheltered accommodation and televised snooker, she has opted instead to pedal against the steep mountain inclines of the Balkans. Needless to say, the terrain proves to be by no means the most arduous or dangerous part of the odyssey. Like anyone who has witnessed the humanitarian disaster of that part of the world over the last decade, Dervla Murphy has some strong views about the politics that underscored it.

Boots, boots, boots, boots

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KEANE: THE AUTOBIOGRAPHYby Roy KeanePenguin/Michael Joseph, £17.99, pp. 294, ISBN 07181455 One could imagine an American visitor to Hatchards being mildly puzzled by a joint biography of the Kennedys which sports a picture of two duelling footballers on its cover, but no, Jack and Bobby turns out to be a chronicle of the Charlton brothers. As such it recapitulates, and to a limited degree extends, a saga that sports journalists have been amusing themselves with for nearly 40 years, certainly long before the celebrated joint appearance in the 1966 World Cup final. On the surface - a surface diligently polished by the sports writers and professional colleagues - the story of the Charltons is one of diametrical opposites.

Out of the bottom drawer?

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Two years ago in The Spectator I praised Ha Jin's earlier novel, Waiting. It was about a kindly, ineffectual army doctor who waits and waits for a divorce from his peasant wife so that he can marry a nurse, his lover without sex for 13 years. Ha, who teaches English at Boston University after learning it by listening to the World Service, came to the US in 1985 when he was 29. Waiting won the National Book Award. One of the reasons I liked that book was Ha's creation of a world in which people acted naturally, like real Chinese, as their gripping story unfolded. The problem with The Crazed is that the same Chinese habits are there, right down to smells, noises and stains, but the story, such as it is, plods.

The way to the tomb

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This queer, black novel is mainly concerned with the special funeral train service which once plied between Waterloo Station and Brookwood Cemetery in Surrey. Its hero is an intensely innocent young railway apprentice, who dreams of becoming an engine driver 'of the better sort', and its villains - or so it seems - are a bunch of hard-bitten, foul-mouthed colleagues who are apparently up to something dark and dirty. Set during the closing months of 1903, this book is, as its publishers rightly claim, 'fabulously rich in atmosphere and period detail', but this backdrop material is so skilfully woven into the story that it comes across as playfully invented rather than laboriously researched.

A world of drivers and passengers

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VJ night, the war in the Pacific is finally over, and in William Kennedy's Albany the war of senatorial election is about to begin. The candidates stand up to be counted and the consequences of their election are considered. Small crooks fresh out of crook school and the army rise into the lower reaches of these considerations. Bigger crooks and politicians start to circle each other and to watch their backs.

Nature versus Nurture: the state of play

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The Blank Slate, more readily recognised in its original Latin as tabula rasa, is the soubriquet for the view that in the eternal Nature-Nurture debate the scales tip heavily in favour of the environment: when it comes to the human mind, nothing is left to the caprice of genes. Steven Pinker, well known for The Language Instinct and to a lesser extent How the Mind Works, devotes some 500 pages to refuting this stance. Effectively, then, this book is all about human nature - its validation, characterisation, and neurological basis, along with all its wider moral, political and social baggage.

A bleak kind of optimism

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After several acclaimed novels, including last year's Pulitzer prize-winning Empire Falls, Richard Russo has now produced a volume of short stories. However, the qualities which endear the novels to their readers - a wry sense of humour, vivid characterisation and the sense of lives being lived over time - are less apparent here; the shorter form has created a sterner and more uncomfortable writer. In the title story, 'the whore's child' is an elderly Belgian nun who joins the narrator's creative-writing class. Sister Ursula writes several accounts of her own life, the unchanging details of which are that she is the daughter of a prostitute, and that she was sent to a convent by a father she hardly knew and has spent the rest of her life worshipping.

Deceiving only those who want to believe

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Forgery ranked with murder as a capital crime well into the 19th century. Faked texts and signatures could falsify wills and violate the sanctity of property, until photolithography, then typing, devalued the uniqueness of the handwritten text. But a modern forger can still make a decent profit by turning out the fake-historical or fake-literary stuff that collectors strangely hanker for, and news- papers sometimes eagerly swallow. This book about Mark Hofmann, a leading forger and a real-life weirdo worthy of the great Elmore Leonard's inventions, uncovers an especially American world in which literature, religion, lying, cheating, greed, gullibility and, eventually, murder are combined. The murders are shocking.

How the master of landscape was transformed

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In 1760s Bath, the promenade from the Pump Room to the tree-lined Walks of Orange Grove passed a row of luxury shops and a sign reading 'Mr Gainsborough, Painter'. The artist's showroom shared the ground floor of a handsome town house with his sister's millinery shop, and the smell of the perfumes on sale mingled with the oil paint drying on masterpieces such as 'Countess Howe' and 'The Byam Family'. In London, prints publicised an artist; in the crowded winter resort a showroom invited visitors with time and money on their hands to judge the likeness of a celebrity who might have been glimpsed in the Pump Room a few minutes before. If tempted, the client ascended to the artist's studio on the floor above.

Raw skin over bone

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At the Edinburgh Book Festival this year, Dr David Starkey, the television historian and iconoclast, pronounced that history was elitist - it was about kings and queens and power-brokers rather than the marginal or the dispossessed. He liked big and important subjects. He was uninterested in peasants. Neal Ascherson, by contrast, is deeply interested in peasants. Indeed, he believes that it is only by studying the character of the peasant class, those who are conditioned by the land on which they live and work, that we can reach an understanding of the character of a nation - in this case, Scotland.

As sharp as cut tin

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In fiction, as in other branches of the creative arts, reputation is all, or nearly all. One of my most cherished bookworld fantasies involves a bored literary agent plucking A. S. Byatt's latest (not the internationally celebrated author, but an A. S. Byatt who has laboured on unregarded for 40 years) from the unsolicited manuscripts pile and then, a few moments later, in a spirit of mild bewilderment, putting it back. Read cold by someone unfamiliar with the dazzling encomia that litter Nicola Barker's book jackets, Behindlings, you fear, would produce a similar result. Two years back Miss Barker's Wide Open won the IMPAC award, 'the English-speaking world's largest prize for a single work of fiction'.