Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

Travails with an aunt

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The Flying Troutmans, by Miriam Toews Suicidal single mothers, delinquent teenagers and unwashed children sound like the ingredients for a standard-issue misery memoir with an embossed, hand-scripted title and a toddler in tears on the cover. Fortunately, Miriam Toews has instead shaken them with wit, warmth and a firm pinch of absurdity, and produced a grittily sparkling cocktail of a novel. The Flying Troutmans takes a bleak premise, adds pitch-perfect, fully human characters and makes it, if not laugh-out-loud funny, at least difficult to read without a couple of sniggers per chapter. Hattie Troutman has fled to Paris to escape the emotional masochism of proximity to her disturbed and chronically depressed sister, Min.

Time out in Tuscany

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In the spring of 2006, Rachel Cusk and her husband decided to take their two small daughters out of school and spend three months, a season, exploring Italy. She felt too settled, too comfortable, and if her friends wondered at what seemed like a curse of restlessness, what frightened her more was the opposite, ‘knowing something in its entirety’, and coming to the end of that knowing. ‘Go we must’, she decided, and ‘go we would’. Italy which had so pleased D. H. Lawrence, one of the writers and travellers she returns to on her journey — Italy, said Lawrence, was tender ‘like cooked macaroni — yards and yards of soft tenderness, ravelled round everything’ — seemed to offer the perfect mix of art and history.

The true Stoic

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An early memory from the years we lived near Stowe was the sight of my father pushing our front door firmly shut in the face of one of its headmasters, who was attempting to force his way in and apologise for some misdemeanour. He had, I believe, tried to seduce my mother. Later on I shared a London flat with a Stoic, a dark, mysterious, gipsy figure who worked on Ready, Steady, Go but was principally a beautiful tennis player, mentioned here for having helped Stowe win the Public Schools Championship in successive years. Sometime after I left, he was found by the police dead in the bath. Nights there had been full of incident.

The origin of the theory

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Darwin’s Sacred Cause, by Adrian Desmond and James Moore Darwin: A Life in Poems, by Ruth Padel In 1858, on the brink of publishing his theory of evolution, which I discussed here three weeks ago, Charles Darwin took a hydropathic rest cure at Moor Park, near Farnham in Surrey. While walking on the sandy heath, he caught a glimpse of ‘the rare Slave-making Ant & saw the little black niggers in their Master’s nests’. A certain species of red ant kidnaps the young of a smaller black ant and rears them as unwitting slave workers in the service of the red queen. Darwin had heard about this phenomenon but had not till then seen it. Darwin’s upbringing had been steeped in the anti-slavery movement.

Behind the fighting lines

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M. R. D. Foot confesses that he has always endeavoured to follow Whistler’s counsel, ‘Not a day without a line’. His written output is impressive and his judgments severe on those who do not come up to his standards. Heinz Koeppler, his boss at a Foreign Office study centre, with his fawning on his superiors and bullying of his staff, turned out not to be a gentleman. Foot makes clear in his first chapter that he himself comes of gentleman stock and is proud of it. True, his father married a Gaiety Theatre chorus girl; but his grandfather had married an heiress, retired as a general from the army to set up as a country gentleman.

The Natures of Maps

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Is this map of birds’ migratory routes informative or deceptive? Does it create the impression that nature is flourishing when it is really in decay? In today’s golden age of cartography, when technology has lifted mapmaking to an unprecedented level of sophistication, The Natures of Maps wants to be a party-pooper. Maps, it declares, pretend to be objective when their information is really political and selective. It seems a rather obvious message. The prejudices of mapmakers have been apparent at least since the 14th century when the monkish creators of the Mappa Mundi placed Jerusalem at the centre of the world. This book is, however, aimed at geography students, and assumes a degree of gullibility not to be found among Spectator readers.

One-man triumph

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The Companion to British History (Third Edition), by Charles Arnold Baker Readers familiar with the first edition of The Companion to British History (Loncross, 1997) will already know that its value as a reference work proceeds from an inclusive attitude towards its subject. Besides providing the rudiments — monarchs, battles etc — the CBH was particularly strong on the constitution, law, local history, the Empire, anecdote, circumstance, and much else. It was also a useful stand-in for The Dictionary of National Biography. This third edition comes again with the glorious yellow jacket (which Routledge’s second edition discarded), but it has many more entries. We can read, for example, a crisp two-page summary of the Blair and Brown Government.

Perfectly unreliable

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Memoirs? No one writes them any more. If you wish to distinguish yourself from the sweaty masses, you are far better off publishing a diary, or notebook, call it what you will (Frederic Raphael naturally calls it a cahier). To publish one, of course, you need to have written one, ideally some years ago, full of gossip and spleen and brutal judgments on your contemporaries, some of whom are now dead, and the rest of whom soon will be when they read it. It may not have the form or the contrivance of a memoir — it may, in truth, ramble a bit — but we will forgive this because, its writer will assure us, it was never written for publication.

Challenging Zeus

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Senior civil servants are generally expected to be shadowy figures, influential rather than powerful, discreet rather than flamboyant, probably — in Gladwyn’s generation at any rate — educated at Winchester. To describe such a being as a Titan might seem an oxymoron. The Titans, it will be remembered, were a family of giants who had the temerity to challenge Zeus and duly got their comeuppance. In this well-researched and thoughtful book Sean Greenwood convinces one that in the case of Lord Gladwyn — not least in the ill-judged challenge to the superiority of Zeus — this far-fetched analogy is amply justified.

Freedom and houghmagandie

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The Bard: Robert Burns, A Biography, by Robert Crawford Robert Burns: A Biography, by Patrick Scott Hogg How to account for the phenomenon of Robert Burns? Not the man or his poetry, but the national icon, a Caledonian amalgam of Alexander Pushkin and Bob Marley? The process of idolisation began with the instant acclaim that greeted the publication of Burns’ first collection, Poems, Chiefly in the Scottish Dialect, in 1786. That it continues today in this the 250th anniversary of his birth is demonstrated by the publication of two new biographies. But to explain why is harder than it might seem. Logically Scotland and Burns should have been incompatible.

Pawns in the royal game

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The Sisters Who Would Be Queen, by Leanda de Lisle Only recently a portrait minature by Lavina Teerlinc was identified as being of Lady Jane Grey. Her diminutive size, coiffed red hair and crimson lips had suggested that it might be her — except that the eyes are blue, while Jane’s were known to be brown; but Teerlinc was accustomed to giving all her subjects blue eyes. It is all we have; no other portrait of Jane is known to exist. The absence of a recognisable image reflects the problem facing any historian wishing to study her. The evidence is simply not there to form a credible description, let alone a biography, of England’s shortest reigning monarch.

Troubled waters

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Empires of the Indus, by Alice Albinia When Alice Albinia set off for the source of the Indus she was not embarking on a quest for the unknown: she knew where the river rises. She wanted to start her journey at its mouth, the delta on the Arabian Sea, to travel upstream to Tibet and tell the story of the river which gives India its name. Empires of the Indus covers a 2,000-mile journey and 5,000 years of history. Albinia’s prize-winning first book is a personal odyssey through landscape and time, fed by scholarship. Her pages resonate with great names: Timur, Genghis Khan, Alexander, Aurangzeb. But before that we have the conquest of Sindh, the botched finale of the British Raj, Independence, and the horrors of Partition.

The life of the heart

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Love’s Civil War: Elizabeth Bowen and Charles Ritchie, Letters and Diaries from the Love Affair of a Lifetime edited by Victoria Glendinning, with Judith Roberts It is probable that the Anglo-Irish writer Elizabeth Bowen (1899-1973) was a virgin ten years after her marriage to Alan Cameron, the retired Secretary to the Central Council of School Broadcasting at the BBC. Victoria Glendinning tells us that ‘their alliance was always close — but companionable, not sexual.

No longer at home

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The Writer as Migrant, by Ha Jin Three quest-ions, labelled as ‘Aristot- elian’ by the author, begin the Rice University Campbell Lectures delivered by Ha Jin in 2007: to whom, as whom, and in whose interest does a writer write? To which the reader might respond: can any writer truthfully answer any of these questions? The identity of a writer and of his readers is a matter debated long before Aristotle and well into the groves of post-modernist academe. From Homer blindly taking dictation from his muse to Joyce sweating away in the smithy of his soul, the writer has been perceived by himself and by his audience as innumerable things, none truer than another. Ha Jin’s own experience exemplifies these changes of identity.

And Another Thing | 17 January 2009

Any other business

A Pantocrat who should be on everyone’s curriculum The decision by the authorities to drop Coleridge from the syllabus of state schools is intended as another nail in the coffin of English literature. He is to be replaced by a person unknown to me but apparently popular on TV quiz shows. No reason is provided for giving the old poet-philosopher the boot. Too difficult? A white, middle-class male? Not politically correct enough? It is true that, having been an extreme radical in his youth, planning to found a utopian settlement on the Susquehanna in America, in conjunction with Robert Southey and other idealists — it was to be called a Pantisocracy — he became conservative in middle age, and a pillar of Christianity, if rather an unusual and wobbly one.

John Mortimer RIP

Ach, Sir John Mortimer, creator of Rumpole of the Bailey and leading champagne socialist, has died. Sad. From a piece I wrote about him way back in 2002:      Mortimer belongs, I think, in the vanguard of the supporting cast, a second lieutenant rather than a leader himself. He’s too reticent to play the heroic lead and too aware of life’s absurdities to cast himself as a tragic figure. "I suppose my favourite characters are people like Kent and Horatio - decent, honourable, chaps who don’t make a fuss. I think the stoical person who receives very little praise is still the person you should aspire to emulate. They’re more important than heroes." If you can recognise and respect your limitations, life is likely to be a more comfortable experience...

An unlikely bestseller

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2666, by Roberto Bolaño Not every writer would write a novel in the form of a completely invented encyclopaedia of imaginary writers and call the result Nazi Literature in the Americas. Not everyone, either, would write a novel in two paragraphs, the second less than 12 words long, or produce a novel about a torturer-poet who writes his work in jet-trails in the sky. As soon as Roberto Bolaño came to the attention of the world, it was clear that, however extraordinary his work seemed in formal design and subject, he might have something even more extraordinary under wraps. After his death in 2003, word emerged from the Spanish-speaking world of a gigantic novel called 2666.

On the run in the Rockies

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The Outlander, by Gil Adamson The Outlander, a strikingly good first novel by the Canadian poet Gil Adamson, is a drama of extremity and isolation set in the Rocky Mountains of Canada in the early 1900s. Much of it reads like a pastiche Western with elements of supernatural grotesquerie out of Stephen King or even The X-Files. Turn-of-the-century Alberta is portrayed as a menacing backwater, where settlers are in danger of being scalped by Crow Indians and fur-trappers disembowelled. Into this pioneer territory comes Mary Boulton, a 19-year-old housewife who has just murdered her husband. In physical and emotional disarray, she is on the run from her brothers-in-law, who want her blood in return for the crime committed.

Arthur at Camelot

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Journals: 1952-2000, by Arthur Schlesinger, Jr, edited by Andrew Schlesinger and Stephen Schlesinger Before sitting down with this hefty doorstopper of a diary, first ask yourself whether you agree — or can imagine yourself agreeing — with the entry Arthur Schlesinger, Jr made on 27 March 1950: ‘I adore sitting around hotel rooms with politicians and newspapermen exchanging gossip over drinks.’ If you do, or can, then you will enjoy this book, for it largely consists of a half-century’s worth of gossip, most of it obtained by sitting around hotel rooms with politicians and newspapermen over drinks.

His own best biographer

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Byron in Love, by Edna O’Brien ‘We would entreat him to believe that a certain portion of liveliness, somewhat of fancy, is necessary to constitute a poem,’ wrote Henry Brougham in the Edinburgh Review, when the young Byron was unwise enough to expose his first, dismal book of juvenilia to the gaze of ‘Citizen Mob’, ‘and that a poem in the present day, to be read, must contain at least one thought, either in a little degree different from the ideas of former writers or differently expressed’. It is as well for a lot of us that there seem to be different standards for biographers ,because there can be even less to be said for a new book about Byron than there is for most literary retreads.

Getting the detail right

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Evelyn Waugh told Nancy Mitford he was ‘surprised to find’ that Proust ‘was a mental defective. He has absolutely no sense of time.’ Evelyn Waugh told Nancy Mitford he was ‘surprised to find’ that Proust ‘was a mental defective. He has absolutely no sense of time.’ (Joke, given the novel’s title?) ‘He can’t remember anyone’s age. In the same summer as Gilberte gives him a marble and Françoise takes him to the public lavatory in the Champs Elysées, Bloch takes him to a brothel.’ Well, I can’t remember just where all this comes in A La Recherche, but suspect that either Waugh or Scott-Moncrieff, whose translation he was reading, made a confusion of tenses.

Not so fantastic

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The Natural History of Unicorns, by Chris Lavers ‘A long time ago, when the earth was green,/ There were more kinds of animals than you’ve ever seen./ They’d run around free while the earth was being born,/ But the loveliest of all was the unicorn.’ So Shel Silverstein’s saccharine ditty informed generations of kiddies. As Chris Lavers’ whimsical, scholarly and continually absorbing book tells us, there’s a lot more to unicorns than that. The first mention of a unicorn in literature appears four centuries before the birth of Christ, in a ‘mess of a book’ called Indica by the Greek orientalist Ctesias of Cnidus.

The misery of an intellectual

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Reborn: Susan Sontag, Early Diaries, 1947-1964, edited by David Rieff Swimming in a Sea of Death: A Son’s Memoir, by David Rieff Susan Sontag, who died in 2004, was one of the late- 20th century’s famous public intellectuals. A stupendously well-read novelist, essayist and critic, strikingly good looking with her white badger-lock, she was engagé, pronouncing on many subjects, from Chinese dissidents to the meaning of disease. She appeared unassailably self-confident, so it is sad, but a bit of a relief, to learn from this first volume of her journal, begun when she was 14, that Sontag was precocious but also deeply depressed. I can’t recall reading a more melancholy book.

The Leap from the Judas Tree

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Stephen Chambers, by Andrew Lambirth Of the same 1980s generation as Peter Doig and the Young British Artists (Damien Hirst, Tracey Emin et al), Stephen Chambers has always pursued a far more maverick, and profoundly more interesting, path. Starting out as a well-regarded, heavy-duty abstract painter while still a student at St Martin’s School of Art, he had his perceptions utterly changed by a spell as a Rome Scholar c.1983, the pursuit of a way of painting that could pin down his intensely sensual response to the complexities of the seen world quickly becoming the preoccupation of a lifetime. The outcome is paintings which, in their idiosyncratic blending of figurative and abstract elements, defy simple categorisation.

Was the Abdication necessary?

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At least one very startling claim emerges in this study: according to her own account, Wallis, Duchess of Windsor, never consummated her first two marriages. Indeed, she never allowed any man (before the Duke of Windsor, presumably) to touch her ‘below the Mason-Dixon line’. If this is true, it makes a nonsense of the Abdication, since an unconsummated marriage, within Christian canon law, is automatically grounds for annulment. This would mean that the lady was not — or did not need to be — a divorcee, and thus her pairing with Edward, Prince of Wales, should have raised no objection whatsoever.