Culture

When I wrote a regular column on Africa for this magazine’s left-wing rival, I was always intrigued by the contrast in responses to any sceptical article on aid. ‘This reactionary bigot is clearly happy for millions of Africans to starve,’ pretty much summed up the fury of white readers at having their Oxfam direct debits questioned. ‘No, she’s right!’ replied my defenders. ‘These corrupt, thieving governments should be cut off without a penny.’ Those ones always came from Africans.

The Inheritance of Rome: A History of Europe from 400 to 1000, by Chris Wickham This outstanding book covers what used to be called the ‘dark ages’. Publishers rarely speak of the dark ages now. It does not sell copies. But the title still encapsulates the conventional view of the period: a civilised empire destroyed by barbarians and replaced by a world of anarchy and superstition, a universal monarchy superseded by a mosaic of statelets ruled by men with unpronounceable names, long hair and uncouth habits, an age of grim ignorance with few literary or administrative sources and those reflecting the enclosed prejudices of monks and priests. Geoffrey of Monmouth and Edward Burne-Jones are the only people who ever injected a touch of romance into this bleak picture.

The Rescue Man, by Anthony Quinn The Other Side of the Stars, by Clemency Burton-Hill When journalists venture into no man’s land and begin writing fiction, they do so in the knowledge that it could all get a bit messy. It’s not long before the sound of grinding axes start up. So it’s a pleasant surprise to find two hacks emerging from the fray relatively unscathed. With The Rescue Man, Anthony Quinn, the Independent’s film critic, has taken Liverpool’s blitz during the second world war as the backdrop to a unusual tale of betrayal and obsession. In a city where faith and alcohol ferment on the waterfront, historian Tom Baines is a man with a more idiosyncratic passion: architecture.

The Flying Troutmans, by Miriam Toews Suicidal single mothers, delinquent teenagers and unwashed children sound like the ingredients for a standard-issue misery memoir with an embossed, hand-scripted title and a toddler in tears on the cover. Fortunately, Miriam Toews has instead shaken them with wit, warmth and a firm pinch of absurdity, and produced a grittily sparkling cocktail of a novel. The Flying Troutmans takes a bleak premise, adds pitch-perfect, fully human characters and makes it, if not laugh-out-loud funny, at least difficult to read without a couple of sniggers per chapter. Hattie Troutman has fled to Paris to escape the emotional masochism of proximity to her disturbed and chronically depressed sister, Min.

In the spring of 2006, Rachel Cusk and her husband decided to take their two small daughters out of school and spend three months, a season, exploring Italy. She felt too settled, too comfortable, and if her friends wondered at what seemed like a curse of restlessness, what frightened her more was the opposite, ‘knowing something in its entirety’, and coming to the end of that knowing. ‘Go we must’, she decided, and ‘go we would’. Italy which had so pleased D. H. Lawrence, one of the writers and travellers she returns to on her journey — Italy, said Lawrence, was tender ‘like cooked macaroni — yards and yards of soft tenderness, ravelled round everything’ — seemed to offer the perfect mix of art and history.

An early memory from the years we lived near Stowe was the sight of my father pushing our front door firmly shut in the face of one of its headmasters, who was attempting to force his way in and apologise for some misdemeanour. He had, I believe, tried to seduce my mother. Later on I shared a London flat with a Stoic, a dark, mysterious, gipsy figure who worked on Ready, Steady, Go but was principally a beautiful tennis player, mentioned here for having helped Stowe win the Public Schools Championship in successive years. Sometime after I left, he was found by the police dead in the bath. Nights there had been full of incident.

The Dog: 5000 Years of the Dog in Art, by Tamsin Pickeral Dogs: History, Myth, Art, by Catherine Johns The Horse: A Celebration of Horses in Art, by Rachel and Simon Barnes These three books are concerned with the representation in art of man’s most successfully domesticated wild animals,: the dog and the horse. Dogs, as carnivores, domesticated themselves as early as 14000 BC, picking up scraps of meat left lying around by our prehistoric ancestors. Horses, as herbivores, were not attracted to such scraps. They were captured in the wild and broken in. Dogs were Jacks-of-all-trades.

The Outlander, by Gil Adamson The Outlander, a strikingly good first novel by the Canadian poet Gil Adamson, is a drama of extremity and isolation set in the Rocky Mountains of Canada in the early 1900s. Much of it reads like a pastiche Western with elements of supernatural grotesquerie out of Stephen King or even The X-Files. Turn-of-the-century Alberta is portrayed as a menacing backwater, where settlers are in danger of being scalped by Crow Indians and fur-trappers disembowelled. Into this pioneer territory comes Mary Boulton, a 19-year-old housewife who has just murdered her husband. In physical and emotional disarray, she is on the run from her brothers-in-law, who want her blood in return for the crime committed.

Journals: 1952-2000, by Arthur Schlesinger, Jr, edited by Andrew Schlesinger and Stephen Schlesinger Before sitting down with this hefty doorstopper of a diary, first ask yourself whether you agree — or can imagine yourself agreeing — with the entry Arthur Schlesinger, Jr made on 27 March 1950: ‘I adore sitting around hotel rooms with politicians and newspapermen exchanging gossip over drinks.’ If you do, or can, then you will enjoy this book, for it largely consists of a half-century’s worth of gossip, most of it obtained by sitting around hotel rooms with politicians and newspapermen over drinks.