Culture

This morning, The Spectator held a series of discussions about the future of Conservative welfare reform, chaired by Andrew Neil and made possible by the sponsorship of the Joseph Rowntree Foundation. It was a sell-out invent with a stellar panel, and we’ll bring you the full reports later. But I thought it worth mentioning what our keynote speaker, Iain Duncan Smith, had to say about tower blocks and the work capability assessments made notorious in the film I, Daniel Blake. There are 4,000 tower blocks in Britain which the former Work & Pensions Secretary says represent an “architect-led” planning mistake. “Tower blocks, by and large, are not part of the housing culture of

“Burn neoliberalism, not people” said Clive Lewis in a tweet showing the skeleton of Grenfell Tower. Odd words from a Labour MP. When asked just what he meant, he explained that his ‘agenda’ is to ‘end not just the current government but Thatcherite economic dogma’. In this way the grief and anger after the Grenfell Tower disaster has been moulded into a march on No10 with chants of ‘May must go’ and ‘blood, blood, blood on your hands’. Just a few days ago, John McDonnell was calling for a protest march in Westminster. Now, he has got one. "Blood on their hands." Posters at the #GrenfellTowerprotest pic.twitter.com/qp9ec8acJz — Damien Gayle

There are many lessons to learn from the utter calamity of the general election, but here is just one: be cautious of any politician who asks you to judge their ideas via their clothes. Theresa May did – and it should have been a warning sign. As she discussed ‘boy jobs and girl jobs’ on The One Show, she wore pearls and a tweed jacket, to keep the Daily Mail happy. The election was announced, business-like, in a blue-and-white pinstriped power suit. She appeared in Vogue – her favourite magazine – wearing expensive leather trousers, then spent the following weeks having to defend the decision. The chainmail necklace became her talisman throughout the campaign. Then there were the

Was the general election a vote against austerity? I was on the Today programme this morning to discuss this point, and in the course of the interview said that the lowest-paid did best under the Cameron years. This raised some degree of incredulity from Twitter, reported by Huffington Post. What planet am I on? I thought I’d answer. The Cameron years were tough, especially for those on welfare. But the aim was always to make people better-off by moving them into work. David Cameron did cut tax for employers, with corporation tax far lower. Liam Byrne, with whom I was on the Today programme, said that companies hoarded cash –

Recently, The Spectator held a roundtable discussion on the digital economy, featuring Matt Hancock, minister for digital and culture, Garrett Ilg, President EMEA, Adobe; Pete Cummings (Adobe), Vicky Ford MEP, George Freeman MP, Richard Fuller MP, Chris Green MP, Isabel Hardman (The Spectator), Charlotte Holloway (Tech UK), Stephen Metcalf MP, Valerie Mocker (Nesta), and Charlie Pickles (Reform). This is what resulted. Britain is one of the most digitally engaged countries in the world. We don’t have a Google, we don’t have Silicon Valley, but our industry is highly innovative in using technology to transform its operations. As consumers, too, we are strong participants in the digital economy. Eighty per cent

So who came off worse in The Battle for Number 10, last night’s Channel 4 / Sky stand-off between Theresa May and Jeremy Corbyn? It was Jeremy Paxman. May and Corbyn were paragons of patience and sense in contrast with this oafish, boorish barker of rude and even pointless questions. Watching Paxo was squirm-inducing. He’s the angry drunk uncle who ruins every barbecue by yelling ‘BALLS’ at anyone who disagrees with him. I’m convinced Corbyn or May would have instantly won tens of thousands of new voters if they had told him to bugger off. It’s amazing how knackered Paxman’s schtick felt. Did we really lap this guff up in

A few months ago, The Spectator sought the help of readers in defending press freedom. Theresa May’s government was consulting on whether to press ahead with a draconian new law that would make publications like ours liable for the costs of anyone who wanted to sue us, for whatever reason. The law, a hangover from the Leveson Inquiry, was intended as a way of bullying titles into signing up to Impress, a would-be press regulator bankrolled by the egregious Max Mosley. The legislation in question – Section 40 of the Crime & Courts Act – had been put out to consultation by the Culture Secretary and such things are often a

A stirring defence of press freedom from Jeremy Corbyn at his party’s manifesto launch. Urging the booing Momentum authoritarians to have ‘respect’ for the press, Jezza commented: ‘We also recognise that in many societies around the world very brave journalists have lost their lives or are assassinated because they have uncovered the truth about brutal regimes and abuses of human rights. Journalists and journalism and free journalism and free press are intrinsic to a democracy and a free society. I fully understand that.’ Excellent. Corbyn then allowed precisely two questions from the print media about his manifesto. One of them being from the Daily Mirror. The other from some desolate

I see that the UK’s Lucie Jones has blamed her Eurovision Song Contest failure upon Brexit. Lucie actually came fifteenth, which was substantially higher than either she or the song deserved. Her song, ‘Never Gonna Give Up On You’, or some such egregious, banal, tripe, was a hugely boring ballad without even the redemption of an interesting chorus. That’s why it came fifteenth – that and the fact that we chose a failure from that anti-musical jamboree, X Factor, to sing it. Lucie is just the latest in a long line of people to blame Brexit for being utterly useless. I might use the Brexit get-out next time I can’t