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Both epic and intimate: The Love Songs of W.E. Du Bois, by Honorée Fanonne Jeffers, reviewed

To write a first novel of 800 pages is either supremely confident or crazy. Honorée Fanonne Jeffers, a professor of English at the University of Oklahoma and the author of five poetry collections, now gives us The Love Songs of W.E.B. Du Bois, a multigenerational saga set over two centuries. It opens in the 18th, with a young black American in search of the Seminole tribe in Florida. Instead, he finds another Native American community in an area of Georgia fabulously named The-Place-in-the-Middle-of-the-Tall-Trees. He calls himself Coromantee, and is embraced by the Creeks. This part of the novel is narrated like a chorus by the collective voice of the community. The settlement is later stolen and disbanded by a slave-owner named Samuel Pinchard.

Is it an exaggeration to talk of a ‘gender war’?

According to Nina Power’s forceful and rather unusual What Do Men Want?, we in the West are currently engaged in a ‘battle over sex’. And while that has been going on, ‘another war is being waged. This one is against men, the whole damn lot of them!’ To back up this ‘war on men’ idea, Power cites, among other examples, I Hate Men, a book by the French writer Pauline Harmange in which she damns men as ‘violent, selfish, lazy and cowardly... men beat, rape and murder us’. Power’s argument is that the all-out assault on men has gone too far. The mistake, she says, is in ‘treating people as mere examples of a negative category, rather than as complex individuals in their own right’.

Parallel lives: Violets, by Alex Hyde, reviewed

When Violet wakes up in Birmingham Women’s Hospital at the start of Alex Hyde’s debut novel her first thought is of what has happened to the enamel pail of blood, because she hates the idea of someone else emptying it: ‘Was that what it meant, lifeblood? Placental, uterine. She had seen the blood drop out of her into the pail. It came with the force of an ending.’ A messy business, miscarriage. Across the country in Wales, another Violet is dealing with a different sort of mess. ‘No, still nothing. Violet pulled up her knickers and swilled out the pan. Every time she would check. Every slight feeling of wet.’ But there is no blood, although she usually has her period at the same time as her mother.

Is Julian Assange on a hiding to nothing?

A question looms throughout this book: is it better to die rather than experience the wrath of a publicly shamed America? The story begins in 2018 when Nils Melzer, a UN Special Rapporteur on torture, received an email: ‘Julian Assange is seeking your protection.’ Melzer’s office receives approximately 50 requests for help each week, and he was initially dismissive of this one. He believed the founder of WikiLeaks was ‘hiding out in an embassy somewhere because of rape allegations’. A few months later, Assange’s lawyers made contact again. This time Melzer read the documents forwarded to him and changed his mind: ‘I began to wake up to my own prejudice.

All hell breaks loose when our senses go haywire

Jesus is a Malteser. You might say I’m a liar or accuse me of the most egregious heresy, but the fact remains that Jesus is a Malteser. This is because I have a neurological quirk known as synaesthesia, commonly described as a fusing of the senses. Its most common manifestation prompts people to see colour when they hear music. But my version is the rare lexical-gustatory kind, which means that I can taste words; and so Jesus is a Malteser, Sam is tinned tuna and Donald is a rubber duck bobbing around in vinegar. This could seem nightmarish: life as a constant assault of rubber ducks and whiffy fish — a gustatory whack-a-mole — but it produces no intrusion. I consider it nothing other than a party trick, although it can also be useful as an aide-memoire.

A modern Medea: Iron Curtain, by Vesna Goldsworthy, reviewed

Vesna Goldsworthy’s finely wrought third novel explodes into life early on with a shocking scene in which Misha — the boyfriend of our protagonist, Milena Urbanska — returns from a short, tough spell of military service, initiates a game of Russian roulette (‘the only Russian thing I could face right now’) and blows his brains out. It is 1981. Misha and Milena are children of the political elite in an unnamed capital city in the Eastern Bloc. As such, they are afforded privileges their compatriots lack: palatial homes, preferential treatment, western luxuries as seemingly innocuous as cans of Bitter Lemon from Italy and imported tampons, instead of ‘the scratchy home-produced sausages of grey cotton waste encased in a flimsy net that...

Pre-crime has arrived in China

The idea of ‘pre-crime’ was popularised by Philip K. Dick’s story ‘The Minority Report’ and the 2002 Steven Spielberg film based on it. Here was a vision of a shudderingly paranoiac technological dystopia in which you could be arrested for something you haven’t even done yet. Not so science-fictional as all that. ‘Pre-criminal’ is the phrase — apparently one in official currency — that’s used of the protagonist of the story with which Darren Byler begins his chilling short book. Vera Zhou was a student of Byler’s at the University of Washington.

A guide to the apothecary’s garden

On 23 May 1804, two months before his daughter’s wedding, John Coakley Lettsom threw open his estate in Camberwell. Some 800 guests made their way to Grove Hill, with its panoramic views across the Thames to London. A leading doctor and noted philanthropist, a prolific author on matters medical, social and moral, Lettsom was famously convivial. But if any of his guests had been expecting music, dancing and cards, they were in for a disappointment. Lettsom was a Quaker — though not of the strictest variety — and the evening’s entertainment centred on ‘rational pleasure’. Guests were invited to view the shells, corals and minerals on display in his museum, to inspect the natural history volumes in his library and admire the blooms in his conservatory.

Scaling the heights: a woman’s experience of mountain climbing

In her memoir Time on Rock, Anna Fleming charts her progress from ‘terrified novice’ to ‘competent leader’ as she scales rocky vertical routes with names such as the ‘Inaccessible Pinnacle’ and the ‘Savage Slit’. There is poetry in the vocabulary of climbing, with its gritstone, gabbro and basalt and its slopers, arêtes, underclings, heel hooks and, my personal favourite, the thrutch — a kind of hip wiggle that can get a climber out of a tight squeeze. ‘There is nothing elegant in a thrutch,’ we are told. One element of the book that distinguishes it from most climbing literature is its female perspective.

Adapt or die: what the natural world can teach us about climate change

Climate change may be the central challenge of our century, but almost all attention has focused on its consequences for one organism: Homo sapiens. In an original, wide-ranging and carefully researched book, the American biologist Thor Hanson addresses its implications for the rest of life. Rather than overwhelming us with a sense of catastrophe, he adopts a balanced approach. He doesn’t baulk at pointing out that plants and animals are showing signs of stress — indeed one of his conclusions is that climate change isn’t imminent: the consequences are everywhere right now. But his book documents how many species, from butterflies to butterflyfish, are showing remarkable resilience.

What did the Russians make of Francis Bacon?

The KGB might not have known much about modern art, but they knew what they liked. For instance, at what came to be called the ‘Bulldozer show’ of 15 September 1974, the Soviet secret service instructed a small militia of off-duty policemen to besiege an unofficial exhibition being staged by a group of underground artists in a field on the outskirts of Moscow. As James Birch recalls, KGB goons ‘attacked the show, using bulldozers and water cannons. Artists and onlookers were beaten up, some paintings were set on fire, other works were thrown into tipper lorries where mud was piled on top by diggers’. Surviving artworks were ‘driven off to be buried’ in an unknown location.

Smugglers’ gold: Winchelsea, by Alex Preston, reviewed

The atmospheric medieval town of Rye on the south coast still celebrates being a former haunt of smugglers, and on foggy nights it’s not hard to imagine stealthy figures in the shadows rolling barrels of illicit rum down its cobbled streets. Alex Preston has relocated to nearby Winchelsea, making it the setting for this maritime yarn. But any residual glamour attaching to these tax-averse citizens of Sussex is largely dispelled in a tale with as many moral qualms as thrilling exploits. Goody Brown recounts the cross-dressing adventures of her youth as the sole female member of the infamous Hawkhurst gang in the 1740s. Rescued from the sea as a baby (her mother was not so lucky), she is adopted by a kindly local couple and brought up in a house named Paradise.

Dystopian horror: They, by Kay Dick, reviewed

Her name has faded, but the British author and editor Kay Dick once cut a striking figure. She lived in Hampstead with the novelist Kathleen Farrell for more than 20 years, among a mid-20th-century literary set that included Stevie Smith and Ivy Compton-Burnett. Her most acclaimed novel was The Shelf, the story of a lesbian affair which drew heavily on her own life and circle. In 1977, she published They, a dystopian horror quite unlike her other work. It won the South-East Arts Literature Prize but soon went out of print, where it remained until a literary agent chanced on it in a charity shop. Reissued with an introduction by Carmen Maria Machado, another master of the uncanny, They makes its second entrance, into a world that has caught up.

Man of mystery: Not Everybody Lives the Same Way, by Jean-Paul Dubois, reviewed

For Jean-Paul Dubois, as for Emily Dickinson, ‘March is the month of expectation’. A prolific writer, he limits his literary endeavours to that one month each year. Whatever his reasoning, it has produced results. His 2004 novel A French Life won the prestigious Prix Femina and, in 2019, Not Everybody Lives the Same Way was awarded France’s top literary prize, the Prix Goncourt. The premise of the novel is simple. Paul Hansen, a middle-aged building super-intendent, is confined to a Montreal jail for a crime which is not revealed until the end. Life is reduced to its bare essentials when he is forced to ‘share a toilet seat’ with a muscle-bound Hell’s Angel on a murder charge.

The great Chinese puzzle: how to adapt the language to modern communication technologies

Any student of Chinese will sympathise with the 17th-century Jesuit priest Fr Emeric Langlois de Chavagnac when he wrote: ‘One can only endure the pain of learning it for the love of God.’ With its convoluted characters, subtle tones and numerous homonyms, it can seem as though the language just doesn’t want to be learned. Jing Tsu’s Kingdom of Characters starts from the premise that this is not merely a problem for foreigners: for millennia, the Chinese themselves have been confounded by it. At the beginning of the last century, the literacy rate in China was only 30 per cent for men and 2 per cent for women. Those without the means to study had little chance of grasping the idiosyncratic script.

Rejecting the Raj: Gandhi’s acolytes in the West

Madeleine Slade, born in 1892, was a typical upper-class Victorian daughter of empire: a childhood riding around her grand-father’s estate in Surrey was followed by years of rejecting suitors and performing Beethoven on the piano. Occasionally she would sail across the world to visit her father, the commander-in-chief of the East Indies Squadron, who was responsible for Britain’s fleet in the Indian Ocean. But in 1923, a trip to Switzerland to visit the Nobel laureate Romain Rolland in the hills of Villeneuve would change the concert pianist’s life forever. Rolland had recently written about an Indian civil rights activist called Mahatma Gandhi. ‘You have not heard about him?’ he asked in amazement. ‘He is another Christ!

How the net finally closed on the Nazi henchman Andrei Sawoniuk

Fedor Zan was 18, working on the river closing sluices, when, on a winter afternoon in 1942, he saw his childhood friend Andrei Sawoniuk standing in a clearing outside Domachevo, their town in Belarus. Sawoniuk had lined up 15 terrified women, all wearing the yellow Jewish star. As Zan watched, hidden behind the pine trees, Sawoniuk ordered the women to strip naked, shot them in the back and kicked their bodies into a newly dug pit. Fifty-seven years later, Zan was one of a dozen witnesses to give evidence against Sawoniuk at the Old Bailey, at the only war crimes trial ever held in Britain.

A tale of love and grim determination: Zorrie, by Laird Hunt, reviewed

When Zorrie Underwood, the titular character in Laird Hunt’s deeply touching novel about an Indiana farm woman, is pregnant, a little girl asks how her baby breathes. ‘Like a fish,’ says Zorrie, which is how Hunt treats his readers, luring them with a snapshot of Zorrie’s diminishing days before reeling them in as her life unspools. Grief stamps an early and enduring presence on Zorrie when diphtheria takes her parents, leaving her to be raised by a harsh elderly aunt who had ‘drunk too deeply from the cup of bitterness after a badly failed marriage’. Zorrie takes solace in nature and nuggets of kindness from her schoolteacher, but finds herself alone again, aged 21, when her aunt dies, leaving her nothing.