More from Books

Why are women composers still disregarded?

Did you know that throughout the 19th century and well into the 20th it was considered a ‘biological impossibility’ for women to sustain the kind of abstract thought required for serious musical composition? Or that in the 1910s women in London could be compelled to sit separately from men in concert halls, sometimes even denied entry if not in academic dress? How about the fact that the Halle Orchestra summarily dismissed all its female members in 1920? Or that from 1952 to 1962 only eight works by women were performed at the Proms? For a bonus point, can you name the year – the decade, the century, even – in which the first opera by a woman was staged at the Vienna State Opera? (The answer is 2019.

From man of words to man of action: Hotel Milano, by Tim Parks, reviewed

The global disruption of 2020-21 posed a special challenge to novelists. As a subject it seems irresistible; but how to find order and pattern in a series of seemingly blank, eventless days? Stuck in the pandemic doldrums, Tim Parks’s elderly narrator at least has memories of the past and a richly stocked mind to call upon when lockdown bites. Frank Marriot embarks on an ill-advised trip to Italy at the very start of the pandemic, when he is begged to attend the funeral of an old friend, Dan Sandow. Oddly, Frank has heard nothing about a virus spreading from China. A former cultural commentator and magazine feature writer, he has long undertaken a print and TV detox, so is unaware that he is being flung into the rapidly heating cauldron of Covid. ‘Ben, I don’t do news.

‘It felt like a piece of bad news I should pass on to someone else’ – Robert Douglas-Fairhurst on his MS diagnosis

In October 2017 the academic Robert Douglas-Fairhurst went to see a neurologist in Oxford. A couple of months earlier a weird thing had happened: he’d gone on a long walk and ended it shuffling along, like an old man in slippers. He wasn’t yet 50. Having had a scan, he was looking forward to hearing there was nothing to worry about. ‘I’m going to come right out with it,’ the neurologist said, fixing him in the eye. ‘I think you have multiple sclerosis.’ Contemplating a trip to Dignitas, he wonders if people generally buy a two-way ticket or just the single All of us, Douglas-Fairhurst writes in Metamorphosis, his heartening and unexpectedly gripping memoir, find at one point or other that we are standing on a trap-door.

Pico Iyer finds peace even in lost paradises

We all have our vision of a paradise travel destination. Mine was Tahiti, based on exotic remoteness and those pictures of glorious atolls with their cerulean blue lagoons – until I went there and discovered a severe underlying drugs problem among the island’s youth, and whispering discontent. Herman Melville once talked of how ‘the soul of man was an insular Tahiti, full of peace and joy but encompassed by all the horrors of the half known life’. It’s a phrase that gives Pico Iyer his title for this intriguing collage of such places which might, and should, be considered paradise, but that human intervention has spoiled. Like Satan surveying the Garden of Eden, the reader can take a certain mordant pleasure in the process.

The triumphs and disasters of 1845

It was the best of times, it was the worst of times: not France in 1789, convulsed by revolution, but Britain in 1845, when the period Dickens referred to as ‘the moving age’ was in danger of spinning out of control. It was the year when the SS Great Britain, designed by Isambard Kingdom Brunel, left Liverpool docks on the first transatlantic crossing by an iron-built steamship; the Hungerford suspension bridge (another Brunel design) opened, and a Birmingham manufacturer obtained a patent ‘for Improvements in Springs to be applied to Girths, Belts and Bandages, and Improvements in the Manufacture of Elastic Bands’: the birth of the modern rubber band.

Fragments of a life: Janet Malcolm meditates on old family photographs

Janet Malcolm, who died in 2021, was one of her generation’s great practitioners – one might say agitators – of journalism and biography. She was a master of studies that are ostensibly about one thing, but are actually of a depth and range the reader is never entirely prepared for. Whatever topic she had in hand, you find her nudging at its limits, questioning its practices and accepted norms, turning what could, tediously, be described as a ‘gimlet eye’ on the irrational, emotional investment we have in those norms. A hallmark of her work is an extraordinary ability to (seem to) work her subjects out.

Publisher, translator, novelist, critic and polyglot: the many lives of Italo Calvino

In retrospective mood, just months before the stroke that killed him, Italo Calvino mused on the character of his own writing. ‘The time has come for me to look for an overall definition for my work,’ he wrote. ‘I would suggest this: my working method has more often than not involved the subtraction of weight.’ Lightness – leggerezza – was the ideal he had striven for. If we think of his best known works in English – the dazzling high-wire acts of Invisible Cities or If on a Winter’s Night a Traveller – it would be hard to begrudge him the satisfaction of considering himself successful in his efforts. But let’s look at that formulation again: the subtraction of weight. Lightness here is not froth or naivety.

The indomitable Pamela Anderson sees the best in everything

Pamela Anderson’s life story contains several showbiz-beauty clichés: an abusive childhood, accidental fame and many marriages. Unlike Marilyn Monroe, Lana Turner or Rita Hayworth, she didn’t grow up with the Hollywood studio system, so there were no brilliant writers and directors laid on to make her acting career memorable. But the absence of this structure – in which women were deemed past it at 35 – also meant that she could do much as she pleased at an age when those earlier sex symbols were distraught, depressed or dead. Ten years ago she was branded ‘delinquent’ for running up $493,000 in unpaid taxes and moving to a trailer park in Malibu.

A Trinidadian tragedy: Hungry Ghosts, by Kevin Jared Hosein, reviewed

In rural Trinidad in the early 1940s, in a village on a hill, the rich rise like bread to the very top. This is where Dalton Changoor and his much younger wife Marlee live, in a mansion on a large plot of land that requires plenty of upkeep. The poor dwell at the bottom, among them several Hindus who just about manage to stave off poverty by doing odd jobs for the Changoors. One of them is Hansraj Saroop, whose illicit attraction towards the lady of the house is not unreciprocated. One night, Dalton, who has ‘a face that looked like a wine bottle has been smashed into it’ and is increasingly losing his mental faculties, goes missing, and this proves a catalyst for an island drama whose shockwaves will reverberate down the years.

Doctor in despair: Tell Her Everything, by Mirza Waheed, reviewed

‘No one dies without regrets,’ says Doctor Kaiser Shah in Mirza Waheed’s melancholy third novel, an exploration of guilt through the eyes of a doctor haunted by his past, which won the Hindu Prize for Fiction 2019 and was nominated for two further prizes in Asia. While both Waheed’s previous novels – The Collaborator, a Guardian First Book Award finalist, and The Book of Gold Leaves – deal with the turbulent recent history of his homeland, Kashmir, Tell Her Everything tackles the moral cost of a professional choice that compromises personal ethics. Set between India, London and an unnamed oil monarchy, it tells the story of the regretful doctor, now retired in London and living in a luxurious Thameside flat.

Failing to denigrate Britain’s entire colonial record has become a heinous crime

This book has already had an interesting life, and most readers will by now know something of its history. For any who don’t, Nigel Biggar’s Colonialism was originally submitted for publication to Bloomsbury and was warmly received by them; but two months later it was indefinitely delayed, because (as the ‘email from the very top’ went) ‘public feeling’ was ‘not currently favourable’. Biggar writes in his introduction: I asked them to specify which ‘public feeling’ they were referring to, and what would have to change to make conditions favourable to publication, but they declined to give answers. Instead, they informed me that they were cancelling our contract. Happily, William Collins has rescued what Bloomsbury chose to jettison.

The death of popular music in Cambodia

The musical revolution of the 1960s reverberated widely. In many countries it was given added impetus by decolonisation. Newly independent nations adopted rock and roll, usually infused with local traditions, as a signal of modernity. From Addis Ababa to Dakar to São Paulo, officials and businessmen jived and swung and caroused in nightclubs, serenaded by bands with some measure of official sponsorship, if not directly employed by the government itself. Some of these stories ended unhappily. The Brazilian junta dispatched Tropicália musicians into exile. When the Derg seized power in Ethiopia, Swinging Addis came to a sudden halt. The ligueurs in Benin forced Angélique Kidjo and others to flee the country. But the most horrific tale of all was Cambodia.

Is human migration really a normal activity?

Halfway up the high street in Totnes, a small town on the river Dart in Devon, a modest stone is set into the edge of the road. It claims to mark the point at which Brutus, legendary founder of Britain, first set foot on this island. The grandson of the equally legendary Trojan hero Aeneas, Brutus was said to have been born in Rome; but, exiled from his birthplace, he travelled western Europe before finally settling here. Most of us carry with us a little Neanderthal DNA. We are all mongrels of a sort That the legend of Brutus was a ninth-century fantasy concocted by a Welsh monk named Nennius need not concern us.

Don Paterson is frank, fearless and furious about everything

Memoirs by poets – the Top Ten? It’s an admittedly niche category, and since no one would ask this in normal conversation, or even in a pub quiz, here is the chart. It is based not on official sales or downloads but rather on my own tastes, prejudices and relatively recent reading: Last Night’s Fun, Ciaran Carson; It Goes With the Territory, Elaine Feinstein; A Fly in the Soup, Charles Simic; The U.S.A.

Healing herbs in abundance in an unspoilt corner of central Europe

The only thing I’m uncertain about in this uplifting and beautifully written book is its subtitle. Granted, the landscape Kapka Kassabova invokes does sound like ‘a place that struck you dumb with its majesty’, but we are not in some Shangri-La beyond the reach of mortals. The valley in question is a two-hour drive from a modern European capital. Elixir is set on the banks of the Mesta River (known as the Nestos in Greece), where its life-giving waters meet the forests and mountains of the western Rhodope range in Bulgaria. Mesta’s montane flora has provided wild crops and herbal medicines for centuries This is the author’s country of origin; but she left it 30 years ago and is unflinching in her judgment of its recent past, which she divides into three phases.

Why is the barleycorn still the basis for shoe measurement?

This is not really a history book – and even if it were, its particular charm would be better expressed by the use of an indefinite article in the title. Or perhaps ‘Histories’ might have been more appropriate. Calling things what they are, being precise, is one of the difficulties it so enjoyably demonstrates.  Some anthropocentricity remains: shoes sizes in the UK and America are still measured in barleycorns You would have thought, for example, that a kilogram has always been a kilogram. But no: the original kilogram, a cylinder known as ‘Le Grand K’, kept in a bell jar in Sèvres, from which replicas had been made for distribution throughout the world, was discovered to have lost its weight in relation to those replicas.

A cruel eviction: This Other Eden, by Paul Harding, reviewed

When Paul Harding won the 2010 Pulitzer for Tinkers, he was a literary unknown who had all but abandoned hopes of his debut novel getting published until a tiny independent publisher chanced upon it. That story, about George Crosby, a dying clock- repairer who lived in Maine, heralded Harding as a great new voice, championed by Marilynne Robinson, no less. But huge success brings huge expectations and Harding’s second book, Enon, which returned to the Crosby family and the same New England landscape, lacked the narrative perfection of Tinkers, despite the beauty of the prose as he explored a father’s collapse after the sudden death of his teenage daughter. For This Other Eden, Harding tries something that is both startlingly different and reassuringly familiar.

Can anyone become an accomplished violinist?

A circle of shell-shocked parents in a mansion flat; a dozen toddlers gripping minute, 16th-size violins, the concentration causing them to sway like drunks; the merciless sawing of their tiny bows; and a noise of indescribable horror – ‘Twinkle Twinkle Little Star’ reconceived as the hold music for Hell. These were the group violin lessons I remember (and enjoyed) as a disciple of the world-famous Suzuki method, devised in Japan in 1948 by an unworldly idealist called Shinichi Suzuki.