More from Books

Neo-gothic horror: Strega, by Johanne Lykke Holm

In Johanne Lykke Holm’s neo-gothic novel Strega, Rafaela, claustrophobic in her parents’ ‘yellow’ and ‘dusty’ flat, dreams of working as a maid at the mountain-nestled Olympic Hotel. She luxuriates in a bath with a brochure, mesmerised by photographs of ‘girls in pearl-white aprons, girls eating ruby-red apples straight from the tree’. It’s a foreshadowing of the post-lapsarian limbo she is about to enter. Rafaela arrives with eight other girls at the remote and unheimlich alpine hotel: the proportions seem ‘off’ and there’s a ‘smell of dust and water and burned hair’. Even the lake feels carnivorous, claiming lives every year.

A choice of art books – from Carpaccio to David Hockney

David Hockney once remarked that he wasn’t greedy for money, but was covetous of an interesting life. Then he added that he could find excitement ‘in raindrops falling on a puddle’. There are no puddles in My Window (Taschen, £100), previously only available as a limited edition, but Hockney finds ravishing beauty in such sights as the roofs of neighbouring houses, a street lamp or a distant crane. This huge and sumptuous volume is a visual diary: it consists of what Hockney saw as he lay in bed and looked out at the world each morning between 2009 and 2011. His view was much like anyone else’s, nor is there anything unusual about the window itself.

A dangerous gift: The Weather Woman, by Sally Gardner, reviewed

The Weather Woman is the children’s writer Sally Gardner’s first novel for adults under her own name (previously, she used the pseudonym Wray Delaney). Spanning the end of the 18th and the beginning of the 19th centuries, the story describes an England trembling at the French Revolution and haunted by the threat of Napoleon while aristocrats gamble and roister. Gardner’s sense of atmosphere is acute. The frost fairs, the grand ballrooms, the stinking alleyways all come alive. The novel’s major theme is the subjugation of women; its secondary, the border between rationality and intuition. Our thoughtful, unconventional heroine is Neva Tarshin. Her mother, a genius chess player, was forced to hide her talents, only playing as a wayside attraction, disguised as an automated bear.

Celebrity photographer and conservationist: Peter Beard’s life of extremes

In 2005 the photographer Peter Beard invited me to his Thunderbolt Ranch in Montauk on the tip of Long Island. I was writing a biography of Denys Finch Hatton, Karen Blixen’s lover, and Beard had known Blixen at the end of her life. When Graham Boynton began this biography he telephoned me, and I told him about that weekend I spent alone with Beard. At the end of my story, there was silence. Then Boynton said: ‘You’re the only woman I’ve ever heard of he didn’t make a pass at.’ Born in New York in 1938, Beard was a trust-fund Wasp, Yale-educated. Having started as a fashion photographer, he became famous for collages which sold for hundreds of thousands of dollars at Christie’s in London and New York.

The story of architecture in 100 buildings

One recent estimate claims there are 4.732 billion buildings on Earth, but it’s difficult to establish a credible methodology to count them. Is Manhattan’s Rockefeller Center, created out of swaggering pride and ambition, in the same category as a shanty hut in an Algerian bidonville? Unless you live in a desert, buildings are unavoidable, making architecture not just a necessity for survival but the art form most pregnant with meaning. When I was a boy I wanted to be an architect. Not because I was interested in drain schedules, load paths, wrangling with local authorities or designing kitchen extensions but because architecture seemed the most powerful expression of style. We know and judge cultures by their monuments, not their facility for credit default swaps.

The Bible exists in some 700 languages – so it still has a long way to go

I’ve never met John Barton. But reading his books on the Bible I keep thinking of him as an early church father, perhaps St Jerome. Barton has the obligatory beard, he’s an ordained minister in the Church of England, and his writing is sage and measured, scholarly but accessible. Jerome was of course the translator of the Bible into Latin. In the fourth century his Latin Vulgate caused a riot in Tripoli, then part of the Roman empire, because Jonah was portrayed sheltering in the shade of a fast-growing ivy rather than under a gourd, as in the traditional rendering. (This accounts for the ugly spherical fruit dangling from the rafters, like one of those constant memories you’d rather forget, in Albrecht Dürer’s famous depiction of the saint in his study.

Magic and medicine: The Barefoot Doctor, by Can Xue, reviewed

It must be exhausting to live as a barefoot doctor in a Chinese village if Can Xue’s latest novel is anything to go by. Not because of your work as curer-in-chief, but because all your patients are either nauseatingly happy or prone to near-constant weeping. Barefoot doctors emerged in the 1930s, but really hit their stride under Mao, when they spread throughout rural China. They were folk healers with basic medical training who provided healthcare in places where urban trained medics wouldn’t settle. Now one of China’s most feted novelists, Xue is better known for her avant-garde dreamscapes than her acupuncture, but she was a barefoot doctor in her youth.

Meditations on the sea by ten British artists

It is our ability to see a single thing in various ways that Lily Le Brun celebrates in Looking to Sea: Britain Through the Eyes of its Artists. Over the course of ten chapters dedicated to individual artworks, one for each decade of the past century, she explores our shifting relationship with the shoreline through a carefully considered and enjoy-able mix of biography, art criticism and personal reflection. Up first is ‘Studland Beach’ (c. 1912) by Vanessa Bell, a melancholy painting that paved the way for modernism: ‘It is her attempt to distil an experience of sitting on the beach, looking out to sea, down to its visual essentials.

The latest crime fiction: women provide their own take on sexual violence 

Having long escaped their relegation to the softer margins of the thriller genre, women writers have provided their own take on grimmer themes, including the sexual violence that has become such a staple of crime writing today. In The Eye of the Beholder by Margie Orford (Canongate, £16.99), Cora Berger is a South African painter who moved to London after her parents were killed in a car accident. Outwardly formidable, she has a penchant for creepy, dominating men, and finds herself under the spell of a wealthy art collector named Fournier, who has a cabin tucked away deep in the Canadian wilderness. We are also introduced to Angel, a much younger woman who has a violent history – the result of horrendous sexual exploitation at the hands of her stepfather.

This sceptred isle: the fantasy realm of Redonda

There is an island in the Caribbean so small that it doesn’t appear on many world maps. Its name is Redonda; one of its kings, the Spanish writer Javier Marías, died two months ago. It’s an unforgiving place, uninhabited and windswept, basically a large rock a mile long and about a third of a mile wide. But birds like it, particularly a species called the booby, whose calls sound like a person crying out: ‘Oh no! Oh no! Oh no!’ The fantasy kingdom even had a national anthem – and a flag designed by the Duke of Guano The island is the subject of the Canadian writer Michael Hingston’s often excellent Try Not to Be Strange. I can see booksellers scratching their heads over where to shelve it.

England in infra-red: the beauty of the country at night

John Lewis-Stempel is nearly as prolific as the natural world about which he writes so well. His voice is distinctive – that of a traditional agriculturist of lyrical articulacy, an observant ecologist who finds mythopoeic magic in everyday animals, who honours his Herefordshire origins but addresses all England. Cattle in a frosty field are transfigured into witnesses of the Nativity As with his monographs on meadows and ponds, Nightwalking looks at under-appreciated aspects of the rural scene – this time, the most enigmatic of all. Like Robert Frost, poets often aspire to be ‘acquainted with the night’, and many are cited here.

A choice of this year’s cook books

The revolving doors of the 1990s’ restaurant scene saw a cast of great characters, sadly now on the wane. One of the so-called ‘modern British’ movement’s greatest champions, Terence Conran, has departed; we have lost Alastair Little and Andrew Edmunds, and only last month Joyce Molyneux, of Carved Angel fame. Who? What? If you never ate in Little’s Frith Street restaurant, lapped Simon Hopkinson’s deliciousness at Bibendum or indeed revolved through the doors into Rowley Leigh’s Kensington Place, you will wonder what I am on about.

A family scandal straight out of a Hollywood film noir

In 1973, in White Plains, New York, Donna Freed was told, in a ‘shroud of shame’ and without any soothing explanations, that she was adopted. The six-year-old’s life was plunged into a dark hinterland of anxiety. Freed spent the next 38 years fearful that the discovery of her birth mother would reveal ‘a terrible or seedy story, tragic circumstances, terror, violence, incest or rape’. In fact the truth awaiting her was a sensation straight out of a Hollywood film noir: a scandalous tale of dirty glamour, passion and pseudocide. Her parents were in fact embroiled in one of the juiciest death fraud cases of 1960s America. Duplicity is a Janus memoir, part adoption story, part true crime history.

The long arm of police corruption

Are all institutions basically corrupt? If company directors snaffle pencils from the stationery cupboard for their own use, are they corrupt? Is there a sliding scale of corruption, from ‘whatever’, through to ‘well I wouldn’t do it myself’, all the way to ‘summon the rozzers’? And does it matter what the organisation is? Is it worse to steal from your employer if you work for Nestlé or for Oxfam? Are some small corruptions are basically all right? Of course if we accept the small corruptions, the bigger ones creep in at the edges. And once they’ve entered an organisation’s culture, it is well nigh impossible to root them out. In essence, Tom Harper’s book is a thoroughly depressing account of the Metropolitan Police’s corruptibility.

Dictators with the luck of the devil

‘What brings strong personalities to power?’ asks the historian Ian Kershaw. ‘And what promotes or limits their use of that power?’ Those two questions are at the centre of this book, a study of some of the 20th century’s most important leaders. The result is partly an analysis of character, but also an attempt to gauge how much history’s main players directed world events, and how much events directed them. Kershaw begins with Lenin, whose rise was punctuated by huge strokes of luck. For one thing, his mother was willing to support him financially for his entire life. She must have had a very forgiving nature as, in Kershaw’s arrow-sharp description, Lenin was an exceptionally tedious, unpleasant man. He was ‘punctiliously insistent on pedantic forms of order.

Planning a New Jerusalem: The Peckham Experiment, by Guy Ware, reviewed

The Peckham Experiment was a radical, if earnest, initiative begun in 1926 in which working-class families were given access to physical activities, such as swimming, as well as workshops and a shot at cultural betterment. It’s into this rather worthy scheme that identical twins, the subjects of Guy Ware’s novel, are born: Charlie and JJ, the offspring of communist parents, who are later orphaned during the Blitz. Both go on to long careers in housing, and the book tracks their progress, alongside themes of ownership and exploitation, against the backdrop of key events in postwar British history. The novel begins on the eve of JJ’s funeral, with Charlie struggling to write a eulogy for his 85-year-old brother.

It’s time to stop sneering at metal detectorists

As a teenager growing up in Cheshire I had a metal detector. Although I was slightly ashamed of it, I found all sorts of intriguing things: shrapnel, a French coin, a Khartoum Racing Club key ring, an adze and a silver brooch in the shape of a lobster. All went well until I found a second world war bomb in Tatton Park. They had to call out the army, and I got a Grade A bollocking. People hated metal detectors. Since then I haven’t given them much thought; but Nigel Richardson has. An acclaimed travel writer, he was grounded by the Covid pandemic and, like many of us, began to reflect on the course life had taken. It worried him that he was rootless: the northern kid who went to boarding school in Sussex, the ‘citizen of nowhere’, without tribe or peers.