More from Books

Tuesday

Declan Ryan

Andrew Motion pays tribute to his poetic mentors

Andrew Motion has previously published a memoir of childhood, In the Blood (2006), but this new book focuses on his becoming a poet, his search for mentors and subsequent writing life. Motion, a country boy, has a Words-worthian bent, and talks about the pull of evocative recollections, already hardening when he entered adulthood, as ‘equivalent to the songs of the Sirens’, explicitly ‘spots of time’. He is, as one might expect, good on poetry’s general appeal – ‘ it prizes compression and distillation in a world of deliquescence’ – and perceptive on the root cause of its lure for him.

Tuesday

Susie Mesure

Life’s survivors: The Angel of Rome and Other Stories, by Jess Walter, reviewed

Anyone who has read Jess Walter’s Beautiful Ruins will want to turn straight to ‘The Angel of Rome’, the title story in this second collection by the versatile American author. Like the novel that elevated Walter from an underrated writer of police procedurals and thrillers to one capable of bestsellers, ‘The Angel of Rome’ is set in Italy and features a filmset and glamorous actors. Both are also partly based on real life. In Beautiful Ruins, Walter plays with what happened during the filming of the 1963 epic Cleopatra. Here he bases the story on an episode in the life of Edoardo Ballerini, an actor who read Beautiful Ruins.

David Profumo

A magpie proves a troublesome pet

With his swashbuckling gait, ominous associations and garrulous demeanour, the magpie is the dandified razor boy of our avifauna and provokes ambivalent feelings (the ‘pie’ part signifies many a mixture). His pilfering reputation has inspired work from Rossini to the prog-rock band Marillion, and in lab tests he’s one of the few creatures brainy enough to recognise his own image in a mirror – even some Marillion fans can’t do that. But it’s hard to see how this corvid could be truly lovable. The artist and poet Frieda Hughes, however, fell for a little foundling Pica pica back in May 2007 when she was refurbishing her ramshackle new home. He was an unloved, unfledged orphan, and adopting him changed her life. George is a diary-based record of the sprightly saga that ensued.

Mathew Lyons

Britain’s churches need us to survive – but do we still need them?

In the summer of 1992, Gloria Davey came upon a ruined church near Swaffham in Norfolk. It had no roof, no windows and no door. Satanists were using it for their rites; a grave had been opened, giving up its bones. Gloria’s husband Bob felt obliged to act. He disrupted their rituals, and when they threatened to kill him, he called in the local Territorial Army. They didn’t bother him again. Bob Davey was 73 when Gloria found the late 11th-century church of St Mary, in Houghton on the Hill; he died, aged 91, having visited it every day thereafter. He and a small group of friends built a mile-long access road and made the church watertight – made it good again, you might say. Then a kind of miracle happened.

John Maier

Friendships and rivalries in the golden age of Oxford philosophy

Though it is startling to think of it now, analytic philosophy was once considered a promising subject for satire on mainstream television. When Beyond the Fringe was broadcast in 1964, the viewing public could apparently be relied upon to recognise the archetype of the post-Wittgensteinian linguistic philosopher being impersonated by Jonathan Miller and Alan Bennett. The discursive style on display was anguished, effete and reflexively pedantic; the setting, a kind of implied common room (the only atmosphere this particular creature was able to breathe); the repartee hopelessly clogged with qualifications and smug little obiter dicta and minutely alert to exquisite verbal distinctions of doubtful relevance to the point in hand.

Alex Peake-Tomkinson

The view from on high: The Sleep Watcher, by Rowan Hisayo Buchanan, reviewed

The Sleep Watcher, the third thoughtful novel by the gifted Rowan Hisayo Buchanan, features a narrator who floats free from her body at night and circles around invisibly, observing her family and friends. This departure into the supernatural from the author’s previous work does not leaven the sadness of her writing, and the book is even more melancholic than her Starling Days (2019), which opened with the protagonist contemplating suicide.   Sixteen-year-old Katherine, or Kit as she is known, does not always like what she sees as she wanders about unobserved – though it does allow for some moments of comedy.

Marcus Nevitt

The farming year in 18th-century Sussex

You may (or may not) already know this, but researching the long 18th century in 2023 is rarely a life-affirming, paradigm-shifting conversation over wine with Plato in the groves of academe. It is seldom, even, a couple of tins of warm lager on the train home after guesting on an episode of Start the Week. It is sometimes, though, sitting in an archive transcribing the traces of long-vanished lives, conscious of the passing of time, quietly excited but still wondering if any of this actually matters, whether the partial recovery of someone else’s life really is the fullest way of living your own.

Elisa Segrave

Caught in a web of lies: The Guest, by Emma Cline, reviewed

This deeply unpleasant novel kept me reading all night. Alex, 22, preys on rich men as an upmarket prostitute, formerly in New York and now in resorts such as the Hamptons. She is a thief and addict, sneaking her boyfriend’s sleeping pills, his valuable watch, a former room-mate’s medication, random jewellery and any available alcohol, while lying to herself and others. Moving among the rich, she pretends to be one of them. Writing about them in their holiday homes, Emma Cline is skilful and observant: The women had a funny, girlish air: their tiny steps, their uncertain smiles, satin bows in their ponytails, though most of them were probably over 60, raised in a time when childishness was a lifetime female affect.

Frances Wilson

Triumph and disaster in the War of Jenkins’ Ear

It all began in 1731 when Robert Jenkins, the captain of the Rebecca, had his ear sliced off by Juan de León Fandiño of the Spanish patrol boat La Isabela. Storming the British brig in the Caribbean, Fandiño accused Jenkins of smuggling sugar from Spanish colonies. He would cut King George’s ear off too, Fandiño threatened, were he to be caught stealing from Spain. Testifying before parliament in 1738, Jenkins produced the severed ear (pickled in a jar), which is why the nine years of fighting that followed became known as the War of Jenkins’ Ear.

Alexander Larman

A born rebel: Lady Caroline Lamb scandalises society

At the beginning of her biography of the novelist, ‘fairy sprite’ and proto-feminist Lady Caroline Lamb, Lady Antonia Fraser hints that this may be her final book. Not for her a dramatic, Prospero-breaking-his-staff exit; instead, she writes mildly in the prologue that ‘this book... can also be regarded as the culmination of an exciting and fulfilling life spent studying history’. We must hope that Fraser continues to research and publish. Yet if this is to be her swansong, it is characteristically readable, accomplished and in places positively revolutionary.

Thursday

Ysenda Maxtone Graham

The sadness of Britain’s seaside resorts

Now the exhilaration kicks in, the lightness of heart, a joyfulness surging along the warmed blood vessels and tingling extremities: every cell feels as if charged with new life. There has been a ritual, a sacrifice, an offering to the waves of flesh and pain, and in return, there is restoration, life given back. Thus Madeleine Bunting describes the bliss, not of swimming, but of having just emerged from the icy British sea into which she is addicted to plunging in winter as well as summer. In this fizzing state, having pulled her clothes back on, she goes straight to the nearest steamy café for fish and chips and tea. When package holidays became available, ‘Blackpool moved lock, stock and barrel to Benidorm’  Tempted?

Tuesday

Francesca Peacock

The language of love: Greek Lessons, by Han Kang, reviewed

In the wake of the death of her mother, divorce from her husband and the loss of custody of her son, a young writer and poet in Seoul turns her attentions to lessons in ancient Greek. She walks miles across the city to the classroom, dressed in a black jacket, black scarf and black shirt – a ‘sombre uniform, which makes it seem as if she’s just come from a funeral’ – and devotes herself to the unfamiliar alphabet, verbs and nouns. This delight in words – ‘the wondrous promise of the phonemes’ – has sustained her since childhood, when she first scratched Hangul, the Korean alphabet, into the dirt. There is only one barrier to her love of language. Not for the first time, she has completely lost the power of speech.

Dominic Green

Into the woods of 19th-century America

Early American settlers said that a squirrel could climb up a tree on the coast of Massachusetts, set off westwards and not touch the ground until it reached the Ohio river. The squirrels, like the Native Americans, were pushed out and west. Timber was the settlers’ main resource, and they stripped New England of wood for their farms, buildings and fuel. Today, after decades of rural depopulation and second-home gentrification, New England may well have more trees than at any time since the 1830s. But the wooden world of early America is gone, like the Native Americans.

Tibor Fischer

Milan Kundera feels the unbearable weight of disappointment

If you’re looking for a towering intellect to dispense guidance and illumination on current events, particularly one from Central Europe, the hearth of gravitas, piano sonatas, polyglotism, the reading of Hegel etc, Milan Kundera, in A Kidnapped West, will be a bit of a disappointment. This isn’t Kundera’s fault. The volume contains a short speech from 1967 and an essay from 1983. It’s a pleasure to see a publisher giving oxygen to learned discourse, and while both texts are as urbane and erudite as you would expect, we have moved on a great deal. A Kidnapped West needs to be filed under intellectual history. Not that everything has changed, how-ever.

Alex Clark

Bad boy on the run: Shy, by Max Porter, reviewed

Shy concludes Max Porter’s informal trilogy of short, poetic novels powered by pain and polyphony. First, in 2015, came Grief is the Thing with Feathers, in which a widowed Ted Hughes scholar is both shocked and comforted by the arrival of a croaking, crouching crow. Then, four years later, Lanny, which followed a young boy through village life, with appearances by the ancient spirit of Dead Papa Toothwort, and explored issues of alienation and isolation. Both were works of multiple voices, not always human; and both introduced Porter as a writer meticulously interested in rhythm, compression and the profoundly generative process of conveying the intersection between individual consciousness and collective identity.

Tuesday

Mika Ross-Southall

Desperate for love: Very Cold People, by Sarah Manguso, reviewed

‘My parents were liars,’ the narrator Ruthie says at the beginning of Sarah Manguso’s unsettling debut novel. Looking back on her abusive childhood in a New England town near Boston in the 1980s, she recounts how her father wore a fake Rolex that didn’t work, and her narcissistic mother was obsessed with social climbing, pinning the wedding announcements of local Mayflower descendants on the fridge as if she knew them. Ruthie observes everything in high definition, from her parents’ neglect (‘I have no memories of being held’) to their naked bodies flopping on top of each other while they all share the same bed. In a disturbing scene, her mother, who seems to have been traumatised by her own upbringing, asks her elementary school daughter to spell the f-word.

Leaf Arbuthnot

Anorexia has a long history – but are we any closer to understanding it?

In 1992, a few weeks after her 14th birthday, Hadley Freeman stopped eating. Nothing very dramatic caused this. A skinnier classmate at her all-girls school in London told her: ‘I wish I was normal like you.’ But the comment triggered a change that was dramatic in the extreme. Within weeks, Freeman was monitoring every crumb that entered her mouth, opening the fridge just to smell the food, making her house quake as she did star jumps over and over again. Within months her weight had plummeted and she was sent by her frantic parents to a doctor. She was diagnosed with anorexia nervosa and lived in various psychiatric wards for the next two and a half years. She is now a journalist, formerly at the Guardian, currently at the Sunday Times.

Alan Judd

If the Nazis had occupied Britain, how many of us would have collaborated?

Those of us who have never endured occupation can find it difficult to judge the behaviour of some who have. The lines between survival, passive cooperation and active collaboration are not always clear. Following the second world war, the myths of resistance, especially in France, were deliberately inflated in order to hide the humiliation and deep wounds occasioned by collaboration, which was far more widespread. Understandably sometimes; you may take risks for yourself, but when it’s your family who may be butchered, decisions are harder. It’s not only the unoccupied who find judgments difficult. As Ian Buruma demonstrates in his informed and perceptive commentary, it can be equally difficult for those who were there.

Graham Robb

A tale of greed and catastrophe: An Honourable Exit, by Éric Vuillard, reviewed

Experts in urban fauna have apparently discovered a ‘sacred triangle’ between the Parc Monceau and Neuilly in the west of Paris. A short distance from the wind-blasted northern arrondissements with their ‘robust but primitive population’, the leafy avenues and eco-landscaped gardens of private mansions on the edge of the Bois de Boulogne have created a special microclimate. Here, a protected human species has found its natural habitat and breeding ground. Avaricious, nepotistic and practically inexterminable, it has caused death and suffering on an unimaginable scale while amassing wealth which far exceeds its natural needs.

Stuart Jeffries

The bad boy of German cinema who ‘wanted to be Marilyn Monroe’

Jane Fonda’s telephone manner was nothing if not imperious. ‘This is Jane Fonda herself,’ she said one spring morning in 1982, in a transatlantic call from Hollywood to Cannes. The German film director Rainer Werner Fassbinder was so tickled that for days afterwards he took to answering every phone call in English with: ‘This is Fassbinder himself.’ ‘Fassbinder wanted to be Marilyn Monroe. He wanted to walk down a staircase wearing feathers and a gown’ It was the meeting of opposites. She was Hollywood royalty, Henry’s daughter, sexy star of Barbarella and double Oscar winner, poised to release the first of her series of workout videos that would in the next 13 years sell 17 million copies. By contrast, Fassbinder probably didn’t even own a pair of leg-warmers.