More from Books

A satire on the American art world: One Woman Show, by Christine Coulson, reviewed

Christine Coulson worked for more than 25 years at the Metropolitan Museum of Art in New York, where she wrote hundreds of wall labels. In One Woman Show, her second novel, she tells the tragicomic life story of a Wasp-ish porcelain girl called Kitty Whitaker almost entirely in the same 75-word format as if she were an artwork. The 20th-century tale is presented as an exhibition, made possible, we’re told on the opening page, by ‘gin, taffeta and stock dividends’. It’s a wonderfully clever concept, and a book that lends itself to being read in a single sitting, during which you’ll feel the corners of your lips curl upwards again and again.

Wallowing in misery: Tremor, by Teju Cole, reviewed

Tunde can’t explain why he grows addicted to screen depictions of ‘inexhaustible brutality’ The protagonist of Teju Cole’s latest novel is a composite of his earlier creations, which in their turn are partial self-portraits. An artist roaming around with his camera, Tunde photographs hedges and trinkets, contemplates colour and listens to Malian music. Having left his native Nigeria three decades earlier, aged 17, by 2020 he is settled in New England. Meanwhile, Lagos has become ‘a reality of his life so large and at the same time so intimate, so intense and so various’, a feeling that increases whenever he returns to the city in person or in his imagination.

Has Bazball rescued — or ruined — cricket?

The date 6 June 2021 was a grim day for cricket. As the world was adjusting to life after the pandemic, a Lord’s Test with a full house felt like ‘the promised kiss of springtime’. And so it was, until the final afternoon, when New Zealand challenged England to make 273 in 75 overs. The gesture was recognised as generous by all except the faint souls in the England dressing room, rendered frit by the possibility of defeat. Thousands of spectators, bewildered by five hours of fearful prodding, withdrew their consent. Cricket has witnessed more profound changes in the past decade than in the previous 100 years With ‘the Hundred’ looming like a pirate’s galleon, caution was inexplicable.

Bribery and betrayal in Stuart England: The Winding Stair, by Jesse Norman, reviewed

The philosopher and statesman Francis Bacon wrote: ‘All rising to great place is by a winding stair.’ This historical novel is about him and his use of it. The way up is long, intricate and difficult; downwards there is nothing to ‘slow his fall’. His antagonist in his ascent to worldly power was the lawyer Edward Coke. Bacon rose to be lord chancellor of Great Britain. Coke became attorney general under James I. Both fell from grace. It is a political story. Judging from what has been happening recently, nothing has changed. Ambition, ruthless achievement, favour, bribery, corruption and betrayal are the features of the political world. Jesse Norman’s novel is about Bacon’s political career, not about him as a natural philosopher. He is portrayed as a Vicar of Bray figure.

Has crypto finally had its day?

If you run an organisation, there are some reporters you definitely don’t want around: Ronan Farrow asking for comment; Madison Marriage or Dan McCrum with a couple of questions; Michael Wolff hanging out on a sofa taking notes. Michael Lewis is not one of those reporters. If he wants to spend time with you, you are about to be lionised as a decent person who sees just a bit more clearly than the fools who run the system of which you are a part, which will make you wildly rich (unless you’re an academic or a public servant) and famous. When Michael Lewis calls, people answer. Lewis raises enough questions for one to finish the book less sure of Bankman-Fried’s guilt than at the start When Zeke Faux calls, they often don’t.

Is Thomas Heatherwick the best person to preach about modern architecture?

It needs a big personality to answer a big question: why is so much new building so very bad; why are our cities so ugly? Thomas Heatherwick is that big personality. He is the Jamie Oliver of architecture and design: personable, blokeish, smart, tele-genic, extremely successful, nearly demented with ambition, and, one suspects, inclined to petulance if crossed. He is a visionary with several blind spots. To extend the Oliver comparison, there are times when Heatherwick serves up a delicious dish with his thumbs stuck in the bowl. His flair comes with flaws. As a designer, his Boris Bus for London was charming, but functional problems led to its withdrawal from service. His ‘B of the Bang’ sculpture in Manchester has been dismantled.

Back to the world of Big Brother: Julia, by Sandra Newman, reviewed

Sandra Newman’s Juliahas a connoisseur’s nose for body odour. When she gets close to another person or animal, she almost always notices their smell – manly, dusty, dungy, a hint of talcum powder. When she suppresses emotion, she sweats. She sprains her wrist and tears rise ‘of themselves like sweat’. In a pivotal scene, she unblocks a gruesomely overflowing toilet. This abundance of bodily functions feels like a reminder of George Orwell’s original Julia in Nineteen Eighty-Four, whose physical abandon makes her an object of desire and symbol of rebellion. This fantasy is punctured in Julia. Bodies are sensuous but they are also skin-crawlingly horrible. Mutilated wrecks, with teeth and nails removed in the Ministry of Love, creep around London on all fours.

Robyn Davidson explores yet another foreign country – the past

Robyn Davidson never set out to become a writer. ‘It did not form my identity,’ she tells us early on in her memoir Unfinished Woman. ‘In my own mind I had simply pulled another rabbit out of a hat. As I had done all my life with everything.’ The rabbit, in this case, is the ability to capture an exciting and complex life with insight and humour. When she decided to leave the underworld, she was sexually assaulted at knifepoint Born in 1950 on a cattle station in Queensland, Australia, Davidson was the second daughter of a handsome war hero from a privileged background. Home was a place full of ‘dust and wide verandas, comfortable old chairs and good horses, though never adequate cash’.

Ritualistic murder in 1920s America: Cahokia Jazz, by Francis Spufford, reviewed

Writers dealing with that knottiest of problems in fiction – to what extent can they describe cultures and societies not their own without appropriation, an insulting level of ignorance and/or launching a social media storm – are going about it in different ways. The latest novel by Sebastian Faulks is set in the future (where, pleasingly, everyone still needs a coat, phew). Val McDermid has gone the other way and returned to smoky, bottom-pinching years, starting with 1979. Francis Spufford’s solution to writing about race – and race in America at that – is to propose an alternate reality, invent an intensely detailed city to do it in, and extrapolate new words from the remnants of an ancient language known as Mobilian trade jargon. It’s certainly an original approach.

Set in a silver sea: the glory of Britain’s islands

Islands always intrigue, hovering on the horizons of our imaginations – seen, according to your lights, as territories to be taken, ancient redoubts, repositories of secrets, even loci of lands of youth. Where there are no islands, we often imagine them – Plato’s Atlantis, the Celts’ Avalon, the Irish Hy-Brasil, Zeno’s Friseland, Columbus’s Antillia – and occasionally find them, like Terra Australis Incognita, postulated long before Europeans made landfall. Orkney was a trading station long before London, and Iona was the epicentre of Celtic Christianity Britain was once itself an imagined island – or rather islands plurally, called by Pliny Britanniae, one archipelago among others in the great geographer’s speculative world atlas.

We should all embrace the power of games

If both players in a game of draughts stick to their optimal moves, the game will always end in a draw. You or I might have guessed that anecdotally. But being a mathematician, Marcus du Sautoy knows it for sure. The calculations that proved it took 200 desktop computers 18 years to perform. The Prussian High Command used a game called Kriegsspiel to test the abilities of aspiring officers When such a simple game produces such numerical complexity, imagine the fun a mathematician can have with something like Go, the Chinese institution whose number of possible games contains an estimated 300 digits. (The number of atoms in the observable universe only contains 80.

Keeping a mistress was essential to John le Carré’s success

Adam Sisman is sensitive to the charge that a book about an author’s unknown mistresses is simply an exercise in prurience. ‘I am not one of those who believes sex explains everything,’ he declares defensively. An affair with the wife of a close friend led to the ménage depicted in The Naive and Sentimental Lover But this admirably concise volume justifies its title. Sub-themes such as the practice and ethics of biography, and the emotional toll taken by spying, run through it. But its core relates how, when writing his 2015 life of David Cornwell (John le Carré’s real name.) Sisman was prevailed upon to delete details of his subject’s many extramarital affairs.

Bill Stirling – the brains behind the wartime SAS

‘The boy Stirling is quite mad, quite, quite mad. However, in a war there is often a place for mad people.’ Field Marshal Bernard Montgomery was referring to David Stirling, the man largely credited with raising the Special Air Service (SAS) in the summer of 1941. Myth has always surrounded the formation of the SAS and one of the most abiding legends is that it was down to one man alone, David Stirling, whose L Detachment of six officers and 60 men grew into 1SAS. Gavin Mortimer’s vivid and meticulously researched book, 2SAS, does a good deal to redress the balance. It acknowledges the importance – too long overlooked – of David’s eldest brother, Bill Stirling, who was to command 2SAS, and other remarkable men who were among the SAS’s founding fathers.

Unequivocally Japanese: The Premonition, by Banana Yoshimoto, reviewed

Who are you without memory? This is the question that sits at the heart of The Premonition by Banana Yoshimoto, best known for her 1988 novella Kitchen, which was a smash hit in Japan and adapted for film. The Premonition is a similarly slender work and one that casts a delicate spell. Nineteen-year-old Yayoi has the perfect family – doting parents and a brother she adores – but she feels unsettled, as if she’s forgotten something vital in her past: ‘There, in the midst of such a beautiful evening, my heart must have been full of that premonition.’ Looking for answers, she goes to live with her eccentric aunt Yukino, who she feels is a ‘siren to those of us who had lost part of our childhood’, and the answers she discovers change her life forever.

What makes other people’s groceries so engrossing?

When you think of a collector you might imagine, say, Sir John Soane, Henry Wellcome, Charles Saatchi or Peggy Guggenheim, the fabulously wealthy, amassing their statuary, paintings and penis gourds in order to furnish their Xanadu palaces or display their good taste and fortune for the benefit of the nation. But there are other kinds of collectors: normal people. Most of us at some point have had a little collection on the go – stamps, pebbles, gonks, succulents, Pokémon cards. I remember at school there was always great competition for Panini football stickers: everyone seemed forever to be in search of the elusive Kenny Dalglish. Of course there will always be hoarders of knick-knacks, old tools, novelty nut-crackers, Northern Dairies milk bottles and goodness knows what else.

The difficulties faced by identical twins

Despite being a twin myself, I wasn’t necessarily disposed to love William Viney’s Twinkind, a book for which the phrase ‘lavishly illustrated’ might have been invented. Much writing on twins intended for the general reader (including recent fiction such as Brit Bennett’s bestselling The Vanishing Half) has been produced by non-twins, or writers who have twins in their family. The emphasis is often on how twins appear to the singleton majority, lazily depicting them either as freaks of nature or prodigies of psychic connection. Indeed, Twinkind’s visual component seems to be asking the reader to look at twins from the outside, while its title appears to encourage us to see twins as a species apart.

How the Aeneid was nearly destroyed

According to legend, Vergil declared of himself ‘Mantua me genuit, Calabri rapuere, tenet nunc Parthenope: cecini pascua, rura, duces.’ (‘Mantua bore me, Calabria took me; now Naples holds me: I sang of pastures, fields, and leaders.’) In her rigorously researched biography, the American classicist Sarah Ruden shows that this is largely true – even if the author of the Aeneid was in fact born 30 miles from Mantua, in a little village called Andes, in 70 BC.  Ruden must necessarily rely on Vergil’s most influential biography, written by Suetonius more a century after his death.

Sounds and sweet airs that give delight

Caspar Henderson writes beguiling books about the natural world, full of eyecatching detail and plangent commentary. His Book of Barely Imagined Beings: A 21st-century Bestiary came out in 2012. A Book of Noises is a worthy companion – a pursuit of auditory wonders, a paean to the act of listening and a salute to silence. Item: the music of the spheres. (The planets’ orbits, proving unideal and elliptical, suggested to the musically minded astronomer Johannes Kepler an appropriately sad, minor-keyed leitmotif for the Earth, where, he felt, misery and famine held sway’.) Item: the world’s loudest sound.