More from Books

Are we any closer to finding a cure for depression?

Some years ago, the Harvard psychiatrist Leon Eisenberg commented that, in the course of his lifetime, his discipline had swung from the brainless psychiatry propounded by psychoanalysts to the mindless psychiatry of those enamoured of biological reductionism and neuroscience.  Camilla Nord, who runs a neuroscience laboratory at Cambridge, is firmly a member of the latter camp. Though in a few places in The Balanced Brain she is driven to concede that social factors seem to play a role in mental health or mental distress, she immediately insists that ‘the process by which social factors are able to cause mental illness is entirely biological’.

Travels in Italy with the teenage Mozart

Between the ages of 13 and 17, Mozart made three trips to Italy, spending some two-and- a-half years in ‘the country at the heart of the opera world’. He would never return as an adult. His mature Italian operas – The Marriage of Figaro, Don Giovanni, Così fan tutte, La Clemenza di Tito – can be traced directly back to these formative teenage encounters and experiences in Bologna, Venice, Rome, Florence and Naples. So argues Jane Glover in Mozart in Italy. A follow-up to 2005’s Mozart’s Women, the book is a lively account of journeys which the composer shared (mostly) with his father Leopold.

How do authors’ gardens inspire them?

When Henry James moved to Lamb House in the Sussex coastal town of Rye, he admitted that he could hardly tell a dahlia from a mignonette: ‘I am hopeless about the garden, which I don’t know what to do with and shall never, never know – I am densely ignorant.’ He sought advice from the artist and designer Alfred Parsons and fortunately Lamb House already had a gardener, George Gammon, to do all the work. When Gammon won prizes at local horticultural shows, James was delighted: he was a vicarious gardener, more comfortable at his desk in the Garden Room than with his hands in the soil. Thomas Hardy was at the other end of the gardening spectrum.

A 50-year obsession with the white stuff: Milk, by Peter Blegvad, reviewed

It’s been a while since I read a good cento, from the Latin and derived from the Greek, I need not remind Spectator readers, meaning ‘patchwork’, and thus a literary work composed of quotations from other writers, the earliest known example being Hosidius Geta’s Medea, consisting entirely of lines from Virgil and which is almost as good as it sounds. Contemporary literary centos, or cento-like creations, include a lot of very bad found poems but also Graham Rawle’s simply incredible Woman’s World (2005), a novel collaged from cut-up lines from women’s magazines, and David Shields’s profoundly plagiaristic work of literary criticism, Reality Hunger: A Manifesto (2010).

Vivid, gripping and surreal: a new slice of Ellroy madness

Los Angeles, August 1962. PI and extortionist Freddie Otash is snooping on Marilyn Monroe for labour leader and racketeer Jimmy Hoffa, who’s paying good money for dirt on Jack and Bobby Kennedy. Is Jack really schtupping Miss Monroe? Who cares? Make it so. But the operation is rumbled and then Monroe dies of an overdose (or does she?) and Otash finds himself pushed from pillar to post by greasepole Pete (Pitchess, 28th Sheriff of LA County) and ratfink Bobby (US attorney general Robert Kennedy), for they too have a stake in filthing-up the film star’s name.

The chase looms large in the best new thrillers

The ‘chase’ thriller is the fallback choice of writers looking for an easy way to make the pages turn. The Continental Affair (Bedford Square, £16.99) shows a gifted writer embracing the more obvious traits of these novels, while adding some innovative twists of her own. The story is set during the Algerian war that led to independence; its co-protagonist Henri is a former Algerian gendarme, of French and Spanish descent, who deserts when he is made to interrogate a childhood friend. Henri takes refuge in Grenada among his late mother’s family – countless cousins, and all of them crooks. As they get to know Henri, the cousins decide to give him a task which is also a test: he’s sent to collect a package left by a woman in a courtyard.

The big picture: two books on artists and their lives

Michael Peppiatt (born 1941) explains in the introduction to his new book of essays that he has from the start of his career been attracted to the lives of artists, as much as, if not more than, their work. Accordingly, he should find a ready audience with the British, who much prefer the written word to the visual image, and who always seem to spend more time on information panels than exhibits in museums, when not in a side gallery watching documentaries about the artists’ lives. In this book Peppiatt assembles a selection of biographical studies of some of the artists whose work quickens his heart. None of it is new material, but it is usefully gathered in one volume, with a very readable introduction and notes to each section.

Joan Didion deserves better 

This book is an example of a regrettable new trend – the solipsistic biography. I mean lives of famous people written by unfamous people (usually women) who want to tell you a LOT about themselves. This one is about the writer Joan Didion by an academic called Evelyn McDonnell who never met Didion but believes that they had much in common. Here is her evidence. ‘She was born within one year of my mother; I was born within two years of her daughter. We are both native daughters of California. We lived in New York at the same time, though she was an Upper East Side celebrity and I was a Lower East Side punkette. We both wrote in order to live. We both thought about the sea whenever we felt troubled.’ Soul sisters, right?

Brutality rules in paradise – a memoir of Jamaican childhood

The blue-skied, hibiscus-clad ‘postcard’ beauty of Montego Bay, where the seasons shift with the rhythm of the sea breeze, veils the terrifying reality of Safiya Sinclair’s life at home. Until the age of five, Safiya lived in a small Jamaican hamlet on the white sand close to the endless beaches that attract the tourists, many of whose ancestors, ‘the white enslavers’, stole Jamaicans’ freedom and left behind their unforgettable, unforgiveable legacy. But for a while, as music and the sweet scent of ganja fill the salt air, Safiya, born in 1984, remains convinced that her country has given her all the blessings she could ask for.

Whole world in his hands: a fascinating story of globes and globemaking

Despite the subtitle of this fascinating book, it soon turns into an account of how Peter Bellerby’s obsession eventually led to a considerable personal triumph. Unable to find a worthy 80th birthday present for his father, he set out to create a globe himself, which led him to found Bellerby & Co, ‘the only fully bespoke globemakers in the world’. His chatty style sometimes seems at odds with the meticulous professionalism of his work, which in due course led to him selling his car and his share in a house in north London. There was nothing easy about the process of establishing the company. Requirements included ‘knowledge and skill in engineering, geographical knowledge, and artistic ability in painting’, not to mention financial acumen.

Jonathan Raban’s last hurrah

Jonathan Raban, who died earlier this year, left this memoir almost complete. It tells two stories, artfully braided. One concerns the first three years of the author’s parents’ marriage, when Peter Raban was abroad serving in the second world war. He rose to become a major in the Royal Artillery, fighting in France and Belgium, evacuated from Dunkirk and proceeding to North Africa, Italy and Palestine. The second is about the author’s stroke in 2011, aged 69, his rehabilitation in a neurological ward where, on his first morning, a nurse asked ‘Do you want to go potty now?’, and the start of a new life as a hemiplegic.

A treatise on greed: The Vaster Wilds by Lauren Groff reviewed

Lauren Groff writes to alleviate her angst about aspects of life she finds hard to confront. Climatic disaster, misogyny, spousal death, flawed utopias and pandemics have all fuelled the plots of books as disparate as Fates and Furies, her 2015 contemporary two-hander about marital verisimilitude, and Matrix, which features a 12th-century feminist abbess based on the little-known poet Marie de France. Yet neither is a bleak read; indeed, Barack Obama selected Fates and Furies as his 2015 pick.

The schoolgirl crush that never went away: Absolutely and Forever by Rose Tremain reviewed

When 15-year-old Marianne Clifford tells her parents that she is in love with 18-year-old Simon Hurst, her mother dismisses it as a schoolgirl crush and her father tells her that she is far too young for a boyfriend and should concentrate on her own life ‘as befits a girl of your age and upbringing’. It is precisely because of her age and upbringing that Marianne meets Simon at one of the Home Counties ‘hops’ that her parents’ circle organises for their adolescent offspring. Ignoring the boys who ‘stood awkwardly in a line sipping cider cup’ and ‘jigged around in an embarrassing way’, she drives off in Simon’s new Morris Minor and loses her virginity on the back seat.

So which Naomi do you think I am? The saga of Klein vs Wolf

Maureen O’Hara, the flame-haired ‘Queen of Technicolor’ celebrated for her on-screen chemistry with John Wayne, hated to be confused with Maureen O’Sullivan, who was Jane to Johnny Weissmuller’s Tarzan. But they were both Irish-born Hollywood actresses called Maureen, so it kept happening. I once heard John Sessions describe the time he met the octogenarian O’Hara. He prepared for the encounter by repeating to himself: ‘Don’t call her Maureen O’Sullivan.’ They got on famously until, inevitably, the wrong name slipped out. She took it ‘as badly as you can possibly imagine’.

Spelling it out: the volunteers who made the dictionary

‘Everything obscene comes from France,’ wrote James Dixon, an eye surgeon retired to Dorking, in 1888. He was provoked by learning of an item called a condom, and explained to his correspondent, James Murray, that this was ‘a contrivance used by fornicators, to save themselves from a well-deserved clap’. Surely the word had no place in the Oxford English Dictionary, of which Murray had for the previous nine years been editor? Murray was persuaded and left it out. Dixon was a useful source of information about words relating to medicine, and Oxford’s team of under-resourced lexicographers relied on the goodwill of such volunteers.

An obituarist’s search for the soul

‘“Deep breath”, says the doctor. I take one and hold it.’ Thus begins the fourth chapter of Ann Wroe’s Lifescapes. It is apt because, although the book is part memoir, part essay on the art of biography, it is really about the breath of life itself. Wroe’s writing is intense and visionary, at times almost ecstatic. Reader, dive in. Wroe has written weekly obituaries for the Economist for 20 years, seeking out seemingly ephemeral moments that unlock people’s lives. ‘Time and again,’ she says, ‘some incident in childhood is the key to a career.’ The composer Karlheinz Stockhausen was delighted by the sound his toy hammer made on pipes and buckets at his family’s farm.

How the Scottish care system failed me in every conceivable way

This is one of those books that may change you when you read it, so be warned –although Jenni Fagan herself warns you in the first lines: ‘Twenty years ago I began writing this memoir as a suicide note.’ Ootlin is about how the care system in Scotland failed the author in every conceivable way. Fagan is only in her forties, so this is not terribly long ago. She has dug up every file, every archive on herself as a baby in care – there are thousands of pages, ‘most redacted in black lest they validate something that would allow me to sue to the social work department’. ‘I’ve never met an abuser who owned what they did, or a system that wanted to be accountable,’ she says, and then asks us to bear witness, which we must.

The extraordinary – and haunting – life of Lafcadio Hearn

It’s a convoluted title for a book, but then Lafcadio Hearn – a widely travelled author and journalist who earned his greatest fame as an interpreter of Japanese horror stories – led a convoluted life. Born in 1850 from a difficult marriage between an Irish officer-surgeon and a wildly unpredictable noble-blooded Greek woman (his middle name, Lafcadio, was adopted from Lefkada, the name of the island where he was born), he was quickly abandoned by both. His mother ended her life in an asylum; his father remarried and died young of malaria. Hearn went on to be yet again abandoned by the great-aunt who raised him, and spurned by the impatient Catholic priests to whom he was entrusted for an education.