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Imperfect working order

The publication of Pakistan: A Hard Country could not be more timely. International attention has been focused on Pakistan since the Americans killed Osama bin Laden in Abbottabad. Being in the spotlight generally means trouble for this country that has been bedevilled by war and political drama for over three decades. Foreigners announce goodwill and arrive with generous aid, but Pakistanis are frequently left feeling bruised, as the outsiders become ever more bewildered by the workings of this beguiling and maddening place. Anatol Lieven originally planned to call his book ‘How Pakistan Works’. It would have been a good title, since this is exactly what he tries to explain.

Bookends: To a tee

Sporting literature is a strange old business, often underrated by those who don’t like sport and overrated by those who do. In particular, a warm glow hovers over the reputation of golf writing, which has attained an eminence the unsung litterateurs of snooker and darts can only envy. Golf Stories (Everyman’s Library, £10.99), edited by the American journalist Charles McGrath, arrives as a small and beautifully appointed hardback, as certain of itself as any book can be. Primarily aimed at a US readership, it includes many of the usual suspects: Stephen Leacock, with a slightly weary piece of New Yorkerish whimsy; John Updike’s frequently anthologised ‘Farrell’s Caddie’; the famed golfing scene from Goldfinger; and only one P. G.

Setting the world to rights

Wicked Company is the collective biography of a group of men with little in common, apart from a generalised dissatisfaction with the state of the world around them. Perhaps that is true of most intellectual coteries. The kings of the Parisian Enlightenment of the 18th century were the mathematician Jean d’Alembert and the playwright and journalist Denis Diderot, joint editors of the great Encyclopédie.

The choppy sea of family life

This is a lovely book. Judy Golding writes of her father —indeed of both her parents — with candour, humour and great insight and perception This is a lovely book. Judy Golding writes of her father —indeed of both her parents — with candour, humour and great insight and perception. More than that, here is an exemplary memoir of childhood, not remorselessly chronological, but drawing on the jumbled past to give an account of what it was like to be a child in an unusual family. She describes an intense marriage, which was devoted and intermittently stormy. She sees herself and her brother David as always taking second place, especially as far as their mother was concerned.

Doomed to disillusion

The Forgotten Waltz is one of those densely recapitulative novels that seek to interpret emotional crack-up from the angle of its ground-down aftermath. At the same time, it is not really a book about hindsight. Sometimes extending information to the reader and sometimes deliberately covering its tracks, sometimes inviting sympathy for its characters and sometimes implying that sympathy only gets in the way of knowledge, it offers the enticing spectacle of a heroine determined to decode the human acrostics that strew her path while darkly conscious that most of her judgments are either horribly provisional or downright inchoate.

The Russian connection

It’s impossible not to warm to the author of this book, a perky Turkish-American woman with a fascination with Russian literature and an irresistible comic touch. It’s impossible not to warm to the author of this book, a perky Turkish-American woman with a fascination with Russian literature and an irresistible comic touch. I began it on the train; barely had I started before my involuntary yelps of hilarity were causing alarm amongst my fellow passengers. An elderly man moved to another seat after I came upon Batuman’s description of the time she found herself judging an adolescent boys’ leg contest in Hungary. Fortunately, perhaps, I arrived at my station before Batuman embarked on an account of an excruciatingly funny literary seminar to rival Lucky Jim.

When wailing is appropriate

This is a strange exercise. It is a commonplace book of quotations from great authors, assembled by the philosopher A. C. Grayling. The extracts from the great books, how- ever, are provided without attribution. Furthermore, they are arranged in numbered ‘verses’, like the divisions of the ‘texts’ in the Bible. The Bible was thus divided for ease of reference when the Rabbis and the Christian Church — in separate exercises, obviously — decided which books should appear in the canon of Scripture. Why Grayling has numbered his collection of quotations is anyone’s guess. The title is slightly cringeworthy.

Captain courageous

The sum of hard biographical facts about Captain Cook never increases, nor is it expected to. It is the same with Shakespeare. J. C. Beaglehole’s Life of Captain James Cook (1974), which Frank McLynn quotes often, contains most of what is known about Cook’s family life and origins. As the son of a Yorkshire farm labourer, he belonged to a class that was unlikely to leave any record of his childhood. He was clever, and went to live with a Quaker family in Whitby where he worked in the shop. He went to sea in the collier trade at the advanced age of 17, and transferred to the Royal Navy when he was 30. He married seven years later, in 1762, after the Admiralty’s attention was drawn by his successful charting of the Newfoundland coast.

Religious doubt

No description of Eric Gill is ever without the words ‘devout Catholic’, and Eric Gill: Lust for Letter & Line (British Museum Press, £9.99), while short, provides evidence to both confirm and confound that assessment. One can follow the three-year journey of Gill’s celebrated Stations of the Cross for Westminster Cathedral from preparatory drawing to finished sculpture. Or one can study ‘Girl in bath’, a wood engraving of the artist’s daughter Petra, impossible to contemplate without bearing in mind his sexual abuse of his children.

The man mountain of Fleet Street

A. N. Wilson has a queasy feeling that he won’t be re-reading the works of G. K. Chesterton for a while Yet another book on Chesterton! William Oddie is only half way through his immensely detailed two-volume biographical-cum-theological study of the man mountain of Fleet Street. Last year we had Aidan Nichols on Chesterton’s theology. And now Ian Ker comes with the familiar account of how the son of a Kensington estate agent, educated at St Paul’s and infected with the spirit of the Nineties, moved from being a Bedford Park aesthete-agnostic, through socialism and liberalism to distributism, and from unbelief to a broad, generous sympathy with the Anglo-Catholicism of his wife, Frances Blogg.

One hap after another

Nicola Shulman begins her rehabilitation of Thomas Wyatt by remarking that there is ‘an almost universal consensus that he can’t write’ — a consensus established within a generation of his death in 1542. Nicola Shulman begins her rehabilitation of Thomas Wyatt by remarking that there is ‘an almost universal consensus that he can’t write’ — a consensus established within a generation of his death in 1542. Even the Earl of Surrey, his friend and eulogist, acknowledged his verse to be ‘unparfited’, and by Shakespeare’s day he was a joke: Malvolio keeps a poem of Wyatt’s about him, proclaiming himself a nincompoop.

In search of a character

A chronicle of three young actors desperate to forge careers in the acting profession sounds like a dangerously familiar proposition. We are all now habituated to the weekly Saturday evening drama of wide- eyed dreamers drilled, mauled, culled and reculled in search of a Nancy, Dorothy or Maria. In Lucky Break, however, Esther Freud redraws the path that leads from Television Centre direct to London’s glittering West End. These young hopefuls are plunged into the maelstrom of a three-year drama school programme that stretches and befuddles them in equal measure. There is a squirm- inducing accuracy to the students’ earnest endorsement of their training, hilariously realised in the principal and the quasi-mystical movement teacher.

A certain tragic allure

Towards Mohammed Reza Pahlavi (1919–1980), the last or most recent Shah of Iran, there are two principal attitudes. Towards Mohammed Reza Pahlavi (1919–1980), the last or most recent Shah of Iran, there are two principal attitudes. To the Islamic Republic and many in Europe and the US, Mohammed Reza was a tyrant, womaniser and poltroon, who was put on the throne by Britain and Russia in 1941 and maintained there by the US, till a popular uprising sent him scurrying abroad in 1979 where he died, unlamented, in Egypt 18 months later. The second attitude, which is gaining ground even in Iran, is that Mohammed Reza was a man of intelligence and industry.

Lancelot of the lake

Tom Stoppard’s Arcadia offers two contrasting views on a ‘Capability’ Brown landscape at the imagined Sidley Park. Tom Stoppard’s Arcadia offers two contrasting views on a ‘Capability’ Brown landscape at the imagined Sidley Park. Lady Croom, the 19th-century owner, praises its harmonious natural style, even down to ‘the right amount of sheep tastefully arranged’. Two hundred years later, a garden historian laments the destruction of the ‘sublime geometry’ of 17th-century formal gardens: ‘paradise in the age of reason’, before being ‘ploughed under by Capability Brown’.

Looking on the bright side . . .

Anyone who thinks that a stable and loving family background is the key to a happy life had better read this book; for its protagonist, now 80 years old, was rejected as a baby by his unmarried mother, looked after by a doting and doted-on grandmother until he was four, and then, inexplicably (given that he had various relations who could have cared for him), consigned to an orphanage of Dickensian grimness from which he was finally discharged at the age of 14 with nothing but a Bible, a new suit, and a ten-shilling note. Yet Peter Paterson’s fascinating memoir shows him to have led a life of almost unnatural contentment. He has spent nearly 60 years of it in journalism, having drifted into it by accident and considered himself ever since the luckiest man alive.

. . . or sensing impending doom

‘What am I? A completely ordinary person from the so-called higher reaches of society. ‘What am I? A completely ordinary person from the so-called higher reaches of society. And what can I do? I can train a horse, carve a capon, and play games of chance.’ So reflects Botho von Rienäcke, the central character of Theodor Fontane’s novel of 1888, Irrungen, Wirrungen (newly translated as On Tangled Paths). His bitter self-examination is a consequence of his predicament. Like many a fellow officer, he has taken up with a working-class girl. He met her on a boating trip when he came to her rescue from an accident in the water.

Jennie, Clemmie and Goosie too

‘There never was a Churchill, from John of Marlborough down,’ wrote Gladstone, ‘that had either principles or morals.’ With the shining exception of Winston and his brother Jack, Churchill men have tended to be bad hats, but this makes them all the more interesting to read about. ‘There never was a Churchill, from John of Marlborough down,’ wrote Gladstone, ‘that had either principles or morals.’ With the shining exception of Winston and his brother Jack, Churchill men have tended to be bad hats, but this makes them all the more interesting to read about. Mary Lovell’s new book tells the story of the Churchills as a family over four generations, and it never ceases to amaze and entertain.

Beastly behaviour

If the production team of The Archers ever needs a scriptwriter at short notice, they need look no further than Miranda France. For her latest book, she’s gone back to her roots as the daughter of a farming family and created a novel that’s a cross between an omnibus edition of the radio soap and the gimlet-eyed prose of Stella Gibbons. Hill Farm is set in a nameless village somewhere on the borders of Sussex and Kent. Hayes loves the land, but not farming. His wife Isabel loves the idea of the country but not the reality of the falling-down farm to which she is shackled by duty rather than affection.