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Victorian rough and tumble

Derby Day is meticulously plotted and written with bouncy confidence. It tells the story of a sordid, conniving rascal called Happerton who plots a betting swindle for a Derby of the 1860s. He marries the colourless but near-sociopathic daughter of a rich attorney, and cheats on her without noticing the intensity of her passion for him. The couple sedate the old man, reduce him to his dotage and raid his savings. Happerton also masterminds a raid on the strong-room of a City jewellers — echoes here of the jewellery raid in Taylor’s previous novel, At the Chime of a City Clock.

Backs to the wall

Susan Gibbs begins her book by describing the death from cancer of her first husband after 13 years of happy marriage. She ends with her farewell to Africa and her journey to Britain in 1983 with her second husband, Tim, and four children. Between these events she led a tense life farming in Zimbabwe, watching her children grow up, relishing the beauty of her surroundings and the company of friends, but always conscious that time was closing in and that one day they would be forced to leave the country they loved.

Very drôle

It’s nice to know that the trees lining the roads in Paris have microchips embedded in their trunks, that the city council is controlling the pigeon population by shaking the eggs to make them infertile and that the Café Voisin served elephant consommé during the 1870 siege. It’s nice to know that the trees lining the roads in Paris have microchips embedded in their trunks, that the city council is controlling the pigeon population by shaking the eggs to make them infertile and that the Café Voisin served elephant consommé during the 1870 siege. But the pleasure of this learning comes at great personal cost. Where an innuendo can be inserted, Stephen Clarke will insert it.

Vastly entertaining

It may not be quite true that the next best thing to eating good food is reading about it, but undeniably food writing has its considerable pleasures. You’ve got it all there: sex and sensuality (the link between the appetites hardly needs spelling out), social history, the loving acquaintance with ingredients . . . and recipes. The Penguin Great Food series — a selection of 20 delightful, lightweight (we’re talking wrist-strain, not subject), prettily jacketed works by the finest food writers — is a feat. Just selecting 20 authors from the 17th century to now is difficult in itself. Do you go for good prose (Alice B.

Bookends: The voice of the lobster

In existence for over 250 millions years, lobsters come in two distinct varieties, ‘clawed and clawless’. Human predators tend to the flawed and clueless as they overfish and — since lobsters must be cooked live — kill them heartlessly. In existence for over 250 millions years, lobsters come in two distinct varieties, ‘clawed and clawless’. Human predators tend to the flawed and clueless as they overfish and — since lobsters must be cooked live — kill them heartlessly. Part of ‘the Edible Series’, dedicated to the global history of one type of ingredient, Lobster by Elisabeth Townsend (Reaktion Books, £9.

The way to dusty death

Beryl Bainbridge’s last novel is a haunting echo of her own final years, according to A. N. Wilson Some writers die years before bodily demise. They lose their grip. In the last five or six years of life, Beryl Bainbridge feared that this was happening, or had happened, to her. The books which had come in a steady flow from middle age onwards slowed to a trickle, and she was seized, not merely by illness, but by a black sense that the ‘bloody book’ on which she was engaged would not come. Yet her last book, all but completed, suggests something odder was happening in her case. A prescient friend had a theory, during those years in which Bainbridge struggled to write The Girl in the Polka Dot Dress.

A conflict of loyalty

What was life like in Hitler’s Germany? This question has long fascinated authors and readers alike, as books like Alone in Berlin, The Boy with the Striped Pyjamas and The Book Thief bear witness. What was life like in Hitler’s Germany? This question has long fascinated authors and readers alike, as books like Alone in Berlin, The Boy with the Striped Pyjamas and The Book Thief bear witness. Nazi Germany, it has often been argued, was a totalitarian dictatorship. Through force, indoctrination and even common consent, such an interpretation contends, Hitler wielded total power and had complete control of the German population. But were the tentacles of the Nazi state as strong as this understanding suggests?

Dreaming of cowsheds

In 1999, Adam Nicolson published a very good book called Perch Hill: A New Life, about his escape from London and a break-down, after his divorce and a nasty mugging, to a farm in the Sussex Weald, close to Kipling’s house, Batemans. In 1999, Adam Nicolson published a very good book called Perch Hill: A New Life, about his escape from London and a break-down, after his divorce and a nasty mugging, to a farm in the Sussex Weald, close to Kipling’s house, Batemans. It’s one of the great descriptions of what embedding yourself deep in a patch of the countryside is like, truthful about both its solaces and its frustrations. ‘The Weald has found its Thoreau,’ said Richard Mabey.

Ransacking the world

Something in the air is arousing an interest in collectors and collections — both private and public — of which the success of The Hare with Amber Eyes and The Children’s Book are perhaps the most visible recent examples. Something in the air is arousing an interest in collectors and collections — both private and public — of which the success of The Hare with Amber Eyes and The Children’s Book are perhaps the most visible recent examples. Jacqueline Yallop’s book is firmly in this vein, deploying an astonishing breadth of research to reveal, in a blend of narrative, contextual history, museology and biography, some of the forgotten stories that lie behind the scenes (literally as well as metaphorically) of many of our greatest museum collections.

The nature of evil

Simon Baron-Cohen has spent 30 years researching the way our brains work. His study of autism led to The Essential Difference, which asked, ‘Are you an empathiser or a systemiser?’ The book was highly influential; its ‘male-brain’ and ‘female-brain’ definitions have entered common parlance. In Zero Degrees of Empathy he aims to move examination of the nature of evil ‘out of the realm of religion and into the realm of science.’ Will this project also prove persuasive? ‘Extremes of evil are typically relegated to the unanalysable,’ he says, but they shouldn’t be. Evil, he believes, is best understood as absence of empathy. We are all situated at some point on a bell-curve of empathy.

Bookends: Unbalanced chorus

Imagine a 77-year-old woman hanging around, say, Leicester bus station, telling people about her life. She confides her belief that she is under surveillance by the military. She maintains that she can ‘see the reality of the web of synchronicity in my life’. Showing off her special jewellery that ‘helps balance the chakras’, she reveals that ‘because I had a high metabolism and moved around a lot, I had no real [weight] problem until I was about 50’. Imagine a 77-year-old woman hanging around, say, Leicester bus station, telling people about her life. She confides her belief that she is under surveillance by the military. She maintains that she can ‘see the reality of the web of synchronicity in my life’.

Wheels of fortune

There are among us a churlish few who consider the term ‘sports personality’ to be an oxymoron. There are among us a churlish few who consider the term ‘sports personality’ to be an oxymoron. John Foot’s sparkling study of Italian cycling is a welcome corrective, alive with terrific characters: Toti, a heroic one-legged cyclist who was killed in the trenches; Coppi, a barrel-chested adulterer who became the nation’s darling; a blind coach who could divine victory or defeat in the feel of a cyclist’s muscles; and, more recently, a champion who died of a cocaine overdose in a seaside hotel. Many of the greats follow a satisfying rags-to-riches trajectory, starting off as impoverished delivery boys from peasant families.

The villain as hero

Juvenilia is an unfortunate word, with its connotations of the derogatory ‘juvenile’. Juvenilia is an unfortunate word, with its connotations of the derogatory ‘juvenile’. When they reach adult estate, most writers prefer their early work to be forgotten. But publishers have long ferreted about to unearth the juvenilia of anyone with half a name.Though the reading public has never been so easily conned, such works are appreciated mainly by scholars of an author’s entire ouevre, wanting to trace early influences. So, if you could buy only one book this week, would it be The Doll, which contains a dozen very early short stories by Daphne du Maurier, and one rather later one (published in 1959)?

Enchanting waters

This is a book which is sometimes so private that reading it seems very nearly like an act of invasiveness. There is nothing salacious or rude in it, but its tone of voice is whispered, intimate, as though the reader were an interloper, a clumsy stumbler into the most secret thoughts of the author. Its occasion is a walk down the River Ouse in Sussex, from its source in the High Weald to the sea at Newhaven, but its substance is only marginally to do with that simple and very ordinary bit of geography. The river becomes the thinnest of wire coat-hangers on which almost anything can be hung. The result is a meditation, a drifting sequence of thoughts on time and change, on loss, love and meaning, on hell and happiness, geology and evolution, science and poetry.

Freudian slip

At Last is the fifth — and, it’s pretty safe to say, most eagerly awaited — of Edward St Aubyn’s Patrick Melrose novels. At Last is the fifth — and, it’s pretty safe to say, most eagerly awaited — of Edward St Aubyn’s Patrick Melrose novels. The first three, now called the Some Hope trilogy, took Patrick from an upper-class childhood where he was raped by his father from the age of five, through his understandably drug-addicted youth and on to the nervous beginnings of recovery at 30. Somehow, though, the result was a joy to read: full of dazzling phrase-making, terrific black comedy and stirringly vicious satire on the ghastly inhabitants of Patrick’s privileged world.

Precious little warmth

There’s something wrong with these diaries. There’s something wrong with these diaries. This is not to disparage the scholarly efforts of their editor, Dr Catterall, nor the skill with which he seems to have pruned the original papers (twice the length) into the greatest coherence achievable, nor his helpful contextualisation and calmly rational explanatory notes. Nor is it to question the importance for modern historians of the whole painstaking enterprise, to observe that the general reader will plough onward from summit, to cabinet, to dinner party, to pheasant shoot, to bilateral meeting, with a half-formed question growing in his mind. Who was Harold Macmillan writing all this for? For himself? For friends and family? For history? To answer questions? To settle scores?