More from Books

Saturday

Patrick Skene-Catling

A serenely contented writer

Beaming Sir Pelham Grenville Wodehouse, KBE, D.Litt. (Oxon), Mark Twain medallist and co-founder of the Hollywood Cricket Club (1881-1975), personified a rare oxymoron: he was a serenely contented writer. Shortly before the Queen awarded him a knighthood and the Queen Mother, a devoted fan, wrote a letter congratulating him, Madame Tussaud’s sent an artist from London to the final Wodehouse home, in Remsenburg, Long Island, to measure him for waxwork portrayal, which, up to that time, he said, was ‘the supreme honour’. He wrote his first short story at the age of five (the first of more than 300) and at 93 took the half-completed manuscript of his 97th book, a Blandings Castle novel, to his hospital deathbed.

Charles Glass

The original special relationship

Of all the cities in all the world, Paris dominates the American imagination more than any other. Although Americans may admire Rome or London, more have enjoyed a love affair with the French capital since Benjamin Franklin represented the 13 rebellious colonies at the court of Louis XVI. Josephine Baker captured that sentiment with her theme song, ‘J’ai deux amours/Mon pays et Paris.’ And more Americans than Rick Blaine in Casablanca have mused from afar, ‘We’ll always have Paris.’ Just how many Americans had Paris before Woody Allen’s Midnight in Paris crowd becomes clear in David McCullough’s delightful panorama of American life in Paris during the 19th century.

Anthony Daniels

Government health warning

Few men are prepared to die for the right of others to say what they strongly disagree with; and most people’s faith in multiparty democracy is at best a lukewarm recognition that the alternative is much worse. Secretly most men would like their ideas (which they naturally believe to be correct) to rule absolutely and forever. Of this company is James Gilligan. He is a professor of psychiatry at New York University and would like to see the Republican Party in the United States disappear from the face of the earth. His argument for this consummation so devoutly to be wished is as follows: the death rate from homicide and suicide in the United States goes up when there is a Republican president and down when there is a Democratic president.

Michela Wrong

Not for sissies

Nigeria is not exactly a tourist destination. A colleague chortles over the memory of trying to wangle his way in — without a journalist’s visa — during Sani Abacha’s military regime. ‘Purpose of visit?’ barked the immigration man. ‘Tourism,’ he lied. ‘No one comes to Nigeria for tourism,’ said the official. He was promptly expelled. The official was voicing a truism. Even seasoned Western adventurers avoid Nigeria — ‘is Lagos airport as terrifying as they say?’ you are often asked — while the country’s oil-fattened elite, oscillating between the national superiority complex and hardened self-loathing, regard an international flight as the obligatory start to any holiday.

Caroline Moore

Entry to the sacred grove

Some readers may wonder if we need this book. Surely, the argument might go, one can summon up potted ‘lives’ on the internet, while serious biographies take book form. And how can even 294 lives of novelists offer, as the cover to this book claims, ‘a comprehensive history of the English novel’? Reason not the need: this book celebrates enjoyment. And it is itself hugely enjoyable. Few, if any, of those Wikipedia entries are well written, let alone witty; most current literary biographies weigh in at around 800 pages: Sutherland’s brief lives display the soul of wit — whose essence is to encompass the unexpected. There is a difficult balancing act, here. Sutherland’s potentially fatal Cleopatra is the donnish joke.

Mark Mason

The Ritz in the Blitz

‘It was like a drug, a disease,’ said the legendary Ritz employee Victor Legg of the institution he served for half a century. There’s something magical about London’s grand hotels. Even those of us who usually experience them only when we nip in for a five-star pee know that. Matthew Sweet has tapped this glamour to tell tales of the human dramas the hotels hosted during the second world war. It’s surely the variety of people gathered together in one place that explains the fascination held by the Ritz, the Savoy, Claridge’s et al. The good, the bad and the clinically barking all share the same address for a night, then tomorrow the cast-list changes.

Colin Amery

Amazing grace

It was in 1814 that the Benedictine monks arrived in Stratton-on-the-Fosse in Somerset from Douai in Flanders where, in 1606, they had established an exiled, but English, monastic house. They were forced to leave the Continent in 1795 after revolutionary France had declared war on England. They wandered a bit until they finally bought a decent house built in 1700 and a farmhouse with 21 acres at Downside. This book tells a complicated saga of the building of the present abbey and school that will enthral those readers fascinated by the morphology of the Gothic Revival. But it could appeal equally to those gripped by the ultra-montane tendencies in the history of English Catholic life. Downside Abbey’s church tower is what first strikes any visitor.

Allan Massie

Life & Letters: Shakespeare’s women

Gordon Bottomley, Georgian poet with an unpoetic name, wrote a play called King Lear’s Wife with which he hoped to inspire a poetic revival in the theatre. It might be interesting to see it revived — though most 19th- and 20th-century verse-dramas proved forgettable. Nevertheless, he surely happened on an interesting subject, though one which L. C. Knights, among others, would have deplored.  In a famous essay, ‘How Many Children Had Lady Macbeth?’, he poured scorn on the practice of treating Shakespearean characters as if they were real people with an anterior life beyond the play. Yet surely it is tempting to do so.

Fiona Maddocks

At opposite ends of the scale

A book which opens in the bushes of a Venetian garden and ends, more or less, in the cafés of Parma with chocolate panettone and biscotti dipped in coffee knows how to command attention. Given that what unfolds between these sensory episodes is densely constructed and formidable in scope, this is just as well: Peter Conrad writes engagingly and lures his reader into a grand game of cultural chess. There is no winner or loser, but we need to be alert for fear of missing a wry connection or a devilishly clever move. The oddity of the title hints at the awkwardness of the subject matter.

Andrew McKie

S is for Speculative

Margaret Atwood has written 20 novels, of which three (The Handmaid’s Tale, Oryx and Crake and The Year of the Flood) are science fiction. Indeed, the first— and far the best of them — won the inaugural Arthur C. Clarke award, Britain’s chief prize for books in the genre. She has, however, long resisted any description of her work as science fiction, for which she was mildly upbraided by Ursula K. Le Guin a couple of years ago. Le Guin wrote that Atwood’s distinction between her own novels, which she maintains feature things which are possible, and may even have happened already, and SF, in which things happen that aren’t possible today, was pointless.

Jane Rye

Lust for life | 3 December 2011

Seduced by the hayseed hair and the Yorkshire accent it’s tempting to see the young David Hockney as the Freddie Flintoff of the painting world: lovable, simple, brilliant, undoubtedly a hero, and delightfully free of angst. In this enjoyable book, which sets out to to ‘conjure up the man he is and in doing so to put his paintings and drawings in the context of his extraordinary life’, Christopher Simon Sykes provides us, naturally, with a more complex story. Hockney is a hero if course — not least to homosexuals, for blazing a stylish and courageous trail to emancipation in the 1960s, and more recently to beleaguered smokers in his stand against politically correct bullying.

Marcus Berkmann

Quirky Books: Treasure-troves of trivia

Connoisseurs of the Christmas gift book market — we are a select group, with little otherwise to occupy our time — will have noticed a couple of significant absences from this year’s line-up. There is no Blue Peter Annual, for the first time since 1964, when even Christopher Trace was still a young man. More tellingly, Schott’s Almanac appears to have ceased publication after six years of, one assumes, gradually declining sales. It was beautifully designed, lovingly compiled, funny and unpredictable, and I shall miss it. No doubt Ben Schott is now holed up in his gothic tower, surrounded by pieces of paper with bizarre facts written on them, wondering what on earth he should do next.

Jane Ridley

The woman in black | 3 December 2011

The history of the royal family is punctuated by dramatic, premature deaths which plunge the monarchy into crisis. The most disastrous of these — historically more significant by far than the death of Princess Diana — was the death of Prince Albert in 1861. By the time he died, aged 42, this minor German prince, the second son of the obscure and dissipated Duke of Coburg, had taken over the entire public work of the monarchy. After 21 years of marriage, his wife Victoria had become deskilled and emotionally dependent upon him. His death left the monarchy in tatters and condemned Queen Victoria to a lifetime of black dresses. Helen Rappaport, who is best known as a writer about the Romanovs, has chosen an excellent subject.

Richard Ryder

Trading places | 3 December 2011

Thirty years ago Sir Keith Joseph, portrayed by Sir Ian Gilmour, a fellow minister, as owning ‘a Rolls-Royce mind without a chauffeur’, sent a newly published book to every Cabinet colleague. Most groaned, some murmured oaths, and a lucky few skimmed it. The book was English Culture and the Decline of the Industrial Spirit (1850-1980) by Martin Weiner. The author, like Correlli Barnett before him, assailed Victorian and Edwardian entrepeneurs and inventors for ignoring family business. Scores and scores of tycoons yearned to be assimilated into the landed establishment by spurning their own mills and factories. They denied the infernos of noise and squalor the capital investment required for new technology.

Sam Leith

Saladin: hero or infidel?

In Baghdad in the 1980s there was a children’s book published called The Hero Saladin. The cover bore an image of Saddam Hussein, identified, in what his biographer drily describes as ‘the second and longer part’ of the book, as ‘Saladin II Saddam Hussein’. Given that Saladin was actually Kurdish — and knowing what we do about Saddam’s respect for that section of his population — the gesture seems even more crass and insolent than it might otherwise. But then, it’s also absolutely standard. Jinnah was Saladin. Assad was Saladin. Saladin is, in modern Arab and Muslim political mythology, more icon than historical figure.

Saturday

Melanie McDonagh

Cookery Books: Back to classics

The truth is, we could probably all get by with three or four cookbooks; half a dozen at most, which makes my own collection of dozens seem a bit OTT. But what you need among them is a book that covers all the essentials, so that if you’re stuck to know what to do with a pheasant or how to make pastry or need to do something imaginative with cauliflower, you’ve got it all to hand. One all-purpose volume is the classic Constance Spry Cookery Book (Grub Street, £30), by Constance Spry and Rosemary Hume, first published in the Fifties and now reissued with metric as well as imperial measurements. It’s very much of its time, obviously, and unabashedly French in temperament, but it’s a cracking, really useful book.

Johnpaul Mccarthy

Jekyll and Hyde figure

Jonathan Swift’s Gulliver believed that the ideal British prime minister was a creature wholly exempt from joy and grief who applies his words to everything except to the indication of his mind. Swift’s dilation on the virtues of political froideur is only one of many ghosts evoked by Paul Bew’s riveting portrait of the man who seemed certain to be the first Irish prime minister of the Victorian age. In a characteristic confection of intimate portraiture and high-political history, Bew assesses the astonishing career of a lacklustre Protestant landlord who brought a Catholic populace to the threshold of parliamentary self-government in 1886.

Patrick Skene-Catling

A literary curio

Jean-Louis Lebris de Kerouac, better known as Jack Kerouac (1922-1969), the son of French-Canadians spiced with the blood of Mohawk and Caughnawaga Indians and subdued, no doubt, by migration from Quebec to Lowell, an old mill town in Massachusetts, eventually fulfilled his adolescent ambition to live the life of the eccentric ‘artist’ . . . a high form of aesthete who has nothing to do with this maddening world of Philistines. He hoped that ‘lingual spontaneity’ would enable him to achieve ‘Supreme Reality’. In fact, On the Road (1957) did indeed serve as a guide to all America for the Beat Generation of the Fifties and after.

Anthony Cummins

What’s going on?

An early sentence in this collection of stories, first published between 1979 and the current issue of Granta, runs thus: We were in the late stages now, about 45 minutes out, and I was thinking it could still change, some rude blend of weather might yet transform the land, producing texture and dimension, leaps of green light, those waverings and rays, and the near consciousness we always seem to find in zones of overgrown terrain. [The speaker is a tourist in the back of a taxi on his way to an airport in the Caribbean.] It’s not hard to see why the Atlantic critic B. R.

Gary Dexter

Bookends: Not filthy enough

The Pursued (Penguin, £12.99) is a lost crime thriller by C. S. Forester, the author of the Hornblower novels. It was written in 1935, rediscovered in 2003 and is now published for the first time. Marjorie, a suburban wife and mother, comes home after a ‘jaunt’ in ‘town’ to find her sister dead in the kitchen on page four It is said to be suicide, but we have doubts. Towards the end of the book, Forester summarises the action: ‘It was a filthy business, a tale of lust and murder and revenge, unredeemed by any of the nobler qualities of mankind.’ Not a bad précis, though anyone who reads The Pursued hoping to have their jaded 21st-century palate tickled is likely to be disappointed.