More from Books

Saturday

Olivia Glazebrook

Winter wonderland | 18 February 2012

Jack and Mabel move to Alaska to try to separate themselves from a tragedy — the loss of their only baby — that has frozen the core of their relationship. They intend to establish a homestead in the wilderness, but it is 1920 and they are middle-aged, friendless and from ‘back east’ — unprepared and ill-equipped for the backbreaking work and unspeakable loneliness of pioneer life. By the middle of their second winter the climate, isolation and sorrow of their situation seem to have got the better of them; at the opening of The Snow Child we find them at the end of their wits and their resources. During a singular moment’s lightheartedness  after a snowfall the desperate couple builds a snow child beside their house and dresses it in hat and scarf.

David Crane

If only …

In the early summer of 1910, a naval officer, bound for the Antarctic, paid a visit to the office of Thomas Marlowe, the editor of the Daily Mail. He had come in search of some badly needed funds for his expedition, but just as he was leaving he paused to ask Marlowe when he thought war with Germany would break out. ‘I can only tell you,’ came the reply, ‘that there is a well-informed belief that Germany will be ready to strike in the summer of 1914 and it is thought that she may do so.’ The officer mulled this over, doing his calculations. ‘The summer of 1914 will suit me very well,’ he said, ‘By that time I shall be entitled to command a battle cruiser of the Invincible class.

Mark Mason

Robot on the loose

In December 2005, a passenger on an early-morning flight from Dallas to Las Vegas fell asleep. Woken by a steward when the plane touched down, the man wearily disembarked and took a connecting flight to San Francisco. It was only there that he realised he’d forgotten an item of hand luggage on the first flight. Despite heroic attempts to retrieve it, the item was never seen again. This is a pity. The item was the head of Philip K. Dick. Not his real head, of course. That had been cremated, along with the rest of the science fiction writer, in 1982, shortly before the release of Blade Runner, the film based on his novel Do Androids Dream of Electric Sheep? The head was part of a robotic replica of Dick (and yes, its creators did toy, briefly, with calling it the Dick Head).

James Walton

Many parts of man

In some ways, you’ve got to hand it to Craig Raine. Two years ago, after a distinguished career as a poet and all-round man of letters, he published his first novel — and received a series of reviews that, as Woody Allen once put it, read like a Tibetan Book of the Dead. According to virtually all of them, Heartbreak was fragmented, name-dropping, pretentious, and not really a novel anyway: more a loose collection of thoughts, revealing an alarming obsession with sexual organs. But with The Divine Comedy, Raine responds with almost heroic defiance. If you felt like that about the last book, it seems to shout, try this one for size. In Heartbreak, for instance, the fragments were comparatively chunky, even featuring some recognisably extended narrative.

Jason Goodwin

Saviours of the sea

The last time we went out for lobster in Lyme Bay we found a dogfish in the creel.  A type of shark that roamed the seas before dinosaurs existed, a dogfish won’t slice your leg off the way a Great White might, but it is very scratchy to hold onto, thanks to its denticles, the teeth that cover its entire body (Speedo, the swimsuit company, is trying to imitate its streamlining qualities). Ours was about two foot long and snappy, with a wide rictus mouth, and it rubbed us raw thrashing about before we dropped it back in the water. While its 400-million- year-old contemporaries are embedded in the Jurassic cliffs where Mary Anning found ichthyosaurs, dogfish can still be sampled in fish and chip shops as rock salmon, or huss.

Ian Thomson

Bookends: A network of kidney-nappers

Raylan Givens, an ace detective in the Raymond Chandler mould, has encountered just about every shakedown artist and palooka in his native East Kentucky. His creator, Elmore Leonard, is a maestro of American noir; Raylan (Weidenfeld, £18.99), his latest thriller, presents a familiar impasto of choppy, street-savvy slang and hip-jive patter that verges on a kind of poetry. Typically, Raylan charts a murky underworld where criminals are in cahoots with politicians, and where murder is a consequence of this corruption. In his curl-toed cowboy boots, Federal Marshal Givens is summoned to investigate a case of trafficking in human body-parts. A man has been found moribund in a bathtub with his kidneys apparently removed by surgery.

Saturday

Richard Davenporthines

Menace, mystery and decadence

It is fitting that Charles Dickens’s bicentenary coincides with Lawrence Durrell’s centenary, for the two novelists have crucial resemblances: both of them are triumphant in the intensity and power of their writing, but capable of calamitous lapses of taste; both of them are riotous comedians who sometimes plunge into hopeless melodrama. It is true that Einstein’s theory of relativity, which Durrell foisted on the structure of The Alexandria Quartet (reprinted, with a new introduction by Jan Morris) has no more part in Martin Chuzzlewit than the ludicrous sexual obsessions derived from Sade and Henry Miller which sully Durrell’s plot. But Dickens in certain moods was, as Angus Wilson said of Durrell’s novels, ‘floridly vulgar’.

Rory Stewart

Real and imagined danger

What was the Cold War? For Professor John Lewis Gaddes, it was a conflict between two incompatible systems, democracy and communism, each with a different vision of liberty and human purpose. The result was a potential third world war, in which we risked being crushed by dictators or destroyed by nuclear weapons. And the US saved us. ‘The world,’ he writes, ‘I am quite sure, is a better place for the conflict having been fought in the way that it was and won by the side that won it. For all its dangers, atrocities, costs, distraction and moral compromises, the Cold War was a necessary contest.’ Andrew Alexander disagrees. And Alexander — who has long exposed the myopia and self-deception of the establishment — should be taken seriously.

Allan Massie

Storm in a wastepaper basket

‘It’s the revenge of Dreyfus,’ came the cry from the dock. The speaker was the veteran right-wing ideologue, Charles Maurras, found guilty of treason in 1945 for his support of the collaborationist Vichy regime. It wasn’t of course that, and yet there is a sense in which Maurras spoke the truth. The Dreyfus case had divided France half a century before Maurras was put on trial in Lyon. The division between what Piers Paul Read, in this masterly and eminently balanced account of the Affair, calls ‘the France of St Louis and the France of Voltaire’ had never been closed. The end of the Third Republic and its replacement by Vichy’s ‘Etat Français’ in 1940 represented the victory of the anti-Dreyfusards.

Charlotte Moore

Intrigue and foreboding

In 2009, Alone in Berlin, Hans Fallada’s masterpiece about civilian resistance to Nazism, appeared in English for the first time. Now A Small Circus, Fallada’s literary breakthrough, makes its English debut.  Both novels are admirably translated by Michael Hofmann. The earlier novel will be of deep interest to the many admirers of Alone in Berlin. Once again, Fallada shows an uncanny prescience in his ability to interpret contemporary political developments through the lives of ordinary Germans. A Small Circus is based on real events that took place in 1929 in Neumünster, Schleswig-Holstein, lightly fictionalised by Fallada as Altholm.

Jonathan Keates

A holy terror

In the summer of 1520, Michelangelo Buonarotti wrote a letter of recommendation on behalf of his protégé, the painter Sebastiano del Piombo, to Cardinal Bibbiena, an influential figure at the court of Pope Leo X. The testimonial carried some weight, for Michelangelo was by now Italy’s most admired sculptor, with what are nowadays called ‘signature achievements’ such as the David, the Pietà and the Dying Slave to his credit. Seven years earlier, what is more, he had completed the magisterial decoration of the Sistine Chapel ceiling, among the most ambitious  projects in the history of painting, for Pope Julius II.

Patrick Skene-Catling

Time to sit and stare

Hermitic, oneiric withdrawal from responsibilities and threats is the most effective way of alleviating the pangs of middle age, suggests Marcus Berkmann. In his fifties, he is a frank and eloquent expert on ageing, by turns indignantly curmudgeonly and philosophically resigned. He is observant and witty, but there were moments when he reminded me of complaints in Punch of neighbours who failed to return borrowed lawnmowers — perhaps my fault, rather than his. He recommends a shed of one’s own as a refuge in which to escape from stressful reality. ‘If I had a garden,’ he writes, ‘I would have a shed. In fact the main reason for getting a garden would be to get a shed.

Sam Leith

Frank exchange of views

Solomon Kugel is morbidly obsessed with death: his own, and that of those he loves, including his wife Bree and his only son Jonah. He spends his idle hours writing down possible last words in a notebook, and contemplating the undignified and senseless extinctions that await him around every corner. His outlook is not helped by his therapist, Professor Jove, who is convinced that hope is the cause of all human suffering and works hard to extinguish it; nor by his brother-in-law, the unsubtly named evolutionary biologist Pinkus Stephenor — a professional optimist whose latest book is You’ve Got To Admit It’s Getting Better, A Little Better All The Time. (He is a best-seller; Jove can’t get his book published.

Lee Langley

Bookends: Short and sweet

Before texts and Twitter there were postcards. Less hi-tech, but they kept people in touch. Angela Carter (pictured above) and Susannah Clapp were friends, and over the years, postcards from Carter arrived from wherever her travels took her. They could be quirky, surreal — from America a huge chicken swallowing a truck; the Statue of Liberty drowning in a lake. Others were greetings, scribbled comments, hand-drawn cartoons. Fourteen are scattered through Susannah Clapp’s A Card from Angela Carter (Bloomsbury, £10): black-and-white reproductions evoking experiences riotous with colour,  charting the progress of a turbulent life that ended too soon. Carter died of lung cancer in 1992 aged 51.

Saturday

Philip Hensher

‘A world dying of ugliness’

Some writers’ lives are estimable, some enviable, some exemplary. And some send a shudder of gratitude down the spine that this life happened to somebody else. It isn’t necessarily about success or acclaim — most rational people would very much prefer to have had Rimbaud’s life rather than Somerset Maugham’s. But sometimes it is. In the ranks of Mephistophelean terror, there are few more frightening stories than the life of the Austrian novelist Joseph Roth. Everything went wrong for him, and it must have been simply appalling to have had to live within that head, with those thoughts. That he is also a great novelist merely adds to the horror that this collection of his letters conveys. He saw too clearly for his own sanity.

Ed Smith

All to play for | 4 February 2012

There was a time when sportsmen fretted about the morality of being paid to play. Now the question is whether you are taking money to win, or taking money to lose. Mervyn Westfield, the Essex fast bowler, was only 20 when he accepted £6,000 to bowl deliberately badly in a county match. Three Pakistani cricketers, of course, are in prison for the same offence. How quaint the old distinction between the amateur who plays for love and the pro who toils to make ends meet now appears. How did sport become so morally complicated? It was the Victorians, as Mihir Bose explores in The Spirit of the Game, who decided that sport had to be good for you. The Georgians, in contrast, had been content with sport’s more obvious pleasures of gambling, blood-letting and licentiousness.

Philip Ziegler

Talking tough

This thoughtful, challenging and deeply depressing book takes as its launch pad the Nuremberg Trials, in which the author’s father played so prominent a part. Churchill would have executed the Nazi leaders out of hand. Eisenhower wanted to exterminate all the German General Staff as well as all of the Gestapo and all Nazi Party members above the rank of Major. Wiser counsels prevailed. The Nazi leadership must be put on trial, it was agreed, and not in such a way as would rubber-stamp a verdict that had already been tacitly agreed. ‘You must put no man on trial under the forms of judicial proceeding,’ said the distinguished jurist Robert Jackson, ‘if you are not willing to see him freed if not proven guilty.

Judith Flanders

Making sense of a cruel world

The actor-biographer Simon Callow has played Dickens, and has created Dickensian characters, in monologues and in a solo bravura rendition of A Christmas Carol. Now he suggests that the theatricality of Dickens’s own life is a subject worthy of exploration in book form. So it is, and if Callow had done so, it might have made a useful addition to what he rightly identifies as the ‘tsuanami’ of books that are appearing for Dickens’ bicentennial. But in this cursory biography, he merely makes token gestures in that direction: we learn rather a lot about Charles Mathews’ one-man shows; and Callow describes the theatrical impulses behind some of the novels.

Andro Linklater

Triumph of the redcoats

Given the choice between philosophising in the company of Socrates or fighting in the army of the soldier-monarch Charles XII of Sweden, most men, Dr Johnson observed, would prefer arms to argument. That physical danger should offer a more appealing prospect than logical thought remains one of the Great Cham’s more provocative insights. At one level, it explains why universal peace will not soon arrive, and at another why military history commands a larger readership than philosophy. In recent years, a golden generation has set the bar pretty high in this field.

Leyla Sanai

A choice of first novels | 4 February 2012

Mountains of the Moon is narrated by a woman just released after spending ten years in jail. The reason for her sentence and the details of her previous life are pieced together through disjointed fragments, forming a complex jigsaw. Lulu had a shocking childhood, with a violent stepfather and negligent mother. Her only loving relatives were her grandfather, who fuelled her imagination by conjuring up the Masai Mara in her dreary south-England surroundings, and her two half brothers, from whom she was eventually separated. This account, related in an idiosyncratic patois, with the matter-of-fact innocence of an abused child for whom abnormality is the norm, is quite horrifying.