More from Books

Saturday

David Ekserdjian

Live on in paintings

Like all self-respecting geniuses, Raphael (1483-1520) died young at the age of 37. For over a decade, he had been based in Rome, and had enjoyed fame, wealth and success beyond the dreams of almost any other artist of the day (Leonardo and Michelangelo were his only rivals). His standing in the highest circles — and above all in the eyes of the Pope — meant he was accorded the unprecedented honour, for one of his artistic calling, of being buried in the Pantheon. Artistic celebrity of this order did not guarantee the preservation of biographical minutiae, however, and we know almost nothing about what Raphael was actually like.

Richard Davenporthines

Preaching to the converted

Jonathan Franzen is a pessimist with a capacity for quiet joy. In a revealing passage in this collection of essays, reviews and speeches he writes of his fellow novelist Alice Munro: ‘She is one of the handful of writers, some living, most dead, whom I have in mind when I say that fiction is my religion’. Explaining this, he apes the General Confession in a church service. Reading Munro makes him reflect ‘about the decisions I’ve made, the things I’ve done and haven’t done, the kind of person I am, the prospect of death’. The stealthy theme of Farther Away is Franzen’s secularised religiosity.

John Gimlette

A corner of every English field, forever foreign

The story of the English countryside is richly exotic. We’ve always known that foreigners have shaped this land: traders, settlers and, most importantly, invaders. But scratch the surface, and the detail is remarkable. Who’d have guessed that the so-called ‘Amesbury Archer’ (a 4,000-year-old corpse, found near Stonehenge) actually started life in the Alps? Or that Neolithic England was a hub of European trade? What’s more, archaeologists now think that our landscape was formed not by the Romans (as previously thought) but during the Bronze Age.Back then, a huge, mysterious and varied population had deforested the countryside, tamed it, tilled it and made themselves rich. All the Romans did was make it theirs.

Andrew Petrie

From our own correspondent

‘Interviewing Afghan warlords is always something of a delicate dance,’ writes roving BBC reporter Nick Bryant in Confessions from Correspondentland (Oneworld, £10.99), and, given that he has also observed the methods of warlords from Nepal, Pakistan and Sri Lanka, his word counts for something. Though he acknowledges the journalistic allure of ‘shouting into microphones over the din of exploding ordnance’, Bryant’s memoir of his time as Auntie’s man in South Asia (and Washington, and Sydney) is refreshingly free of the macho stuff. Instead, he is concerned with analysing (not to say justifying) the changes in news presentation during his time on our screens, from the growth of post-Diana ‘how do you feel?

Sarah Burton

Marilyn was murdered

In The Mill on the Floss, having been given a ‘petrifying’ summary of Daniel Defoe’s History of the Devil by young Maggie, Mr Riley challenges Mr Tulliver with allowing his daughter access to such dangerous reading material. A perplexed Tulliver explains: Why, it’s one o’ the books I bought at Partridge’s sale.They was all bound alike — it’s a good binding, you see — and I thought they’d be all good books. There’s Jeremy Taylor’s Holy Living and Dying among ’em. I read in it often of a Sunday’ (Mr Tulliver felt somehow a familiarity with that great writer, because his name was Jeremy).

Sean Mcglynn

Revolutionary in spirit

A few years ago, a French reader congratulated me on my marvellous biography of Napoleon. Yes, I agreed, it’s a terrific read — an absolute blinder. But I had to be frank and reveal that, alas, I wasn’t Frank. I confess to being a little envious of my approximate namesake, Frank McLynn. A hugely successful popular historian who has the freedom to write on just about any subject he damn well pleases: Marcus Aurelius, the Burma campaign, the battle of Hastings, Jung, the Wild West. He even has a sideline on Hollywood greats. With some two dozen books to his name, he has clearly grasped the baton from Christopher Hibbert.

Saturday

Molly Guinness

A Valparaiso romance

More than 150 years after her last publication, the narrator of this novel, the travel writer Maria Callcott, has taken up her pen to tell all about her friendship with Admiral Cochrane. Freed from the shackles of 19th- century propriety, she can finally reveal what really went on during that Chilean interlude. The affair develops against a backdrop of the naval ex-pat scene in Valparaiso, exciting developments in steam power, the 1822 earthquake and a lot of charming natives. It’s as much a record of 19th-century Chile as a drama, and Rachel Billington gives a real sense of the beauty and atmosphere of Valparaiso and its surroundings.

James Grande

Another taboo subject

Lionel Shriver finished The New Republic in 1998. ‘At that time’, she writes in a foreword, ‘my sales record was poisonous’ and American publishers showed little interest in novels about terrorism. Both things changed: the next novel she wrote was the phenomenally successful We Need to Talk About Kevin, while ‘post-9/11, Americans became if anything too interested in terrorism.’ The New Republic stayed in a drawer, ‘because a book that treated this issue with a light touch would have been perceived as in poor taste.’ This explanation is not entirely convincing.

Marcus Berkmann

Bookends: Arkansas tales

Stranger men have become stars than Billy Bob Thornton, but not many. His obsessive-compulsive disorder encompasses a bizarre list of phobias: of clowns, of old furniture, of Benjamin Disraeli’s hair. Brutally dyslexic, he won an Oscar for his screenplay for Sling Blade, but writing a memoir, he says, would be beyond him. So, in an intriguing act of creative symbiosis, his friend Kinky Friedman, the Jewish country- singer and novelist, has taped him talking to friends late at night and turned these rambles into a book. The Billy Bob Tapes (Virgin, £18.99) has many of the flaws of ordinary ghosted showbiz memoirs.

Matthew Parris

Two iron ladies in the Andes

A long-exposure photograph of the night sky will show you something that you never see, however often you look at the stars: thousands of perfect curves, concentrically arranged around an invisible pinhead. Everything is wheeling slowly about a single point. A good book or a great adventure, fictional or real, often does the same. There is a fulcrum: a still, quiet centre to the tale. For me, for instance, in Orwell’s Burmese Days, the moment when, walking alone in the forest, John Flory sees a green pigeon, is that centre.

Nicola Shulman

Poet of the middling sort

‘If you cn rd ths msg, you cn bcm a sec & gt a gd jb’. So ran the advertisement for the Brook Street Bureau employment agency. It was the ubiquitous ornament of tube trains, buses and escalators in the 1970s, now seen no more and forgotten, at least by me, until Andrew Hadfield’s biography of Edmund Spenser whistled it back from the void. Here is Spenser’s career in a nutshell, according to the emphases of Hadfield’s study, a phenomenal work of scholarship and insight, if not itself a nutshell at almost 600 closely- printed pages.

Thomas W. Hodgkinson

Not grinning but scowling

I am deeply envious of Chris Cleeve, so maybe everything that follows should be taken with a pinch of salt. This is a guy whose first novel won the Somerset Maugham Award and whose second nestled snugly in the New York Times bestseller list for over a year. ‘Stunning,’ said the International Herald Tribune. ‘Stunning,’ said Newsweek. ‘Stunning,’ said Bookmarks Magazine. From the dust jacket of his latest, the author’s wry, clever, benevolent features (I just wish I were as nice as him) radiate calm: relax, they seem to say. I’m going to take you on a journey. All of which can only leave you thinking: wow. And: boy, this better be good.

Michael Howard

Whitehall’s murky recesses

Peter Hennessy is one of the most engaging and perceptive commentators of our time, so it was with a feeling of pleasurable anticipation that I approached his latest book. This was increased when I discovered, to my considerable surprise, that he had stood as the Conservative candidate in his school’s 1964 mock general election. My anticipation was heightened by his introduction, which promises an examination of the roles of myth and imagination in the writing of history. Of the many quotations we are treated to, the one which seemed best to reinforce that promise appears on the very first page, and comes from Enoch Powell: All history is myth. It is a pattern which men weave out of the materials of the past.

Anthony Daniels

For richer, for poorer

It is an old-established truth, a truism in fact, that money does not buy you happiness — though, as the late Professor Joad pointed out, it does allow you to be miserable in comfort. Yet the great majority of people, knowing this, nevertheless devote their energies to increasing their wealth, which suggests that happiness is not actually their ultimate goal. In fact, most people don’t have an ultimate goal. The authors of this book, father and son, seek to persuade us that we should devote more of our energies to things that are done for their own sake, that are good in themselves, rather than spend our lives on the treadmill of getting and spending, which is ultimately no more satisfying than the work of prisoners who are forced to dig holes only to fill them again.

Philip Hensher

End of a dry season

The Letters of T.S.Eliot is a project which already seems to belong to another world, of leisure and detailed scholarship. It was conceived of decades ago, and the first volume, under the editorship of Eliot’s widow Valerie, came out in 1988. A second volume, with the support of the excellent John Haffenden, emerged 21 years later; this third takes us only up to 1927, with a good 40 years of a busy professional life to follow. There may be a dozen volumes to go, and the undertaking in the end will rival the great Pilgrim edition of Dickens’s letters in scale. The editing of the Eliot letters is exemplary in its detail, authority and quality of annotation. It is the closest thing to a perfect edition of a great writer’s correspondence that can be imagined.

Paul Johnson

Fearsome and devilish

This life of the 11th Lord Lovat, executed on Tower Hill in 1747, in the aftermath of the ‘Forty-Five’ Rebellion of Bonnie Prince Charlie, is primarily a work of pietas. Its author is the daughter-in-law of the last Lord Lovat, who landed with the first fighting troops of the D-Day invasion of Europe, striding ahead of them accompanied only by his piper. But Sarah Fraser deserves to be acclaimed as a notable biographer, too, for she tells a complex and sometimes bewildering story which she has amassed from a vast quantity of often intractable material. This is a brave and meaty book. The years between the Glorious Revolution of 1688 and the accession of George III in 1760 constituted the great age of double-dealing in British politics.

Tuesday

Clive Aslet

Et in arcadia ego

The economy is in tatters, Europe in turmoil — but don’t worry: there is an antidote to the prevailing angst, and it’s provided by this book. It could be read simply as a close look at an undemonstrative corner of the English countryside, informed by the special understanding of a landowner, Jason Gathorne-Hardy, and an artist, Tessa Newcomb. But really it offers a philosophy. ‘Il faut cultiver notre jardin,’ said Voltaire. And that’s just what author and illustrator do here, both practically and imaginatively.   Each of the monthly chapters opens with a paragraph of ‘garden notes’, compiled from the diaries of working gardeners. So much for the practical side.

Saturday

Lewis Jones

Bookends: One for the road

Jay McInerney is best known for his first novel, Bright Lights, Big City (1984), which winningly combined sophistication and naivety. In The Juice (Bloomsbury, £14.99), his third collection of wine columns (most of them for House & Garden and the Wall Street Journal), he exhibits a similar mix of qualities, contriving to be both jaded and puppyish, sometimes simultaneously, as when he boasts of his ‘Bad to the Beaune’ T-shirt. Like the character in the film Sideways, McInerney deplores what he calls the ‘ripe, fruity, oaky, over-manipulated Frankenwine’ that has been typical of so much New World production, and loves the subtle yet earthy charm of pinot noir, above all the sublime reds of Burgundy, which he writes about with knowledge, passion and wit.

Charlotte Moore

Welsh wizardry

After Brock is a slightly eccentric rite-of-passage novel rooted firmly in the Marches. In September 2009, we are told, an 18-year-old boy called Nat Kempsey disappeared for five days into the Berwyn mountains, on the Welsh side of the border. Paul Binding is at all times specific about time, place and names; the story has an air of veracity which carries the reader with it even when the dialogue seems forced and the coincidences improbable. Nat, recovering from his mountain ordeal in the bedroom above his father’s kite shop in Leominster, tells his story to a more-than-averagely alert reporter from the local newspaper. It soon becomes evident that the story that really needs telling belongs to Nat’s father, Pete.

Justin Marozzi

Travails with Auntie

He’s the Housewives’ Favourite, the Voice of Middle England on Radio 2, one moment discussing the perils of your other half leaving the gas on, the next slipping on an Elvis Costello track to liven up your lunch. Bit of a cheeky chappie, affable, engaging, amusing, doesn’t appear to take himself too seriously. We like that in a broadcaster. Self-important windbags James Naughtie, Nick Robinson and John Simpson, do please take note. Jeremy discusses neighbours who keep sofas and old cars in their garden, no-fault dismissal, how a tragic car crash shattered one family’s lives and breastfeeding three-year olds, the show’s website declares of his latest programme. This is the sort of stuff that he and his several million listeners are preoccupied by.