More from Books

Saturday

Ysenda Maxtone Graham

There’s something about Mary

I like books which have their own linguistic microclimate. Fictional first-person narratives are where you tend to find these.  The moment you step inside a good one, you enter a distinctive country as encountered by the narrator, using his or her limited vocabulary. It’s the very constrictedness of the vocabulary that makes the story gripping: it forces you to live inside the narrator’s mind. Blinkered fictional characters created by unblinkered authors can make for surprisingly illuminating books.   How about this for a microclimate to step into? this is my book and i am writing it by my own hand. in this year of lord eighteen hundred and thirty one i am reached the age of fifteen and i am sitting by my window and i can see many things.

Mark Ashurst

Never go back

Doctor Livingstone is said to have found the swamps of Elephant Marsh impenetrable. Ellis Hock has no such trouble. A long flight, hired car and motorcycle taxi carry the kindly American across the Malawian hinterland, where the Shire river feeds the Zambezi at its border with Mozambique. Lured by the ‘green glow’ of memory, Hock returns gratefully to the cluster of mud huts where, in the bright dawn of Independence, he spent four years as a graduate volunteer in the US Peace Corps. Now 62, every day of Hock’s adult life — as the nattily dressed owner of a menswear store in small-town Massachussetts — has been freighted with nostalgia. He recalls the local language, Sena. He remembers a capacity for happiness, an idea of the future.

Ian Thomson

Man smart

Port Antonio, in Jamaica, radiates a torrid, hothouse air. At night the inshore breeze smells faintly of bananas. Port Antonio was once Jamaica’s chief banana port, shipping out an average of three million bunches of ‘green gold’ a year. Harry Belafonte’s greatest hit, ‘The Banana Boat Song’, was sung by Port Antonio dock workers at the break of daylight when their shift was over. You know the song. The workers are tired and they want the day’s banana haul to be tallied and paid for: ‘Come, Mister Tally Man, tally me banana.’ Belafonte, an American of Jamaican heritage, understood the poverty of Caribbean life.

David Gilmour

Humanity on the scrapheap

One night a few years ago in Washington DC, Katherine Boo tripped over an ‘unabridged dictionary’, broke three ribs, punctured a lung and, as she lay on the floor unable to reach a telephone, ‘arrived at a certain clarity’ about her future. With most people — certainly those like Boo with a history of wretched health — the clarity would have taken the form of some assuasive advice: ‘Take it easy,’ ‘Don’t push yourself,’ ‘Find something less difficult to write about.’ For Boo, a Pulitzer Prize-winner who has written mainly about poverty in the US, clarity suggested the opposite.

Allan Massie

Give me excess of it

There is a joke about a retired colonel whose aberrant behaviour had him referred to a psychoanalyst. He emerged from the session fuming. ‘Damn fool says I’m in love with my umbrella. Bloody nonsense.’ Long pause, then: ‘I’m fond of it of course.’ Quite so, and likewise while people may not actually fall in love with their iPhone, 18 out of 200 students surveyed at Stanford University admitted to ‘patting’ the little thing. They may be as uncomfortable without it as an alcoholic in need of a drink before opening time. The Fix is a fascinating and at times alarming study of addiction. Damian Thompson writes with the authority of experience reinforced by wide-ranging research.

Sam Leith

A tough broad

When the modern reader thinks of Lillian Hellman, if he or she thinks of her at all, the image that presents itself is likely to be of a wizened old doll marooned in a gigantic mink coat, a still bigger hairdo — and wreathed in the smoke emanating not only from a cigarette but from her smouldering pants. Her enemy Mary McCarthy said in a 1979 television interview that ‘every word she writes is a lie, including “and” and “the” ’. That memorable zinger — and the lawsuit that followed, still ongoing at the time of Hellman’s death — all but did for her reputation. Chuck Palahniuk’s novel about the golden age of Hollywood, Tell All, has as a running joke the eye-stretching lies told by Hellman.

Saturday

Zenga Longmore

Golden oldies

Jackie Kay, one of Scotland’s most celebrated living writers, is a woman of many voices. In her latest collection of short stories the voices mainly belong to women of middle to old age. Many are lonely, some are caring for barmy relatives, some are barmy relatives. Reality Reality’s most successful tales glow with a quiet radiance, touched as they are by the warmth of their creator’s heart. In ‘These Are Not My Clothes’, Margaret, a resident of an old people’s home, lives in fear of a sadistic matron who pinches and mocks her. Drifting in and out of reality, Margaret spends her time secretly plotting to ask the only kind nurse in the home to buy her a ‘tomato soup coloured cardigan’.

Penelope Lively

His own best story

A biography that is also a collaboration with its subject is something of a novelty. Here, Maggie Fergusson writes the life, while Michael Morpurgo contributes seven stories, each springing from the subject matter of the preceding section. Fergusson has previously written an excellent biography of George Mackay Brown, so has now moved from a detached consideration of a person no longer alive to work on and with someone very much around and active (who had himself proposed the idea of the book). In other words, this is a very different sort of project— and it could be said right away that this is no hagiography.

Sophia Waugh

From Luxor to Heston services

This wonderful book is not a history of food in 100 recipes at all; it is a history of the world in 100 recipes, as seen through the medium of what we ate and how we cooked it. William Sitwell’s erudite work never drags and should not be seen as a collection of recipes (although these are clearly chosen with modern-day cooking in mind) but as a window into the appetites and ways of life of our ancestors. We begin in Ancient Egypt, with a way of making bread extrapolated from pictures on the walls of a woman’s tomb in Luxor. This is one of the joys of the book; the recipes are not just retrieved from cookery books (the domstic kind, as we know them, did not really take off until the 18th century) but from many other sources, among them literature, the Bible and paintings.

Jonathan Mirsky

‘Am I not God’s chosen?’

Never write blurbs. That is my modest advice to Sir Harold Evans, who in his endorsement of Muckraker describes the life of W.T. Stead as ‘ennobling’. This is particularly odd because Stead (1849-1912) was the shameless precursor of the gutter journalism that Rupert Murdoch’s News of the World and Sun have inflicted on the UK — something that Sir Harold, once editor of Murdoch’s classier Times, knows all too well.

Marcus Berkmann

Bookends: Un poco goes a lang Weg

Here esse un curiosité, and kein mistake. Diego Marani (above) esse eine Italianse writer and EU officialisto livingante in Brussels, qui invented der irreverente lingua des Europanto, ‘eine mix van differente linguas sonder grammatica und regulationes,’ as el puts it sichself. Oui, c’est Franglais, aber more so and avec knobs on, und der late Kilomètres Kington ist doubtless revolvingante dans sa grave as I write. Marani, however, hast gehen even further que Kington and written un completa livre des short stories in diese bonkers lingua. Las Adventures des Inspector Cabillot (Dedalus, £6.99) features cette ‘autentiquo europeane polizei’ solvingante des crimes and fightingante contra der evil, tout dans la cause de harmonia Europische.

James Walton

Don’t hold your breath

The case for Richard Ford isn’t hard to make. Ever since his breakthrough novel The Sportswriter in 1986, his multi-award-winning fiction has combined an unsparing intelligence with an unashamed high-mindedness about what literature can achieve — nothing less than a careful exploration of the best way to live. In some hands, this moral sense might feel self-conscious, sentimental or even faintly embarrassing. In Ford’s, it’s done with such measured skill that the impact is quietly overwhelming. Sentence by sentence, too, his prose is pretty much peerless. Every word that makes it onto the page has clearly been on trial for its life, before being triumphantly acquitted.

Christopher Woodward

Orpheus meets Escher

The landscape architect Kim Wilkie grew up in a house on the edge of the Malaysian jungle. ‘Things decayed as fast as they grew.’ Leather shoes would fur over with mould within hours if left outside. His father was posted to Iraq next. ‘Everything was brown.’ But stare long enough at the sand and you would see a coin, or a shard of ancient glass. Back home his parents bought the ancient flint and brick farm in Hampshire with which this book ends. Longhorn cattle graze beside the spiral grass mounds which are his best known signature as a designer of parks and gardens. In the last year of a history degree at Oxford Wilkie discovered that there was such a thing as ‘landscape architecture’.

Philip Ziegler

Highbrows and eyebrows

Juliet Nicolson is a member of a literary dynasty second in productivity only to the Pakenhams. She is herself the author of two distinguished volumes of social history describing Britain immediately before and immediately after the first world war. This is her first novel. The danger of letting a social historian write novels is that the social history is likely to lie rather heavily upon the narrative. Nicolson is not guiltless in this respect. The characters in her novel are strikingly well connected. Virginia Woolf, George Orwell, Vanessa Bell, Lord Reith, all have walk-on parts. Almost the only two literary figures of any social consequence who do not appear, indeed, are the author’s grandparents: Harold Nicolson and Vita Sackville-West.

Andrew Gimson

No time for bogus pieties

This is the shortest political memoir I have ever been sent for review. It is a marvel of concision: 27 years in the Commons set down in only 168 pages. Can any Spectator reader point to a briefer example of the genre? Yet I confess that I opened Confessions of a Eurosceptic with a degree of trepidation. David Heathcoat-Amory’s style owes nothing to that of Jean-Jacques Rousseau. He writes with patrician flatness. It would not occur to him to ingratiate himself with his readers by purporting to tell us everything about his inner life. Not that he dodges deep emotion: the four pages in which he recounts the suicide of his son, Matthew, are harrowing.

Philip Hensher

A gallery of grotesques

After the turn-of the-century memoir Experience, Martin Amis’s career has been widely perceived as somewhat rocky, shading into moments of disaster. If Experience, with its triple narrative of father, teeth and Fred West, was regarded as a compelling and masterly whole, Amis’s subsequent novels and non-fiction have not been as widely admired. Yellow Dog was quite a mess, getting some terrible reviews. The return to the knockabout vulgarian comedy that had made Amis’s name just lacked conviction. House of Meetings was more generally admired, being a fictional offshoot of a bizarre exercise, the non-fiction Koba the Dread. Both books were concerned with the crimes of Soviet Russia. The Pregnant Widow divided readers.

John R. MacArthur

His finest years

Just after 8.50 on Tuesday morning, 26 November 1963, Lyndon Baines Johnson sat down behind the desk in the Oval Office for the first time as President, four days after the assassination of John F. Kennedy.  According to Robert Caro, the new chief executive of the United States, now the most powerful person in the world, did not then make a call to his Soviet counterpart Nikita Khrushchev; nor did he confer with aides, or have his secretary place calls to the leaders of Congress, or issue an executive order. Instead, Johnson’s initial action was to phone, himself, the offices of the US Senate and order the desk he used as Senate Majority Leader to be delivered to the White House to replace the government-issue model installed the night before.

Saturday

Ian Thomson

The world in arms

The long summer that led up to the last days of peace in Europe in 1939 — the vigil of Hitler’s assault on Poland and the subsequent Phoney War — gave little hint of the storm to come. As German troops engulfed Poland, however, Britain at last declared war on Hitler. Infamously, the Nazi science of massacre was put to the test in occupied Poland. Within two months of Hitler’s invasion, over 5,000 Jews were murdered behind the Polish lines. One year into the occupation a ghetto was established in Warsaw as a holding place for Jews prior to their deportation and death. A total of 265,000 of the city’s Jews were gassed over a single summer at Treblinka nearby. It was the largest slaughter of any single community in the second world war.

Andro Linklater

The courage of countless generations

The most stirring sermon I ever heard was delivered by a company sergeant-major in the Black Watch to a cadre of young lance-corporals, barely 19 years old, who were about to experience their first deployment to Northern Ireland during the Troubles. Like an old-fashioned Presbyterian minister, he warned them of the dangers of the world, in this case roof-top snipers and stone-throwing rioters, and the temptation these presented to the unwary soul, in this case, as he put it, ‘to run like buggery’. But they would not succumb, he said; indeed, they would lead their sections looking such dangers fearlessly in the face, because they were armed with a greater power — the red hackle, or feather, they wore in their khaki bonnets.

Richard Davenporthines

Hero or villein?

‘Not one word’, exclaimed Turgenev of Tolstoy, ‘not one movement of his is natural! He is eternally posing before us!’ The recurrent underlying theme of A.N. Wilson’s prize-winning biography of Tolstoy, now re-issued after a quarter of a century, is the novelist as grand impersonator. Wilson (a prolific novelist himself) believes that there is a strong impulse in novelists to don masks or test alter egos, and that this impulse rioted in Tolstoy’s character. Throughout his long life Tolstoy switched between playing at sad orphan, landowner, libertine, crazed gambler, spiritual elder, holy fool, paterfamilias, historian, village idiot, cobbler and dissident.