More from Books

Saturday

James Walton

Little Miss Sunshine

James Kelman is famously not a man fond of making concessions — whether to bourgeois interviewers, literary fashions, traditional punctuation or his own readers. Sure enough, his latest novel comes in familiar form: a continuous, chapterless slab of interior monologue from a working-class Glaswegian struggling against the un-remitting toughness of what a character in his last book of short stories called the ‘greatbritishsocialsystem’. True, the protagonist here does represent one departure from the norm, by being a woman — thereby allowing Kelman to add another layer of oppression to the usual mix. Even so, the only thing remotely quirky about Mo said she was quirky is the title.

Caroline Moorehead

From Austria to Australia

Moriz Gallia from Moravia and Hermine Hamburger from Silesia met and married in Vienna in 1893, when the city was the third largest European capital after London and Paris. They were rich, from making and supplying gas mantles, and they were generous patrons of Vienna’s exceptionally lively artistic world. When their two daughters, Gretl and Käthe, fled to Australia after Kristallnacht, they took with them the finest collection of central European pictures, furniture, silver, glass, jewellery and porcelain to escape the Nazi looters.

Emily Read

Blowing hot and cold

The landscape is treeless and windswept but spectacular, with volcanoes, glaciers and geysers, the climate and cuisine nearly always disagreeably challenging: it is sometimes hard to explain the affection and loyalty Iceland has inspired in so many visitors, from Auden and Isherwood in the Thirties to the academic and novelist Sarah Moss in 2009. She too was drawn back when, long after a memorable gap-year visit, she took a job at the university and returned to live there with her family. My family also lived in Reykjavik, back in the Sixties, when my father was posted there as ambassador. Holidays with our Icelandic and American friends were good fun.

Andro Linklater

Fading ambition

‘Despite 30 years of war,’ remarked General Stanley McChrystal, the commander in 2009 of NATO forces in Afghanistan, ‘civilisation grows here like weeds.’ Unfortunately for the Afghans, their tribal, rural, autarchic civilisation that grows so readily has never been acceptable either to the western allies or to the Taleban.

Michael Carlson

Three shades of noir

In the days of cheap paperbacks, publishers sometimes printed two pulp novels in one volume, back to back. Ariel Winter has done one better, because The Twenty- Year Death consists of three novels, dealing with murders committed over the course of two decades, each told in the style of a great crime writer. The first is set in 1931 France, hommage to Georges Simenon’s Inspector Maigret. A corpse found floating in the flooded drains of Verargent turns out to come from the local prison, from which there is no escape. Inspector Pelleter has just visited the prison to interview a serial killer he has arrested, and is drawn into the investigation.

Peter Parker

Blending the old with the new

Holker Hall is situated in a beautiful Cumbrian landscape within sight of Morecambe Bay, and in 1950 it became the second stately home, after Longleat, to be opened to the public. The house itself dates back to the 16th century, with a Victorian west wing replacing one that burned down in 1871. It is, however, the extensive park and gardens surrounding the house that have made it famous. Several generations of the Cavendish family have left their mark on this land, but the present garden is largely the creation of Hugh Cavendish — who was brought up at Holker and inherited it on his father’s death in 1972 — and his wife Grania. Taking on an historic garden involves one fundamental decision: whether to preserve or to evolve.

David Ekserdjian

The most Shakespearean of painters

Titian’s paintings have always been both loved and revered, and he is without question the most influential artist who has ever lived. In the 17th century, Rubens, Van Dyck, Velázquez and Rembrandt were all under his benign spell, but even more remarkably over 400 years after his death his power continues to impress. It is not by chance that both the National Gallery and the Royal Ballet are currently celebrating Titian as a source of inspiration for newly created art, ballet and music, because he remains in so many ways the most contemporary of the Old Masters.

Lewis Jones

American enterprise

The title of A.A. Gill’s latest book comes from Emma Lazarus’s poem ‘The New Colossus’ (1883), which is inscribed on the pedestal of the Statue of Liberty: ‘Give me your tired, your poor… I lift my lamp beside the golden door!’ And its subtitle is a tribute to Alistair Cooke, who was a friend and colleague of Gill’s father, and ‘the most urbane, witty and readable journalist of his century’. Urbanity is hardly Gill’s forte, but he is often witty and always readable. ‘This book,’ he explains, ‘is the view of the New World from the Old.

Marcus Berkmann

Bookends: Heading for the rough

Middle age lays many hazards and traps for us, not the least of which is golf. Breaking 80 (Yellow Jersey Press, £10.99), the first book by the eminent literary agent David Godwin, shows what can happen when you let this essentially ludicrous sport into your life. In Chapter 1 he is a normal person, thinking he should do a bit more exercise, and taking up golf mainly because he can’t face the idea of cycling. Within scarcely a dozen pages he is golfer more than he is human, thrashing his way round seaside courses in a clearly doomed quest to ‘break 80’, when the upper 90s and low 100s are more his natural habitat. He is not helped by his natural diffidence and dislike of most other golfers, especially  the ones who shout ‘Tuck your shirt in!

Cressida Connolly

More table talk

Lionel Shriver’s We Need to Talk About Kevin has a lot to answer for. In the months after its publication, it became the printed equivalent of holy communion: wheresoever two or three people gathered together to break bread, it was earnestly discussed. Shriver’s novel explored the possibility that a child could be born wicked; further, that it would be entirely possible for the mother of such a child actively to dislike her progeny. Whether the author set out to satirise the current western obsession with child-rearing, or simply to tell rather a chilling tale of American family life, Shriver produced a very readable and polished story. Now we need to talk about books, plays and films influenced by We Need to Talk About Kevin.

Jane Ridley

Another night to remember

At 6 o’clock on the evening of 16 October 1834 the old House of Lords burst into flames. By 3 a.m. most of the Palace of Westminster was a burned-out wreck. The Lords and the Commons, the Law Courts and the ramshackle mess of medieval offices, kitchens and houses which made up the Palace had gone up in smoke. Only Westminster Hall remained intact. It had taken roughly 500 minutes to torch over 500 years of English history. This disaster forms the subject of Caroline Shenton’s book. The crowd hailed the fire as retribution for the cruel Poor Law Act of 1834. Victims of social care cuts perhaps feel just as incendiary about parliament today. But this was no Guy Fawkes plot, and there was no hint of arson.

Saturday

Mark Mason

Bricks and nectar

Not many beekeepers ferry so many black bin liners in and out of their tower block that the local council suspect them of running a crack den (the same council who have missed the real crack den in the basement). Not many beekeepers transport their hives in a decommissioned London taxi, narrowly avoiding disaster when a would-be passenger tries to get in. Not many beekeepers end up having to coax their swarming bees into a cardboard box on Oxford Street, surrounded by people taking pictures and asking if they sting. Not many beekeepers, in other words, keep bees in London. Or rather, they do. The increasing popularity of the hobby in the capital has prompted Steve Benbow to produce The Urban Beekeeper, an informative and often touching book.

Violet Hudson

A choice of first novels | 28 July 2012

A re-telling of Edith Wharton’s The Age of Innocence, Francesca Segal’s debut The Innocents (Chatto, £14.99) takes the action to contemporary Golders Green. The daily minutiae of Jewish life are documented, from eating challah at Shabbat to the moments preceding a circumcision, alongside more sweeping statements: ‘For a people whose history is one of exodus and eviction,’ says Segal about ritual meals, ‘the luxury of repetition is precious.

Wynn Wheldon

A Gawain for our times

As a subject for literature, virtue and its celebration is fairly unfashionable. This is particularly true in Britain, where we like to maintain ironic detachment. This perhaps explains why Robert B. Parker and his private eye, Spenser, have never found their way into regular dinner-party chat on this side of the Atlantic. In America, as this festschrift demonstrates, Parker is seen as the natural successor to Hammett, Chandler and Ross Macdonald, and Spenser the latest in a line that runs from the Continental Op through Sam Spade to Marlowe and Lew Archer. In his preface to the Fairie Queene Edmund Spenser wrote that his aim was ‘to fashion a gentleman or noble person in virtuous and gentle discipline’.

Harriet Sergeant

Out on the town

In the middle of last summer’s riots, Mash, a member of a South London gang I have befriended, phoned me. He was standing outside a shop that was being looted. ‘It’s the funniest thing, Harry man,’ he declared. ‘This day I can go anywhere in London and there is no beef.’ Mash is usually confined by gang rivalry to a few streets around his estate. More astonishing even than the opportunity to loot was mixing with other young men without fear of being stabbed or shot. For the majority of Londoners like me, the riots proved terrifying. For Mash, it was the first time he had felt safe in his city. In his new book, Clive Bloom describes last year’s riots as a carnival for the disinherited.

Allan Massie

Life and letters | 28 July 2012

With few exceptions, literary journalists moulder in the grave and are soon forgotten. They may get some sort of posthumous life if they are made the subject of other books. John Gross rescued a few from oblivion in The Rise and Fall of the Man of Letters. Otherwise it is usually only those who were also poets, novelists or social commentators such as Matthew Arnold, who are not soon forgotten. When I was young, the Sunday papers were dominated by Connolly, Mortimer, Toynbee, Nicolson and Davenport. I delighted in them all, and equally in V. S. Pritchett in the New Statesman. All of course were excoriated by F. R. Leavis in stern puritanical Cambridge.

Peter Phillips

All to play for

Impressed by Alethea Hayter’s A Sultry Month: Scenes of London Literary Life in 1846 (1965), which describes the close relations between Benjamin Haydon, the Carlyles and the Brownings in the summer of 1846, Hugh Macdonald has written a similarly ‘horizontal’ and highly readable biography of intersecting musicians in 1853. His theme is the relations, not always close, between Brahms, Berlioz, Liszt, Schumann, Wagner and a host of lesser figures in that year.

Patrick Skene-Catling

Thrills and spills

The singer of the ‘Lumberjack Song’, vendor of the Dead Parrot and leader of the Spanish Inquisition has written another novel. It is Michael Palin’s second, called The Truth. On the cover, a sticker certifies that this is the authentic text ‘as read on BBC Radio 4’, and on the back is a portrait of the national treasure gently smiling, as so often seen on BBC television. It is rather tiresome when publishers exploit electronic achievements to sell written works of fiction; but it would be unfair to penalise Palin for his celebrated niceness. His novel deserves to be judged on its own. The Truth is a very good story, very well told. The protagonist, Keith Mabbut, is a battered 56-year-old idealist who has betrayed his ideals.

Philip Hensher

At the rising of the sun

Niall Ferguson, in his impressive and exuberant book Civilization, published last year, sought to explain why Western civilisation triumphed in the centuries after the Renaissance with reference to six factors. He identified them as competition, science, property, medicine consumption and work, or a particular work ethic. These historical tours d’horizon are never without their critics, and Ferguson’s confident account of what one had thought an undoubted historical phenomenon found a memorable one in the  pages of the London Review of Books. The London-based writer Pankaj Mishra dismissed what he saw as a triumphalist tone, and refused to accept that those eastern civilisations which are now in the ascendant have learnt from the West.

Robert Chandler

On the verge of extinction

This book, by the architectural historian Richard Davies, is remarkable in many ways — for the importance of its subject matter, for the excellence and variety of the many photographs, and for the imaginative choice of the accompanying texts. The fruit of ten years of long and difficult journeys in the far north of European Russia, it is a labour of love. It is also extremely informative. Russian wooden churches are very varied; because it is difficult to travel over such often boggy terrain, each region tended to develop its own specific architectural features. All, however, are built from logs of hewn pine; the carpenters used neither saws nor hammers and nails — only axes.