More from Books

Alexander Pushkin was brought to ruin by his letters more than once. When the Russian postal police intercepted a letter suggesting that atheism was ‘the most plausible’ philosophy, he was exiled to his mother’s bleak estate in the rural north-west. But his own temper was far more dangerous. In the autumn of 1836, he received a series of anonymous letters taunting him about his coquettish wife’s affair with George-Charles d’Anthès-Heeckeren, a French officer and the adopted son of the Dutch ambassador. Pushkin, imagining the ambassador himself had written them, fired off a furious letter of accusation. He and d’Anthès-Heeckeren duelled the next day, and Pushkin was fatally shot. Aged just 37, the most famous poet in Russia had thrown his life away on a few scribbled taunts.

With Christmas only just gone, I hope it’s not too late to recommend Ingvild Rishoi’s bittersweet seasonal novella – a bestseller in Norway which now comes into English in Caroline Waight’s crisp and fluent prose. Here’s a child’s-eye story about adult griefs and troubles which uses dramatic irony to consistent effect; a skinny little narrative halfway to being a fable which nevertheless keeps its roots in reality, with mobile phones, Frosties, casual swearing, the workings of child protection services and the logistics and microeconomics of the Christmas tree business. The narrator, ten-year-old Ronja, and her teenage sister Melissa are growing up in Oslo with their alcoholic single dad. Things are pretty bleak.

The catalogue of 20th-century writers who committed suicide is long and sad: Sylvia Plath and Virginia Woolf, Ernest Hemingway and Sarah Kane, Stefan Zweig and Marina Tsvetaeva, to name only a few. Yet even amid this litany of literary misery, one name stands out for being perhaps more famous for their death than their work: Yukio Mishima (1925-70), who attempted a military coup before performing ritual suicide – hara-kiri – in the immediate aftermath of its failure. His long-planned, stage-managed, ostentatious and disturbing demise is not unconnected to his work, but it has dominated discussion of the writer ever since, significantly overshadowing his achievements – which were considerable, and led to his nomination for the Nobel Prize in Literature several times in the 1960s.

The talented military historian Max Boot has published a well-researched life of Ronald Reagan that is fundamentally wrong. First the good parts: he has combed through lots of archives finding new information and has interviewed countless people who worked with or knew Reagan. His style also bears the reader effortlessly along. Yet his claim that Reagan was merely a lightweight pragmatist who had little effect on reviving the American economy, resuscitating the country’s self-esteem or winning the Cold War is absurdly revisionist. It says more about the author’s own rejection of the Republican party than it does about Reagan’s world-historical achievements.