More from Books

Thursday

Leyla Sanai

The wonder of the human body

Gabriel Weston is an extraordinary writer. An ENT surgeon who now prefers to carry out excisions of skin cancers, she has found a niche in exploring moral dilemmas in medicine. Her first book, Direct Red (2009), examined such clashes as a patient’s need for empathy and a surgeon’s requirement to be steely. A serious problem at the time was how the punishing schedules of junior doctors made it virtually impossible for them to give patients the attention and compassion they so often needed. Weston’s second book, Dirty Work (2013), was a novel – and no less ethically probing. Nancy, its female gynaecologist protagonist, takes on her department’s unpopular abortion lists, telling herself she is performing an essential feminist service.

Michael Arditti

A satire on the modern art market: The Violet Hour, by James Cahill, reviewed

In James Cahill’s first novel, Tiepolo Blue, Don Lamb, a Cambridge art historian, expressed outrage when ‘Sick Bed’, a Tracey Emin-like installation, is erected in the college quad. It is tempting to imagine what Lamb would now make of the many artworks on display in The Violet Hour. Here, Cahill steps away from the rarefied world of academia and public galleries to expose the excesses of the international art market. At the centre of the book’s many strands is Thomas Haller, whose violet-coloured panels partially inspire the title. He is a world-renowned artist who, in the words of his erstwhile best friend and dealer, Lorna Bedford, has become ‘the moneyed ghost of his former self’.

Frank Lawton

Clouded memories: Ballerina, by Patrick Modiano, reviewed

There are, broadly speaking, two types of artist: the explorer and the miner. The explorer keeps moving on, staking out new aesthetic or thematic terrain, while the miner keeps returning, digging deeper into the same earth each time. Patrick Modiano, the French Nobel prizewinner for literature in 2014, is an artist firmly of the second camp. Ballerina may be Modiano’s 32nd novel, but it feels more like the latest haunting chapter of the one long book that makes up his career. Blending noir, elegy, Paris and an obsession with memory, Modiano writes like Proust conducting a police line-up.

Tuesday

Keith Miller

Nazis, killer dogs and weird sex: Empty Wigs, by Jonathan Meades, reviewed

Jonathan Meades is, you might say, a baroque artist in a mannerist age. Whereas today’s younger and more widely feted writers think small – a Brooklyn sublet, a Camden Town love nest, the cracked mirror of the self – Meades goes big. And not just in physical terms (Empty Wigs tips the scales at nearly 3lb), but in scope. Where his contemporaries’ prose can be affectless and somehow skinless (a Paris Review interviewer said of Rachel Cusk, with apparent admiration, that her writing ‘feels contemporary, swift and “clean”’), Meades piles on the style, packing in metaphors, coinages and allusions until the crystals can’t take it, swooping between social classes, doing the police in different voices.

Nigel Jones

What Ovid in exile was missing

A notable recent trend in popular history is the revival of interest in the ancient world. Mary Beard, Tom Holland, Bettany Hughes and Peter Stothard are just some of the historians whose books and television series have cashed in on our thirst for knowledge of distant forebears and their civilisations. Now Owen Rees joins the merry band with a strikingly original take on the subject. He argues that our interest in classical history focuses almost entirely on the Graeco-Roman world, specifically on the capital centres of those cultures. We therefore miss much of what was going on at the periphery of empires, with their vibrant cities and peoples.

Nigel Warburton

Liberty is a loaded word

Just about everyone is for liberty, but we mean different things by it. Far-right libertarians want almost all constraints on their actions removed. They desire free markets, no unions, low taxes, free speech and the freedom to be very rich. The oppressed want freedom from tyranny: in extremis, they want to be free from jail and free to live without the threat of arbitrary arrest and torture. The moderately oppressed want more freedom than they have now, but within the context of a functioning democracy that is more equal, and more supportive, than the kind of society imagined by the right. They make a distinction between liberty and licence (complete freedom) of the kind that results in the pike dining at leisure on the minnows.

Richard Dearlove

How Cold War Czechoslovakia became a haven for terrorists

Cold War Prague hid its historic charms under a veil of grime and dilapidation. But, as we learn from this deeply researched and scholarly study, it was still a favoured destination for international terrorists, mostly Palestinians, after the 1968 Soviet invasion. They liked its hotels, its proximity to the West, its medical facilities, the tolerance and support of its security authorities and the quality of its light-arms manufacturing. Communist Czechoslovakia (CSSR) boasted relatively efficient security and intelligence services (generically referred to as the Stb). They were scrupulous record- keepers, and Stb archives, released after the Velvet Revolution with minimal expurgation, remain among the most complete of any former Warsaw Pact nation.

Oliver Southall

Butchered for feather beds: the brutal end of the great auk

The great auk was a large seabird of the family Alcidae, a group which includes the razorbill, guillemot and puffin, breeding species of North Atlantic cliffs, islands and skerries. Before it was hunted to extinction in the 1840s, the great auk inhabited an ecological niche equivalent to that of penguins in the southern hemisphere. Flightless, and able to nest only on low-lying shorelines, it was nonetheless perfectly adapted to life at sea. Short, flipper-like wings enabled it to dive to prodigious depths for food; soft down and oily flesh kept it warm. Smartly attired in black and white, and with a massive bill, it stood nearly 3ft tall. The same traits that so suited the great auk to its oceanic life made it both conspicuous and vulnerable.

Franklin Nelson

Things Fall Apart: Flesh, by David Szalay, reviewed

London and the South East, The Innocent, Spring, All That Man Is, Turbulence – the titles of David Szalay’s first five novels, which won a flurry of prizes, are all captured, in a sense, by Flesh, his sixth. Much of the latest book is set in Britain’s capital, and the innocent frequently lose that tag as its protagonist battles to advance his position. When we first meet him, Istvan is 15, living with his mother in Budapest in the dying days of communism and being introduced to sex by a neighbour. Having served a jail sentence for killing the woman’s husband, this ‘solitary individual’ joins the army and, after tours in the Middle East, heads for London – only to be stuck on the door of a strip club.

Declan Lyons

The punishing life of a chief whip

For many Spectator readers, their only exposure to the workings of the Whips’ Office will be through the machinations of Francis Urquhart, Michael Dobbs’s fictional chief whip made famous in House of Cards. In the first diaries published by a former chief whip, Simon Hart aims to shine a light on the vital and often unrecognised role that the Whips’ Office plays in the functioning of parliament and government. Having been overlooked by David Cameron and Theresa May, Hart arrives at the top table under Boris Johnson in 2019, nine years after his entry to parliament. He serves as secretary of state for Wales until he joinsa slew of others in resigning from the government – the prelude to Johnson’s resignation as prime minister.

Thursday

Travis Elborough

The weirdness of the pre-Beatles pop world

Quizzed about pop by the teen music magazine Smash Hits in 1987, the year of her third consecutive electoral victory, Margaret Thatcher singled out ‘Telstar’, a chart-topper from a quarter of a century earlier, for special praise. She pronounced it ‘a lovely song… I absolutely loved that. The Tornados, yes.’ As a whizzily futuristic sounding instrumental ode to a transatlantic communications satellite, and only the second British recording to top the American Billboard charts, its charm for Thatcher was perhaps as much political as musical. That it was the work of an independent producer might also have appealed to her love of freewheeling, self-reliant private enterprise.

Chris Mullin

Is Keir Starmer really Morgan McSweeney’s puppet?

Every government has its éminence grise.  The quiet, ruthless man (or occasional woman) operates in the shadows, only to be eventually outed when the boys and girls in the backroom fall out among themselves or when someone pens a memoir. Think Peter Mandelson, Nick Timothy, Fiona Hill and Dominic Cummings. The authors of Get In, both lobby journalists, have produced a detailed insider account of the rise of Keir Starmer, as seen through the eyes of those inhabitants of the political underworld whose names rarely surface in the public prints. In this case, the focus is on one alleged strategic genius, a man in his late forties with the memorable name of Morgan McSweeney, referred to throughout by the somewhat sinister moniker of ‘the Irishman’.

William Shawcross

The world is now inexorably divided – and the West must fight to survive

In The Builder’s Stone, Melanie Phillips reminds us forcefully that we must never forget how 7 October 2023 changed the world. On that day Hamas terrorists from Gaza invaded southern Israel and brutally raped women and butchered or burned alive 1,100 Jewish men, women and children. They also dragged 250 Israelis, including three-year-old twins, grandparents and young women whom they had already attacked, into Gaza as hostages. They filmed it all on their body cameras, and perhaps the most terrifying thing they recorded was the glee with which they carried out these atrocities. Phillips, a British writer who lives in Jerusalem and London, has spent many decades fighting Goliaths.

Lynn Barber

How can a biography of Woody Allen be so unbearably dull?

How do you make the life of Woody Allen unbearably dull? Mainly by retelling the plots of every one of his movies, along with lists of cast and crew, box-office receipts and critical reactions. And there are so many movies – 50 so far, but there’ll probably be another by the time you read this. Long ago, Allen got into the habit of making a film a year, and so he goes on. He once said he was ‘like an institutionalised person who basket-weaves’ – he couldn’t stop. So we have to wade through an awful lot of filmography before the juicy stuff – the scandal – begins. Mia Farrow doesn’t even appear until page 313. In 1979, when she first met Woody, she was divorced from Frank Sinatra and André Previn and had recently adopted her seventh child.

Tuesday

Lee Langley

Hope springs eternal: The Café with No Name, by Robert Seethaler, reviewed

Call it a mosaic. Here it all is – the pathos of a botched first date, a birth, a death, a feud, a stumble into love. The Café With No Name deals with the small dramas of everyday life.  The setting is Vienna – not the elegant city of Schönbrunn but the Karmelitermarkt, one of the poorest districts, debris from Allied bombs still filling the basements in 1966. Robert Simon has worked in the market for seven years, shifting crates of swedes, restacking firewood, cleaning the floor at the fishmonger. He enjoys his work, but he’s 31 and restless. He finds himself casting a speculative eye at the café on the corner, shabby and abandoned, ivy climbing up the wall. His landlady, a war widow, encourages him: ‘You always need a bit more hope than worries.

Dennis Duncan

The Assyrians were really not so different from us

Among the most striking and memorable exhibits in the British Museum are the Assyrian reliefs depicting the royal hunt. These huge panels show the king, Ashurbanipal, shooting, spearing and stabbing a succession of lions, albeit ones that had been trapped beforehand and released from cages for the occasion. It is a magnificent work of art, carved in the city of Nineveh – on the outskirts of modern-day Mosul in northern Iraq – around the middle of the 7th century BC. My favourite section shows the king on horseback, riding full pelt, with no reins in his hands but only his bow and arrow.

Francesca Peacock

Three’s a crowd: The City Changes its Face, by Eimear McBride, reviewed

Nearly a decade after Eimear McBride published The Lesser Bohemians (her second novel after the success of A Girl is a Half-Formed Thing),the Irish writer has returned to the drab, smoke-filled world of 1990s London. The City Changes its Face is told from the perspective of 20-year-old Eily, two years after she has left Ireland to study drama in London and has met Stephen, an established actor 20 years her senior. In the interim period, the pair have moved from Kentish Town to Camden. Eily has taken time out of drama school, and Grace, Stephen’s daughter from a previous relationship, has made an appearance. The novel consists largely of a conversation that takes place over the course of one night, with flashbacks to the intervening years.

Ian Buruma

Any form of saturation bombing is a stain on humanity

At 8.15 a.m. on 6 August 1945, a B-29 bomber called Enola Gay dropped ‘Little Boy’ over Hiroshima. The thermal radiation from the atom bomb was 900 times more searing than the sun. An estimated 118,661 civilians died, horribly. Survivors staggered about with their skin in shreds, their intestines hanging out and their blacked and bleeding faces grotesquely disfigured. Upon hearing the news, President Harry Truman called the bombing ‘the greatest thing in history’. Why the US unleashed the terrible bombs over Hiroshima, and three days later over Nagasaki, has been much debated ever since. In his excellent short book on the subject, Richard Overy writes: The question asked is usually ‘Was it necessary?

Thursday

Lucasta Miller

An artist in her own right: the genius of Elizabeth Siddal

Elizabeth Eleanor Rossetti, as this new book calls her in a break with convention, is better known by her maiden name: Elizabeth Siddal or Siddall (the spelling is uncertain, as is much else about her). The Pre-Raphaelite icon was familiar to the public as the model for John Everett Millais’s ‘Ophelia’ sinking to her watery grave and as the muse of Dante Gabriel Rossetti, who eventually married her. Not long afterwards she died of an opiate overdose in 1862, aged 32. Her early demise, echoing her association with Ophelia, left her ripe for myth-making, as first explored by Jan Marsh in her groundbreaking The Legend of Elizabeth Siddal (1989).

Tuesday

Marcus Nevitt

Why were the security services so obsessed with the Marxist historian Christopher Hill?

What did the great Marxist historian Christopher Hill think of orgies? Michael Braddick’s splendid and judicious biography doesn’t ponder this question. However, it strikes me as worth posing since, for a three-week period in the winter of 1978, an ensemble of actors (including the future Hollywood star Bob Hoskins) could be found naked at the National Theatre simulating group sex in Hill’s name. The actors were performing in Keith Dewhurst’s radical stage adaptation of Hill’s masterpiece of 17th-century popular history The World Turned Upside Down (1972) and were embodying what it might have been like to be enthusiastic members of one of the radical millenarian sects at the centre of Hill’s study.