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Between pony club and the altar

If you were to take a large dragnet and scoop up all the shoppers in the haberdashery department of Peter Jones in Sloane Square, your catch would be a group of women of the kind given voice in this marvellous little book. Readers old enough to remember Joyce Grenfell will know the type. Ysenda Maxtone Graham characterises them as people who sleep with the window open in all weather; who know how to cast on and off in knitting; are thrilled by the arrival of a parcel, even if it’s just some Hoover bags bought on Amazon. They haven’t done up their kitchens since the early 1970s and they always feel homesick on Sunday evenings, even though they’re at home.

Fine silks and fiery curries

Genial, erudite and companionable over most of its 760 pages, this stout Georgian brick of a neighbourhood history at length flings itself in fury through a toff’s window. Much of Dan Cruickshank’s book has shown with learned charm how, in its tangle of ancient streets just east of the City of London, Spitalfields has always hosted the rough with the smooth, tumult beside elegance. The East End patch where he has lived for four decades — his own 1720s home, a finely embellished history of inner London in itself, gets 15 loving pages — has ‘constantly embodied paradox: great wealth alongside appalling poverty, beauty juxtaposed with squalor’. As he nears his finale, the twin streams of this urban microcosm join.

No one turned a hair

The Benson family was one of the most extraordinary of Victorian England, and they certainly made sure that we have enough evidence to dwell on them. Edward White Benson was a brilliantly clever clerical young man of 23 when he proposed to his 11-year-old cousin Minnie Sidgwick. He had been the effective head of his family since his father’s death nine years earlier; Minnie, too, was fatherless. Despite doubts from Minnie’s mother, they agreed to marry when Minnie was 18. She, too, was clever — Gladstone famously described her as ‘the cleverest woman in Europe’ — but had no real attachment to Benson or to any other man. Her romantic passions were always directed towards women.

The milk of human kindness

One of David Cameron’s choices on Desert Island Discs, this book reminds us, was ‘Ernie (The Fastest Milkman in the West)’. The book does not, however, explain why Cameron chose the Benny Hill ditty. Consulting the online archive, I found the then leader of the opposition explaining that ‘when you’re asked to sing a song’, ‘Ernie’ was the only one to which he could remember all the words. Sue Lawley tested him, and Cameron responded: ‘You can hear the hoof beats pound as they race across the ground, the clatter of the wheels as they span round and round’. It’s a miracle the Notting Hill Set was ever seen as smart.And yet I know what Cameron means. For our generation milkmen are an exercise in nostalgia.

Surreal parables

There is a common assumption that experimental writing — for want of a better term — is obscure, joyless and arid. Or worse: that it is fake (or ‘pseudy’), a deception practised upon either the deluded or gullible reader. So I wonder what people who hold such assumptions would make of this. It constitutes the final paragraph of ‘Specialist’, one of the stories in this collection. The story itself is, not untypically for this book, less than a page long: The cyclist hit me, and it’s vile after my life ends in the afterlife. Lots of incense, resin, apes and giraffe-tails — all acquired tastes. I don’t like that kind of thing. Several things may strike you.

Divinely decadent

‘Oh the Mediterranean addiction, how we fall for it!’ So sighed Sybille Bedford, who spent the 1920s and 1930s in Sanary-sur-Mer. Aldous Huxley settled in the same fishing village in 1930, writing to his sister-in-law: ‘Here all is exquisitely lovely. Sun, roses, fruit, warmth. We bathe and bask.’ James Lees-Milne perched further along the coast at Roquebrune from 1950–61. In a reverie, he later recalled the smells of brioche, coffee, pine needles, ‘the senses heightened, expectant of lovely future days without end’.

Bewitching stuff

Richard Francis’s new novel covers ostensibly familiar ground. Set in and around Boston in the 1690s, it tells the story of the Salem trials, which resulted in the execution of 20 people (14 of them women), and which are sometimes regarded as a hinge event in the evolution of American secularism. As the historian George Lincoln Burr put it in 1914: ‘Salem witchcraft was the rock on which the theocracy shattered.’ This seismic moment was last visited by Francis in his 2005 biography of Samuel Sewall, the judge who presided over the trials. And it is to Sewall’s life that Francis returns in Crane Pond. He opens his story in January 1690, at which time Sewall is engaged in trying a handful of men for piracy.

Intimations of immortality

A preoccupation with death is felt from the start of Margaret Drabble’s new novel, which opens with Francesca Stubbs, in her seventies, considering whether her last words will be ‘you bloody old fool’ or ‘you fucking idiot’. Fran is central to the web of characters that populate the book, linked by varying degrees of friendship and kinship, but tied more firmly together by the approach of death. Drabble squares up to old age with pragmatism: she shows us its terrible physical pain, loneliness and expense, but lightens what could threaten to be a grim read with observational humour, delighting in her characters’ eccentric pleasures.

Magnetic and repellent

When he first came to public notice, Rasputin was described in a Russian newspaper as ‘a symbol. He is not a real person. He is a characteristic product of our strange times.’ With his hypnotic eyes, long hair and peasant simplicity, Rasputin was as mesmerisingly attractive to upper-class and royal women in his 47 years of life, as, in afterlife he would be for biographers. Who can resist the story of the Siberian peasant, leaving his wife and nippers to wander the roads of Russia, imbibing, and then dispensing, a mixture of spiritual truths and claptrap, and worming his way first into the salons of gullible St Petersburg ladies and finally to the court itself?

Blithe spirit

Lady Anne Barnard is a name that means almost nothing today, but her story is a remarkable one. She defied all the expectations governing the behaviour of upper-class women in 18th-century society, yet she made a success of her life. She died leaving six volumes of unpublished autobiography with a stern injunction that her papers were never to be published. For 200 years her memoirs have languished in the family archive, and Stephen Taylor is the first biographer to reveal her secrets. Anne was the daughter of a threadbare Scottish peer, Lord Balcarres, and she grew up the eldest of 11 children in a prisonlike tower house in Fife. Pushed by her mother to contract a conventional arranged marriage, trading her breeding for newly-gained wealth, Anne dug in her toes.

Deadlier than the male | 3 November 2016

Teenage girls all over the world have suddenly developed electro-magnetic powers that can be unleashed on anybody who bugs them. The effect of these electrical jolts ranges from a tingly sensation to scarring, shock, pain, permanent disability, dismemberment and sometimes death. So girls have all the ‘power’ now. Older women soon start zapping too, and thereby move into high office and make millions. It is the end of patriarchy as we know it: almost overnight, women’s tolerance of bullying and sexual harassment sinks to zero, and men start dropping like flies. They now become the world’s cowering victims, servants, slaves and playthings. Men have to adapt swiftly to their new lowly status, and to kinky, often catastrophic, types of sex.

Tormented genius

Married as I am to an antiquarian book dealer, and living in a house infested with books and manuscripts, I’m constantly having to edit my own little library so as to be able to breathe. But three volumes have survived successive culls — Pax Britannica, Heaven’s Command and Farewell the Trumpets — Jan (or James as she was when these books were written) Morris’s trilogy about the British empire. It is, Morris says, ‘the intellectual and artistic centrepiece of my life’, and it opens on the morning of 22 June 1897 with Queen Victoria visiting the telegraph room at Buckingham Palace on the occasion of her Diamond Jubilee.

A tale of two prisons

The Marshalsea was the best and worst place for a debtor to be imprisoned. From 1438 until its closure in 1842, there was dishonour in its name, contagion in its air and cruelty in its very premise: once detained, debtors could take no action to improve their lot. Instead, imprisonment was meant to serve to ‘rally friends and family’. Where none were forthcoming, many inmates died of starvation. The ancient barbarity of the system was redressed in 1729 when an inquiry revealed that medieval instruments of restraint were still in use — as well as a 3ft-long whip that terrified the debtors, fashioned out of ‘a bull’s pizzle, dried as hard as teak’. Even after the prison’s reform it was a death sentence to be on the ‘common side’.

A big beast in Hush Puppies

It always used to be said that, if it had been up to Guardian readers, Ken Clarke would certainly have been leader of the Conservative party. It might have gone beyond that. Some politicians are much loved by the general public, who never have to meet them, and loathed by their colleagues and unfortunate underlings — one thinks of Greville Janner or Alf Morris, who once pushed his fist into my face when I was refusing to do his bidding. That doesn’t seem to be true of Clarke, who is popular pretty much across the board, his instincts for decency and sceptical intelligence ensuring that. Although his Europhile commitments effectively barred him from the party leadership on the occasions when he might have stood a chance, his qualities have always been recognised.

TB or not to be

If you are 70-plus, the shadow of TB will have hung over your childhood and youth, as it did mine, and Linda Grant’s new novel strikes many a chord. My maternal aunt had the disease, and spent months in a sanatorium like the one described in The Dark Circle, but finally had a thoracotomy (removal of a lung and seven ribs). She was also given the ‘new’ wonder drug Streptomycin and together with the operation, it cured her to live until she was 86. From the sanatorium, she sent me drawings of herself lying under a blanket on the freezing terrace halfway up a mountain.

Shiver me timbers

Brrrrr, this is a chilly book. Each time a character put on his sealskin kamiks, muskrat hat, wolfskin mittens and otter pelt coat I buttoned another cardigan toggle and shivered. It’s a book that gets you down to the marrow. The compass of Ed O’Loughlin’s Minds of Winter points north by northnorth. Up and up it goes, drawn by husky dogs towards the North Pole, chillier and chillier by degrees, frostbitten, snow-blind but determined.

The great Soviet gameshow

In the opening chapter of her history of Soviet Central Television, Christine E. Evans observes two Russian televisual displays of 2014. February saw the opening ceremony of the Sochi Winter Olympics — which sought to depict a millennium of national history using glitter and gameshow grandiosity. April brought the stern, but no less theatrical, Direct Line with Vladimir Putin — an annual phone-in — during which the president celebrated Crimea’s annexation with an orgy of televisual patriotism. Although more glitzy than their Soviet-era equivalents, both can be seen as displays of continuity in Russian broadcasting, rather than incidences of invention.