More from Books

Thursday

Julie Burchill

Scooby Doo, where are you?

There are two sorts of people: those who can’t wait to grow up, and those who wish they never had to. It’s fair to say that women figure predominantly in the first group and men in the second, hence the preponderance of male fans of science fiction and fantasy — and dewy-eyed reminiscence about children’s television. I’ve been in many female friendship groups and can’t remember a single occasion on which we’ve sat around thinking about past puppets. On the contrary, the childish things we typically recall are our awful choices of make-up and clothes, and our adoration of the pretty-boy pin-ups in our teenage bedrooms: that is, the things we used to hasten the arrival of longed-for adult life.

Andy Miller

The executor’s song

In 1999, Patrick Hemingway published True at First Light, a new novel by his father Ernest. In his role as literary executor of the late writer’s estate, Patrick edited an unfinished manuscript of some 200,000 words down to a more marketable ‘fictional memoir’ of less than half that length. The book hit the bestseller lists but received largely negative reviews, most notably from Joan Didion in the New Yorker. ‘This was a man to whom words mattered,’ she wrote. ‘His wish to be survived by only the words he determined fit for publication would have seemed clear enough.’ To which the man charged with safeguarding Papa’s posthumous reputation responded, somewhat plaintively: I think it’s a very valid argument.

Graham Robb

A heartwarming spectacle of desolation

In 2008, the Scottish poet Kathleen Jamie characterised the typical exponent of modern nature writing as ‘the lone enraptured male’. This was a more solemn, grown-up Basil Fotherington-Thomas, the effete schoolboy of the Molesworth books who prances about in puerile pantheistic ecstasy, saying, ‘hullo clouds, hullo sky’. Ten years on, there is barely a British landscape that has not been visited by the species. He sits in a car until he reaches the chosen spot. Then, winding down the window, stunned by emptiness and silence, he savours the momentary disconnection from global networks. The void is soon filled with childhood memories, poems learnt at school and Wikipedia articles.

Laura Freeman

Tawdry lustre

‘Nine hours,’ boasted my friend the curator about his trip to the Prado. Nine! Two hours is my upper limit in a gallery. After that I’m gasping for the tea room and gift shop. Knowing my lack of stamina, my own trip to the Prado was focused: just Velázquez and Goya. Then lunch. And a bit of Rubens, because that large room of lovely bottoms is so ‘Hello, sailor!’ it would be rude not to look. It helps to have a mind’s gallery of Diego Velázquez portraits while reading Amy Sackville’s novel Painter to the King. Not essential, but definitely enriching. If you haven’t a Madrid mini-break booked, have a nose around the Prado collection online.

Wednesday

Derek Turner

Preachers, princes and psychopaths

On 23 May 1618, Bohemian Protestants pushed two Catholic governors and their secretary through the windows of Prague Castle, in protest at the anti-Protestantism of Bohemia’s King Ferdinand, soon to be elected Emperor Ferdinand II. The defenestration was only injurious to dignity, and had farcical aspects, a rebel shouting: ‘We shall see if your Mary can help you!’, only to exclaim, ‘By God, his Mary has helped!’ when the men landed in a midden. This sparked what C. V. Wedgwood termed ‘the outstanding example in European history of meaningless conflict’ — the bloodiest campaign ever waged on German soil.

Aleks Sierz

Look back in anguish

Look Back in Anger, John Osborne’s 1956 play, was a fertile cultural seedbed: out of it sprouted the Angry Young Men and kitchen-sink drama. What was less clear at the time was the extent to which it was autobiographical, based on Osborne’s failed first marriage to the actress Pamela Lane. In the play, Jimmy, the working-class anti-hero, harangues his wife, the cool, emotionally distant and upper-middle-class Alison, attacking her parents and her background. When Lane saw the play she immediately recognised this portrayal. When asked, many years later, about her reaction, she said: ‘I felt as though I had been raped.’ The play was a theatrical version of revenge porn.

Alex Colville

Fire and brimstone

Industrial factories huddle at the very edge of our world view. Most of us have never visited one, but we know what to expect. The ugly buildings. The dull work of the shop floor. The worker reduced to a mere fleshy extension of a machine, his existence condensed into a series of jerks, twists and spasms. A life at best eroded by monotony — an eternal inhabitant of Dickens’s Coketown, ‘to whom every day was the same as yesterday and tomorrow, and every year the counterpart to the last and the next’ — or at worst snatched up and tossed onto the sacrificial flames of Fritz Lang’s modern ‘Moloch’ of the 1927 epic, Metropolis. They are places either too boring or too bleak to be of interest.

Emily Rhodes

Love’s myriad forms

Carmen Maria Machado’s debut collection Her Body & Other Parties (Serpent’s Tail, £12.99) takes a confident straddle across speculative fiction, erotica, fable and horror. In these electric stories, the author explores the challenges and promises of women’s bodies with forceful verve. In ‘Real Women Have Bodies’, a mysterious illness makes women gradually fade away; many of them ask a seamstress to stitch their disappearing bodies into the fabric of dresses. In ‘The Husband Stitch’, a woman gives herself completely to her husband and son, insisting only that they never touch the ribbon she always wears around her neck. When this tiny privacy is not permitted, we see just how much unravels.

Thomas W. Hodgkinson

Everything we know is wrong

Reading The Mind is Flat is like watching The Truman Show and realising, while you’re watching it, that you are Truman. For anyone who hasn’t seen the movie, this is Peter Weir’s 1998 fable in which Jim Carrey discovers he is unwittingly the star of the most successful reality-TV show on the planet. His world is a film set and everything that happens to him has been plotted by a brilliant if somewhat pretentious director named Christof. Truman has this thunderbolt moment. It’s part Aristotelian anagnorisis, which is to say the realisation of something horrific, and part Camusian absurdity. But at the same time, it’s incredibly liberating. He sees that he can do whatever he wants.

Nick Hilton

The strangest Icelandic saga

Everyone in Iceland has heard of Gudmunder and Geirfinnur. They were two (unrelated) men who disappeared in 1974, albeit ten months and several miles apart. Gudmunder Einarsson was a teenage labourer who loved to arm-wrestle; Geirfinnur Einarsson a construction worker and family man. Other than shared national hysteria in a country where people rarely go missing, there was nothing to link these mysteries — until, one by one, a ragtag group of petty criminals started to confess to their murders. The investigation was the biggest in Iceland’s history. It spanned decades, and saw ten people arrested in relation to the crimes, some of whom spent several years in prison. But as the fever for justice gradually gave way to journalistic scrutiny, the entire narrative began to unravel.

Justin Marozzi

The hell-raiser from Baghdad

You know you’re in good hands when the dedication reads: ‘To the writers, drinkers and freethinkers of the Arab and Islamic worlds, long may they live.’ Abu Nuwas was all three, and a complete hoot. Why he is so little known in Britain should be a mystery. But outward-looking as we are as a nation, we remain peculiarly parochial in our literary tastes outside the Western canon. Born in the late 750s in Ahvaz, Abu Nuwas came to Baghdad during the reign of the Abbasid caliph Harun al Rashid in what was Islam’s golden age. In and out of favour as much as he was in and out of prison, he led a free-spirited, wine-drenched, sex-filled life, recorded in electrifying verse.

Katrina Gulliver

Not all bunk

This book reminded me of Kurt Andersen’s Fantasyland — but where Andersen thinks only Americans have lost their minds, David Andress thinks everyone has. I can’t say I disagree, being a subscriber to the Hourly Outrage, also known as Twitter. Andress refers to Brexit, Donald Trump’s election and Marine Le Pen’s rise in French politics as things that should have been ‘punchlines’, comparing those who voted for them to dementia sufferers. And that’s just in the first couple of pages. So I’m guessing that as a Leave voter, I’m not the intended audience — nor do I, as someone with a PhD in history, fit into Andress’s analysis of uninformed and delusional Brexit voters.

Sinclair McKay

Into the heart of Bow

Cockney feet mark the beat of history, sang Noël Coward, as if he had ever been east of Holborn. Yet the sugary wartime sentiment finds a moving and resonant echo in Melanie McGrath’s new work of social excavation. The past casts an unusually deep shadow over Bow. And, cleverly, she has found a fresh means of exploring these striated layers of heritage: through the enduring local appetite for minced beef pie, mashed potatoes, and side orders of stewed eels. G. Kelly’s Pie and Mash is the 100-year- old restaurant in question, on the Roman Road in Bow (there are branches elsewhere). Pie and mash served with ‘liquor’ (parsley sauce) and eels might be described as the forerunner of fried chicken: comfort food devised at a time when comfort was badly needed.

Thursday

Peter Carty

A sea of troubles

Donal Ryan is one of the most notable Irish writers to emerge this decade. So far he has produced five volumes of fiction set in post-millennial Ireland. What sets him apart is a striking facility for narrative voice as well as a startling diversity of protagonists. His first novel, The Spinning Heart — about a town’s slump when the Celtic Tiger died — had no fewer than 21 narrators, mostly speaking in effervescent vernacular. His latest work revisits tragedy and loss with just four narrative perspectives. With the first, however, he puts aside Irish provincial life to tackle global tragedy. Farouk is a Syrian doctor who is working in a local hospital after his family drowned during a desperate sea crossing to Europe.

Suzi Feay

Getting away with murder | 22 March 2018

This true-crime narrative ought, by rights, to be broken backed, in two tragic ways. One is that the serial attacker it concerns, a sneaking California rapist who graduated to multiple murder, was never caught. The other is that its author died aged 46 before the book could be completed. That it is nevertheless so gripping and satisfying is thanks to its sensitive editors and compilers, but mainly due to the remarkable skills of Michelle McNamara herself. The subtitle is ‘One Woman’s Obsessive Search for the Golden State Killer’. McNamara coined the catchy nickname for the shadowy figure that slaughtered five couples and two women between 1978 and 1986.

Alex Clark

The priest’s tale

Samantha Harvey is much rated by critics and those readers who have discovered her books, but deserving of a far wider audience than she has hitherto gained — so much so that just before Gaby Wood’s appointment as literary director of the Booker Prize Foundation, the critic wrote a lengthy exploration of Harvey’s prodigious qualities, describing her as ‘this generation’s Virginia Woolf’. The reasons for her relative neglect are not complex: her work is deeply serious, her novels rarely mining the same seam; she has featured on numerous long- and shortlists but failed to scoop any major awards; and we don’t see her on the telly or at the head of newspaper columns.

John McEwen

Bird of ill omen

With bird books the more personal the better. Joe Shute was once a crime correspondent and is today a Telegraph senior staff feature writer. It is his investigative journalism, a series of meetings with people who deal with ravens first-hand, which provides novelty. Historical, mythological and other diversions add ballast. In the prologue he writes: ‘I was born in 1984, making me the flag-bearer of a strange generation.’ Raised comfortably and lovingly in London, his future seemed serene. Then ‘came the financial crash of 2007; and with it the collapse of all the misplaced entitlement of my youth... Rather than better, it was going to get far worse’. At this juncture, he found solace in birds in the Yorkshire countryside.

Andrew Taylor

Corpses, clues and Kiwis

Publishing loves a brand. Few authors of fiction create characters who reach this semi-divine status, but when they do, even death cannot part them from their fortunate publishers. Sherlock Holmes, Hercule Poirot, Bertie Wooster and James Bond are among those who have survived their creators’ deaths, thanks to the assistance of living authors. Now Roderick Alleyn, the ineffably posh Scotland Yard detective created by Dame Ngaio Marsh, returns for a posthumous outing with the help of Stella Duffy, herself a distinguished crime writer. It’s an inspired pairing — Duffy, like Marsh, is a New Zealander with a professional interest in the theatre.

Piers Paul-Read

The road to Damascus

Saint Paul is unique among those who have changed the course of history — responsible not just for one but two critical historical developments 15 centuries apart. First, he persuaded the early followers of Jesus of Nazareth that gentiles as well as Jews could belong to their nascent church. This enabled its spread throughout the Roman empire, until Christianity become the state religion under the Emperor Constantine, and remained the official creed of all European nations until the French revolution. Second, there was his teaching on justification by faith alone —a ticking time bomb detonated by Martin Luther in the 16th century.

Alex Burghart

A heavy cross to bear

‘The Victoria Cross,’ gushed a mid-19th-century contributor to the Art Journal, ‘is thoroughly English in every particular. Given alike to the highest and the lowest in rank, but given always with a cautious and discriminating hand... the Victoria Cross is an epic poem’. Like all epic poems, the VC has its tragedies. For some that tragedy lay on the field of battle; for others, as Brian Izzard details in his often depressing new book, it lay in the life that followed. The original Royal Warrant by which Victoria instituted her eponymous medal stipulated that it was to be given only for service ‘in the presence of the enemy’ for some ‘signal act of valour, or devotion to country’.