Culture

The Uncommon Reader by Alan Bennett Since The History Boys transferred first to Broadway and then to the cinema, Alan Bennett has made the journey from national treasure to international superstar. The dustwrapper of this droll novella spends two lines on the London gongs that play picked up, and more than five lines on the American awards (‘five New York Drama Desk Awards, four Outer Critics’ Circle Awards . . . six Tonys including Best Play’), festooned with which he returned to his native Yorkshire. The catalogue of glory reaches a final climax: ‘He was named Reader’s Digest Author of the Year 2005.’ I imagine that would have made Bennett smile when the proofs came through.

The Great Big Glorious Book for Girls by Rosemary Davidson and Sarah Vine One of the publishing triumphs of last year, The Dangerous Book for Boys, with immaculate timing tapped into a rich vein that combined nostalgia with exasperation at the seemingly unstoppable advance of Nanny State, with her stifling regime of risk assessment and avoidance. It followed a long line of similar books stretching back over 200 years. In fact its objectives were identical to those of the authors of The Boy’s Own Book of Sports and Pastimes (c.

A novelist is rarely well-advised to write his masterpiece in his fifties, unless his position at the top of the tree is secure. His themes and style are no longer likely to be in fashion. A younger generation of writers is occupying the attention of reviewers and speaking with greater immediacy to the public. This was Eric Linklater’s experience. He had achieved popularity and critical respect in the Thirties with Juan in America and his best prewar novel Magnus Merriman, and maintained his position after the war with Private Angelo and Laxdale Hall. But by the mid-1950s, when he wrote The Dark of Summer, he was, if not in the wilderness, at least on its fringes. Yet this is a great novel, beautifully crafted, its themes sombre and important.

Tony Blair has engaged the same lawyer - Robert Barnett - that negotiated Bill and Hillary Clinton's respective books deals. Blair is reported to be wanting as much as £8m for them (please lord, let his book be better than either Bill or Hillary's). My mate James Forsyth asks readers to submit working titles for Blair's memoirs, here. Previous such Spectator contests have awarded bottles of champagne to the winner, so there's that too. Of course, leave your ideas for suitable titles in the comments here as well.

Readers with elephantine memories may recall a discussion on the merits of not-reading and on Oneupmanship. With regard to that latter cause, I present The New Yorker's Adam Gopnik, reviewing the Library of America's new and handsome edition of four Philip K Dick novels: While he served a fairly long apprenticeship—a series of almost unreadable realist working-class novels that he wrote in the fifties are now back in print—and struggled to make money, from the time “The Man in the High Castle” won a Hugo Award, in 1963, he was famous, admired, and read. He wasn’t reviewed on the front page of the Times Book Review, but so what?