Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The great negotiator

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Prince Bandar bin Sultan bin Abdul Aziz, the Talleyrand of our age, was for over 20 years the dominant personality in Arab relations with the English-speaking countries. Born into the obscurest royal poverty, Bandar turned himself into a fighter pilot of dash and elan (if not of the very first proficiency), before serving as Saudi Arabia’s ambassador in Washington from 1983 until 2005. He is now secretary-general of something called the Saudi National Security Council, but it is hard to descry through the desert sand and wind his latter-day power and influence. This biography, written by a British classmate from the Royal Air Force College at Cranwell, is the usual courtier’s mixture of hero-worship and good information. The challenge is to tell them apart.

Lost and found

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When Starbucks in the United States decided to promote Ishmael Beah’s memoir of life as a boy soldier in Sierra Leone it seemed to many a surprising choice. A Long Way Gone, with its descriptions of atrocities and terror, is a far cry from the daily travails of footballers’ wives and celebratory chefs. But stories of boy soldiers, casualties of the civil wars endemic across parts of Africa and Asia, have, in recent years, become a growing branch of disaster literature, alongside memoirs of the Holocaust in occupied Europe, the great famine in China, the killing fields of Cambodia, and the contemporary tales of loss and abuse in Western life. Savagery and trauma are now popular reading. Ishmael Beah writes simply and well.

Coping with a continent

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Has there ever been a better time to be alive than the 18th century, provided that one were rich, healthy, literate and European? One would not necessarily have to be a Duke of Newcastle or a Prince-Bishop of Würzburg, although either would be nice. Many of the things which make life agreeable for humbler mortals originate in their modern form in this fascinating period: passable roads, fire insurance, tea, novels, newspapers, street lighting and innoculation to suggest only some random examples. At a more elevated level, an age which began with Bach, Newton and Racine and ended with Mozart, Hume and Beaumarchais plainly has much to be said for it. But there is of course another 18th century.

A big talent spotted

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In the late 1960s I was reviewing books in the Sunday Times alongside the great Cyril Connolly, and got to know him a bit. He said that the moment which compensated for the acres of tripe he had had to plough through in his career as a critic was when one of Evelyn Waugh’s early novels landed on his desk. He recognised genius. In over 40 years of reviewing I have been waiting for that ‘A star is born’ moment, and I think it has now come. I could be making as big a howler as Gertrude Stein when she claimed that Sir Francis Rose was an artist in the same league as Picasso; but Anne Lambton’s short stories — her first book — strike me as of superfine quality: the emotional insight of Katherine Mansfield, the satirical edge of Angus Wilson.

Paradise before the guns opened fire

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Reviewing recently a new English version of Alain-Fournier’s 1913 novel Le Grand Meaulnes, I was happy and relieved to find that it retains its magic. It has entranced generations of adolescents, not all of them French, but I had wondered if it would still appeal after so many years. It is an extraordinary book, part fairytale or romance, part realistic study of French provincial life, sometimes grim, in the last years of the 19th century; and some of its fascination comes from this curiously hybrid quality. It is both naive and knowing. It has the dewy freshness of a first novel, but it is also admirably constructed, reminding one that Alain-Fournier, though only 26 when the novel appeared, was no provincial innocent, but already belonged to the literary establishment.

Throw a hoodie

My book of the moment is Mark Law’s brilliant exploration of judo, The Pyjama Game (Aurum). A specialist book on a marginal sport? Not at all. There is something about the “gentle art” (in which I used to dabble a little) – throws, hold-downs, strangles, and arm-locks - which absorbs and changes people. Vladimir Putin, William Hague, Guy Ritchie: they all do it. And, as my former sensei, Simon Hicks (now sadly departed) explains in the book, it is a sport that teaches hopeless young people self-respect and respect for others. I can vouch for this having been amazed as a private school boy competing around the country never once to have had the slightest aggro even from the toughest nuts. I hope Mark is sending a copy of The Pyjama Game to David Cameron.

The madness of the two Georges

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I saw Jeremy Paxman lose his languid scepticism a few weeks ago on Newsnight and exhibit what looked like amazement. Michael Rose had just said that if he were an Iraqi he would fight the Americans, or at least he could see why Iraqis did it. Is that, Paxman asked, what you want the families of our servicemen fighting in Iraq to know? Rose said yes. Now the reason, I suppose, Paxman abandoned his customary eyebrow-lifting was that Michael Rose is retired General Sir Michael Rose KCB, DSO etc, the ex-Commander of the 22nd SAS Regiment that fought in the Falklands, and commander of the UN Protection Force in Bosnia. If his slim book doesn’t convince you that Iraq is a lost cause and prompt evacuation is the only sane course, you are a Bush-Blair True Believer.

Drang nach Osten

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Another book on Napoleon, or General Bonaparte as the author properly notes, though only because the man had not crowned himself emperor when he invaded Egypt. Insisting on calling him General Bonaparte, as an Englishman should, is now, alas, regarded as mere pedantry. If you type ‘Napoleon’ into the British Library catalogue, the result (13 May) is 10,861. So Paul Strathern, philosopher, mathematician, novelist and historian of the Medicis, is certainly labouring against the odds in offering us more. Except that his eclectic qualifications are probably as good as any historian’s when it comes to making sense, and making interesting, the extraordinarily muddled, vainglorious adventure that was this half-military, half-philosophical expedition.

The leading edge

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Three out of the last ten prime ministers have been cricket fanatics. The first was Clement Attlee. In the immediate aftermath of the second world war a newswire service was installed in 10 Downing Street. Attlee ignored it except that during the summer months he used what he called his ‘cricket machine’ to keep up to date with the close-of-play scores. Sir Alec Douglas-Home is the only prime minister so far to have played the first-class game, including two matches for Middlesex in the mid-1920s. After retiring as Tory leader, he became president of the MCC. Finally we have John Major, a useful player before a crippling knee injury forced him to abandon the game. When he was at Downing Street, cabinet meetings would be interrupted by the latest scores.

It will never be buried

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Why a book at all? This guide to email etiquette, written by a pair of New York Times hacks, ought to exist as a viral attachment bouncing around the world from computer to computer. It kicks off with Jo Moore’s notorious and oft-misquoted email. Here’s the exact wording: ‘It is now a very good day to get out anything we want to bury. Councillors’ expenses?’ It’s the details that make this sorry little haiku so grisly. The verb ‘bury’ is spectacularly tasteless and the macabre contrast between the epoch-shifting events unfolding in New York and the parochial timbre of councillors’ expenses gives it a final gruesome seal of insensitivity. The timing, 14.

The return of the maypole

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The return of the king follows a death. As the Lord Protector of the three kingdoms draws his last breath a great storm rises up, blowing down houses, trees and ships at sea. To Charles Fitzroy it is as if the elements themselves were celebrating Oliver Cromwell’s passing. But it was expected that tempests should mark the death of great rulers and in 1658 the violent winds must have appeared less a celebration than a warning of coming bloodshed. There was no more dangerous a time in a nation’s life than the passing of a ruler when the succession was in doubt. Although Cromwell was not a king in name, the idea of monarchy had survived the trial and execution of Charles I.

Fighting naked on the beaches

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Few have done more than Noble Frankland to dissipate the myths and propaganda that fog our understanding of modern warfare. After serving as a navigator in Bomber Command during the second world war, Frankland went on to become a historian in the Cabinet Office, Director of the Imperial War Museum and adviser to the Thames Television series The World at War. He has proved to be a consummate pathfinder, leading the public through the murky details of 20th-century hostilities. So it’s surprising to find him suddenly embracing the wild fantasies inherent in fiction. Luckily his keen intellect is still evident in his debut novel The Unseen War, as is an eye for the more absurd aspects of political and military power.

Women of no importance

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The Kite Runner, said to be the first Afghan novel to be written in English, told an epic tale of individuals whose lives were lived across two continents amidst relentless political upheaval. Its author, Khaled Hosseini, stunned the critics with the extraordinary quality of that debut novel which has sold over eight million copies and will shortly be the basis of a film. All too often, the sequel to a fine book can disappoint. A Thousand Splendid Suns does not. The story revolves around two women, Mariam and Laila, born a generation apart, whose lives come to be interwoven. Mariam is the illegitimate child of Nana and Jalil.

A fickle jade

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Strix would have been 100 on 31 May. Before he had decided on a screech owl as his nom de plume, he had been Moth, and occasionally Scadavay and Apemantus. He had joined The Spectator in 1931 as a bumptious young man with a first in English from Oxford, where he had also been editor of Isis and president of the OUDS. His name was Peter Fleming and his association with The Spectator lasted for nearly 40 years, though it is as a travel writer that he is now remembered by aficionados. ‘A relaxed and somehow amateurish atmosphere pervaded No. 99 Gower Street in 1931,’ he wrote, ‘and it was comparatively easy to introduce such revolutionary innovations as the appointment of a film critic (me).

G

When Günter Grass confessed last year that he had been in the Waffen SS it took everyone by surprise. It seemed like a cynically timed admission coming after he had won the Nobel prize for literature and before his autobiography came out. That slightly odd feeling isn’t shaken by this long essay in the New Yorker in which Grass explains how he ended up in the SS and stresses that he never actually fired a shot.

Why Gordon will go soft

This review of Gordon Brown’s book on Courage from Blair’s pollster Philip Gould is absolutely fascinating. This is his take on Brown’s chapter on Bobby Kennedy’s career: “its fascination for Brown, is Kennedy's metamorphosis from "hard" to "soft" courage in the course of his later life, moving from tough-guy enforcer to open, empowering and empathetic politician. Brown sees Kennedy as a prototypical New Labour politician rejecting old left bureaucratic, top-down welfare solutions to poverty in favour of empowerment, the dignity of work and the potential of education. But it is clear Brown also sees Kennedy as a model of how it is possible to be renewed as a person and as a politician.

An unpromising land

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The enjoyment you take in this novel will depend on what sort of animal you think the novel is. If you think novels are moral journeys, examinations of the troubles of the world, you will enjoy it as an ingenious example of the ‘alternate world’ fantasy. If you think they are principally aesthetic objects made out of language, you will enjoy it mostly as a dazzling game with styles and genres. Either way, there’s no denying the high hilarity and wit, in the largest sense, of this exceptional book. Michael Chabon’s conceit is that the state of Israel was briefly founded, but was destroyed almost immediately, chased into the sea in 1948. The Jews of the world found a homeland instead in Alaska.

The voice of moderation

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Abu Suleiman looks back on his time in al-Qaeda as a reformed drug addict in Britain might consider his past life as a junkie. Speaking English, learnt from his American jailers at Guantanamo Bay, the young Saudi is now a respectable member of society and has a wife and a job as a stock market analyst in Riyadh to prove it. Like other Muslim men recruited by militant Islam to the cause of jihad, he knows that he is lucky to be alive, and fortunate to be given a second chance. Most others who made the trek to join Osama bin Laden in Afghanistan or his associates in Iraq have been captured, killed or ended their lives as suicide bombers. The story of what happened to his generation of young Muslim men across the world over the past decade and a half is only now being told.

Fearless freedom fighter

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Sara Paretsky is one of the most respected and influential crime novelists of today, and this poignant and compelling personal testimony explains both the influences which made her a writer and the kind of writer she became. She was born in 1947 in Ames, Iowa, and grew up in Lawrence, Kansas, the only daughter in a Jewish family of five children. It was a world in which white Republican Protestants were the decision-makers, any questioning of their social mores provoking an aggressive reaction. Both parents were well educated and highly intelligent, both actively worked for social justice, but paradoxically kept their only daughter in emotional and educational subjection.

Last but not least

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Of six million Russian soldiers captured by the Germans, only one million are still alive in 1945, two million German women raped by Russian soldiers in the last months of the war, countless millions of Jews and others done to death in German concentration camps, 12 million displaced persons wandering about in Germany at the end of the war not knowing where to go. Such are a few of the statistics of Hitler’s legacy inherited by Europe in May 1945. These figures perhaps have become familiar, but how often do those to whom they have become familiar pause to consider what they really mean? Huge figures such as these have a self-defeating quality rather like those about money that are bandied about by chancellors of the exchequer; five billion more for this, five billion less for that.

Uncomfortable home truths

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In a large house in north London, thick with the fug of kosher cooking and unspoken secrets, lives a lopsided family. The Rubins are envied — and enviable, surely? Claudia Rubin is a rabbi. She is also a writer, media personality and, par excellence, mother. She dominates her gentle, disappointed biographer husband Nor- man and their four ill-assorted children: an emotional, intellectual, motherly leviathan. Her standards are exactingly high — ‘For Claudia, good enough has never been good enough’ — but the veneer of family perfection Rabbi Rubin takes pride in sharing with the outside world is built on shaky foundations. The obligations and responsibilities of love have ousted simple affection.

A romantic looks back

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The unending journey of this book takes Mark Tully from slums to skyscrapers as he explores the past, present and future not only of the subcontinent but of society, both eastern and western; how democracy is facing up to fundamentalism — Hindu, Muslim and an atheism he scathingly labels ‘aggressive secularism’. The Dawkins camp would not be welcome in his compound. There was a time when Tully was the most famous Englishman in India — ‘What does Tully Sahib say?’ the man on the village charpoy would ask when political or economic upheaval loomed. Tully’s mellifluous voice filled the airwaves for the 22 years he ran the BBC’s New Delhi bureau, trusted and loved by his millions of listeners.

A paradise for bookworms

Any other business

Imagine coming across a book that has lain untouched for 100 years, and making an unexpected historical discovery. Ed Maggs, an antiquarian bookseller, had just such a thrill recently. ‘I was reading the epistolary diaries of a rather eccentric Victorian called Cuthbert Bede. I became strangely fixated by the story of this man who was obsessed by an unnamed woman. He fell into a state of schizophrenia and was incarcerated in an asylum called Munster House in Fulham. But as I was reading, I was wondering who this woman could have been — and wouldn’t it be fascinating if it turned out to be Alice Liddell? In the end it did turn out to be her. It was a real hair-on-the-back-of-your-neck moment. We sold the book to the Bodleian.

Ordering the steps of the Dance . . .

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Writing a novel is a voyage into unknown territory. (Reading one is also, of course.) The author explores possibilities. To some extent even those novels which seem far removed from autobiography represent the author’s imaginary, or alternative, life, characters owing more in the last resort to him than to any identifiable models. He is a puppet-master, ordering the steps of the dance. Nevertheless he is likely, in the writing, often to be taken by surprise. ‘How do I know what I mean till I see what I’ve said?’  What to the reader seems right, even inevitable, might have taken a different course. The truth of this is well illustrated by  the jottings Anthony Powell made, published posthumously as A Writer’s Notebook.

Reading Wagner

I've been having a Wagnerian time of it lately, organizing a festival of events to coincide with the Royal Opera's performances of the Ring cycle in October. On Wednesday I was deep in the Nibelheim-like bowels of the Royal Opera House, recording extracts from Wagner's letters with Simon Callow. He read with the most spine-tingling concentration and a vivid fluency that made me unnervingly feel as if I was sitting next to the composer himself. Wagner was undeniably a monster but the energy and passion of the man was astounding. One minute he's writing exaltedly to Franz Liszt - 'I now consider my powers to be immeasurable: everything seethes within me and makes music'; the next he is in a rage of despair at the 'cruelly difficult task of creating in my mind a non-existent world.