Culture

Culture

The good, the bad and the ugly in books, exhibitions, cinema, TV, dance, music, podcasts and theatre.

The yellow star of courage

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Journal, by Hélène Berr, translated from the French by David Bellos ‘What must be rescued,’ wrote Hélène Berr in her diary on 27 October 1943, ‘is the soul and the memory it contains.’ The need to see and understand and later to remember is the theme that runs through Berr’s remarkable diary of Jewish persecution in German-occupied Paris in the second world war. There were, she believed, two kinds of people in the world: those who recognised what was happening to the Jews, and who felt with them, and those who either could or would not see. And in the first and ‘preferred’ group were to be found surprisingly few friends, but a great many ‘ordinary people’.

For old times’ sake

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A hundred chorus girls sashaying through a Busby Berkeley musical. Bugs Bunny munching nonchalantly on a carrot. Errol Flynn and Basil Rathbone in Hollywood’s greatest swordfight (‘The Adventures of Robin Hood’ or ‘Captain Blood’ — take your pick). Bette Davis pulling the trigger in ‘Deception’. James Cagney smashing a grapefruit into a moll’s face. Alex and his droogs in the Korova Milk Bar. Heath Ledger’s Joker hissing, ‘Do you know how I got these scars?’ The lilting music of Erich Wolfgang Korngold. Raoul Walsh. ‘Bonnie and Clyde’. Michael Curtiz. ‘Rio Bravo’. Sam Peckinpah. ‘Dirty Harry’. ‘Made it, Ma! Top of the world!

Life & Letters

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Allan Massies dips into Brideshead Revisited Having just read something about the new film of Brideshead Revisited, I picked up the novel, opened it at random, and then, some two hours later, a good part of my working evening was gone. I suppose it is now Waugh’s most popular novel — his Pride and Prejudice as it were — but, when first published, ‘it lost me’, he wrote in the introduction to the revised 1960 edition, ‘such esteem as I once enjoyed among my contemporaries and’ — perhaps worse? — ‘led me into an unfamiliar world of fan-mail and press photographers’. His confidence had been high when at work on the novel.

The romance of science

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The Age of Wonder, by Richard Holmes Just what some- one who studied science should be called was mooted at the 1833 meeting of the British Association for the Advancement of Science. ‘Formerly the “learned” embraced in their wide grasp all the branches of the tree of knowledge, mathematicians as well as philologers, physical as well as antiquarian speculators,’ reported the geologist William Whewell. ‘But these days are past.’ The meeting was chaired by Coleridge, who vetoed the use of ‘philosopher’; ‘savants’ was instantly rejected as too French. But ‘some ingenious gentlemen’ (including Whewell himself) proposed ‘that, by analogy with “artist”, they might form “scientist” ’.

Great expectations dashed

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Origins: A Memoir, by Amin Maalouf, translated by Catherine Temerson The Lebanese Amin Maalouf is best known as a writer of historical novels in French, such as Le Rocher de Tanios, which won the Prix Goncourt in 1993. Yet before moving to Paris during the Lebanese civil war of the mid-1970s, Maalouf was a newspaper journalist in Beirut like his father before him. These two elements in his character, romancier and reporter, come together in this fine essay in family history. First published in French by Grasset as Origines in 2004, it is based on a trunk of family letters, photographs, newspaper clippings, receipts and title deeds preserved by the author’s mother in the family house in a part of Mount Lebanon known as the Northern Metn.

The spectre of Spielberg

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Searching for Schindler, by Thomas Keneally Which would you rather read, The Great Gatsby or F. Scott Fitzgerald’s day-by-day account of the whisky he drank and the cigarettes he smoked while writing it? La Comédie humaine or a list of the cups of coffee Balzac downed, between midnight and sunrise, while putting all of those words down on paper? Barchester Towers or Trollope’s fond recollections of the time he spent in composition (wake up at 5:30, write until 8:30, leave for the post office, go home. Next day: wake up at 5:30, write until 8:30, leave for the post office, go home…) Descriptions of the process by which novelists come to create their works are invariably far less interesting than the works themselves.

First knight and his lady

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A Strange, Eventful History: The Dramatic Lives of Ellen Terry, Henry Irving and Their Remarkable Families, by Michael Holroyd It is rare today to come across a non-fiction book that does not include in its title or subtitle the assertion that the tale it tells is ‘remarkable’, ‘extraordinary’, or ‘fas- cinating’, publishers presumably having decided that we readers are unlikely to guess that a book might be interesting unless it says so on the cover. Inevitably, these claims have become devalued. Michael Holroyd, perhaps in ironic homage to this trend, puts no less than four appetite-whetting adjectives on his menu, with the original twist that the feast they advertise actually satisfies them all.

Going green

We’ve just posted up Lloyd Evans’s review of Thomas Friedman’s talk at Intelligence Squared last night on his new book, Hot, Flat and Crowded. Why the world needs a green revolution and how we can renew our global future. It is well worth reading.

The Best of Punch Cartoons

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In 1956 I joined other new kids on the block at Punch magazine: Quentin Blake, Ed McLachlan, Mike Williams, Honeysett, Ray Lowry, Ken Pyne, Bill Tidy, Pav, Petty, plus Gerald Scarfe and Ralph Steadman who were going to blow the world apart with their blood-and-guts drawings. While Punch’s pages were curling at the edges, up popped Private Eye — naughty, rude, fearless and funny. Punch took a mortal blow from which it never recovered. People said that Punch had ceased to be funny, but this simply wasn’t true, as the cartoons collected here demonstrate. Cartoonists then had room to stretch themselves and put into their drawings details of the surroundings and attitudes of the period. Look at the amazing Pont (Graham Laidler) and see how he captured the Thirties.

On stage from the start

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Henry: Virtuous Prince, by David Starkey Among the glories of Flanders and Swann is a long, erudite and silly shaggy-dog story about the Tudor theatre. It culminates in the appearance as from nowhere of a score for the tune known as ‘Greensleeves’ — or ‘Greenfleeves’ as Flanders and Swann have it. Someone wonders aloud who composed it, and a voice from the back of the auditorium booms: ‘We did.’ ‘Who are you?’ ‘We’re Henry the Eighth, we are.’ David Starkey’s new book adds an extra valency to this joke. It wasn’t just his royal status that called for the plural pronoun; there were, he argues, two Henry VIIIs.

Living with a dark horse

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The Horsey Life, by Simon Barnes Dolly Dolores was a big-bottomed mare with a white star on her forehead who loved to jump. Simon Barnes experienced an instant connection with her on his first ride. He had never owned a horse before, but his wife persuaded him to buy her. He spent a royalty cheque on her. She was always a lively ride. At first Barnes just gave Dolores her head and let her do what she wanted. She was an ace jumper, never refused, never ran out — one of those rare horses with a passion for jumping. Barnes competed in cross-country events (though he is modest about this) and he started winning prizes, but then Dolores began to behave in a weird manner. She stood up on her hind legs and refused to move. People advised him to have her shot.

Surprising literary ventures | 8 October 2008

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Alexander McCall Smith is best known for his No. 1 Ladies’ Detective Agency series of novels (Tears of the Giraffe, Morality for Beautiful Girls, The Kalahari Typing School for Men etc.) as well as the Isabel Dalhousie mysteries and the 44 Scotland Street series. But McCall Smith has a number of other strings to his bow. He is, for example, an Emeritus Professor of Medical Law at Edinburgh University, and has written or co-written several books in the field of law and medicine, among them The Forensic Aspects of Sleep, The Duty to Rescue and The Criminal Law of Botswana, all of which could serve as titles for No.1 Ladies’ Detective novels.

Terrors of the imagination

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Of the four Prime siblings of the Beacon farm, Frank, the second boy, was, throughout their early lives, ‘almost invisible’. He did everything late, spent most of his time alone, and was a dunce at school, where he bemused teachers and children alike. They never knew what to make of Frank, they said; what went on in Frank’s head was one of the great mysteries. He did little speaking but a great deal of staring out of large green-grey, slightly bulbous eyes. He followed people too … Turn round, and Frank would be there, silent, watching, following. Beware of the individual close to you whom you have never got to know, whose mental life you have written off as ‘mysterious’.

The Wiki Man | 4 October 2008

The Wiki Man

One of the most interesting books from the last year has been Revisiting Keynes: Economic Possibilities for our Grandchildren (MIT Press, £20) — a reprint of a 1931 essay by J.M. One of the most interesting books from the last year has been Revisiting Keynes: Economic Possibilities for our Grandchildren (MIT Press, £20) — a reprint of a 1931 essay by J.M. Keynes in which he describes what his readers’ grandchildren should expect 100 years on. The piece is followed by 14 essays from present-day economists (four of them Nobel Laureates) discussing why Keynes got some things right and others so wrong.

The Half

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‘The Half’ is how actors refer to the half hour before their play begins, when they ready themselves, steady themselves, for their performance. For 25 years Simon Annand has been allowed to catch these vulnerable moments and the result is a series of intimate, revealing and beautiful portraits. Many of the subjects are famous, a few are not. Some do exercises like athletes, pulling their limbs into unlikely positions — sometimes sitting beside a wash-basin, like Saffron Burrows (above). Others lie on the floor; Derek Jacobi before ‘The Tempest’ may be asleep. Julia Stiles looks defiant. Glenda Jackson and Max von Sydow, surprisingly, roar with laughter.

Diving into darkness

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In 1972 Tim Robinson — a Yorkshireman by birth, a Cambridge mathematician by training, and an artist by vocation — moved to live on Inis Mor, the largest of the three Aran Islands that lie off the Galway coast. His first winter there was hard and ominous: long nights, big storms, and a series of accidental deaths among the islanders, by falling or drowning. Enough to send anyone home. But Robinson stayed, and shortly afterwards began work on what is, to my mind, one of the most remarkable non-fiction projects undertaken in English. He started to walk his island, obsessively and in all weathers, pacing off its coastline and traversing its interior. And as he walked he mapped: recording the location and lore of each bay, cliff, wall, house, field, grave and significant stone.

The pragmatic approach

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‘The Half’ is how actors refer to the half hour before their play begins, when they ready themselves, steady themselves, for their performance. It seems a bit early to be discussing how to survive the 21st century. After all, there are 92 years left in which to do it, years in which we can expect traditional verities to fall away, existing technologies to be transformed, and problems yet unheard of to supplant the imperative causes of our own day. Political pundits have always tended to extrapolate from both the problems and the solutions of their own time, and Chris Patten is no exception. Such works have a short shelf-life. Yet there is much more to his latest book than hand-wringing and soothsaying, and there are good reasons why even the most sceptical should read it.

Of cabbages and kings

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Gardens: An Essay on the Human Condition, by Robert Pogue Harrison When I was a student, my Cambridge supervisor said, in the Olympian tone characteristic of his kind, that the only living literary critics for whom he would sell his shirt were William Empson and G. Wilson Knight. Having spent the subsequent 30 years in the febrile world of academic Lit. Crit., with its lemming-like leaps from mandarin French theory to each latest fashion in identity politics, I’m not sure that I’d sell my shirt for any living critic.

A laughing cavalier

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Cartoons and Coronets: The Genius of Osbert Lancaster, introduced and selected by James Knox It is a cliché of book-reviewing to write, of a humorous book, ‘I began reading it on a train. It made me laugh out loud several times, to my embarrassment in the crowded carriage.’ Well, it happened to me recently with In Tearing Haste: Letters Between Deborah Devonshire and Patrick Leigh Fermor, edited by Charlotte Mosley. What started me off were Leigh Fermor’s variations on William Blake’s couplet: A robin redbreast in a cage Puts all Heaven in a rage. Leigh Fermor’s first conceit made me cackle: Blackbirds fluttering from a pie Cause four-and-twenty cheers on high. His next: When a pig wanders from its pound The angels call for drinks all round.

A safe pair of hands

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A Political Suicide: The Conservatives’ Voyage into the Wilderness, by Norman Fowler To write a political memoir is difficult. Too bland, too afraid to be rude about former colleagues, you risk boring the general reader while disappointing your publisher. Too critical, you lose the few friends among your former colleagues you have left, while appearing spiteful and embittered to the general reader. We can all think of examples of ex-ministers in both categories. Nigel Lawson is one of the few among late-20th-century politicians who have avoided both Pooh-traps and produced a memoir which is near to being required reading for the interested amateur. Norman Fowler is no Nigel Lawson.

Carrie on shopping

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One Fifth Avenue, by Candace Bushnell One of life’s intriguing  mysteries was how Carrie Bradshaw managed to fund a rapacious Manolo Blahnik habit whilst spending her entire working life sitting in her knickers and vest in front of a laptop in her bedroom typing drivel about men. This was skilfully glossed over, and my enjoyment of the wondrous Sex and the City never suffered from it. Slowly, despite myself, I came to believe that there were female columnists in New York who wrote one loosely worded article a week and got paid so much for it that they could afford an apartment in the West Village and a hoard of designer frocks and shoes that would make Imelda Marcos blush.

Unruly children as parents

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If as a child you found your parents embarrassing then this hiss-and-tell memoir will make you feel a lot better, as Cosmo Landesman had parents who were off the Richter scale of embarrassment. Jay and Fran were two wacky, middle-aged American egotists who arrived in ‘the land of the stiff upper lip’ and caused mayhem. Blind to their own blush-making toxicity, they were obsessed with being famous. Life at home was like a bad sitcom, as they canoodled with their respective lovers in front of their children’s schoolfriends and then, like some grotesque TV reality show, shamelessly paraded their open marriage to the media, the ultimate examples of the look-at-me-me-me generation. Poor little Cosmo blushed and cringed most days as they rode roughshod over his childhood.

The end of old Labour

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Bernard Donoughue has produced several valuable books, one of them a biography of Herbert Morrison (written with George Jones) and another an account of No. 10 under the Labour governments of the 1970s, which contains the often quoted, though rarely acknowledged, observation of James Callaghan just before the 1970 election, to the effect that there was a tide in politics which prime ministers were powerless to resist. Lord Donoughue’s Downing Street diaries came later. The first volume, on his days as a ‘special adviser’ to Harold Wilson, was dominated not so much by Wilson as by Marcia Williams, Lady Falkender. Indeed, ‘Marcia’s Tantrums’ would have served as a catchier subtitle than ‘With Harold Wilson in No. 10’.

Back to simplicity

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Mlinaric on Decorating, by Mirabel Cecil and David Mlinaric I wish this book weren’t so heavy. It is full of such good things that I wanted to carry it around so that at every spare moment I could have another wallow in David Mlinaric’s beautiful world. In the end I compromised and spent hours with it at the dining-room table, where I discovered the rather encouraging information, as I looked at the paint peeling from my Doric columns, that he, the man I had always thought of as the great high priest of the perfect interior, was in fact the begetter of the decorating style known as ‘shabby-chic’.

A furious, frazzled youth

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Indignation, by Philip Roth Indignation, Philip Roth’s 29th book, is about the sophomore year of its narrator, Marcus Messner, who attends college in 1951, a time when the Korean War hangs in the background, waiting to devour America’s youth. Marcus is a brilliant student, the first of his family to enter university, but he has recently suffered unrest. He spent his freshman year at college in his native Newark, which enabled him to live at home. It should have been ideal for a quiet boy such as Marcus, who wanted nothing more than to achieve good grades, but his normally easy-going father had a breakdown of sorts which made him irritable and intrusive to the point where Marcus could no longer live with him.

Out of the frying pan . . .

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Stranger in the House: Women’s Stories of Men Returning from the Second World War, by Julie Summers The second world war is big business. Television, film, novels — whole industries have evolved to bring home to us the images of a ‘just’ war. Then there are the thousands of books, on politics, economics, Hitler and Churchill, Rommel and Monty. Too few of these, however, give us authentic voices, telling their own stories. Further, most end with VE or VJ Day, with happy crowds dancing down the Mall. But what came after? How did families reconnect after six years of separation, privation, horror and fear?