Culture

If the production team of The Archers ever needs a scriptwriter at short notice, they need look no further than Miranda France. For her latest book, she’s gone back to her roots as the daughter of a farming family and created a novel that’s a cross between an omnibus edition of the radio soap and the gimlet-eyed prose of Stella Gibbons. Hill Farm is set in a nameless village somewhere on the borders of Sussex and Kent. Hayes loves the land, but not farming. His wife Isabel loves the idea of the country but not the reality of the falling-down farm to which she is shackled by duty rather than affection.

Usually, I mistrust hype. But if you get the chance over this Bank Holiday Weekend and the next, grab a copy of Jennifer Egan’s A Visit From The Goon Squad, which has just won the Pullitzer and would doubtless sweep the Grammies if it was eligible. I have just started it and it was immediately beguiling. It’s a book of contradictions: self-regarding then mysterious; constrained and then epic; foul and at a turn inspiring. I can’t wait to get out into the sun and read it at leisure. It’s much too early to fathom my own response to the book.

The homes of famous writers have a strange allure. A suggestion of genius in the air, perhaps. In the Telegraph, Claudia FitzHerbert has a beguiling piece on newly-reopened Max Gate (pictured), the house in which Thomas Hardy wrote many of his most celebrated works.   Having the name of a famous writer in the town hall records is a boon for any local authority. Take a bow Stratford-upon-Avon. The recently refurbished RSC theatre is just the start. The Shakespeare Birthplace Trust looks after a variety of Bard-related real estate including the Henley Street house in which Shakespeare was born, Anne Hathaway's cottage and the farm once occupied by Shakespeare's mother.

There seems to be something of a fashion at the moment in panning James Franco’s literary debut, Palo Alto. If you are looking for motives they are not hard to find: Franco is nauseatingly prolific – not only did he host this year’s Oscar ceremony but he was also nominated for his performance in 127 Hours; he recently took four Masters programmes and is now doing a PhD at Yale; he’s a keen artist and has presented his work at the Clocktower Gallery in New York. Oh, and he’s all right to look at too. Gucci agree, having made him the face of their men’s fragrance. So no, there’s no shortage of motive in dismissing his short story collection as the unoriginal work of a vain Hollywood pretty boy. Yet to do so would be a mistake.

The Desert News, Utah, reports on the discovery of a 600 year old travel book, The Nuremburg Chronicle: ‘Rare-book dealer Ken Sanders has seen more than his share of old books. But he's never seen one in Utah quite like ancient tome that made his jaw drop last weekend. "It's a real thrill and a treat to hold something in your hand that was new when Columbus discovered America and the New World," he said of the dilapidated book that is more than 500 years old, making it one of the oldest books ever printed with movable type.

Dan Hodges disagrees with me (and with Dan Hannan) and argues that, yes, we should definitely imprison people for burning books. Certainly if that book is the Koran. And perhaps other books too. Who knows where it will all end once you start? Those who defend Quran-burning on the basis of free speech miss the point. [...] This is an overt, conscious action, motivated by malign intent. It is not the product of open, free-spirited discourse, but an aggressive, premeditated provocation. Nor is it actually speech. It's not opening a dialogue or building an argument. Quite the opposite. It's a deliberate act of destruction; the destruction of a dialogue and argument constructed by others. If you don't like Islam, fine. Write a book about why. Don't burn one.

‘Atlas shrugged. And so did I.’ I’ve always wanted to write that, but the incomparable P.J. O’Rourke has got there first in this summary-cum-review of the new film of Ayn Rand’s magnum opus. By all accounts the book has been reverentially adapted to the screen, and O’Rourke warns that the ‘uninitiated will feel they’ve wandered without a guide into the midst of the elaborate and interminable rituals of some obscure exotic tribe.’ Rand’s exhaustive and exhausting book has long divided critics, a trait that seems not to have been inherited by Paul Johannson’s movie. With the predictable exception of the Atlas Society, critics are panning this film.

At 5pm today, the doors will close on this year's London Book Fair. What have we learned from the publishing industry’s major annual conference? First, most publishers and agents agree that the e-book will soon outstrip the paperback. This, insiders claim, is an opportunity. Speaking at an event on Tuesday, Corrine Turner of Ian Fleming Publications argued that the e-book was more flexible than the strict format of the paperback, which means that publishers can reach a more diverse range of customers. Production costs are also significantly less, so an ever greater number of books can be published to exploit niche markets across the globe.