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Plumbing the depths

The sea frightens me. It seems so cold and cruel, even when it looks warm and inviting. It was with some wariness, therefore, that I approached David Austin’s first novel, in which the sea, or the Sea, as it is sometimes called in this book, is a major player. Robert Radnor has returned from India ‘with a little splash of publicity’ generated through his being the only survivor of the Golden Delta, a rusty tramp steamer ‘blown round the world by the winds of whatever trade could be found’ and finally obliterated by a tidal wave.

An innocent at large in dystopia

Turgenev wrote, ‘Whatever a man prays for, he prays for a miracle. Every prayer reduces itself to this: “Great God, grant that twice two be not four.”’ Pete Dexter starts from the other end. His characters know that, whatever they pray for, twice two will always be four — and it will always be held against them, and they will have to pay for it. It is 1953. Train is a black teenager who caddies at a white golf club, an inspired innocent who carries grass seed back to the ghetto to grow a lawn, who feeds a literally lame duck he names Marliss. Miller Packard is a police sergeant who discovers in Train the most naturally gifted golfer he has ever seen.

Pioneer in a peculiar science

The first distinguished person I ever met told me that he preferred funerals to weddings. ‘Weddings,’ he said, ‘are so final.’ It is true that many changes take place to the human body after death, practically all of them of surpassing unpleasantness. Perhaps that is why no one before Professor Bass had the idea of observing the decomposition of human corpses under various conditions (or at least the determination to carry it out). He created an academic institution devoted exclusively to this purpose, the only one of its type in the world. Until then, knowledge of human decomposition was purely adventitious, the product of accumulated chance observations.

Forward to the past

If time travel were possible, surely there’d be people from the future causing mischief in the present? Well, not necessarily: perhaps when you travel back in time you visit a parallel universe and therefore can’t muck about with history, even if you try to. Alternatively there might already be time travellers dotted about, but when they start talking about coming from the future we think they’re bonkers and cart them off to the friendly hospital — like Andrew Carlssin, arrested in New York in January 2003 on insider-trader charges after turning $800 into $350 million in two weeks.

A smile, a figure, a flair

It’s hard to find an exciting biographical subject who has not been done and on whom sufficient unpublished papers and records exist (not to mention alluring photographs). By good fortune, persistence and enthusiasm, Miranda Seymour has done just that with Hélène Delangle. Who she? Well, she was born in 1900 (her preferred date was 1905) as the cuckoo in the nest of a rural French postmaster and his wife. She had a smile to set a thousand Bugattis roaring, a figure to match and the zest and daring of a corps of cavalry.

Quite the most delightful clergyman

Simon Phipps, says the cover of this slim but engaging volume, was ‘the last of his breed of Bishop’. One hopes not. Does Eton, the Guards and Cambridge now preclude preferment in the Anglican episcopacy? This aside, what is the edification or entertainment in recollections by the great and the good of the varied life of the Right Reverend Simon Phipps MC? Could Eamonn Andrews have made an audience of millions feel better for having heard ‘Simon Phipps, This is Your Life’? One hopes so.

Hide and seek

The constant command in the works of Alberto Manguel is ‘look closer’. From his terrifying novel, News from a Foreign Country Came to his A History of Reading and Reading Pictures, A History of Love and Hate and Into the Looking Glass Wood and his book of notes that analyse the film The Bride of Frankenstein he surprises, shocks and awakens us. He is both the wizard releasing coloured doves from a black top hat and the dedicated scholar soberly at desk. He is fascinated by duality (duality is the whole message of his early novel) and it is everybody’s duality that is the subject of this new story.

The sleep of reason

Like Francis Wheen’s other books, this one ends in a deliriously funny index, which is worth the cover price on its own. One entry: Blair, Tony; claims descent from Abraham; defends secondary picketing; defends teaching of creationism; displays coathangers; emotional guy; explores Third Way; likes chocolate-cake recipe; sneers at market forces; takes mud-bath in Mexico; venerates Princess Diana; worships management gurus. Or, on the other side of the political spectrum: Thatcher, Margaret; chooses market-minded Archbishop; economic delusions; enjoys ‘electric baths’; quotes St Francis; quotes St Paul; revives Victorian values; sides with good against evil; supports terrorism; thinks the unthinkable.

The woman in black

Catherine de Medici was, quite literally, the original black widow. After her husband, King Henri II of France, was accidentally killed in a jousting contest in 1559, she always dressed in black, despite the fact that French queens traditionally wore white mourning. Figuratively the term might seem equally apt, for Catherine has customarily been depicted as black-hearted, as well as black-garbed. However, as Leonie Frieda shows in this absorbing biography, Catherine was a well-intentioned woman who resorted to extreme measures only under pressure. Prior to 1559 Catherine had been a neglected queen consort, overshadowed by her husband’s mistress, but the king’s fatal accident transformed her into a pivotal figure in 16th-century Europe.

A prickly but noble nation

To my mind one of the relatively few happy circumstances of our time, as we grope into the 21st century, is the condition of Wales. By no means all Welsh people would agree with me. Those who love the Welsh language above all else must still fight their heroic battle in its defence. Those who think politically are dissatisfied with devolution and the febrile dullness of the National Assembly. The flood of English incomers is a curse on several levels. Many of my countrymen are in sackcloth and ashes over the state of Welsh rugby, and rather fewer, perhaps, are mourning the virtual dissolution of the chapels. But I prefer to take the big view, the long view, and all in all it seems to me the condition of Wales is on the mend.

Strutting their stuff

H. L. Mencken once said that the function of journalism was to comfort the afflicted and afflict the comfortable, but few of us manage to live up to that standard today. On the contrary, most of us are more likely to hurl ourselves at the feet of the high and mighty and ignore everyone else. Mencken’s thoroughbreds are now so rare that when you come across one it’s like encountering a unicorn. Michael Wolff is one such creature. He’s been throwing custard pies at the rich and powerful since he was appointed New York magazine’s media columnist in 1998. His willingness to skewer the robber barons of the media-industrial complex has made him one of the most famous journalists in America and Autumn of the Moguls is his greatest hits collection.

Lucky to be alive?

Oracle Night describes a nine-day episode in the life of a writer, Sidney Orr. Orr is recovering from a long illness after a sudden collapse resulted in critical head injuries. He has been lucky to escape with his life — or, to put it another way, he should be dead. Eight months after the accident Orr drifts around Brooklyn on daily recuperative walks, a shadow of his former self: he is light-headed, detached from the clamour of city life. One morning he buys a blue notebook and starts writing again, curiously absorbed. And then, as if by magic, his life begins to unravel. Certainties become uncertain, trust becomes mistrust, an ordered life turns to disorder, to panic and finally to tragedy. But there are many more stories within this curious book.

Can you forgive him?

The story is a good one. Lady Anne was born in 1837 and died, in Egypt, in 1917. Her mother, Ada, who was connected with Babbage and his prototype computer, was Byron’s only legitimate child. Aged 32 and wealthy, Lady Anne was plucked off the shelf by the poet and philanderer Wilfrid Scawen Blunt. After miscarrying several times, in 1873 she gave birth to their only living child, Judith, later Lady Wentworth. The Blunts then set out on their Arabian adventures, she being the first European woman to cross the northern desert. They met real danger and hardship. Winstone is excellent on these journeys, which undoubtedly had a profound cultural influence on Lady Anne.

The endurance of oracles

State constitutions throughout the ancient world were designed to imitate the order of the universe. Their model was an esoteric code of number, harmony and proportion which was supposed to reflect the perfectly structured mind of the Creator. From this procedure came a form of society, like those of archaic Greece, where the nation was divided into halves and quarters and finally into 12 sections, each dedicated to one of the 12 gods of the zodiac. The number 12, which organises the field of number itself, is a natural symbol of the universal order and the rational mind. Its opposite, representing the irrational world of dreams and inspiration, is the number seven. That number was applied to the oracle.

Too much key, not enough novel

Susanna Moore’s fifth novel opens on board the Jupiter in February 1836, with the ladies — make that a capital ‘L’ — Eleanor and Harriet, together with their brother Henry (the incoming governor-general), en route to India. Storms rattle the halyards, rats scrabble at the sodden travelling library and Eleanor, our raisonneur, is somewhat put out to find her own excrement floating back and forth through the flooded cabin. Subsequently, as the Bay of Bengal looms before them, she professes herself ‘shocked at the violence I discover in myself’. Later, inevitably, she will be shocked by the violence she discovers in other people. A first sighting of Calcutta’s chaotic quayside offers only ‘a melancholy absence of official dignity’.