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Everyday life in the army

James Boswell (1906-71) was a New Zealander who settled in London in 1925, studying to be a painter at the Royal College of Art. In 1932 he gave up painting for illustration and joined the Communist Party. In common with many young people, he wanted to do something practical in a period of deprivation and want. He became a founder member of the Artists International Association, with such other committed left-wingers as Edward Ardizzone, Pearl Binder, Cliff Rowe and Misha Black. He also contributed satirical cartoons to Left Review, somewhat in the style of George Grosz. His other subject was everyday London life, for which he had a perspicacious eye and a deep affection.

Struggling to survive the future

Jim Crace’s latest novel, The Pesthouse, is set in a future America which, following an unnamed catastrophe, has endured a massive regression. There are no machines any more, no electricity or shops, no books and therefore no knowledge of history. In case this seems like an Arcadian idyll, there are also gangs of robbers skulking around, and regular outbreaks of plague. You might call the place faintly medieval, but it is worse because systems of trade are collapsing, not expanding. Unsurprisingly, then, many are trying to flee. The novel begins in Ferrytown, a village whose river must be crossed by those heading for the ocean.

Manna

Footsore, like the Assyrians of oldas ravenous as wolves, we left the hillbright-eyed, invigorated by the cold,clean mountain air of which we’d drunk our filland slept on the train home from Ballater.Twenty-eight miles we’d walked to Lochnagarand back, following the burbling watersof the Muick, the summit one grand hurrah.That night we fell like two starving navvieson bowls of Scotch broth, platefuls of roast beef,and Yorkshire pud, spuds, sprouts, carrots, gravy,rhubarb crumble — divine beyond belief.After a day of holy, God-like things,the benediction balm: feasting like kings.

The Last Days of Hitler revisited

Hugh Trevor-Roper’s study of Hitler’s death was published by Macmillan 60 years ago this month. It won the Oxford historian an international reputation and remains one of the most powerful and readable accounts of the Nazi regime. It has never been out of print, yet this enduring quality is surprising. Trevor-Roper’s book was not the product of calculated research but resulted from an official enquiry. It was instant history, written very quickly a year after the events it describes, when many sources were not yet available. Nevertheless, the author constructed not only one of the most vivid portraits of Hitler but developed an analysis of his regime later confirmed by the specialist studies of German historians.

The true and the credible

Some 20 years ago A. N. Wilson published a novel entitled Gentlemen in England. It was savagely reviewed in The Spectator by the late Lord Lambton. He complained that two characters were portraits of old friends of his, whom, for the purpose of the review, he called Mr F and Mr Q. (Alastair Forbes and Peter Quennell, one guessed, without much difficulty.) Quoting a snatch of dialogue, he declared that Mr F (or it may have been Mr Q) would never have said such a thing, and therefore the whole edifice fell flat. This prompted me to write a letter pointing out that since Mr Wilson had written a novel in which neither Mr F not Mr Q was a character, how either would have spoken in real life was utterly irrelevant.

Sick heart river

Love can drive a man to his grandeur. H. M. Stanley, greatest of all of Africa’s explorers — let us agree with this fine biographer, Tim Jeal, on Stanley’s pre-eminence — was driven by the reverse: love denied, love rebuffed. And with Stanley, that deprivation was a good deal more complex. ‘This poor body of mine has suffered terribly,’ he was reflecting in his diary in June 1877, closing upon the final desperate stretch of his descent of the Congo river, having solved one of the last big geographical conundrums of central Africa: it has been degraded, pained, wearied and sickened and has well nigh sunk under the task imposed on it; but it is a small portion of myself.

Guilt and defiance

It will be news to nobody that England (or ‘the Crown’) and Ireland had been in a state of mutual incomprehension since the time of the first Elizabeth. There had been much cruelty. Sean O’Casey spoke for his countrymen: ‘The English government of Ireland had often been soft-headed but never soft-handed.’ So, when Ireland, a newly made Free State, declared its neutrality at the beginning of the second world war, the explosion of anger on the one hand, and the grim defiance on the other, were to be predicted. What was not to be foreseen, however, were the tangled effects — political, cultural, moral, psychological — of this neutrality on Eire itself.

Brutal, bankrupt Burma

Thant Myint-U has a special perspective on the history of modern Burma because his family played a role, albeit a passive one, in one of the most dramatic and well-remembered events in its history. The military-socialist dictator, Ne Win, who seized power in an almost bloodless coup in 1962, overthrowing the elected prime minister, U Nu, ran a regime that was characterised by a distrust of educated or distinguished people. Ne Win himself conceived an intense jealousy of Thant Myint-U’s grandfather, U Thant, who, as Secretary General of the United Nations, was the most famous Burmese in the world. When U Thant died in 1974, Ne Win decreed that he should be buried in an obscure Rangoon graveyard, with no public ceremony.

The human commodity

Have two words ever said so much? President Bush’s unforgettable greeting to the British Prime Minister at the G8 summit in St Petersburg last summer epitomised how the ‘special relationship’ between Britain and America had descended into one of complete servility. Can anyone imagine Winston Churchill, Margaret Thatcher or even John Major being addressed in such a condescending way? Geoffrey Wheatcroft can’t, and in his masterly 150-page polemic describes how under Blair’s calamitous premiership, Britain has ceased to be an independent nation. It’s a depressing story of corruption, personal vanity and mendacity unequalled in our country’s political history.

Thriving in adversity

This book takes up the story, told so memorably in his Clouds of Glory, of Bryan Magee’s early years in working-class Hoxton. In the first chapter, the now nine-year-old Magee, always precocious in his search for knowledge, is learning about the facts of life from one of his chums. Soon after, separated from his family as a wartime evacuee, he is learning the facts of provincial life first in a remote Sussex village where only two people own cars, and then in Market Harborough where a high percentage of the inhabitants have never travelled farther than to Leicester. At the age of 11, the already intellectually robust, ambitious youth wins a scholarship to Christ’s Hospital, an ancient foundation far wealthier than Eton, where he enters a totally different world.

All’s fair in love and war

Weevils, sodomy and flogging or Baker rifles, jangling bits and ragged squares? For most authors dealing with the Napoleonic era, it’s an either/or. C. S. Forester and Patrick O’Brian do the Royal Navy, Bernard Cornwell does the land battles. But there’s one greedy-guts out there who wants to have his cake and eat it. Step forward Allan Mallinson, creator of both cavalry officer Matthew Hervey and sea Captain Sir Laughton Peto. Not that we’re complaining, obviously. It’s true that it can be irritating when a book’s narrative hops between the separate adventures of two distinct characters, but in the case of Mallinson’s latest, Man of War, it works splendidly.

Venus in tears

Saartjie Baartman, who performed under the name of ‘the Hottentot Venus’, became one of the most famous theatrical attractions of Georgian London. Exhibited like an animal for the entertainment of a paying crowd (‘two bob a head’), she was routinely obliged to suffer sharp prods in the buttocks from her curious audience who ‘wished to ascertain that all was nattral’. Tears would roll silently down her heart-shaped face. The deathly sighs she emitted on stage became as great a wonder as her Venusian form. Saartjie was born in the Eastern Cape in South Africa in 1789. Her Afrikaans name translates into Little Sarah, an apt choice for a girl who would grow no taller than four foot six and a half inches.

The house that coal built

I opened this book expecting to  find the sort of volume a considerate host would place in your country- house bedroom. It is a bit more than that. Taking the decline of the Earls of Fitzwilliam and their enormous house Wentworth Woodhouse, outside Rother- ham, as her theme, Caroline Bailey evokes the social revolution that occurred in 20th- century Britain. The almost inconceivable riches of the Fitzwilliam family — coming- of-age parties were celebrated with entertainment for tens of thousands of people — are contrasted to the squalor in which local miners lived. The Fitzwilliams were not bad employers.

Bouncy castles in Spain

Hugh Thomas is widely known as the author of scholarly blockbusters 1,000 pages long. He now excels in what he calls an intermezzo, a learned and lively book of 192 pages, full of good things including splendid pen portraits of worthies: of Choiseul, the easygoing foreign minister of France; of King Charles III of Spain, rising at dawn to spend the day shooting game and going to bed early after a frugal dinner. It concerns the visit to Spain in 1764 of Pierre Augustin Caron, later to be known, the result of assiduous social climbing, as de Beaumarchais. Beaumarchais’ father was a famous Parisian watchmaker in an age when possession of a fine pocket watch, a technological breakthrough, was for a nobleman as necessary an indication of status as fine clothes and a wig.

More Angry Young Men

Clinton Heylin is a celebrated Bob Dylan expert, which makes his subsequent concentration on punk rock something of a surprise. But there’s a connection — Dylan shares with the best punk bands a devastating originality and a refusal to toe the established line. It is this free-spirited mentality that clearly attracts Heylin to his subjects, and his admiration for this quality is evident throughout Babylon’s Burning, a complete and authoritative account of the punk and post-punk movement from the mid-1970s to the early 1990s.

A driving sense of duty

The American Revolution is the gorilla in the corner of the room. Some used to pretend that it was safely dead, merely a stuffed gorilla. Others argued that it was inherently friendly. Others again thought it safely distracted by its banana. Alas, it was none of these things, as recent events show. The American Revolution produced a wholly novel society. Its potential for action will dominate our century, as German unification dominated the early 20th. Yet we prefer to pretend that nothing much has happened. So the British still edge round this momentous question by discussing instead King George III. Nineteenth-century Whigs blamed the loss of the colonies on the king alone, mad or tyrannical or both.

Behind protective glass

Jane Smiley suffered a period of writer’s block after 9/11. In the middle of writing a novel, Good Faith, she found herself unable to continue. It all suddenly seemed pointless. So, to inspire herself to complete her own, she read a hundred novels — one of which was Boccaccio’s The Decameron. After finishing Good Faith (published in 2003) she wrote a book about the hundred novels she had read (13 Ways of Looking at the Novel), and then she wrote this book, Ten Days in the Hills, which is a ‘reworking’ of The Decameron. Writer’s block can rarely have been put to such good use. Finding herself unable to write was a shock for Smiley since inspiration had always come easily to her.