More from Books

Saturday

Johnny Grimond

Not going forward

This is a brave book, quixotic even. Simon Heffer, an associate editor of the Daily Telegraph, believes English has a settled framework of grammar that is today often ignored. He deplores the growth in numbers of those who know nothing of correct usage and good style. Now he means to educate them. Every one of us who gasps at the use of English in the papers each morning or harrumphs on turning on the radio will find much to applaud. In recent days I have recoiled at ‘Me and my family will do well’ (in The Times), ‘Sweden PM wins second term’ (Financial Times), ‘the deficit will reduce rapidly’ (FT again) and ‘in practice, they fall between cracks’ (International Herald Tribune). Every reference to the Liberal Democrat Party makes me wince.

Marcus Berkmann

Dancing with admirals and painted ladies

Everyone loves butterflies. Of course we do. Possibly more than any other living thing, they represent to us the terrible fragility of life, the knowledge that however colourful and attractive we may all be, something or someone really unpleasant is waiting around the next corner to smash our face in. This may be why butterfly collectors, men who love butterflies but nonetheless seem compelled to poison them, attach them to bits of cork board and stuff them in a drawer, have become a byword for weirdness and perversity. Who would kill the one you love? As countless TV thrillers have shown, only a complete loon. Fortunately, mainstream entomology has moved on since Victorian times, and indeed since John Fowles wrote The Collector.

John R. MacArthur

Groupthink and doubletalk

Soon after his historic victory over John McCain, Barack Obama was ushered into a Sensitive Compartmented Information Facility (SCIF) located deep inside the Federal building in Chicago to receive his first top-secret intelligence briefing as President-elect. According to Bob Woodward, the Watergate icon and Washington journalism grandee, the space was designed to prevent eavesdropping and thus ‘unusually small . . . windowless and confining, even claustrophobic’.

Ian Birrell

That turbulent decade

On 2 January, 1980, a new decade was ushered in with a strike by steelworkers. It was their first national stoppage for half a century, and after three tense months they were rewarded with a 16 per cent pay rise. Once again, a strike seemed to pay off, with weak managers sacrificing long-term gain to avoid short-term pain, whatever the costs ultimately to their industry or to the economy. But then, in a clear sign that the Eighties were going to be rather different to the tortured decade that had preceded it, the Government sacked the chairman of British Steel. He was replaced by a tough Scottish-born banker from Wall Street called Ian MacGregor, who immediately began challenging the old order and slashing the workforce.

Saturday

Interconnect

BOOKENDS: The Diary of a Lady

On the evidence of Rachel Johnson’s latest book (Penguin/ Fig Tree, £16.99), Julia Budworth, the owner of The Lady, was wrong in her recent accusation that the magazine’s editor is obsessed with penises. Johnson is far too busy talking about testicles. She tells her immediate boss (Mrs Budworth’s son Ben) to ‘grow a pair of balls’. She admits later that he has ‘cojones you can see from space’. She calls one article ‘cobblers’. On the evidence of Rachel Johnson’s latest book (Penguin/ Fig Tree, £16.99), Julia Budworth, the owner of The Lady, was wrong in her recent accusation that the magazine’s editor is obsessed with penises. Johnson is far too busy talking about testicles.

Allan Massie

Less is more | 16 October 2010

'A good rule for writers: do not explain over-much’ 'A good rule for writers: do not explain over-much’ (Somerset Maugham: A Writer’s Notebook). Like most of what he had to say about the craft of writing, this was good advice, although he didn’t always follow it himself. Even in his best stories he was inclined to tell you quite a lot about his characters before showing them in action or letting us hear them speak. Breaking his own rule worked well for him, because one of the charms of his writing rests in the knowledgeable man-of-the-world tone. You always feel that he is giving you the low-down on human nature. Still, leaving things out is usually a good idea.

Andrew McKie

Almost everything came up roses

There’s a number in Merrily We Roll Along called ‘Opening Doors’, in which two young songwriters audition for a producer who interrupts: ‘That’s great! That’s swell!/ The other stuff as well!/ It isn’t every day I hear a score this strong,/ But fellas, if I may,/ There’s only one thing wrong:/ There’s not a tune you can hum.’ Urging them to be ‘less avant-garde’, he exits, asking for a ‘plain old melodee-dee-dee-dee-dee-dee-dee’ — sung (inaccurately) to the tune of ‘Some Enchanted Evening’. There’s a number in Merrily We Roll Along called ‘Opening Doors’, in which two young songwriters audition for a producer who interrupts: ‘That’s great!

Peregrine Worsthorne

Cleared on all counts

Since the main purpose on earth of the Conservative party was, and still should be, to keep Britain’s ancient and well-proven social and political hierarchy in power — give or take a few necessary upward mobility adjustments — Harold Macmillan must rank very high in the scale of successful Conservative prime ministers; just below Benjamin Disraeli, whose skill in sugaring the pill of inequality and humanising the face of privilege is never likely to be bettered. Earlier biographies of Macmillan, blinded by the egalitarian zeitgeist, have never done justice to this particular dimension of his genius, preferring to see his successful manoeuvring to pass the torch on to a 14th earl as an anachronistic blunder rather than a masterstroke. To his credit, D. R.

Lloyd Evans

Innocent mischief

He’s been taking aim for two decades. Now Craig Brown presents his greatest hits. He’s been taking aim for two decades. Now Craig Brown presents his greatest hits. The best of his fortnightly spoofs in Private Eye, supplemented by new entries from historical characters, have been loosely sorted into an imaginary calendar. Everyone has their favourite Brown character. Mine is Heather Mills McCartney, whose self-righteous truculence he captures perfectly, while encouraging her to indulge her gift for fantasy. She reacts to a documentary about Florence Nightingale and blames the press for peddling lies: They try and make out she’s only in it for the publicity.

Simon Heffer

Fair is foul

By the time one has waded to page 22 of Them and Us, through what may most politely be described as a stream of consciousness, assailed by random thoughts and plangent expression larded with clichés, one starts to wonder what the point is in going on. By the time one has waded to page 22 of Them and Us, through what may most politely be described as a stream of consciousness, assailed by random thoughts and plangent expression larded with clichés, one starts to wonder what the point is in going on. We have been told that we ‘ache’ for a ‘compelling, moral, national story’. We have been treated to now-compulsory cries of despair about bankers and their high salaries and bonuses.

Robert Cooper

A quest for identity

If it had been possible to listen to Howard Jacobson’s brilliant Booker Prize-short- listed novel in one sitting I would happily have done so; but even on motorways congested to the point of strangulation, a return journey from Chipping Norton to Brighton has yet to take 13 hours. If it had been possible to listen to Howard Jacobson’s brilliant Booker Prize-short- listed novel in one sitting I would happily have done so; but even on motorways congested to the point of strangulation, a return journey from Chipping Norton to Brighton has yet to take 13 hours.

Alexander Starritt

Land of poets and thinkers

The reason Peter Watson gives for writing this long intellectual history of Germany since 1750 is a convincing one: that British obsession with Nazism has blinded many British people to the achievements of German culture. Watson describes the complaints of German commentators about the emphasis on Nazism even in British schooling, which were borne out by the 2005 report of the Qualification and Curriculum Authority: ‘There has been a gradual narrowing and “Hitlerisation” of post-1914 history.’ Watson also discusses the importance of Nazism to America, and his most intriguing point is that interest in the Holocaust is a comparatively recent phenomenon. A study in the 1950s found that the effect of the Holocaust on American Jews was ‘remarkably slight’.

Sebastian Smee

A fragile beauty

Colm Tóibín’s short stories hinge on lonely figures seeking what one of his narrator’s describes as ‘the chance… to associate with beauty’. Colm Tóibín’s short stories hinge on lonely figures seeking what one of his narrator’s describes as ‘the chance… to associate with beauty’. Either that, or mourning the loss of that chance. It’s a fine subject, and in the nine stories collected in The Empty Family, Tóibín’s first publication since last year’s wonderful Brooklyn, he addresses it in narratives of remarkable scope and variety.

Saturday

Sam Leith

Curiosities of literature

Lordy. It’s another book by Professor John Sutherland, and a fat one at that. What David Crystal is to linguistics and James Patterson to thrillers, John Sutherland is to literary criticism. I’ve more than once been critical about Sutherland in print, having detected — but who am I to talk? — a certain slapdashery in some of his scholarly productions. On the last occasion, I received a very gracious, if somewhat Eeyorish, email conceding the odd point and explaining his pace of output with a poignant allusion to alimony. So I don’t want the old brute to feel I’ve got it in for him. We all gotta eat.

Paul Johnson

A race against time

Lord Palmerston poses severe quantitative problems to biographers. His public life covered a huge span. Born in 1784, the year Dr Johnson died, he was nine years younger than Jane Austen and four years Byron’s senior. He died in 1865, the year Kipling, Yeats and Northcliffe were born. To put it another way, when he was a baby Reynolds was painting Mrs Siddons; when he died Manet was showing his ‘Olympia’, and Tolstoy had just published War and Peace. His long life was crowded with incessant political activity. He was on the Board of Admiralty in 1807, aged 23, even before he had a seat in parliament.

Susan Hill

Futile phantoms

But of course this new book is by Peter Ackroyd, celebrated biographer, historian and chronicler, a bit of a polymath, a man who has written wonderfully informative and erudite books about Blake, the river Thames, Venice, and introductions to all the novels of Dickens, so naturally one expects a good deal more from The English Ghost than from any of those other popular titles on the same subject. One does not get it. Whether you believe in ghosts or not, one thing distinguishes the fictional ghost from the ‘real’ and that is Purpose. Read through the several dozen tales of English ghosts here and you will find not a single one that has any raison d’être fantome.

Juliet Gardiner

What we did to them . . .

The perception of war changes, remarked the poet Robert Graves, when ‘your Aunt Fanny, the firewatcher, is as likely to be killed as a soldier in battle’. The perception of war changes, remarked the poet Robert Graves, when ‘your Aunt Fanny, the firewatcher, is as likely to be killed as a soldier in battle’.

Andro Linklater

. . . and they did to us

The craters are all filled in, the ruins replaced, and the last memories retold only in the whispery voices of the old. Apart from celebrating the resilience of our parents and grandparents 70 years ago, why remember the Blitz? It was triggered by the desire to retaliate, either Churchill’s to the random dropping of bombs on London in the summer of 1940 (heightened by the prior example of Nazi bombing of Guernica and Warsaw) or Hitler’s to the subsequent raid on Berlin. ‘This is a game at which two can play,’ he ranted on 4 September. ‘When they declare they will attack our cities in great measure, we will eradicate their cities.

Margaret Drabble

Absurdly grandiose – and splendid

The Potteries are one of the strangest regions in the British Isles, and Matthew Rice’s The Lost City of Stoke-on-Trent celebrates their extraordinary oddity. The Potteries are one of the strangest regions in the British Isles, and Matthew Rice’s The Lost City of Stoke-on-Trent celebrates their extraordinary oddity. Much of his text reads more like a diatribe than a celebration, for words like tawdry, grimy, unlovely, brutish and lumpen scatter his pages, and he sometimes soars to the height of invoking the term ‘tragic’. Yet for all that, this generously illustrated book makes you long to revisit this bizarre wonderland of post-industrial dereliction.

Gilbert Adair

Whine, whine, whine

There came a moment, very early in my reading of the latest volume of Christopher Isherwood’s Diaries, when a spell was broken. The relevant entry, written at his beach home in Santa Monica, California, was dated 12 November 1960. And the single, throwaway notation which caused me to re-evaluate, I fear definitively, my admiration for Isherwood ran as follows: ‘Tonight I have to take the Mishimas out to supper.’ There came a moment, very early in my reading of the latest volume of Christopher Isherwood’s Diaries, when a spell was broken. The relevant entry, written at his beach home in Santa Monica, California, was dated 12 November 1960.