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Storm in a wastepaper basket

‘It’s the revenge of Dreyfus,’ came the cry from the dock. The speaker was the veteran right-wing ideologue, Charles Maurras, found guilty of treason in 1945 for his support of the collaborationist Vichy regime. It wasn’t of course that, and yet there is a sense in which Maurras spoke the truth. The Dreyfus case had divided France half a century before Maurras was put on trial in Lyon. The division between what Piers Paul Read, in this masterly and eminently balanced account of the Affair, calls ‘the France of St Louis and the France of Voltaire’ had never been closed. The end of the Third Republic and its replacement by Vichy’s ‘Etat Français’ in 1940 represented the victory of the anti-Dreyfusards.

A holy terror

In the summer of 1520, Michelangelo Buonarotti wrote a letter of recommendation on behalf of his protégé, the painter Sebastiano del Piombo, to Cardinal Bibbiena, an influential figure at the court of Pope Leo X. The testimonial carried some weight, for Michelangelo was by now Italy’s most admired sculptor, with what are nowadays called ‘signature achievements’ such as the David, the Pietà and the Dying Slave to his credit. Seven years earlier, what is more, he had completed the magisterial decoration of the Sistine Chapel ceiling, among the most ambitious  projects in the history of painting, for Pope Julius II.

Time to sit and stare

Hermitic, oneiric withdrawal from responsibilities and threats is the most effective way of alleviating the pangs of middle age, suggests Marcus Berkmann. In his fifties, he is a frank and eloquent expert on ageing, by turns indignantly curmudgeonly and philosophically resigned. He is observant and witty, but there were moments when he reminded me of complaints in Punch of neighbours who failed to return borrowed lawnmowers — perhaps my fault, rather than his. He recommends a shed of one’s own as a refuge in which to escape from stressful reality. ‘If I had a garden,’ he writes, ‘I would have a shed. In fact the main reason for getting a garden would be to get a shed.

Frank exchange of views

Solomon Kugel is morbidly obsessed with death: his own, and that of those he loves, including his wife Bree and his only son Jonah. He spends his idle hours writing down possible last words in a notebook, and contemplating the undignified and senseless extinctions that await him around every corner. His outlook is not helped by his therapist, Professor Jove, who is convinced that hope is the cause of all human suffering and works hard to extinguish it; nor by his brother-in-law, the unsubtly named evolutionary biologist Pinkus Stephenor — a professional optimist whose latest book is You’ve Got To Admit It’s Getting Better, A Little Better All The Time. (He is a best-seller; Jove can’t get his book published.

Bookends: Short and sweet

Before texts and Twitter there were postcards. Less hi-tech, but they kept people in touch. Angela Carter (pictured above) and Susannah Clapp were friends, and over the years, postcards from Carter arrived from wherever her travels took her. They could be quirky, surreal — from America a huge chicken swallowing a truck; the Statue of Liberty drowning in a lake. Others were greetings, scribbled comments, hand-drawn cartoons. Fourteen are scattered through Susannah Clapp’s A Card from Angela Carter (Bloomsbury, £10): black-and-white reproductions evoking experiences riotous with colour,  charting the progress of a turbulent life that ended too soon. Carter died of lung cancer in 1992 aged 51.

‘A world dying of ugliness’

Some writers’ lives are estimable, some enviable, some exemplary. And some send a shudder of gratitude down the spine that this life happened to somebody else. It isn’t necessarily about success or acclaim — most rational people would very much prefer to have had Rimbaud’s life rather than Somerset Maugham’s. But sometimes it is. In the ranks of Mephistophelean terror, there are few more frightening stories than the life of the Austrian novelist Joseph Roth. Everything went wrong for him, and it must have been simply appalling to have had to live within that head, with those thoughts. That he is also a great novelist merely adds to the horror that this collection of his letters conveys. He saw too clearly for his own sanity.

Talking tough

This thoughtful, challenging and deeply depressing book takes as its launch pad the Nuremberg Trials, in which the author’s father played so prominent a part. Churchill would have executed the Nazi leaders out of hand. Eisenhower wanted to exterminate all the German General Staff as well as all of the Gestapo and all Nazi Party members above the rank of Major. Wiser counsels prevailed. The Nazi leadership must be put on trial, it was agreed, and not in such a way as would rubber-stamp a verdict that had already been tacitly agreed. ‘You must put no man on trial under the forms of judicial proceeding,’ said the distinguished jurist Robert Jackson, ‘if you are not willing to see him freed if not proven guilty.

Making sense of a cruel world

The actor-biographer Simon Callow has played Dickens, and has created Dickensian characters, in monologues and in a solo bravura rendition of A Christmas Carol. Now he suggests that the theatricality of Dickens’s own life is a subject worthy of exploration in book form. So it is, and if Callow had done so, it might have made a useful addition to what he rightly identifies as the ‘tsuanami’ of books that are appearing for Dickens’ bicentennial. But in this cursory biography, he merely makes token gestures in that direction: we learn rather a lot about Charles Mathews’ one-man shows; and Callow describes the theatrical impulses behind some of the novels.

Triumph of the redcoats

Given the choice between philosophising in the company of Socrates or fighting in the army of the soldier-monarch Charles XII of Sweden, most men, Dr Johnson observed, would prefer arms to argument. That physical danger should offer a more appealing prospect than logical thought remains one of the Great Cham’s more provocative insights. At one level, it explains why universal peace will not soon arrive, and at another why military history commands a larger readership than philosophy. In recent years, a golden generation has set the bar pretty high in this field.

A choice of first novels | 4 February 2012

Mountains of the Moon is narrated by a woman just released after spending ten years in jail. The reason for her sentence and the details of her previous life are pieced together through disjointed fragments, forming a complex jigsaw. Lulu had a shocking childhood, with a violent stepfather and negligent mother. Her only loving relatives were her grandfather, who fuelled her imagination by conjuring up the Masai Mara in her dreary south-England surroundings, and her two half brothers, from whom she was eventually separated. This account, related in an idiosyncratic patois, with the matter-of-fact innocence of an abused child for whom abnormality is the norm, is quite horrifying.

Bookends: Trouble and strife

It isn’t true that Joanna Trollope (pictured above) only produces novels about the kind of people who have an Aga in their kitchen: what she writes about are families. Her books have a knack of chiming with current social concerns, of examining how the family is adapting to changing social mores. She is deservedly a very popular writer, but she isn’t a frivolous one. The Soldier’s Wife (Doubleday, £18.99) is a cracking read and has clearly been thoroughly researched. All the little details which animate a novel ring true. It centres on the homecoming of a Major who has been on a six-month tour of duty in Afghanistan, the effect of this supposedly joyous reunion on his wife and children — and himself.

Gunboat diplomacy

Britain’s links with the Continent were once  deeper and more extensive than those of any other European country. Paris, Rome and German universities played as vital a role in British culture as many native cities. Mediterranean connections were especially strong. Most cities on its shores contain an English church and cemetery. From Minorca to Cyprus, there are few Mediterranean islands that have not been occupied by British troops: the oldest company in Beirut is Heald and Co., the shipping agents (est.1837). Blue-Water Empire aims to tell the story of ‘the British in the Mediterranean since 1800’: 1800 is the year that Malta, soon to be the headquarters of the British Mediterranean fleet, was conquered from France, with Maltese help.

The phantom lover

Driving past several long abandoned second- world-war airfields in East Anglia last year I was struck by how spooky they seemed, just like the decommissioned army base that used to exist near me. Places where people have not only lived and worked but which form the background of wartime drama, and from which men went to their deaths, are bound to be haunted, and in Helen Dunmore’s short novel, it is an airfield that once saw Lancaster Bombers fly out into the night that forms a ghostly scene. Isabel is newly married to a doctor, Philip, and the two have moved to Yorkshire where he is now a GP. It is the early 1950s, the country is still redolent of wartime hardships, ration books, nasty linoleum in rented flats and nosey landladies.

A feast of vanities

The name of Savonarola slides off the tongue as if concocted for an orator’s climax. But when it came to names, whether by melody or reputation, the Florence he knew offered aggressive competition. Pico della Mirandola, Lorenzo ‘il Magnifico’ de’ Medici, Botticelli, Michelangelo and Machiavelli all shared his era. In an unexpected and sympathetic conclusion to the radical friar’s latest biography, Donald Weinstein defends one of George Eliot’s least loved novels, Romola: Eliot’s success in bridging the 400-year historical and cultural divide between herself and Savonarolan Florence was remarkable, and her judgment of the Frate himself nuanced and independent.

Godfather of rap

At a funeral in New Orleans in 1901, Joe ‘King’ Oliver played a blues-drenched dirge on the trumpet. This was the new music they would soon call jazz. A century on, from the hothouse stomps of Duke Ellington to the angular doodlings of Thelonious Monk, jazz survives in the vocal inflections of rap. To its detractors, rap presents black (increasingly, white) people to the world in terms the Ku Klux Klan might use: illiterate, gold-chain-wearing, sullen, combative buffoons. (‘Life ain’t nothing but bitches and money’, harangued the Los Angeles combo N.W.A. in a reversal of Martin Luther King’s ‘black improvement’.) Yet Bob Dylan had offered an early version of rap in ‘Subterranean Homesick Blues’; rap has its pedigree.

The frontiers of freedom

The problem with Nick Cohen’s very readable You Can’t Read This Book is the way that you can, glaringly, read this book. This isn’t quite as glib an observation as it sounds. Cohen’s central point is that the censors’ pens did not fall down with the Berlin Wall. And yet here he is, very obviously free to tell us about them. Cohen is a rambunctious pessimist.

Fall from grace

Barack Obama is not up to the job. That is Ron Suskind’s oft-repeated contention. The President, he states, compromised with, rather than curbed, failing American financial institutions, and has surrounded himself with warring staffers who are either no more competent than he is or, if expert, disregard his wishes. Following a picture caption that reads ‘Obama showed real weakness in managing his own White House,’ Suskind, a Pulitzer Prize winner, justifies his title: The confidence of the nation rests on trust.Confidence is the immaterial residue of material actions: justly enforced laws, sound investments, solidly built structures . . . . Gaining the trust without earning it is the age-old work of the confidence men.