More from Books

The heavens are falling

The dystopian novel in which a Ballardian deluge or viral illness transforms planet Earth has become something of a sub-genre, and Clare Morrall’s astute and vigorously imagined novel follows on from the best of them, such as Margaret Atwood’s MaddAddam trilogy and (most recently)Emily St John Mandel’s Station Eleven and Antonia Honeywell’s The Ship. Intriguingly, the future that Morrall imagines very much resembles the past. Following 50 years of climate catastrophe, and the spread of the population-depleting Hoffman’s disease, the only hope for humanity’s survival is to find ways of ‘living with the weather’, or learning ‘skills that don’t depend on failing technology’.

The inglorious Twelfth

Most people know more about the 12th century than they think they do. This is, as Richard Huscroft reminds us in his lively new history, because it is a story often told. Stephen and Matilda. Thomas Becket’s murder. Richard the Lionheart. Bad King John and Magna Carta. These are the familiar friends of Sellar and Yeatman’s ‘guide to all the history you can remember’. Huscroft sets out to find a new way in to this history through its oft-forgotten supporting cast — the men and women caught up in the political eddies caused by the great — and gives us ten tales from an assortment of princesses, adventurers, clerics and exiles. The long 12th century started in 1066 with the Battle of Hastings and ended with the death of King John in 1216.

The big steal

In recent weeks, North Korea allegedly developed a hydrogen bomb and hangover-free booze. This would be a worrying combination in any government not widely thought to have the force projection of an aggressively drunk toddler with a bag on its head. North Korea is often portrayed as a cartoon state — something sustained by Kim Jong-un’s propensity to execute rivals using anti-aircraft guns. Announcing the discovery of unicorns in 2012 didn’t help, though it was comparatively mild for a state media agency partial to statements like: ‘South Korean President Lee Myung-bak is a rat who should be struck with a retaliatory bolt of lightning.

Sixty years on

The book of the year has long been a favoured genre in popular history, and is a commonplace today. While a book of hours endlessly recycles, the point of the book of the year is change, the more the better. There is an implied contest between years — you say 1917 is the most important; I trump you with 1940, or 1968 or 1979…. It is at once a rather silly genre, potentially nothing more than a dreary compendium of novelties, and one with distinct possibilities, as illustrated by both these books taking on 1956, one globally, one for Britain. Simon Hall’s approach is to write the story of a year in global history, by moving through the Americas, Africa and Europe, taking up the story of particular events as they happen at the rate of over one a month.

The trouble with mothers

For a child, the idea of ‘knowing’ your mother doesn’t compute; she’s merely there. As an adult, there may be the curiosity — who is this person who gave me birth and brought me up? — but also some kind of resignation: you’ll simply never know. Better, even, not to know. So long as she’s alive. Once she’s dead, you will regret it everlastingly; but you also know it could not have been otherwise. It’s a handy argument. Five days in a Manhattan hospital, as a grown woman with children of your own — now you are a mother, too — with your mother sitting across from you, may thus be a gorgeous opportunity, something to savour when everything else about you is shaky.

Rescuing old Nick

In the conclusion to his very substantial study of England’s least known and most misunderstood Baroque architect, Owen Hopkins discusses some of the modern folklore that has developed around Nicholas Hawksmoor over the past 40 years, showing how swiftly a myth can capture the public imagination. The bulk of this unevenly written, fact-packed book is devoted to discussing Hawksmoor’s life and work. The last chapter considers the myths which recently gained him a large public and, ironically, brought him the critical recognition he failed to receive either in his own lifetime or for almost two centuries afterwards. A yeoman farmer’s son, born in Nottinghamshire in 1661, Hawksmoor joined Wren’s office at the age of 18.

Stop calling me ‘Goat’

The title of Tim Parks’s 17th novel is false advertising, because Thomas and Mary: A Love Story is barely a love story, and it’s certainly not about Mary. The intended effect is irony: the dust jacket promises ‘a love story in reverse’, and the opening chapter describes Thomas Paige losing his wedding ring on Blackpool beach during a family holiday. The next few chapters are reasonably successful. Parks opens little windows on to the Paiges’ dying marriage. ‘Bedtimes’ takes us through a week of evenings, with the Paiges always going to bed at different times. ‘Goat’ explains the nicknames they’ve had for one another over the years, ending with a painful scene in which Thomas asks Mary to stop calling him ‘Goat’.

A people horrible to behold

The much-lamented journalist and bon viveur Sam White, late of the rue du Bac, The Spectator and the Evening Standard, who lived in Paris for over 40 years, once wrote an affectionate portrait of his adopted home that opened with the defiant words, ‘Yes: I like it here.’ As a short review of the city it was perfect. Longer accounts that say less are published every year and must run by now into thousands of volumes. A glance at the map shows why Paris — ‘most sublime of cities’, as Luc Sante terms it — continues to attract such devotion.

A plague on all P-words

This isn’t a book to read before lights out. It’s about a mentally ill man whose mother exiles him from rural Ireland after years of rumours and reprisals related to his habit of startling passers-by with his bared erection. She has tried strapping him to a chair and bolting the door, but all that did was give him a fetish for not emptying his bladder. Now Martin John is flat-sitting in south London, working as a nightwatchman and hoarding old Eurovision tapes and lists of words beginning with P. But menacing this toehold on equilibrium is the arrival of an ill-disposed male lodger, who swiftly becomes the object of his paranoia. Martin John’s fevered brain (it’s always ‘Martin John’) gives the novel its jagged rhythm.

Voices of St Joan

I don’t know if this counts as name-dropping, but I recently interviewed a boyhood friend of Elvis Presley’s in Tupelo, Mississippi. The interview required a bit of patience, because his memories of the young Elvis appeared only intermittently amid a lengthy ramble through more or less anything that crossed his mind. But, as it turned out, it was also good preparation for reading Stop the Clocks. Joan Bakewell published her autobiography in 2003 and this, as the subtitle suggests, is intended to be a far looser set of reflections.

Raptor rapture

The fewer birds there are, the more books about them, particularly of the literary kind. Helen MacDonald’s H is for Hawk swept all the prizes; and James Macdonald Lockhart has already won a £10,000 Royal Society of Literature Award for Non-Fiction to fund research for his debut. It is of the quest variety, recently popularised by William Fiennes, Horatio Clare, Mark Avery and others. J.A. Baker, who wrote the one-hit Sixties wonder The Peregrine, is modern father of the genre. Macdonald Lockhart describes his aim: Fifteen birds of prey, 15 different landscapes. A journey in search of raptors, a journey through the birds and into their worlds. That is how I envisaged it. Beginning in the far north, in Orkney, and winding my way down to a river in Devon.

Riddles in the sand

When the Saqqara pyramids were opened in 1880, the chamber walls were found to be covered in hieroglyphic writings, and these texts have been a subject of discussion among Egyptologists ever since. What do they mean? What do they represent? What do they tell us about the religion or the cosmology or the worldview of a culture that can sometimes seem incomprehensibly far from our own? Taking issue with the scholars that have come before her, Susan Brind Morrow uses this fascinating, challenging book to demonstrate her view that the message on the walls is poetic, timelessly meaningful and sophisticated.

Muskets v. the Highland charge

What a wretched lot the Stuarts were, the later ones especially, the males at least. James II fled England without a fight in 1688, and the battlefield of the Boyne in 1690 earning him the unaffectionate nickname Séamus an Chaca, ‘James the Shit’. During the Jacobite rising of 1715 on the death of Anne and the accession of George I, his son Prince James Edward, coming late to the fight from France, fled Scone palace, telling his hapless supporters to ‘shift for themselves’ after the defeat at Sheriffmuir. In turn his son, Charles Edward, the Bonnie Prince, brought up in Rome, hurried from the field at Culloden in 1746, the culminating battle of the second major rising, the ‘Forty-five’, having mismanaged the whole affair.

From surgeon’s scrubs to patient’s gown

Who would you trust to take a blade to your brain? Medical schools and hospitals, arbiters of this outrageous intimacy, select the steadiest hands and the steadiest temperaments. Neurosurgery has an almost religious aura, an intellectual status approaching quantum physics and a work ethic of unforgiving precision. Most elusive of all, this elite should be able to express the pleasures and pains of being human. Ian McEwan’s fictional neurosurgeon, Henry Perowne, is suspicious in his indifference to literature, whereas Henry Marsh, neurosurgical consultant and author of Do No Harm, has earned respect through his elegant prose. To take care with words is invaluable in the heroic efforts of preserving personhood. Paul Kalanithi was to become one of these rare surgeon-storytellers.

Easy Street

Roller skating down the main road in the cycle lane, her easy, smooth and flowing scissor stride on booted castors, measured, steady and elongated, seamlessly pushing through yards and moments, as if traffic was merely imagination and grace impervious to danger.

The making of a legend

For one week in July 2010, the aspiring spree killer Raoul Moat was the only news. ‘Aspiring’ because he didn’t actually achieve his violent ambitions: by the time he died, he’d only managed to shoot three people (four if you include himself) and murder one (two if you count PC David Rathband, who was blinded by Moat and killed himself four years later). But he made it, in a way. His self-constructed mythology had all the makings of a folk hero —working-class man, wronged by his woman, a grudge against the police — and there was a public ready to embrace him. Floral tributes were left outside his home and at the site of his suicide, and a Facebook page called ‘RIP Raoul Moat You Legend!’ attracted over 35,000 likes before it was removed.

Humboldt’s gift

The Prussian naturalist Alexander von Humboldt was once the most famous man in Europe bar Napoleon. And if you judge a man by his friends (as you should), how about Goethe, Schiller, Simon Bolivar, Cuvier, Lamarck, Laplace, Guy-Lussac and Jefferson? And that is only the start of the supper list. So what happened? Why is he forgotten? For the best of reasons: because he contributed so much to so many fields of intellectual interest that are now separate scientific disciplines. And also because most of his ideas that were once startlingly original are now commonplace. We take it for granted that there are vast rivers running through the seas (but at least the Humboldt Current is named after him). He was the first oceanographer. He was the first ecologist.

Unreliable Narrator

If a clock can be a household’s totem then we remain hopeful ours will show us an accurate blue moon before too long. In the meantime, we’re quite used to people asking (ineptly) What’s with its arrythmia and beaten-tortoise air? The much-polished answer is: uncertain timekeeping is remarkably soothing for the under-twenties, disposed to fantastical lie-ins, while visitors can’t help but declare themselves, either, leaping up horribly at its misdirection or, mildly trusting to its idiosyncratic version of the now. In or above the fray, our clock clucks on plying a number of desirable timezones with its deft black hands as oars.