More from Books

Thursday

Eric Weinberger

In a gun country

Picking a day at random, ‘an unremarkable Saturday in America’, the Guardian journalist Gary Younge identified ten children and teenagers throughout the United States who were shot dead on 23 November 2013. Whichever day he chose, he knew it would be typical. Determined to investigate each of these deaths, none of which bore much — or any — press coverage even locally, Younge would pore over the internet, visit grim parts of cities far from his Chicago home, locate as many relatives, friends and witnesses as he could and speak to them. His book, Another Day in the Death of America, is as one would imagine it: sad and bleak, an altogether terrible tale. Hopeless, too: no one, certainly not Younge, is under any illusion that this story will get better.

Thursday

Ariane Sherine

One long moanfest

Tama Janowitz’s memoir is a relentlessly cheerless and bitter collection of vignettes. Between tales of her purportedly miserly, creepy and emotionally manipulative father, who suggests that Janowitz enter a wet T-shirt contest aged 15, and her estranged and vicious brother, who tries to sue her despite he being rich and her virtually penniless, the Janowitz clan are portrayed as singularly defective. Struggling to care for her mother, who suffers from dementia (‘My mother is lying on her side with her diapers full of shit’), and fretting about her own teenage daughter, who regularly smokes marijuana, Janowitz is convinced that Tolstoy is wrong and no family is truly happy — though in fairness, she seems determined to fail to embrace happiness at all costs.

Caroline Moorehead

Twists and turns of the Italian campaign

When Rome fell to the Allies on 5 June 1944 General Harold Alexander, commander of the 15th Army, calculated that he would need just 12 weeks to reach the river Po and liberate Italy from the Germans. It took him nearly a year. Christian Jennings’s new book chronicles the months of heavy fighting, the advances and retreats and the enormous losses on both sides as the Allied forces stalled, and the enemy attacked. It was never going to be easy. Once the Italians signed the armistice with the Allies on 8 September 1943, turning their backs on their former Axis partners, the Germans moved quickly to occupy the whole of Italy. While the British and the Americans were arguing over their policy towards the defeated Italians, Hitler dispatched nine divisions down through the Brenner Pass.

Andrew Watts

Too, too shy-making

You might have thought that the last thing shy people need is a book about shyness: a large part of what makes us shy is our self-preoccupation and awareness of our own shyness. No social situation is more embarrassing — too, too shy-making — than someone pointing out we are shy: as if we didn’t know, as if that would help, as if, somehow, an increased consciousness of our self-consciousness would make us less self-conscious. Moreover, being away from home, I had to read this book in public — I removed the dust cover, of course, so no one could see what I was reading or be tempted to ask a question — in a succession of coffee shops. (I had to leave the first one when a stranger sat at an adjacent seat at the same table.

John R. MacArthur

The power of the American oligarchs

Talk about plutocracy and oligarchy has become commonplace in America, as the billionaire class grows ever richer and seemingly more arrogant. But do today’s super-rich constitute a threat to American democracy? Jane Mayer thinks they do, particularly when their money is employed by fanatics like Charles and David Koch and other like-minded tycoons to upend the social order. In Dark Money, Mayer describes a sophisticated right-wing political movement, largely operating through individual proxies and front groups, that seeks a kind of coup d’état, albeit one with libertarian objectives designed to reduce the power of the state as opposed to seizing it. So secretive and centrally organised is this reactionary cabal that it invites comparisons with the Marxist left.

Sebastian Faulks

A rose between two thorns

Emma Rauschenbach was the daughter of rich Swiss industrialists — a plump, good-natured girl, nicknamed ‘Sunny’, who married young without knowing what she was letting herself in for. Her husband, Carl Gustav Jung, was revered after his death as a guru as much as a doctor — as the mystic and visionary that Freud might have become had he not been so fixated on the role of the libido. As a husband, a father and a younger man, however, Jung appears to have been close to intolerable. He was physically large, selfish, bullying and loud of voice; he cheated at games, had a vile temper and appalling table manners; he thought men should be polygamous but that Emma should be his alone.

Jan Morris

Exquisite mementoes

All alone on page 313 of this spectacular book, a tattered but heroic flag flies in a painting of an icy wasteland. It is a remarkable picture for two reasons: first, because it was done by the Arctic explorer Edmund Wilson in 1912, when he and Captain Scott learnt from that very flag that the Norwegian Amundsen had reached the South Pole before them; and second, because it is a hauntingly beautiful work of art.

Ben Hamilton

The trouble with actors

A Girl is a Half-formed Thing, Eimear McBride’s acclaimed, prize-winning debut, felt like a one-off, not the beginning of a career. Its prose style — a staccato, Beckettian rush — was a good match for the subject of burgeoning womanhood amid grief and exploitation. But it was also very intense — so much so that before the novel’s end the language started to break apart, as if McBride had, with her very first book, reached beyond the limits of her voice. Yet here we are with a second novel and another young female Irish narrator with an unconventional syntax. This narrator (unnamed, like all the characters, until late in the novel) has escaped her family and moved to London to attend drama school.

Paul Levy

Hoarder disorder

The enormous desk on which I am writing this is swamped by four precarious piles of books, one topped by an ancient Filofax, another by a small framed photograph of a long-dead friend. I still bear the bruises from last week when I fell out of bed and triggered an avalanche of the book mountain on the bedside table, with its cache of notebooks, pens, pencils, water carafe and three reading lamps, one of which has been without a bulb for three months. I don’t actually know where anything is, and have to ask my wife if I need to find a particular title. Barry Yourgrau understands my inability to tidy up my study and my life. In Mess, he tries to clarify the differences between collectors (as we neurotics would like to pretend we are), clutterers and ‘extreme hoarders’.

Caroline Moore

The great Dadaist novel

Anicet is, as its cover proclaims, a Dadaist novel, reissued on the centenary of its composition. Louis Aragon would doubtless have been delighted to learn that it is almost impossible to review. An art critic, with his ‘little gadgets… called criteria’, is satirised in these pages as a kind of ‘policeman’, whose mission is in fact to seek out artists whose theories and works might disturb the peace… At the slightest threat of disorder the critic must set things right by exposing fraud and anarchy. Here, in pre-emptive defiance, is a ‘novel’ which is nothing but ‘fraud and anarchy’: a work in which there is no coherent plot, no illusion of character, written in a style riddled with self-mockery.

Honor Clerk

Monet’s great war effort

Claude Monet wanted to be buried in a buoy. ‘This idea seemed to please him,’ his friend Gustave Geffroy wrote. ‘He laughed under his breath at the thought of being locked forever in this kind of invulnerable cork, dancing among the waves, braving storms, resting gently in the harmonious movements of calm weather, in the light of the sun.’ Tethered below the water, but bobbing on the surface like a necropolitan bud, this bizarre image would have the great Impressionist finally metamorphosing into the thing that had so dominated his later years: the water lily. For an author who has taken on those titans of the Renaissance, Leonardo and Michelangelo, an ageing Claude Monet might seem an odd choice of subject.

David Horspool

A lively, rebellious boy

It is one of the great set-pieces of high drama in English history. The king, shamed by his part in the murder of his one-time friend turned implacable enemy, the Archbishop of Canterbury, agrees to come as a penitent to the holy site of the archbishop’s death to seek forgiveness and, in a conspicuously unkingly gesture, to prostrate himself at the martyr’s tomb. By the time he does so, the innocent blood spilled in the cathedral has begun to attract pilgrims from all over Europe, drawn by the miracles performed at the place where royal anger unleashed such unprecedented violence. In the words of Matthew Strickland, the king showed himself to be ‘overcome with feelings of guilt and remorse’.

Robert Douglas-Fairhurst

Hit and miss | 15 September 2016

A few years ago, a reporter from the Chicago Tribune stumbled upon what was widely reported as ‘the Holy Grail of chicken’: a version of Colonel Sanders’s secret recipe that his second wife had scribbled in an album. Anyone hoping that it would contain exotic ingredients such as powdered lark’s tongue or virgin snow from Kilimanjaro was in for a disappointment. Those famous 11 herbs and spices turned out to be sadly humdrum: salt, pepper, oregano, thyme, and so on. It sounded like the kind of thing someone might come up with by dropping a spice rack on the floor and then adding a bag of flour. But none of that mattered to modern fans of KFC. Now they could recreate their favourite fast food much more slowly at home.

Sinclair McKay

Ghosts of the past

You find it in the vistas of skeletal metal gangways, the abandoned 18th-century forts, the squat oil holders and rusted pipelines, the pale reeds of the marshes, the barbed wire, the peeling housing estates, the lonely river paths. You hear it in the thick silence by the water, broken only by the wide river slurping and slopping against the embankment. There is something in the landscape of the Thames estuary that is curiously and powerfully uncanny. But how can that be in the otherwise earthy county of Essex? This is one of the subterranean themes of Rachel Lichtenstein’s electrifying exploration of the estuary. What ought to be a grey stretch of post-industrial England is in fact rich in eerie poetry.

Robert Colvile

Dancing with robots

Back in 2012, a team at Google built a state-of-the-art artificial intelligence network and fed it ten million randomly selected images from YouTube. The computer churned through them, and announced that it kept finding these strange things with furry faces. It had, in other words, discovered cats. Artificial intelligence has, all of a sudden, become the next big thing again. It is not so much sweeping across our world as seeping into it, with a combination of enormous computing power and the latest ‘deep learning’ techniques promising to give us better medical diagnoses, better devices, better recipes and better lives. Soon, it might even be able to give us new Beatles songs.

Jonathan Sumption

Come in, but keep your voices down

The illustrated manuscripts of the European Middle Ages are among the most beautiful works to survive from a maligned and misrepresented age. The darkest of the Dark Ages produced the Book of Kells and the Lindisfarne Gospels. Out of the most vicious period of France’s medieval history emerged the exquisite books of hours painted by the Limbourg brothers for the repellent Duke of Berry. Yet, unlike the panel paintings, the sculpture, the buildings or the jewellery of the period, illustrated manuscripts are almost entirely inaccessible to the public. Light, oxygen and humidity, the three great enemies of pictorial artefacts, are especially unkind to manuscripts. Vellum is made of animal skin, which naturally decays. Vege-table dyes fade. Mineral pigments discolour.

Thursday

Oliver Balch

Writing on the fly

Bogotá airport, immigration form in hand. Tourist, migrant, businessman? Andrés Neuman ponders the descriptors, unsure which to tick. He opts for the second. ‘I’d like to be a migrant.’ The decision is telling, and frames much of what follows in this curious, delightful, if disjointed book. Neuman is hot property in contemporary Latin American literary circles. A former winner of Spain’s prestigious Alfaguara Prize and the National Critics Prize, he is tipped (by Roberto Bolaño, no less) to be one of a select ‘handful’ to take up where the ‘boom’ generation of Márquez, Cortázar, Fuentes and Borges left off.

Charlotte Hobson

Exit the Tsar

Helen Rappaport’s new book makes no claim to be a complete account of the Russian revolution. Instead it presents a highly readable and fluent description of the events of 1917 in the capital, Petrograd, as experienced by the city’s many foreign residents. Russia’s booming prewar economy had attracted every sort of business person and technical expert, as well as diplomats, journalists, adventurers and fleets of governesses. Their first-hand revolutionary experiences were too extraordinary not to record, and those who did not write contemporaneous accounts often produced memoirs later. Rappaport has unearthed striking new material from archives in Russia, the US, France and at the University of Leeds.

Anna Aslanyan

Digging deep into history

The year is 1963. A girl is walking around Stepney with a pack of index cards, visiting old residents in their dilapidated houses, drinking strong tea with tinned milk, listening to their stories of happy days past and looking at cracked walls and leaking roofs. As she promises them help on behalf of her employer, the Old People’s Welfare Association, redevelopment plans for the area are being drawn up with little regard for its inhabitants, many of whom don’t want to move. ‘There may be heartbreak in store for some,’ breezily remarks a magazine article. That girl was Gillian Tindall, and her interest in ‘the landscape of people’s lives’ has never waned, recently leading her to Crossrail, a project designed to transform London on a colossal scale.

Ian Sansom

Smaller than life

For Jonathan Safran Foer fans and sceptics alike, Here I Am comes as a wonderful gift, a truly painful, honest book which purports to be about a lot of things but is mainly about one thing: the breakdown of a marriage between a whiny, self-obsessed Jewish novelist turned scriptwriter and his blameless wife. Whether or not Foer drew inspiration for the book from the much-publicised breakdown of his own marriage to fellow novelist Nicole Krauss I have absolutely no idea and care less. Like any fully functioning adult, good fiction outgrows its origins. Or at least it should. A large part of Here I Am concerns itself with the very question of what we owe to the past and to others.