More from Books

Thursday

Wynn Wheldon

Curiosity – and cats

To Jan Morris, I am anathema. That goes, too, for David Attenborough. It is a word that this unarguably great writer likes: ‘It rolls well off the tongue.’ Why are your reviewer and the great broadcaster anathema, you ask. Well, we have been to the zoo. In this almost entirely enjoyable book no-one comes in for quite so much disapproval as those of us who have been to the zoo.I mention David because, when I was young, he took me to the zoo. However, despite this sinfulness, I would be surprised if Morris, who is a year older than Attenborough, does not recognise in David a confrère in the war for niceness against nastiness, kindness against cruelty. This book, apparently written because Morris has ‘nothing much else to write’, is more weighty than it seems.

Peter Tatchell

Ever the trail-blazer

This is the story of the ‘other’ Harvey Milk. We all know about Harvey the San Francisco politician who was tragically assassinated less than a year after he became one of the first openly gay candidates elected to public office in the US. But now, thanks to Lillian Faderman, we also know about Harvey the secular Jew, who renounced his faith but remained influenced and inspired by liberal Jewish values. The grandson of Lithuanian immigrants to the US, Harvey was, for many years, more out as a Jew than as a gay man. We also discover the restless, wandering Harvey, who moved from state to state, man to man and job to job.

Lucy Jones

Guns and roses

During the civil war in Afghanistan in the late 1980s, Mr and Mrs Roami, a science professor and a nurse, sent their children away from Kabul to Europe for safety. Tragically, they lost the phone number of where the children had moved to and had no way of contacting them. The couple found solace in gardening. Despite the constant explosions of rockets and shells, they were unwilling to leave their home. They named flowers after their children, and tended and spoke to them. It gave them the hope that one day the family would be reunited. At one point, battle raged on all four sides and it was too dangerous to cross the road to fetch water from the stream. The garden was starting to die.

Robert Salisbury

A class act

‘I’m sorry to bother you, Peter, but you were a famously successful Leader of Their Lordships and I wondered whether you had any tips before I took it on.’ ‘All you’ve got to remember is that you are the headmaster of a second-rate public school.’ Lord Carrington’s answer to my enquiry was entirely characteristic: funny, and flattering, as though he knew you would instinctively understand the joke. You and he, he implied, belonged in the same place. It was a technique which he lavished with great success on those who worked for him. He was much loved in Their Lordships, at the Foreign Office and at the Ministry of Defence — and with reason. He was fun to work for and loyal to those who worked for him.

Craig Raine

A recitation of wrongs

In 1923, a Frenchman, Emile Coué, persuaded millions of Americans to finger a piece of string with exactly 20 knots. It was an exercise in auto-suggestion. At each knot of this secular rosary, the user intoned: ‘Every day, in every way, I am getting better and better.’ Sylvia Plath’s letters — until they implode on p.790 when she discovers the affair between Ted Hughes and Assia Wevill — are a similar numbing iteration of optimism and self-improvement. Thereafter, the story changes, darkens. Up until then, her story is cropped for improvement: she takes her finals at Cambridge but the letters are silent on her degree result (II: i). She explains to her brother Warren that she doesn’t write when her moods are black.

Suzi Feay

Playing for time

In a pleasing nod to Marcel Proust, Eustace, the middle-aged protagonist of Patrick Gale’s new novel, is propelled into memories of his childhood by a piece of music. An online flirtation via Skype with a much younger serving soldier is beginning to consume his thoughts, at least until a health crisis looms. Telling Theo nothing about his cancer diagnosis, Eustace goes for radio-active iodine therapy, having been warned to bring nothing with him that he doesn’t mind throwing away after. Saint-Saens’s ‘The Swan’ drifting through on his MP3 player leads him to relive his boyhood as a devoted cellist, and to reflect which parts of his past can also now be discarded.

Francis Wheen

Please Mr President

President George Washington received about five letters a day and answered them all himself. By the end of the 19th century President William McKinley was so overwhelmed by the volume of mail — 100 letters a day — that he hired someone to manage the flow. Thus began what is now called the Office of Presidential Correspondence (OPC). According to Jeanne Marie Laskas, however, it wasn’t until Barack Obama that a president committed himself to reading a set number of letters a day — the ten LADs, as they became known — from ordinary Americans. Before delving into Obama’s old mailbags Laskas talks to one of his senior advisers, Shailagh Murray.

Thursday

Jon Jolliffe

Man’s true best friend

This unusual book begins with an account of the author’s ten-year love affair with dairy farming and an attempt ‘to give a flavour of what our cattle do for us’. It then turns into a survey of the various British breeds of cattle. After poor A-levels, Philip Walling took odd jobs in his native Cumbria, such as building dry-stone walls, until he managed to acquire a small farm of his own. With great determination, he ran this single-handed, keeping both beef and dairy animals and raising poultry and a couple of pigs. They were, in retrospect at least, ‘ten years of almost undimmed joy’. But aged 30, discouraged by the daily grind, which included a milk round, and feeling he had missed out on a proper education, he gave it all up.

Jason Burke

Lines in the sand

One of the many pleasures offered by Lords of the Desert, which narrates the rivalry between Britain and the United States in the Middle East from the end of the second world war through to 1967, is the quotations that are liberally strewn across its pages. They have been culled from memoirs or official documents unearthed in British or US archives and testify to the research that has gone into this dense but consistently fascinating account. Some reveal the deep complacency of influential individuals. Ralph Brewster, an American senator who undertook a round- the-world tour in August 1943 to investigate the progress of the war and report to President Franklin D.

Travis Elborough

There be dragons

Reflecting on the genesis of Treasure Island, the adventure yarn that grew from a map of an exotic isle he had drawn to amuse a bored schoolboy on a rainy day, Robert Louis Stevenson observed: ‘I am told there are people who do not care for maps, and I find that hard to believe.’ It’s fair to say that Thomas Reinertsen Berg cares very deeply about them, and his book, sumptuously produced with lots of full-colour images, is a kind of potted treasury of cartographical history that gleams with pieces-of-eight-like snippets of information.

Brian Martin

All shook up

The polymath writer A.N.Wilson returns to the novel in Aftershocks, working on the template of the 2011 earthquake which devastated Christchurch, New Zealand. He protests that the setting is not New Zealand but, as he admits, there are many recognisable similarities. This is a novel about true love, its agonies, ecstasies, and eventual fulfillment, told in the voice of a young woman, Ingrid Ashe. She is the daughter of the female local radio broadcaster, Cavan Cliffe; and the mother/daughter relationship is almost unhealthily close. Ingrid’s is a lesbian love story in which her passion cannot develop until the earthquake upsets the structure of the city, destroys the cathedral and causes an all-round upheaval in personal relationships.

Duncan Fallowell

Pondering the flowers

This new book, from the NYRB’s publishing arm, is in a non-fiction genre I love: short entries dedicated to an integrating purpose; approaching a subject via concentrated, separated stabs rather than extended unfolding text. In philosophy this is called the aphoristic technique. In wider literature, it can range from the concise notebook to prose poetry. It is a genre whose masterpiece in English is Cyril Connolly’s The Unquiet Grave, but it is more often found in continental literature; and the French especially have made it their own, where its progenitor is usually said to be Baudelaire’s Le Spleen de Paris, described as prose poems and published in 1869 after the author’s death.

Olivia Williams

Something nasty in the coal cellar

Literary non-fiction demands that a respectable household is not really a respectable household — and the Bastendorffs of 4 Euston Square fully oblige. The family take in lodgers at their elegant townhouse in Bloomsbury and, just as they are sprucing it up to welcome their latest in May 1879, a mystery corpse is uncovered in their coal cellar. It would not spoil anything to say that the Bastendorffs turn out to be a pretty kooky bunch, headed up by Severin, the paterfamilias who started life in rural Luxembourg. Thanks to Severin’s heritage, we skip past the well-worn Disney Victoriana of gas lamps and sooty urchins and into the more unusual territory of London’s burgeoning Germanic subculture.

James Bradley

A whiff of paranoia

In the immediate aftermath of 9/11 many writers spoke of feeling immobilised. The scale of the attacks and the world’s shared experience of the media event seemed to demand a response; but simultaneously writers such as Ian McEwan, Martin Amis and Jay McInerney described a sense that the tools at their disposal were inadequate — that the reality of what had taken place exceeded fictional representation. These three all recovered from their shock reasonably quickly, contributing to the flood of 9/11 fiction that poured into bookshops during the 2000s. In recent years this torrent of novels and stories has slowed, but as Christopher Priest’s eerily powerful An American Story demonstrates, it most certainly has not stopped.

Philip Hensher

The couple who conned the world

The other day in the Guardian’s Blind Date column, two participants, or victims, finished off an account of their frightful encounter by dismissing any chance of a future relationship: ‘I’m sure two ENFPs might wear each other out.’ The acronym is perhaps not familiar to everyone, but that, coming from a couple of young people steeped in human resources gibberish, would have been the point. The woman involved was showing off her Myers-Briggs personality type. Myers-Briggs is an American analysis of personality first used in the 1940s, which gained huge success in the 1950s. It was a decade in which, as Merve Emre poetically says, ‘the stench of political paranoia was accented by cheap gasoline and apple pie’.

Andrew Taylor

A meditation on history

It is a truth universally acknowledged that a serious novel must be in want of a theme. Paris Echo soon makes it clear that it has several. It’s about the shifting nature of history and the mysterious footprints of the past in the present. It’s also concerned with the myriad and biased interpretations that we place on past events. Another preoccupation is the ambiguities of spoken and written French. Modern Paris, the novel’s main setting, allows Sebastian Faulks to explore his themes through two main viewpoints. There’s Tariq, a precociously self-aware 18-year-old Moroccan from a middle-class family in Tangier, who comes to Paris in search of himself, his mother’s French family and an obliging woman who will help him lose his virginity.

Thursday

David Horspool

The great agitator

John Lilburne was only 43 when he died in 1657, an early death even for the time. But in many ways it was remarkable that he lived so long. He not only dodged Royalist bullets when fighting for Parliament in the civil war as Lieutenant Colonel Lilburne, but managed to avoid the noose or firing squad on three occasions, each time trusting his own principled legal dexterity (and a slice of luck that he would have seen as the hand of Providence) to cheat his would-be executioners. This was an age, of course, when men of far more elevated status than this member of the minor gentry from the north east did not manage the same feat.

Felicity Morse

Beaver believers

The British experience of beavers is somewhat limited. Most of us haven’t been lucky enough to have spied an immigrant rodent in the wilds of west Devon, or paid a visit to Knapdale and Alyth in Scotland. Instead, we’ve only met beavers in storybooks, notably The Lion, the Witch and the Wardrobe, where in the warm, homely hut of Mr and Mrs Beaver, the Pevensie children are first introduced to the prophecy of Aslan, over fish and potatoes and a sticky marmalade roll. Needless to say, beavers don’t eat marmalade — they don’t even eat fish. Yet these tree-chewing, dam-building rodents are still useful, hospitable creatures, and not just for their pelts, although that’s something humans have occasionally forgotten over the years.

Stuart Evers

Closure at last

And so it comes, the final volume of Karl Ove Knausgaard’s My Struggle sequence: a pale brick of a book, one that might be The End, but is an undertaking all of itself. The previous five books — autofictions that catalogue one’s man’s life in exacting, almost terrifyingly detail — were far from slender, but The End is nearly 1,200 pages, and as such presents itself almost as a challenge, or a dare. Are you sure you want to do this? Can you really face a further delve into the painstaking minutiae of Knausgaard’s thoughts and actions? These are questions that recur as you read, the answers often changing in the turn of a page.

Andy Miller

On the run from Corunna

There is only one Andrew Miller. In the 20 years since his debut novel Ingenious Pain won both the James Tait Black Memorial Prize and the IMPAC Dublin Literary Award, he has written a series of books which have captured the imaginations of readers and critics alike. Oxygen (2001) was shortlisted for the Booker, while in 2011 Pure, the tale of a young engineer in pre-revolutionary Paris clearing the notoriously overstuffed Holy Innocents’ Cemetery, won the Costa Book of the Year award. Miller is read around the world; as a British author of (mostly) historical fiction that is both popular and literary, his peers are Hilary Mantel and, perhaps, Sarah Waters.