Music

I recently underwent a surgical procedure that according to the surgeon who performed it would cause either no discomfort at all or result in 'exceptional pain' for at least two weeks. No way to tell until I was on the operating table, apparently. She said this matter-of-factly, as if discussing bus routes, just as I was about to receive a general anaesthetic. As soon as I came to, I learned it was the latter. In the following days, bedbound and near-delirious with pain and medication, I listened to hour after hour of Taylor Swift. I didn't want to hear anything else. I found her music, with its vast emotional depth and stunning lyrical dexterity, terrifically soothing.

In my day job, I work with children. Well, OK, they're in their twenties, but when they ask me who my favourite musician of all time is, and I say Madonna, they usually look blank. That funny-looking woman who had a few hits in the 1980s? Meh, what about Taylor Swift? Madonna may not have topped the charts for a few years, but for me and many other women of my generation, she is the greatest. And she always will be, in a way that the pop stars of today – derivative, airbrushed, on-message and PRed to the max – can only dream of.

More than 200,000 people have schlepped down the ley lines for another year of ‘Glasto’. It’s tempting to deride these people: they’ll stink, they’re anchorless hedonists, they’re blue-haired hippies. However, they’ve got tickets to Glastonbury and I haven’t, so they win.  Actually going to the festival, however, is a minority experience. More of us will be watching it on TV. And whether you dig the Glastonbury vibe or not, there’s plenty of good music for all across this weekend.  The most important thing to remember, though, is to watch as little of the coverage as possible. It’s fluff. For three whole days, everything is ‘fantastic’, everyone will ‘bring it’ and ‘vibes’ will always be ‘elite’ for the gawping BBC presenters.

We might never have taken the Eurovision Song Contest terribly seriously in the UK – but with British Ted Neeley lookalike Sam Ryder winning second place last year and the staging of this year’s event in Liverpool, some are singing to a different tune. This year’s UK entry comes from Mae Muller – ‘I Wrote a Song’ is a serviceable enough generic toe-tapper, but no ‘Puppet on a String’ (Sandie Shaw, 1967 winner) if you ask me. Or even ‘Ooh Aah… Just a Little Bit', Gina G’s 1996 banger that claimed eighth place in the contest. Ahead of tomorrow night’s final, here are ten movies to get you in the mood for Eurovision 2023 – films where the plucky underdog (almost always) triumphs.

Move over vinyl: the cassette tape is back. According to the British Phonographic Industry, sales of this retro piece of technology last year came close to a two-decade peak. Having been the top-selling format for albums in the UK from 1985 to 1992 and then seemingly disappearing (selling only 4,000 units in 2012), last year saw more than 195,000 cassette tapes shifted. HMV, which recently announced that it will reopen its flagship store on Oxford Street after a four-year closure, plans to bring out cassettes for ‘specific new releases’ and has credited its return to profit with a growing interest in ‘collectable’ music from an analogue era.

At one level, asking why the coronation matters is to slightly miss the point. Living as we do in a constitutional monarchy, the coronation doesn’t need to make a case for itself. It is simply an indispensable part, primarily in symbolic terms, of the installation of our new head of state. But setting aside for a moment its constitutional and religious significance, the coronation is important for another reason. Unlike almost every other nation state, the UK does not have an official national day. The patron saint days of the respective countries of the UK, of course, are celebrated to varying degrees ­– though St George’s Day far less so than the others.