London

For British people, America is an idea brought by cinema, and The Dover, the New York Italian bar and restaurant in Mayfair, meets a version of it. It’s not quite the ballroom in Some Like It Hot, not quite Rick’s Café in Casablanca, but it’s as close as you will find near Green Park Underground, and that has a charm to it, because Americans can speak. It’s from Martin Kuczmarski, formerly of the once preening, now ragged Soho House. He has named his company Difficult Name. There’s a message there, and a story, and it made a glorious restaurant with the tagline ‘A good place to be since 2023’.

Home Kitchen is in Primrose Hill, another piece of fantasy London, home to the late Martin Amis and Paddington Bear. It is a measure of the times that Elizabeth II had no literary chronicler – no Amis, no Proust for her – but was, almost against her will, given Paddington Bear instead. When I saw the small bear at her memorials, I thought: is that her genre? Infants’ fiction? Couldn’t she do better? The question that follows is, of course: would they have eaten together at Home Kitchen? The barley is doughty, fragrant and from the earth.

The Ambassadors Clubhouse is on Heddon Street, close to Savile Row and the fictional HQ of Kingsman, which was a kind of privatised MI6. I wonder if the Kingsmen eat here, being clubmen. Heddon Street needs fiction because its reality is one-dimensional. It is an alleyway behind Regent Street, and it used to be interesting. There was an avant-garde café under the Heddon Street Kitchen called The Cave of the Golden Calf. Ziggy Stardust was photographed for his album cover outside No. 23; from Heddon Street you could hear the Beatles play their final concert on the roof of 3 Savile Row in 1969. This is dense, fierce, very sophisticated food and it is all superb But that is over.

At Julie’s at the fag end of Saturday lunchtime, Notting Hill beauties are defiantly not eating, and the table is covered with crumbs. Restaurant Ozymandias, I think to myself. This is no longer a district for the perennially wracked, or unrich. The Black Cross – Martin Amis’s ideal pub in London Fields – is now a sushi joint. Of course it is. The omelette is bright yellow and tough, like a hi-viz croissant Julie’s, which is named for its first owner, the interior designer Julie Hodgess, mattered in the 1980s.

Cloth is opposite St Bartholomew the Great on Cloth Fair. People call this place Farringdon, but it isn’t really: it belongs to the teaching hospital and the meat market and William Wallace who died a famous death here and has only a little plaque in turn. Smithfield embraces the dead. Sherlock Holmes met Dr Watson here and, for BBC1, jumped off the roof of the hospital. If Cloth calls itself a ‘neighbourhood wine bar’, which sounds less threatening than ‘restaurant’, its true customers are the dead, and that is no criticism. The chips are marvellous, and this matters. I always judge a restaurant on the chips I am early, so I sit in St Bartholomew the Less – this is how buildings fight!

I hadn’t intended to go on a ‘staycation’ this summer. Quite the contrary, I’d booked a family holiday to Norway. Last August, I made the mistake of renting a villa in Majorca and it was so hot it was impossible to do anything, including sleep. So this year I insisted on going north and arranged to borrow a log cabin near Trondheim. The two oldest children were so unimpressed – they loved the nightlife in Majorca – that they refused to come, which was fine by me. The flights were £200 each way and it meant we only had to rent a Fiat Uno instead of a six-seater. One of the legacies of having been a journalist for 40 years is that I’ve done a lot of travel pieces and find it painful to pay for foreign trips out of my own pocket.

I am working my way around the restaurants of the Old War Office (OWO), now an acronym and Raffles hotel on Whitehall, because the swiftness with which the great institutions of the state have become leisure opportunities for the wrongfully rich is dark, mesmerising and, if you don’t mind too much anarchy, funny. I have reviewed the cold, painted Saison, and the lively Italian Paper Moon, which a kind reader wrote to say he loved and which I do not expect to survive. It is too joyful and well-priced for the wrongfully rich and their internal landscape of nude cashmere and paranoia. It squeaked through. The transience of the exterior is not mirrored within. The opposite is true Here, now, is Café Lapérouse in the courtyard.