Culture

One of the first films ever produced, 1903’s The Great Train Robbery, revolved around a robbery of a steam locomotive train, and ever since then the genre has continued to be one of the most enduring in cinema. It isn’t hard to see why. The core elements of the heist film are some of the most solidly pleasurable devices in big-screen entertainment. They often consist of the wily and charismatic veteran thief, putting together a crew for a ‘last job’; a love interest who is either unaware of his or her plans or an enthusiastic participant in them; a supporting cast of various degrees of eccentricity or unreliability; an implacable nemesis, whether a lawman or a rival; thrilling action scenes; and exotic locations.

As we are now well into the unwanted Lockdown sequel and winter approaches, time perhaps to enjoy an enforced home cinema experience with a selection of movie thrillers that you may have missed the first time round. Titles range from big budget star vehicles to smaller scale pictures that introduced us to some of the possible on and off-screen icons of tomorrow. The Coldest Game (2019) – Netflix https://www.youtube.com/watch?v=12DftzVD2Gg I came across this Polish-produced Cold War thriller one night when searching for movies similar to Bridge of Spies (2015).

When you hear the word ‘stockpiling’, the first thought that pops into your head is probably the image of forest-dwelling folk in remote reaches of the US, usually bearded, always armed, with hunting vests, baseball caps, a few tonnes of canned food buried beneath their shack and enough kerosene to defrost Svalbard. Yet with the prospect of a hard Brexit edging ever closer, stockpiling has become a major pastime of businesses across the UK. The Economist have set aside 30 tonnes of paper to print their magazine, whilst Majestic have secured up to 1.5 million bottles of wine (should the worst happen, I know which warehouse I’ll be looting). Medicines and food are also being stored in bulk.

Comedy is booming during lockdown. The clubs may be closed, indefinitely it seems, but the internet has come into its own. And the backlash against the liberal consensus is gathering pace. Here are seven of the best unwoke comedians. All are available on YouTube. The snag is that each clip is preceded by an advert for Monday.com or a bossy lecture from a web entrepreneur eager to enrol you in a free seminar which will make you a billionaire. Indian-born Sindhu Vee makes jokes about her Danish husband which might be interpreted as racist. ‘His entire parenting method is, “Darling, please be very happy, here’s some Lego.”’. When Vee got a British passport she was infuriated that he hadn’t followed suit.

For those with work to do and kids to homeschool, the idea that you might have lots more time on your hands amid the coronavirus lockdown probably seems like a bad joke. But for those who have a bit of extra reading time to make the most of, here are five crime fiction series to help pass the lockdown hours: The LA Quartet, James Ellroy James Ellroy L.A. Confidential (Cornerstone) James Ellroy is well deserving of his status as the pre-eminent crime fiction writer of our times, and for those yet to discover the demonic delights of his oeuvre, the original ‘LA Quartet’ is definitely the place to start.

With over 160 million subscribers – which ranks somewhere between the population of Bangladesh and Nigeria – Netflix’s biggest shows command staggering audiences worldwide. But the streaming platform has also snapped up the rights to hundreds of lesser known series, some of which are just as good. Here’s our pick of the undiscovered gems: Rectify https://www.youtube.com/watch?v=rd0_nNkdi0c When it comes to sheer critical acclaim, few shows can match Rectify. From the moment this slow-burn crime drama debuted in the US in 2013, it was praised to the hills by television aficionados. Yet even after four successful seasons, and an excellent finale, the show remains relatively unknown compared to the likes of Breaking Bad and The Wire.

It’s no secret that people are fascinated by crime. Nor is this a new phenomenon: writing in 1946, Orwell noted that murder gave a ‘great amount of pleasure to the public’, and proceeded to identify the common features of the gruesome and grisly crimes that gave the British most satisfaction. Psychologists, meanwhile, say that murder in particular is not only ‘a most fundamental taboo’ but ‘also, perhaps, a most fundamental human impulse’. This seems plausible. We all know those people who, stuck in a queue or sat in an interminable meeting, seem moments away from indulging that impulse. At any rate, lovers of the lurid and the macabre are spoiled for choice in the streaming age.

We all have secrets which, when we remember them, shroud us in shame. I’m afraid I have a particularly dark one that I’m forced to remember almost every day of my life. Twenty years ago, I was a working in a big London ad agency with a smart and ambitious young man named Richard Reed. I liked him a lot and it was clear that he wouldn’t be constrained by the advertising industry forever. Sure enough, he came to me one day and announced that he and some friends were starting a business, making fruit smoothies called ‘Fast Tractor’. Richard explained that they’d chosen Fast Tractor because the tractor that transported the fruit from field to fruit crusher was fast. Or something.