Book reviews

Saturday

Lewis Jones

One hap after another

Nicola Shulman begins her rehabilitation of Thomas Wyatt by remarking that there is ‘an almost universal consensus that he can’t write’ — a consensus established within a generation of his death in 1542. Nicola Shulman begins her rehabilitation of Thomas Wyatt by remarking that there is ‘an almost universal consensus that he can’t write’ — a consensus established within a generation of his death in 1542. Even the Earl of Surrey, his friend and eulogist, acknowledged his verse to be ‘unparfited’, and by Shakespeare’s day he was a joke: Malvolio keeps a poem of Wyatt’s about him, proclaiming himself a nincompoop. Like Malvolio, Wyatt excels at such un- attractive emotions

John Preston

Random questions

British writers who set their first novels in America are apt to come horribly unstuck. One of the pleasures of Sam Leith’s debut novel is its sureness of tone. All the elements here are properly balanced. Nothing feels clumsy or over-egged. So what? you might think. Isn’t this what any halfway decent novelist does? Yes, but few attempt anything as ambitious, as exuberant, as downright weird as this. At the heart of Leith’s novel is an examination of the role of chance and the nature of coincidence. This, though, is only the half of it. Clustered all around is a host of ostensibly disparate elements — there’s a naïve Cambridge

James Buchan

A certain tragic allure

Towards Mohammed Reza Pahlavi (1919–1980), the last or most recent Shah of Iran, there are two principal attitudes. Towards Mohammed Reza Pahlavi (1919–1980), the last or most recent Shah of Iran, there are two principal attitudes. To the Islamic Republic and many in Europe and the US, Mohammed Reza was a tyrant, womaniser and poltroon, who was put on the throne by Britain and Russia in 1941 and maintained there by the US, till a popular uprising sent him scurrying abroad in 1979 where he died, unlamented, in Egypt 18 months later. The second attitude, which is gaining ground even in Iran, is that Mohammed Reza was a man of

James Grande

Lancelot of the lake

Tom Stoppard’s Arcadia offers two contrasting views on a ‘Capability’ Brown landscape at the imagined Sidley Park. Tom Stoppard’s Arcadia offers two contrasting views on a ‘Capability’ Brown landscape at the imagined Sidley Park. Lady Croom, the 19th-century owner, praises its harmonious natural style, even down to ‘the right amount of sheep tastefully arranged’. Two hundred years later, a garden historian laments the destruction of the ‘sublime geometry’ of 17th-century formal gardens: ‘paradise in the age of reason’, before being ‘ploughed under by Capability Brown’. It is not even English, Hannah Jarvis complains: English landscape was invented by gardeners imitating foreign painters who were evoking classical authors … Capability Brown

Jane Ridley

Jennie, Clemmie and Goosie too

‘There never was a Churchill, from John of Marlborough down,’ wrote Gladstone, ‘that had either principles or morals.’ With the shining exception of Winston and his brother Jack, Churchill men have tended to be bad hats, but this makes them all the more interesting to read about. ‘There never was a Churchill, from John of Marlborough down,’ wrote Gladstone, ‘that had either principles or morals.’ With the shining exception of Winston and his brother Jack, Churchill men have tended to be bad hats, but this makes them all the more interesting to read about. Mary Lovell’s new book tells the story of the Churchills as a family over four generations,

Saturday

Sam Leith

An existential hero

Sam Leith is enthralled by a masterpiece on monotony, but is devastated by its author’s death When David Foster Wallace took his own life two and a half years ago, we lost someone for whom I don’t think the word genius was an empty superlative. He was an overpowering stylist, and a dazzling comedian of ideas. He could be gasp-makingly funny, but had an agonising moral seriousness. There’s more on one page of Wallace than on ten of most of his contemporaries. His mind seemed to have more buzzing in it than the rest of us could imagine being able to cope with, and perhaps than he could. The Pale

Jonathan Mirsky

Pet obsession

I declare two interests. I own a dog, Lily, and I admire the New York Review of Books. What could go wrong? Especially because, according to the enthusiastic introduction, back in 1999, by Elizabeth Marshall Thomas, My Dog Tulip won golden opinions from its first publication in 1956, notably from Julian Huxley and E. M. Forster. (I must say I saw Forster almost daily in 1954—1955 during his short walks at Kings College, Cambridge and he didn’t have a dog.) As Thomas wrote, here is the memoir of an unremarkable, badly behaved dog that adored her master, who loved her in return. A ‘man of letters’, as they used to

Charlotte Moore

In Di’s guise

What if Princess Diana hadn’t died, but, aided by her besotted press secretary, had faked her death and fled to America to live under an assumed identity? Is this an interesting question? Is a novelist justified in exploring such a supposition? I believe the answer to both questions is ‘no’. What if Princess Diana hadn’t died, but, aided by her besotted press secretary, had faked her death and fled to America to live under an assumed identity? Is this an interesting question? Is a novelist justified in exploring such a supposition? I believe the answer to both questions is ‘no’. In writing Untold Story, Monica Ali has made a serious

Nicola Shulman

King of spin

Draw two two-inch triangles, tip to tip, one on top of the other. A little way down the left flank of the upper triangle, take a perpendicular line out to an inch, then turn your pencil at a right angle and continue another inch. Repeat on the other side. Next, draw two short, splayed lines down from the base of the lower triangle. Finally, put an acute accent, an inch long, about two inches above the whole. What have you got? According to Dr David Starkey, who performs this trick at schools all over the country, Henry VIII in 13 lines. Apparently he is recognisable in this form as far

Quentin Letts

Slippery Jack

A mad, muscular Sally Bercow cavorts on the Commons chair, diminutive husband on her knee, his features impish. With a few scratches of the nib, the Independent’s merciless Dan Brown, in his cover design for this biography, passes judgment more viciously than Bobby Friedman manages over the next 250 often unexciting pages. The book is not entirely without merit. It is earnest in the manner of a schoolgirl’s essay. There are not too many spelling mistakes. The author has plainly made scores of telephone calls to old acquaintances of the man we must now, revoltingly, call Mr Speaker. Friedman deserves a B-plus for effort. His book is not, however, as

Philip Ziegler

A fate worse than death

Hugo Vickers has already produced a well-documented and balanced biography of Queen Elizabeth, the Queen Mother. To follow this with the Duchess of Windsor is as bold a left-and-right as one could ask for; like writing biographies of Shylock and Antonio or Cain and Abel. ‘I will go to my grave,’ wrote the lady-in-waiting Frances Campbell-Preston, ‘trying to convince people that the Queen Mother did not hate the Duchess of Windsor.’ ‘Hate’ is a strong word; but the Duchess certainly hated the Queen Mother and Queen Elizabeth was as much as anyone responsible for the fact that the Duchess was never fully accepted by the royal family. The subtitle to

Saturday

Melanie McDonagh

Bookends: The last laugh

In July, the world’s most famous restaurant, elBulli, closes, to reopen in 2014 as a ‘creative centre’. Rough luck on the million-odd people who try for one of 8,000 reservations a year. It’s also a blow for the eponymous young cooks of Lisa Abend’s The Sorcerer’s Apprentices (Simon & Schuster, £18.99), the 45 stagiaires who labour in Ferran Adria’s kitchen for a season in the hope of sharing in the magic. Ferran, you see, is no mere cook. With him, ‘hot turns into cold, sweet into savoury, solid into liquid or air’. In July, the world’s most famous restaurant, elBulli, closes, to reopen in 2014 as a ‘creative centre’. Rough

Mark Mason

The wisdom of youth

‘You must write it all down’ is the age-old plea to elderly relatives about their childhood memories. ‘You must write it all down’ is the age-old plea to elderly relatives about their childhood memories. Fortunately P. Y. Betts, briefly a novelist in the 1930s, was 50 years later persuaded to do just that. Even more fortunately, her memories, now republished, are golddust. Betts was born in Wandsworth in 1909, meaning that many of the ‘people who say goodbye’ were saying hello to the trenches. Also, several of her childhood friends died of now treatable diseases. Today’s publishers would at this point scream ‘misery memoir’, others would retaliate that people back

Sebastian Smee

Whatever next?

Philip Hensher’s King of the Badgers is set in Hanmouth, a small English coastal town described so thickly that it is established from the outset as effectively a character in itself. Philip Hensher’s King of the Badgers is set in Hanmouth, a small English coastal town described so thickly that it is established from the outset as effectively a character in itself. Lovely to look at, the town is too small and insecure to be thought of as adult. In fact, it’s uncomfortably adolescent — a skittish concoction of class tension, shifting demographics and unwitting self-sabotage. The novel is full of unexpected turns. It’s also brilliant, sustained and weirdly captivating.

Colin Amery

Rather in the lurch

Will it ever end? The romantic interest in the architecture, history and life lived in the country house is as alive today as it was in 1978, when Mark Girouard wrote his seminal Life in the English Country House. There are now some three million members of the National Trust — guardians of the flame of country-house life that still just flickers in its teashops. The path to an instant peerage is along the passages of the imaginary Downton Abbey, and feudal splendour is still the dream destination of hedge-fund millionaires. How much is the dream driven by aesthetics, how much by nostalgia and how much by a fascination with

Richard Davenporthines

Kill or cure

Frederic Raphael was the first man to use a four-letter word in The Spectator: the work of his fellow playwright Stephen King-Hall, he wrote in 1957, made him ‘puke’. Frederic Raphael was the first man to use a four-letter word in The Spectator: the work of his fellow playwright Stephen King-Hall, he wrote in 1957, made him ‘puke’. Scorching dismissals and mordant discomforting truths have been flowing ever since from the novelist, Oscar-winning scriptwriter, playwright, classicist and critic, who will turn 80 later this year. Some of his most enduring work only began to appear in 2001, when Raphael published the earliest extracts from the working notebooks that he began

Andrew Taylor

Recent crime fiction

Henning Mankell bestrides the landscape of Scandavian crime fiction like a despondent colossus. Last year’s The Man from Beijing, was a disappointing stand-alone thriller with too much polemical baggage. His new novel, The Troubled Man (Harvill Secker, £17.99), brings the return of his series hero, Inspector Kurt Wallender. The title says it all: now that he’s 60, Wallender’s trademark gloom is darkened still further by the creeping fear that his memory is no longer what it used to be, and that this is the first symptom of a far more serious condition. In the first few chapters, he also faces disciplinary action, breaks his wrist and gets mugged. So it

Catherine Nixey

A choice of first novels

Rocco LaGrassa was ‘stout around the middle . . . wee at the ankles, and girlish at his tiny feet, a man in the shape of a lightbulb’. In Salvatore Scibona’s first novel we join this lightbulb of a man on perhaps his darkest day: the day on which the police arrive at his door to tell him his son has just died of tuberculosis in a prisoner-of-war camp in North Korea. Rocco LaGrassa was ‘stout around the middle . . . wee at the ankles, and girlish at his tiny feet, a man in the shape of a lightbulb’. In Salvatore Scibona’s first novel we join this lightbulb of

Saturday

Edward King

Bookends: Murder in the dark

When the Observer critic Philip French started writing on the cinema in the early 1960s, he once explained in an interview, books about film were a rarity. ‘Now I have three book-lined rooms dedicated just to the cinema, including 50 books on Hitchcock and 30 on film noir.’ I Found it at the Movies (Carcanet, £19.95), a collection of essays and occasional writings about film first published from 1964 up to the present, is intended to ‘throw light’ on the times in which they were written and chart the shifting attitudes to film as entertainment and art. But it is surprising how little has changed. The 1964 essay ‘Violence in

Sam Leith

The passionate friend

Sam Leith explores H. G. Wells’s addiction to free love, as revealed in David Lodge’s latest biographical novel In the history of seduction, there can have been few scenes quite like this one: ‘Am I dreaming?’, she said when she opened her eyes. ‘No,’ he said, and kissed her again. ‘But what about Jane?’ she said. ‘You love Jane.’ ‘Yes, I love Jane, and Jane loves me, but there are many kinds of love, Amber. You’ve read A Modern Utopia, you’ve read In the Days of the Comet, you know my views on free, healthy, life-enhancing sexual relationships. Jane shares them.’ They embraced and lay in eachother’s arms, exploring and