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Jan Morris’s last book is a vade mecum to treasure

Jan Morris, in all her incarnations, was always able to evoke a place and a moment like no other. As James Morris, the only journalist to cover the first successful ascent of Everest in 1953, he described Edmund Hillary returning from the summit as huge and cheerful, his movement not so much graceful as unshakably assured, his energy almost demonic… It was a moment so thrilling, so vibrant, that hot tears sprang to the eyes of most of us. Morris, who died last year, was married to Elizabeth Tuckniss for 71 years and had five children, one of whom died in infancy. She transitioned to live as a woman in 1964, one of the first high-profile people to do so. Her subsequent memoir, Conundrum, was a bestseller.

A scrapbook of sketches: James Ivory’s memoir is slipshod and inconsequential

James Ivory and Ismail Merchant formed the most successful cinematic partnership since Michael Powell and Eric Pressburger. Between the founding of Merchant Ivory in 1961 and Merchant’s death 44 years later, the company produced 42 films, more than half of which were directed by Ivory himself. Although its range was wider than is often allowed, the company’s fame rests on its adaptation of late 19th- and early 20th-century novels, among them Henry James’s The Europeans, The Bostonians and The Golden Bowl, E.M. Forster’s Howards End, A Room with a View and Maurice, and Jean Rhys’s Quartet.

Culture clash: Things We Don’t Tell the People We Love, by Huma Qureshi, reviewed

Apart from what the title tells us, these stories are about a fundamental difference in cultures. Huma Qureshi writes like a psychotherapist, considering, analysing, explaining, seeking out conflicts, evasions, and discomforts. The clash is between London and Lahore, Britain and Pakistan. The girls who appear in these tales are westernised, but still hostages to their heritage. The narrator of ‘Superstition’ escapes the shalwar kameez that she has to wear at family dinners on Saturday evenings in suburban London. She is smitten with a boy at a neighbour’s house, and then endures a conspiracy of male, religious dominance: ‘All this happened over an unfortunate teenage kiss.

Who’s to blame if Britney Spears has been ‘devoured’ by celebrity?

All the questions around Britney Spears can be condensed into this one: who should we blame? For a long time, there was a comfortable narrative that the pop star’s decade-long descent — from virginal queen of teen in 1998, to junk-food scarfing, twice-divorced single mother, to broken woman being transported to hospital in restraints — was wholly her own doing. Britney was a train wreck, white trash, a hot mess and, all in all, no better than she ought to be. The fact that her career recovered dramatically after she was placed under a conservatorship arrangement in 2008 (giving her father ultimate control over her life and finances) seemed to prove that the under-lying problem had been her freedom.

Lost in the fog: The Fell, by Sarah Moss, reviewed

Novelists are leery about letting the buzzwords of recent history into their books. The immediate past threatens to upstage the imagined world with its reality, and at the same time diminish it with the cardboard tang of everyday life. Sarah Moss, by contrast, has never been embarrassed to lend her prose the texture of contemporary conversation. As a celebrated author of novels in which catastrophe shatters middle-class English lives, she was always a likely candidate to be quick off the mark with a lockdown novel. In her latest, it’s November 2020, as night falls in the Peak District. Kate, a single mum, is half way through a 14-day period of mandatory isolation when she decides to slip out for an illegal walk in the hills.

Suspicious circumstances abound in the latest crime fiction

The old adage that everyone has a novel in them has a new version: anyone can write a thriller. Celebrity helps, of course, and Bill and Hillary Clinton are exemplars of the trend, though each has had the sense to draw on professional assistance and the grace to acknowledge it. Closer to home, Britain has spawned its own unexpected authors, led by Richard Osman with his astonishing successful The Thursday Murder Club. Now Alan Johnson, the former Labour MP and cabinet minister, joins the club with The Late Train to Gipsy Hill (Headline, £16.99), his first foray into fiction. He arrives with impressive credentials, however, having published three excellent volumes of memoirs since leaving politics. Like them, this book is well written, if less affecting.

The 17th-century Huron chief Kondiaronk can still teach us valuable lessons

Ten years ago, David Graeber was a leading figure of the Occupy Wall Street movement. He and his fellow protesters camped out in Zucotti Park, storing $800,000 of donations in trash bags because they didn’t believe in banks. The American anthropologist and anarchist activist called this an experiment in ‘post-bureaucratic living’. But such politics made Graeber persona non grata at US universities, so he moved to Britain where, in 2013, he became a full professor at the LSE. There, until his death last year aged 59, he imagined anarchist utopias and indicted what he took to be an oxymoron: western civilisation.

What I really said to Gordon Brown: Field Marshal Lord Guthrie sets the record straight

A headline in the Mail on Sunday, taken up eagerly by the BBC’s Today programme, claimed recently: ‘The SAS is getting worried that not enough posh officers are applying for jobs.’ Having hooked those shocked by the thought that the SAS should draw such distinctions, as well as those appalled that oiks are applying at all, the piece actually went on to explain that one officer failed the selection because he ‘lacked the sophistication’ to be able to brief cabinet ministers on operations. No lack of sophistication ever attached to Charles Guthrie.

Children’s books for all ages: the best of 2021

She’s done it again: J.K. Rowling has written a captivating children’s book. The Christmas Pig (Little Brown, £20) is about a toy pig, Dur Pig (DP for short), a boy called Jack and what happens when DP gets chucked out of a car and is replaced with an unwelcome Christmas Pig. It’s also about how horrible divorce is for children, what happens to lost things and how the least prepossessing creatures can show courage and self-sacrifice. It’s also a rattling adventure story about Jack and the Christmas Pig’s progress across the Land of the Lost, pursued by a scary ogre called the Loser.

Glasnost merely confirmed Russia’s deep-seated suspicion of democracy

Thirty years ago the Soviet Union was guttering to its close. Those of us who were there remember the exhilarating hope, the apprehension, the illusion. For everyone else it is a distant echo. Russia was always likely to lose the Cold War competition with America. It was unmanageably large, too poor and too reliant on too few products. Stalin’s bloody grip had enabled the Soviet Union to defeat the Germans at a terrible cost to his people. When he died in 1953 his system entered a protracted agony. Over the next decade Nikita Khrushchev tinkered with half-baked solutions. They misfired, and he was overthrown by the hard men in the party, the KGB, and the army. His more cautious successors managed to equal America’s military might.

A book trade romp: Sour Grapes, by Dan Rhodes, reviewed

Dan Rhodes’s career might be regarded as an object lesson in How Not to Get Ahead in Publishing. Our man was chosen as one of the Best of Young British Novelists in 2003, but his recent exploits include a spectacular falling out with his one-time sponsors, Messrs Canongate, and the writing of a lampoon about Richard Dawkins which so alarmed the lawyers that it had to be issued privately. Significantly, Sour Grapes — his first novel for seven years — comes courtesy of a small, independent press of which I confess that I had not previously heard. In most hands, these serial misfortunes could be guaranteed to produce a full-frontal assault on the people and institutions thought to have let the proud author down. Oddly enough, though billed as ‘a hilarious satire...

Compassion and a gift for friendship are touchingly evident in Ann Patchett’s These Precious Days

It has to be one of the most extraordinary stories of lockdown — how Tom Hanks’s assistant Sooki Raphael, undergoing treatment for recurrent pancreatic cancer, came to be living in the basement of the American novelist Ann Patchett and her husband Dr Karl VanDevender. How it happened is told in the title story of These Precious Days, Patchett’s second collection of essays. Asked to endorse Hanks’s short story collection, Uncommon Type, and then to interview him on stage during his tour, Patchett first meets Sooki in the wings of a Washington theatre. Hanks, by way of reciprocation, agrees to do the audio recording of Patchett’s eighth novel, The Dutch House, and a ‘sporadic email exchange’ between Patchett and Sooki develops into a friendship.

Father Christmas battles through the Blitz

When the shrill air raid sirens blared their familiar warning cries over the city at 6.01 p.m. on 29 December 1940, Londoners thought they knew what was coming. Life under siege had taken on a strange sense of normality. They had been bombed systematically by the Luftwaffe for months and fully expected this to resume with ferocity after a brief lull over the Christmas period. But the events that unfolded that night would bring horrors on an entirely new scale. The 136 bomber planes that swooped down from the sky and dropped their high explosives and 22,000 incendiaries onto the capital were intent on creating an inferno. It worked. The low tide of the Thames combined with the south-easterly breeze to create a ferocious wind corridor fanning the flames.

Why I was labelled a bitch: Joan Collins remembers the old Hollywood days

Readers of this magazine will have enjoyed Joan Collins’s diaries, and her Past Imperfect was one of the funniest showbiz autobiographies ever. (One of her beauty tips: ‘Never eat rancid nuts.’) She started as a Rank teenage starlet who, after being beckoned to Hollywood, was given B-roles because ‘I wouldn’t be “nice” to studio heads and it gave me a reputation of being a bitch’. More accurately, her ex-fiancé Warren Beatty called her ‘Butterfly’ —always fluttering on to some new project, even now at the age of 88. I love gossip and was looking forward to a wagonload of it in these diaries, written between 1989 to 2006, ‘when I felt like it’. I wasn’t disappointed.

In defence of capitalism – ‘the greatest engine of human progress ever invented’

For all its faults and foibles, its busts and bailouts, modern market capitalism demonstrates a remarkably bullish resilience. We don’t always love it. We might not even trust it. But, like a cranky old spouse, we doggedly stick with it. It’s not hard to guess why. Look around, and people today in the main are better off. More importantly, the alternatives seem doubtful. As Bill Gates once put it: ‘Anyone who wants to move to North Korea is welcome.’ Even so, there’s a nervousness afoot in the epicentres of free enterprise. Inequality is growing, executive pay is spiralling, high street favourites are disappearing, employment terms are worsening. Forget levelling up; just staying afloat feels like achievement enough. What’s gone wrong?

Is Christianity about to end in the place it began?

Janine di Giovanni’s book begins in a Paris apartment during the first lockdown. She’s at a friend’s home, which she leaves for the odd shopping trip wearing a homemade mask and rubber kitchen gloves. Covid has made her anxious and she worries that we may lose things about our way of life forever. They need to be written down so we don’t forget. As she thinks about how her faith has comforted her during the pandemic she decides to tell the story of Christians in the Middle East who have experienced troubles of a different kind. She feels that Christianity is vanishing there, and if we don’t make a record of it, it will be lost.

A broken nation: Chronicles from the Land of the Happiest People on Earth, by Wole Soyinka, reviewed

One of the best episodes in Wole Soyinka’s third novel (his first since 1973) takes place not in Nigeria but in Salzburg. An engineer-turned-entrepreneur has died in hospital there after a bomb attack back home. His grasping clan descends from Lagos to parade their last respects — and stake their claims. The drive to the cemetery triggers a ‘torrent of eulogies to Austrian horticulture’. In a ‘concerted sibling gush’, plutocratic relatives swoon over the contrast between these clean, green vistas and the choking inferno of Lagos — an urban nightmare aggravated by their own mercenary scams. Soyinka’s characters often hide behind such ‘straw masks’ of pretentiousness, hypocrisy and fakery.