More from Books

Thursday

Frances Wilson

The horrors of dining with a Roman emperor

Emperor of Rome? Is there a typo in the title? Mary Beard’s latest book is about not one but 30 Roman emperors, from Julius Caesar (assassinated 44 BCE) to Alexander Severus (assassinated 235 CE), so why the singular? The answer is that Emperor of Rome is a study of autocracy and one autocrat, as Marcus Aurelius put it, is much the same as another: ‘Same play, different cast.’  Beard’s subject is emperors as a category, because it was the symbol of rule rather than the ruler himself that mattered to the 50 million imperial subjects between darkest Britannia and the Saharan desert in the first three centuries of the Christian era.

Wednesday

Alex Peake-Tomkinson

Mother’s always angry: Jungle House, by Julianne Pachino, reviewed

Jungle House is not the sultry tropical tale you might expect either from its title or from its vivid, palm-strewn dust jacket. Instead, Julianne Pachico’s third novel concerns AI. This is not immediately obvious, and although there is an appealing directness to the writing, it means that no time is spent setting the scene or allowing readers to get their bearings fully. I could have done with more explication of the circumstances in which a young girl, Lena, comes to live in an AI-controlled house. At the book’s opening, Lena has her work cut out: There’s fishing and mushroom-gathering and swimming in the river. Five days a week are for exercise and two days are for rest. In the orchard there are bananas and guavas, grapefruits and limes.

Adam Begley

Fast and furious: America Fantastica, by Tim O’Brien, reviewed

It’s been said again and again but rarely so plainly illustrated: American life is now too berserk for fiction to keep up. Tim O’Brien’s wild, rollercoaster satire America Fantastica is as wacky as its title suggests; but it can’t compete with the daily trainwreck that calls itself the land of the free and the home of the brave. O’Brien tracks with furious contempt the spread of a highly contagious illness: mythomania and delusional conspiracy theories infecting the body politic and poisoning a defenceless citizenry in the dark pre-Covid days of 2019. The name ‘Trump’ is never mentioned in the novel, but the ‘avalanche of oratorical whoppers’ issuing from the White House is the obvious source of O’Brien’s raging dismay.

Ysenda Maxtone Graham

In the dark early 1960s, at least we had the Beatles

‘These things start on my birthday – like the Warsaw Uprising – and spoil my day,’ wrote the understandably self-pitying Barking housewife Pat Scott in her diary on the first day of the Cuban Missile Crisis in October 1962. ‘And then to spoil it more, Ted [her husband] took his driving test for the second time and failed.’ It is clashes like these, of the personal and humdrum against the political and global, that make David Kynaston’s close surveys of Britain in the second half of the 20th century such fascinating and lively documents. Yes, the world might be about to end, but that was no excuse to spoil Pat’s 37th birthday.

Michael Moorcock

The hubris of the great airship designers

Tribal rivalries have existed from humanity’s beginning and have fuelled the creation of every prestigious monument ever built. By the Age of Science we were building not pyramids but ironclads and submarines fighting for ascendancy at sea, expanding our empires in spite of an ever-growing movement for colonial independence. The Spanish-American war of 1898 added the United States to the list of great nations believing it to be their destiny, even duty, to bring their kind of progress to the world. Many understood that achieving overwhelming technological power as a nation guaranteed that no antagonist would dare attack. Limited by agreements made after the first world war, Britain no longer ruled the waves.

A.S.H. Smyth

A strong whiff of goodbyes: The Pole and Other Stories, by J.M. Coetzee, reviewed

New books by, articles about or Sasquatch-like sightings of J.M. Coetzee routinely send me back to that infamous YouTube clip of Geoff Dyer face-planting while being introduced by Coetzee at the Adelaide Book Festival – an episode often cited as evidence that the Nobel Laureate has no sense of humour. The garlanded ex-South African’s work is famously as dry as the Karoo, and Coetzee himself has been accused of having only ever laughed once. But a smile is visible in ‘The Pole’, the longest story in this collection. Beatriz, in her late forties, is an educated Spanish woman, ‘a good person’ in a ‘civilised’ (read dormant) marriage, involved in organising things like highbrow concerts but otherwise not taken seriously.

Frank Lawton

Religion provides the rhythm

Music is an art of time: songs play to a rhythm, giving shape to the seconds as they pass, charging the present with a pulse we can feel. But as music takes us forward through time it also takes us back – to the moment of its composition or recording; to a particularly resonant time in our own past; and yet further, summoning the echoes of older music contained within a song. In new books by David Remnick and Michel Faber we get two different approaches to writing about something ephemeral yet emotionally adhesive. One of them made time fly, and one of them made time slow until the only beat I could hear was the sound of my own head against the desk.

Alexander Larman

Sex and the Famous Five

Generations of readers of Enid Blyton’s Famous Five series have enjoyed the books without having to contemplate the erotic properties of the canine member of the quintet. After reading Nicholas Royle’s one-of-a-kind fantasia on Blyton and David Bowie, they may never be able to do so again. Royle writes confidently that ‘the most obvious route to thinking about sex in the Famous Five books is Timmy the dog’. Once this bombshell has been absorbed, he knocks the reader down again by writing: ‘Timmy is a big dog. He is a big-tongued dog. He must have had a huge donger too.’ The idea behind David Bowie, Enid Blyton and the Sun Machine first occurred to its author during the first 2020 lockdown.

Wednesday

Marcus Berkmann

A choice of this year’s gift books

Obviously, the best and funniest gift book out this Christmas is my own Still a Bit of Snap in the Celery (Abacus, £16.99), about the horrors and delights of being 60, but I am far too humble and modest to mention it, so I won’t. Very nearly as good is Bob Cryer’s Barry Cryer: Same Time Tomorrow? (Bloomsbury, £20), a timely biography of his father, the legendary comedian and comic writer who died at a great age last year. I knew Barry a little –I used to go up to Hatch End, where he lived, with my friend Mark Mason and meet him in his local pub – and I can confirm he was every bit as kind, generous and, above all, funny as everyone says he was. Here was a man who could only remember falling out with one fellow comic, Jimmy Tarbuck, and even Tarby he eventually made up with.

Julie Burchill

Britney Spears is back with a vengeance

I am working on a play about Marilyn Monroe at the moment and, reading Britney Spears’s book, the similarities of these two fragile blondes came to mind. Both were celebrated and castigated for their woman-child sex appeal; both struggled with sinister Svengalis – Darryl Zanuck and Mickey Mouse. But one big difference between the two is that Marilyn often wished she had a father, while one imagines Britney often wishes she hadn’t. In the long and sorry history of parasitical men leeching off talented women, was there ever a more worthless example than Jamie Spears?

James Ball

What would life on Mars actually look like?

Just as extreme altitudes have notable effects on the human body and mind, so too does extreme wealth seem to have a particular effect on psychology. Or at least that’s how it appears when you look at the shared ambition of two of the world’s most prominent billionaires, Elon Musk and Jeff Bezos. Both men are fixated on the idea that humanity’s future lies beyond Earth and are funnelling fortunes into the vision that we will soon have significant human settlements off-planet, whether on the moon, Mars or elsewhere. It’s an argument grounded not just in exploration and discovery, but in survival. If humanity’s future on Earth looks to be in doubt, is living off-world not the ultimate insurance policy for our species?

Annie Gray

A history of the onion leaves one crying for more

I am a big fan of Mark Kurlansky. His Cod is one of a handful of books I recommend to people keen to learn about the way in which certain foods have helped shape the world we live in. But while The Core of the Onion has its moments and is an enjoyable read, it’s a mark of how high Kurlansky has set the bar that it doesn’t quite hit the mark for me. For centuries, no writer has dared to tell the truth about caramelising onions The main problem is its brevity – a mere 240 pages. Given that the author is someone who can write more than 300 riveting pages on New York seen through its relationship with the oyster, it seems strange that a vegetable which is consumed globally and was domesticated at least 7,000 years ago doesn’t merit the same treatment.

Leo McKinstry

How sport helped shape the British character

Faith in state planning was central to Harold Wilson’s pledge to modernise Britain. It was his rhetorical vision of a country guided by strategic foresight and ‘forged in the white heat of technology’ that helped him win the 1964 election. But Wilson also displayed the same attachment to planning in his personal life. Back in 1934 he joined the Port Sunlight tennis club, not because he was interested in the sport but because he felt it would provide the right environment to approach one of its young female members, a shorthand-typist called Gladys Baldwin. Unlike his ‘white heat’ agenda, the policy worked. After a lengthy courtship, during which Gladys dropped her first name in favour of her second, Mary, they married.

Fiona Sampson

When atonal music was original and exciting

In the 1960s and 1970s, British music was transfixed by the Manchester School. Led by the composers Harrison Birtwistle, Alexander Goehr and Peter Maxwell Davies, this northern powerhouse of art music also included the brilliant pianist John Ogden and the conductor Elgar Howarth. All five had studied in the city in the early 1950s. Yet what united them wasn’t geographical happenstance but the embrace of what Robert Hughes famously called, writing on modern art, ‘the shock of the new’. It is a mark of the effectiveness of an artistic revolution when young radicals become the creative establishment Far from quaint regionalists, the Manchester School were radically anti-parochial. All enjoyed stellar international careers.

Wednesday

Lynn Barber

The horrors of the ‘Upskirt Decade’

The subject that Sarah Ditum addresses in Toxic is why the early part of this century was ‘such a monstrous time to be famous and female. It’s about how the concept of privacy came undone and why that was a catastrophe for women’. The concept of privacy was actually undone by a judge in Tulsa, Oklahoma in 2006. A 16-year-old girl was browsing through greetings cards in a shop when a man crouched down beside her and took photographs up her skirt. A security guard saw him and called the police. The whole scene was captured on CCTV, so there was no shortage of evidence. But the judge ruled that ‘the person photographed was not in a place where she had a reasonable expectation of privacy’ and an appeals court concurred.

Olivia Potts

No nonsense in the kitchen

I rather bristle at newspaper column collections. They strike me as a bit lazy, a cheat’s way of getting another book under the belt, often just in time for the gift-giving season. When it comes to Rachel Cooke’s Kitchen Person, however, I have to eat my words. It draws from the 14 years of monthly food columns Cooke wrote for the Observer from 2009. Each comes with a postscript from the author looking back on her thoughts at the time, ensuring that the pieces hold their own as a collection, as something cohesive. You sit down to read one essay, and look up 75 pages later. The tone, too, is instrumental in achieving this.

Alys Key

The last battle: The Future, by Naomi Alderman, reviewed

The sirens sound in the street. The lockdown order comes. The images on the television are of chaos and illness, total societal collapse. The apocalypse is here, and where are the rich? Already holed up in their survival compounds, ready to ride out the end of the world before emerging to take control of what’s left of it for themselves. Billionaire preppers and their plans for Bond-villain bunkers have now pervaded the public imagination to the extent that this year we have two novels dealing with the phenomenon. First there was Eleanor Catton’s Birnam Wood, which took inspiration from Peter Thiel’s efforts to build a bunker in New Zealand.

Andrew Lownie

The Duke of Windsor had much to be thankful for

Once a King is trumpeted as ‘game-changing’, a ‘trove of never-before-seen papers which shed fresh light on the maligned Duke of Windsor’ and will ‘turn on its head long-accepted stereotypes’ about him. These are bold claims, but do they stack up? ‘The lost memoir of Edward Vlll’ actually consists of an early draft of the Duke of Windsor’s self-serving memoir, A King’s Story (1951), which Jane Marguerite Tippett found in the papers of the former king’s ghostwriter Charles Murphy in the Boston University archives. Far from being lost, the papers have been known to historians for 20 years and largely ignored in favour of more important collections elsewhere, not least the Murphy papers at the Virginia Historical Institute, of which Tippett seems unaware.

Stuart Kelly

A multicultural microcosm: Brooklyn Crime Novel, by Jonathan Lethem, reviewed

Would readers approaching this novel (although novel might not be precisely the right word) without any indication as to the authorship recognise it as the work of Jonathan Lethem? It doesn’t have kangaroo gangsters packing heat, or sentient miniature black holes, or marine drills converted into nuclear-powered limos. It is not set on an alien planet, or in a parallel universe, or inside a simulated game. There are a few hints. It is set in Brooklyn and has a vaguely geeky feel to it; but tonally it seems very different to Motherless Brooklyn or The Fortress of Solitude. Instead of vernal exuberance there is autumnal wistfulness, but certainly not sentimentality.

Nicholas Lezard

The real problem with ChatGPT is that it can never make a joke

I have been reviewing books for nearly four decades – starting in this very magazine – and over the years I have encountered some real stinkers. But this is the first time I can recall being reluctant to pick up the book because of actual physical nausea. Intellectual nausea I’ve had plenty of times. Give me a 900-page book of magical realism and that’s what I’ll get. But this time it metastasised into real queasiness. I’ll explain why. (Well, that is my job.) The odd thing is, Benny the Blue Whale starts amusingly enough.