More from Books

Wednesday

Simon Baker

In Cold Skin, a brilliantly suspenseful début novel

In Cold Skin, a brilliantly suspenseful début novel by Albert Sánchez Piñol set in the years after the end of the first world war, a young man arrives on a desolate Antarctic island, where for the next 12 months he will study the local climate. Oddly, his predecessor, who was due to be collected, cannot be found; there is only a half-mad lighthouse-keeper, who appears to be the island’s only other inhabitant — or so it seems until night falls, when the man hears the patter of feet outside his window. The novel borrows from so many popular genres — horror, thriller, B-movie — and yet ultimately transcends them all and is classifiable only as an excellent book.

Anne Chisholm

Rampant fascism near Henley

There can seldom have been a better first sentence in a book by a daughter about her mother: ‘“Heil Hitler!” shouted Mummy as she pushed Daddy down the stairs at Assendon Lodge.’ Even better, the next few lines reveal that the second world war was in progress at the time, Daddy was in uniform, and the author was watching and listening from her hiding place under the said stairs. Alas, the rest of the book fails to live up to its brilliant opening. This is a pity, because Julia Camoys Stonor has a bloodcurdling tale to tell and a monstrous parent to describe; and apart from taking the lid off her family, she has a serious purpose — to indicate just how strong, in certain pre-war English upper-class circles, sympathy for Hitler and Franco could be.

Allan Massie

Prince of self-pity

T S. Eliot thought Hamlet an ‘artistic failure’, Shakespeare being unable to reconcile the theme of the old revenge tragedy on which the work is based with the conception of the character of Hamlet himself. One may agree with this while still finding the play compelling; indeed the most puzzling of the tragedies. The revenge theme is admittedly tiresome and the reasons for postponing the act of vengeance both unconvincing and boring. We can accept the ghost only as a convenient theatrical convention. No doubt Elizabethan audiences saw it differently. Belief in ghosts was then common, and one wonders to what extent Shakespeare shared it. Banquo’s ghost appears only to Macbeth and is invisible to the other dinner-guests; invisible to Lady Macbeth also.

Wednesday

Philip Hensher

Showdown and climbdown

Of course, he never did. Margaret Thatcher had more sense than to enter into any kind of discussion with Arthur Scargill — the horror of the beer-and-sandwiches relations between previous governments and the unions was too great. Before the 1984-5 miners’ strike which dominated and defined Thatcher’s second term in office, just as the Falklands war dominated the first, she would not have wanted to be in the same room as Scargill. Afterwards, of course, so comprehensive was the government’s victory over Scargill’s intentions, the question would hardly have arisen. These days, as Patrick Hannan says, hardly one educated person in ten thousand could tell you the name of anyone connected with the National Union of Mineworkers.

Justin Cartwright

Betjeman’s world of trains and buttered toast

I am sitting in the London Library as I write this. I am wearing Rafael Nadal tennis shorts, which come below the knee. Obviously, I look ridiculous. But this is the role of the middle-class, middle-aged English male, to feel slightly out of time, out of kilter, with the world around him. Sometimes down in Rock I see middle-aged Englishmen in their holiday gear, capacious navy-blue shorts or those faded pinkish trousers they wear for golf, always topped with a polo shirt, and it is clear to me that the English seaside has a liberating effect on these people: in a rather crabbed English fashion, they are letting their hair down.

David Gilmour

Beauty and bigotry

When I was a child in the 1950s, I had a delightful book called The Golden Geography which tried to encapsulate every aspect of the globe — its landscape, its climate, its people and their occupations — in a small sketch with a brief caption. From a section called ‘This is Asia’, I learned that Arabs drank water from goatskins, that Indians usually lived ‘out-of-doors’ (a nice way of putting it) and that the Japanese had weird houses with sliding paper doors. Such apparently timeless images were imprinted on my mind and, without much scope for revising them, remained there a long time.

Tom Holland

Victims and/or beneficiaries

‘Roman Britain,’ I asked a friend of mine, a committed pacifist and the veteran of endless marches against the war in Iraq, ‘a Good or Bad Thing?’ ‘Oh, good,’ my friend answered, not even deigning to ponder the question. Startled by the knee-jerk speed of her response, I asked her to explain. ‘Well, the roads, of course. And the baths and the central-heating.’ She paused. ‘And the peace.’ I knew exactly where she was coming from. When I pressed her, it turned out that her hazy sense of Roman Britain derived in large part from a Ladybird book that I too had read when I was young. It was the pictures I chiefly remembered.

Ian Dunlop

Where golf is in the blood

Golfers, I have to admit, can be great bores. Just listen to the pros discuss their performance after a round in a major championship or ask a golfing friend about his game and you can be stuck listening to tales of triumph and tribulation with as much chance of escape as the Wedding Guest from the Ancient Mariner. So it was with some misgivings that I began to read John Greig’s reflections about taking up golf again after a gap of many years and a debilitating illness. Would it be all I, I, I — I hit this magnificent drive here, I then sank a monstrous putt 20 feet from the pin and so on? But Grieg has three qualities in his favour. Firstly, he can write and has six books of poetry, two mountaineering books and five novels to his credit.

John De-Falbe

The maze of the mind

With the publication last year of Your Face Tomorrow 1: Fever and Spear, the first volume of a trilogy and his eighth translated work of fiction, it was plain that Javier Marías was embarking on a project which required readers to leave behind all conventional ideas of what a novel is. At one point in the book the narrator cleans up a drop of blood. On the last page, someone rings his doorbell. There are no other events. But for patient readers with a speculative cast of mind and a taste for stylistic adventure it seemed to be a work of genius. The second volume, Dance and Dream, confirms this. Jacques Deza is a Spaniard living in London. Because of his acute powers of insight into other people, he has been taken on by a mysterious MI6- like agency to evaluate other people.

William Feaver

Shaggy dog story

Until 1970 when he got his first Weimaraner from a litter in Long Beach, California, William Wegman was just another West Coast conceptual tyro, doing regular doubletake stuff like spelling out the word WOUND in sticking plaster stuck to the face. He loved the way the puppy asleep looked like a dropped sock. That gave him an idea, a juicy bone of an idea, an idea worth fooling around with for years to come. Pausing only to name him Man Ray after the only all-American Surrealist, he began thinking up inappropriate poses. Being a Weimaraner Man Ray could be relied on to look long-suffering no matter what and this was great when it came to role-plays involving mind-blowing costume changes.

Wednesday

M R-D-Foot

Triumph and tragedy

The 90th anniversary of the start of the battle of the Somme falls on 1 July. Several books mark it; it made a scar on the nation’s memory that is still severe, and it is still often called the day when the army suffered its worst casualties. Strictly, this is not true, for General Perceval in Singapore surrendered 80,000 men to a smaller force of Japanese on 15 February 1942. But on 1 July 1916 the army did suffer its worst total of dead on a single day: 19,240, and nearly 40,000 more were wounded or went missing. It was the first major action in which Kitchener’s new armies fought; whole battalions of ‘Pals’ from northern industrial towns were almost wiped out.

Olivia Glazebrook

Sex, comics and the Holocaust

Howard Jacobson has called Kalooki Nights ‘the most Jewish novel that has ever been written by anybody, anywhere’. What does this mean? It is a novel whose hero, Max Glickman, is Jewish. It is a history of two Jewish families living in Manchester, the Glickmans and the Washinskys, and a study of the degrees by which successive generations adapt to English society and English culture. It is a book full of Jewish words and phrases, Jewish customs and Jewish friends and relatives. In fact the only non-Jews in the book are either Max’s wives and girlfriends (a plentiful crew), his sister’s boyfriend Mick, and Dorothy, the half-German girlfriend of his neighbour Asher Washinsky. Oh, and a rather odd TV producer named Francine.

Philip Ziegler

Uneasy biographical bedfellows

The dust jacket of this book shows two heads confronting one another: General MacArthur, aggressive, arrogant, defiantly puffing cigar smoke at the world at large; the Emperor Hirohito, impassive, phlegmatic, quietly obstinate. The subtitle, ‘MacArthur, Hirohito and the American Duel with Japan’, similarly suggests that within the book a double biography will be found. The formula can work effectively. Hitler and Stalin, Wellington and Napoleon, were titanic figures whose careers meshed closely, each having the other frequently in his thoughts, each consciously or unconsciously adjusting his behaviour in reaction to the other. The trouble about this book is that MacArthur and Hirohito do not relate to each other in this way.

Stephen Abell

Small maelstrom in Yorkshire

An abiding impression of the Victorian period is its mania for being straight-faced to the point of seeming strait-laced, for order and precision, for enumeration and explication. The Times affirmed that ‘just now we are an objective people. We want to place everything we can under glass cases, and stare our fill.’ Gathering the Water tells the story of the 1847 flooding of the Forge Valley in West Yorkshire for a reservoir in a fussy, finicky Victorian way. And the problem is not staring our fill, but finding enough to fill our stare. Charles Weightman, the narrator, is the ‘flooder’ charged with supervising the evacuation of the remaining habitable homes in the valley before the water comes surging in.

Jonathan Keates

A visionary rooted in this world

Dante has suffered rather too much from his admirers. Barely was he cold in his grave at Ravenna than the process of reinventing him began. The Florentines, who had earlier driven into exile the man they dubbed an instrument of the Devil, hastened to claim him for their own, appointing Giovanni Boccaccio, his earliest biographer, as their city’s official public lecturer on the poet’s most famous work. First merely entitled Commedia, the visionary epic picked up its Divina from Boccaccio, and the process of literary canonisation began.

Marcus Berkmann

Myself when younger

A screenwriter’s lot is not a happy one. You write all those scripts, most of which never get close to being made; you must deal with dim, philistine producers and deranged, egomaniacal directors who don’t necessarily know what they want but know that what you have written is not what they want; you must watch in impotent silence as idiot actors abandon your lines altogether and start ‘improvising’; you take the blame if the film is a turkey and see others take the credit if it’s a huge success; and you enjoy almost no respect from anyone else in the cinematic food chain, as you are only a writer. And what for? Only vast riches and the occasional Oscar nomination if you are very lucky, and the chance to direct your own script if you are even luckier than that.

Anthony Thwaite

Pity (for E, aged three)

I picked a beetle up and let it go,And that was pity;But not the pity that you could not goToday, as you’d been promised, to the ZooBecause you were too sick.So ‘What a pity’ were the words I spoke,And then you asked your question: ‘What is pity?’ I’ve searched and searched, but can’t find out the trickTo tell you what it is. My glib words chokeAttempting to spell out the different senseOf rescuing the beetle, and why youDid not go with us to the promised Zoo.What is the difference? How can I sayThat pity is a debt I cannot pay?

Jonathan Mirsky

Stalling at the starting line

Seven per cent of zebra finches stutter. So did Moses, Demosthen- es, Aesop, Churchill, Darwin, Nietzsche, André Malraux, Marilyn Monroe, Henry James, Somerset Maugham, Charles I, George VI, and Lewis Carrroll. So do Margaret Drabble and Marc Shell, the author of this comprehensive, learned, even playful book. And so, declaring an interest, do I. Many stutterers are left-handed, they don’t stutter when they sing (although Monroe pretended to), make love, or, usually, when they speak another language (I do in Chinese). Stutterers try to disguise their handicaps, hemming and hawing like James, speaking slowly and thickly like Darwin. Some speak extra fast. Some are often silent, others gabble away. As with death, non-stutterers rarely mention stuttering to stutterers.

Allan Massie

The art of the irrelevant

Asked whether a good review would sell a book, the publisher Rupert Hart-Davies replied, ‘No, but a concatenation of good ones may do so.’ One would like to think this true, even while observing that the bestseller lists regularly feature novels which are either not reviewed at all, or have been given brief and sometimes scornful notices. No doubt this was always the case, sales of the likes of Edgar Wallace and Dennis Wheatley not depending on reviews. The means by which a book becomes a bestseller have always been mysterious, though nowadays the level of the promotion budget and the willingness of publishers to pay for lavish displays in bookshops seem also essential to the creation of a bestseller. Few literary novels come into that category.

Wednesday

Mark Archer

Standing room only

The story of the Black Hole of Calcutta was once as familiar to schoolchildren as the battle of Hastings or the Gunpowder Plot. On 20 June 1756, after a fierce battle lasting several days, in which the British defensive force of 515 men had held out against an Indian army numbering tens of thousands, 146 survivors — men, women and children — were locked into a room that measured 14 ft by 18 ft. The room had only two small, high, barred windows for air. The monsoon had not yet broken and the temperature would not have fallen below 100 F all night. When the door was opened in the morning, all but 23 had died from suffocation and thirst.