Grand Guignol grotesquery
Listing page content here Alan Warner’s first novel, Morvern Callar, was macabre, bizarre and brilliant. This, his fifth, is equally macabre and bizarre, but less brilliant. So I first thought. Then I realised that it doesn’t lack heart, but only hides it. That in itself, I suppose, is rather brilliant. The first pages hook us in a simple way: Manolo (Lolo) Follana, aged 40, is told by his doctor and best friend that he is HIV positive. For the next fortnight we follow him while his life replays before him, as for a drowning man. After the opening, however, nothing is simple. Mercifully, Lolo and his friends have names.