Ronald Blythe

A bucolic paradise

From our UK edition

Ronald Blythe examines William Blake’s influence on the work of the 19th-century artist Samuel Palmer Samuel Palmer was in his early twenties when he wrote in his notebook, ‘The Glories of Heaven might be tried — hymns sung among the hills of Paradise at eventide...’ As a subject for a painting he means. Just before this he discovered his paradisal hills at Shoreham on the Kentish coast. And that very same year, 1824, he had also discovered how to paint them, for John Linnell, his future father-in-law, had taken him to visit William Blake. This meeting was profound. Blake was near death and living with his wife in a grubby London back street. Palmer found him ‘lame in bed, of a scalded foot (or leg).

All go in the name of God

From our UK edition

The Bickersteth family has performed its Levi-like role in the Church of England for several generations, providing it with some of its best traditional pastors. Rectories, vicarages, deaneries, palaces have homed them and parish churches and cathedrals have long witnessed their work. And work it still is, as this autobiography of a 20th-century bishop proves, although the word in any put-upon or compulsive sense never seems to have entered his head. His chief motivation has been Christ’s brief instruction ‘Do this.’ John Bickersteth is candid, some might think to the point of naivety at times, and his book reads like an opened-up diary, a free view of himself in which he shows pleasure rather than vanity. He knows that he has had a good time.