More from Books

No end of a lesson

Listing page content here ‘We have forty million reasons for failure, but not a single excuse.’ Kipling’s re- proof, in ‘The Lesson’, on the conduct of the Boer war would serve well as the subtitle of this impressive review of the mess that is the Iraq intervention. The authors are the chief military correspondent of the New York Times and a retired Marine Corps lieutenant general and sometime military correspondent for the same newspaper. Their access to officials and classified documents is remarkable. They are certainly no apologists, unsurprisingly, coming from the NYT. Their intention is ‘to provide a comprehensive account and rationale of the foreign policy strategy, generalship and fighting … in all its complexity’.

Public skool monkey business

Listing page content here I misjudged this book. I thought the airport fiction promised by the literary editor would take me nicely to New York, where I was going the next day. However, at 846 pages, weighing in at one kilo, Jilly Cooper’s Wicked! is long enough to get you to Australia. On my second evening in America the waitress, after reciting in a sing-song monologue the specials for the evening, added, ‘And I also must recommend that you see Wicked, the musical, while you’re here.’ ‘What’s so good about it?’ I asked. ‘Oh, the flying monkeys,’ she said. ‘They’re marvellous and they really fly.’ It turned out to be a different Wicked.

The book that didn’t make the short list

Listing page content here The councils of the early Christian Church were not always agreeable occasions. The bishops quarrelled terribly, at times getting so angry with one another as to clash in frenzied battles of ripped clothes, flying fists, blood and broken noses on the council chamber floor. Of all the issues that most inflamed these holy men none was more contentious than the question of which books should be chosen to constitute the official canon of the New Testament. The bishop who finally won his way was one of the most violent and intimidating of them all, Athanasius of Alexandria, but it was not until 405 AD (some 40 years after his death) that Pope Innocent I eventually ratified Athanasius’s list.

Humanity makes all plain

Listing page content here The title of this well edited and interesting book is misleading. First it suggests a complete collection, which would, if it were ever accomplished, require several volumes. Second, the letters, though mostly written by Pepys, include a considerable number of those written to him and even occasional papers which are not letters at all but throw light on incidents that were important to his career. These are all well chosen and their annotation makes their significance clear to the reader who is not already a knowledgeable Pepysian.Pepys’s letters, though always characteristic and generally well expressed, have not the piercing quality of the Diary.

The most sinful of the seven

Michael Dyson is Foundation Professor in the Humanities and Professor of Religious Studies and Africana Studies at the University of Pennsylvania, the author of 12 previous books, and an ordained Baptist minister. Pride is his own contribution to a series of linked lectures and books on the seven deadly sins. There is no doubting the primacy of pride among the seven. The Greeks had a word for it. As hubris, presumption or arrogance, it loomed large, often along with its retribution or nemesis, in drama, poetry, history, philosophy. In the development of Christian theology, St Augustine saw pride as the source of original sin, and Pope Gregory confirmed it as the root of all evil.

Songs of prayer and praise

The Church of Scotland has recently published a new edition of its hymnary, the first for 30 years. A committee of ministers had the difficult task of deciding which of the old hymns to reject in order to make room for the new songs — many of them from Africa and South America — which have ‘enlivened worship’ over the last few decades. John Bell, who convened the committee, tells us in his introduction that the aim was ‘to combine the best of the new hymnary with the cherished and rich tradition that had nourished and sustained previous generations, and so sound forth the eternal gospel in a world constantly changing in customs and culture’. Bell is himself a distinguished composer and hymn-writer.

Swansong at twilight

It is, if you stop to think about it, an important literary question: what, exactly, is the point of short stories? They so often can — to this reader at least — be dismissed merely as stunted or early-aborted novels, a single idea gestated in the writer’s imagination that has inescapably failed to divide, multiply and develop into a full-grown body of work. They feel incomplete, inconsequential, unsatisfying. Fortunately, Francis King has shown us a (perhaps the) redeeming feature. He has realised that a short story is the perfect form to tell of shortened existence, of life not being allowed fully to develop or finally being brought to an end. His writing is dissatisfied, but not unsatisfying.

Missing the happiness boat

‘Competitive and rapacious and amoral and moralising and just plain mad.’ That’s how middle-class American motherhood seemed to Judith Warner when she returned to the ‘pressure cooker’ of Washington DC after having her first child in Paris, where she had enjoyed the readily available support and relaxed attitude to parenting that French mothers apparently take for granted. Perfect Madness arises from Warner’s conversations with American parents in their thirties and forties — educated, able, affluent people who ought to be leading happy and fulfilled lives. Instead, she finds a society fuelled by neurotic anxiety.

Portable and to the point

An old biographer friend of mine, having churned out several lives of the great over the years, eventually told me over a boozy and depressing lunch that he had had enough, and that he wouldn’t be writing another one ‘for as long as I live’. As it happens he didn’t live that long, but you can still see his point. The literary biography has become such a massive, thumping, thudding beast, vaster than books have a right to be, that the prospect of opening another one weighs heavily on the heart, and several other parts of the body as well. How has this ridiculous situation come to pass? One hesitates to point a finger at anyone, but let’s do so anyway. Peter Ackroyd is the man to blame.

Keeping the best of order

The preceding volume in the New Oxford History of England, covering the years 1727-1783, described the people as ‘polite and commercial’. Boyd Hilton does not imbue their sons and daughters with Byronic qualities, as his title might suggest; rather, it expresses the extreme volatility of the period. In the 1820s 60 per cent of the population were no older than 24. This generation had known little respite from war and its dismal aftermath, frequent and biting economic depressions, scarcity of food and recurrent unrest. Malthus’s warning of the destructive power of population growth and millenarian prophecies of the Apocalypse offered scant reassurance.

Trademarking the ordinary

Lecterns have been installed in some bookshops enabling customers to flip through the 625 tabloid-format pages of what must be the largest volume ever devoted to a single modern artist. Andy Warhol ‘Giant’ Size is Warhol the Lot, a bulk buy, a gross amplitude of Warhol the Simple, Warhol the Smart and Warhol the Resourceful Blank capitalising on paradox and incorrigibility. Weightlifters could try, I suppose, for a Buy One Get One Free deal: two vols screwed to a plank, ideal for workout purposes. Alternatively, imagine Buster Keaton doggedly lugging his copy down Charing Cross Road and dumping it — perfect timing — in front of a runaway bendy bus. Ordinary purchasers, however, will need wheels. Enough of sizeist whimsy.

His Day

Saint George has spent years in denial.His image has had a bad press.There’s been, as shrinks say, for some whileA problem he needs to address. I suppose it’s not really surprisingHe’s pining for something to clout,For even with wide advertisingThere aren’t many dragons about. And where is the Maiden Worth Saving?(To find any maiden is rare.)White flags with red crosses are waving.His country is deep in despair. This England is full of old womenWho’d love to be saved by a Saint.The Union flag needed trimming.Old age is disguised by war paint. There’s a wild Paper Dragon in BrusselsWhose fierce breath brings tears to old eyes.Our Patron is flexing his muscles.Saint George, England needs you. Arise!

Why Housman holds up

Aged 12 or 13 I copied several poems by Housman into a commonplace book I had been encouraged to keep. An English master had read several Housman poems to us, and I’ve been grateful ever since. For some years Housman was my favourite poet, till superseded by Byron (Don Juan especially) and Eliot. The melody or music of the verse no doubt appealed, the mood and message also: ‘We for a certainty are not the first/ Have sat in taverns while the tempest hurled/ Their hopeful plans to emptiness, and cursed/ Whatever brute and blackguard made the world.’ Just the stuff for an adolescent oppressed by an unsympathetic housemaster and twice-daily chapel. Actually there came a time when the admiration faded, the gratitude grew weak.

The march of folly

This wonderful small book brings to an end much journalistic nonsense that followed 11 September 2001 in its definitive treatment of its causes and repercussions. To the Palestinian journalist Abdel Bari Atwan, what happened on that day was a natural conclusion to decades of Arab frustration and Western neglect. Honourably, but not totally successfully, he tries to be condemning of both sides. The sweep of his broad, sensitive and near perfect judgment cancels the importance of individuals, Osama bin Laden included, and focuses instead on the march of folly, which promises more such catastrophes in the future. However, bin Laden is still central to the tale. Atwan begins his narrative by recalling his own 1996 trip to Afghanistan to interview him.

One of Vichy’s vilest

This is a ghastly story, powerfully well told. Lives of criminals form an accepted part of biography; within it, lives of con men are more difficult, because conmen cover and confuse their tracks so carefully. Carmen Callil triumphs over innumerable difficulties to make clear the career of Louis Darquier, one of the villains of the Vichy regime in France. His father was a notable at Cahors, doctor, mayor, radical deputy, with a devoutly Catholic wife of superior lineage who bore him three sons; Louis, born in 1897, was the second. He survived the war as an artillery subaltern, and then went to the bad: a tremendous womaniser, a heavy drinker, a sponger and a cad. Wherever he went, he left a trail of debts.

Talking about the birds and the bees

Were I swimming for my life with these four books between my teeth and were I to be tried more sorely, the first to go would be Parrot. It has three gems: that Warren Hastings, who died (from starvation) in 1818, owned a parrot that was still alive in Swindon in the 1920s; that Charlotte, George V’s parrot, would perch on his shoulder and in a ‘strident, seafaring voice’ call out, ‘Well, what about it?’ as the monarch deliberated over state documents; and that in Australian slang tight male swimming briefs are known as ‘budgie smugglers’. But these are insufficient rewards for trawling through Paul Carter’s unfocused and matey prose. Too often his meaning eluded me. And his style verges on the cute.

Surprised and doomed by joy

At the centre of Rachel Billington’s new novel is love, but this is not in any conventional sense a romantic novel. Claudia, a schoolgirl, falls in love with a man 24 years her senior. He is not a romantic man, though given on occasion to the poetic flights of fancy associated with his chosen occupation, that of would-be writer. He is also married, though this, too, is a union lacking in romance: ‘Of love he did not think. He and Fiona were inextricably bound together. He could not imagine life without her and had no wish to try.’ Claudia, at 16, has few of the attributes of the romantic heroine save her youth and a talent for music: she plays the viola with passionate intensity.

Rescued by reindeer

‘Something about the idea of being a travel writer distresses me,’ laments Jenny Diski in the introduction of her book. ‘So,’ she continues, ‘this is not a travel book.’ Well, distressing as this news may be to both author and reader, this is a travel book. All travel writers have their foibles. Some wish to delight their audience with tales of dangerous adventure. Others strive to amuse their public with wry and witty observations. Jenny Diski’s sole purpose is to do nothing. She wants to keep still. Her deeply uninspiring book slithers into action when she jets off to New Zealand to attend an International Writers’ Festival. Hey-ho, what a drag.